Text Only Catalogue

Unsold Lots from Autumn Catalogue Sale on Saturday 24th September 2011
Unsold lots available to purchase for 5 working days please contact the office

5.      A CROWN DEVON POTTERY VASE, c.1930's, the stepped body with lug handles, decorated with foxgloves and daffodils, M460, printed factory mark. 20cm£70-90
8.      CLARICE CLIFF FOR NEWPORT POTTERY, A "BOUQUET" PATTERN WALL MEDALLION, hand-painted, moulded and pierced with flowerheads, printed factory mark. 19.5cm£200-300
20.     A KESWICK SCHOOL HAMMERED PEWTER FOOTED BOWL, early 20th century, the foot engraved with zig-zags and flowerheads, no. Y132, stamped marks. 18cm£100-150
29.     A LIBERTY & CO. TUDRIC PEWTER FOOTED BOWL, of circular form with stepped foot, no. 01333, stamped marks. 9.5cm by 25.5cm£80-120
40.     A JAMES MACINTYRE "18th CENTURY" PATTERN VASE, DESIGNED BY WILLIAM MOORCROFT, c.1908, the trumpet shaped body tubelined and hand-painted with swags of roses and forget-me-nots against a white ground with gilt-highlighted rim and foot, brown printed factory mark and green painted signature. 28cm£600-800
50.     A 19th CENTURY PERSIAN UNDERGLAZE PAINTED POTTERY QAJAR VASE, of lobed form, showing Iznik influence, decorated with panels of flowers and foliage, the shoulder in geometric patterns. Height 21cm £150-250
54.     A JAPANESE PORCELAIN CHARGER, the well enamel painted with exotic birds amidst flowering prunus within a floral-painted black border. 31.5cm£70-90
56.     A STAFFORDSHIRE PUCE LUSTRE PARTIAL TEA SERVICE, second quarter of the 19th century, comprising six cups and saucers, cream jug and sugar/slop bowl, each piece printed with a lady on horseback opposed by a vignette of a country house. £40-60
57.     A PAIR OF JOHN CARR & SONS, NORTH SHIELDS, HAND-PAINTED POTTERY CABINET PLATES, LATE 19th CENTURY, each decorated in oils with a Dutch winter landscape, one signed with a monogram, impressed marks. 23cm£80-120
58.     A 19th CENTURY MAJOLICA JARDINIERE STAND, of serpentine form, moulded with scrolls, stylised foliage and flowerheads and glazed in pink, green and gold, the interior glazed in yellow, unmarked. 59cm£100-150
60.     A PINDER BOURNE & CO. "CELLINI" DINNER SERVICE, c. 1880, comprising large tureen, sauce tureen on stand, four oval serving plates, two draining plates, a large "well and tree" platter, ten dinner plates, twenty-three fish/dessert plates, and three soup plates, printed marks. £100-150
68.     A SET OF SIX ROYAL CROWN DERBY IMARI SOUP PLATES, printed marks and no. 1128. 21cm£350-450
70.     A SET OF SIX ROYAL CROWN DERBY IMARI DESSERT/CEREAL BOWLS, printed marks, no. 1128. 16cm£250-350
73.     A PAIR OF ROYAL CROWN DERBY IMARI TWO-HANDLED VASES, with integral "covers", pattern no. 1128, printed marks. 30cm£750-1000
74.     A SET OF SIX ROYAL CROWN DERBY IMARI CUPS AND SAUCERS, the cups with white interiors, pattern no. 1128, printed marks.£400-500
75.     A SET OF SIX ROYAL CROWN DERBY IMARI TEACUPS AND SAUCERS IN THE ELIZABETH SHAPE, the cups decorated to the interior, printed marks and no. 1128£500-700
76.     TWO ROYAL CROWN DERBY FLORAL ENCRUSTED MODELS OF PEACOCKS, the first inscribed to the base Townsend and Griffiths, the second Plant and Whittaker, printed marks, boxed. First 22cm£600-800
79.     AN ENGLISH DELFT DISH, 18th CENTURY, the well painted with a basket of fruit, the underside glazed in brown (cracks, stapled repair). 33cm£50-70
81.     A LATE 19th CENTURY MINTONS "MILAN" PATTERN DRAINING PLATE, blue and white. 33cm by 23.5cm£60-80
82.     A 19th CENTURY MAJOLICA LADY'S SHOE, glazed in green shading to yellow, unmarked. 25cm£40-60
84.     A VICTORIAN SCOTTISH TREACLE-GLAZED POTTERY MONEY BANK, modelled as a Scotch chest. 18cm by 8cm by 5.5cm£55-65
88.     A ROYAL WORCESTER FRUIT PAINTED VASE, J. Reed, of ovoid form, shape no. 2227, black-printed factory mark. 18cm£550-650
89.     TWO ROYAL WORCESTER FRUIT PAINTED SMALL DISHES, each E. Townsend and with gadrooned edges, early 20th century, puce printed mark. Larger 11cm by 8.5cm£300-400
91.     A ROYAL WORCESTER FRUIT PAINTED BOWL, signed H. Ayrton, with undulating rim, gilt exterior, puce printed mark. 7cm by 14.5cm£300-400
92.     A ROYAL WORCESTER FRUIT PAINTED PLAQUE, signed J. Bowman, framed. 12cm by 17cm£700-900
93.     A PAIR OF ROYAL WORCESTER FRUIT PAINTED COFFEE CANS AND SAUCERS, each piece signed Roberts, the cans with gilt interiors, black printed marks.£450-550
95.     A ROYAL WORCESTER FRUIT PAINTED COMPORT, signed T. Lockyer, of shaped oval form with gadrooned edge and shell handles, puce printed factory mark. 18cm by 31cm£1200-1500
96.     A ROYAL WORCESTER FRUIT PAINTED TWO-HANDLED VASE AND COVER, signed K. Mason, of pedestal form, shape no. 2363, black printed mark. 21cm£900-1200
97.     A LARGE AND STRIKING ROYAL WORCESTER FRUIT PAINTED TUREEN, COVER AND UNDERPLATE, the tureen and underplate signed J. Bowman, the cover with fruit-moulded gilded knop, the two-handled tureen with gilded base, black printed mark; the underplate with shell handles, gilt factory mark. Height 27cm, length of underplate 40cm£4000-5000
98.     A PAIR OF ROYAL WORCESTER FRUIT PAINTED CUPS AND SAUCERS, one duo D. Fuller the other Platt and Smith, with gilt interiors, black printed marks.£800-1000
99.     A ROYAL WORCESTER FRUIT PAINTED TWO-HANDLED VASE, signed D. English, of pedestal form, shape no. 1969, black printed mark. 31cm£1700-2000
100.    A ROYAL WORCESTER FRUIT PAINTED GINGER JAR AND COVER, signed H.H. Price, decorated in the round, shape no. 2826, puce printed mark. 17cm£1400-1800
101.    A ROYAL WORCESTER FRUIT PAINTED GINGER JAR AND COVER, signed P. Stanley, decorated in the round, shape no. 2826, black printed mark. 17cm£1400-1800
102.    A PAIR OF ROYAL WORCESTER FRUIT PAINTED GINGER JARS AND COVERS, Nutt and Cook, painted in the round, shape no. 2826, black printed marks. 17cm£3000-3500
103.    A PAIR OF ROYAL WORCESTER FRUIT PAINTED 10" PLATES, signed Telford, each gilded plate centred by a painted panel, gilt printed marks. 27cm£550-650
104.    A ROYAL WORCESTER FRUIT PAINTED SUGAR BOWL, signed Freeman, with gilt interior, black printed mark. 6cm by 9.5cm£300-400
106.    A ROYAL WORCESTER FRUIT PAINTED SOUP TUREEN, COVER AND UNDERPLATE, each piece signed P. English, the cover with c-scroll handle, the oval tureen with twin handles, the underplate a shaped oval, all with black printed mark. Height 22cm, length of underplate 37cm£4000-5000
107.    A ROYAL WORCESTER FRUIT PAINTED PLAQUE, signed P. Platte, framed, black printed mark. 16.5cm by 23.5cm£650-750
109.    A ROYAL WORCESTER FRUIT PAINTED SUGAR BOWL, signed T. Nutt, with gilt interior and rope edge, black printed mark. 7cm by 11.5cm£400-500
110.    A ROYAL WORCESTER FRUIT PAINTED TWO-HANDLED VASE, signed D. Fuller, of pedestal form, shape no. 1969, black printed mark. 28.5cm£1500-2000
111.    A ROYAL WORCESTER FRUIT PAINTED TWO-HANDLED VASE AND COVER, signed J. Reed, of slender ovoid form, shape no. 2710, black printed mark. 32cm£1200-1500
112.    A ROYAL WORCESTER FRUIT PAINTED SMALL POT POURRI, signed, of tapering form with pierced cover, shape no. H291, black printed mark. 13cm£400-500
113.    A LARGE ROYAL WORCESTER FRUIT PAINTED POT POURRI, signed Freeman, the pierced cover concealing a lid, decorated in the round, shape no. 1286, black printed mark. 25cm£2000-2500
114.    A ROYAL WORCESTER FRUIT PAINTED POT POURRI, signed D. Winter, the pierced cover concealing a lid, shape no. 1286, black printed mark. 20cm£1000-1500
115.    A PAIR OF ROYAL WORCESTER FRUIT PAINTED COFFEE CANS, signed, with white interiors and rope edging, black printed marks.£350-450
117.    A LATE 19th CENTURY STOURBRIDGE VASE, of bulbous long-necked form, with frilled rim decorated with an applied amber glass trim, over a cranberry and white Nailsea style loop ground. 21cm£60-80
118.    THREE LATE 19th CENTURY SATIN GLASS VASES, POSSIBLY WEBB, each with frilly rim, one with a pale blue ground, another pale yellow, the third a shaded pink ground, two with a "quilted" air trap finish, the third a pattern of chevrons. Tallest 15cm£80-120
120.    A PAIR OF LATE 19th CENTURY SATIN GLASS VASES, POSSIBLY WEBB, of gourd form, with a quilted air trap satin finish over a graduated pink ground. 15.5cm£60-90
122.    AN UNUSUAL 19th CENTURY SUNDERLAND GLASS DUMP WEIGHT, enclosing a sulphide of thistles. 13cm£150-200
125.    A PAIR OF IRIDESCENT GLASS VASES, IN THE MANNER OF LOETZ, early 20th century, of shaft and globe form, unmarked. 12cm £70-90
129.    AN EARLY 20th CENTURY PATINATED METAL FIGURAL LAMP, cast as a young man in 16th century costume with arms aloft, on an ebonised wooden base. Overall height excluding fitting 41cm£50-70
137.    A COUNTRY WROUGHT-IRON FOOTMAN, of triangular form, the top incorporating a heart motif, with scroll stretcher and raised on cabriole legs with pad feet. Diameter 34.5cm£50-70
138.    A COUNTRY WROUGHT-IRON GRIDDLE/TOASTING FRAME, the plate decorated with scrollwork, with flat baluster handle, and raised on three legs. Length 51.5cm£40-60
157.    A PAIR OF SILVER BALUSTER CANDLESTICKS, BIRMINGHAM 1972, each with dome base beneath a tapering standard and baluster candle cup, decorated with bands of beadwork, weighted. 22.5cm£300-400
167.    A PAIR OF WILLIAM IV SILVER SALAD SERVERS, SPOON AND FORK, MARY CHAWNER, LONDON 1835, fiddle and thread. 12 troy ounces. £350-450
171.    GEORGE III SILVER TONGS, DARLING & BELL, NEWCASTLE 1817, fiddle pattern, engraved to the bow with a monogram. 14.5cm, 1.40 troy ounces£50-70
176.    A GEORGE V SILVER PHOTOGRAPH FRAME, BIRMINGHAM 1912, the rectangular aperture within a plain conforming frame, wooden easel back. Aperture 15.5cm by 10cm£100-120
178.    AN OPAL AND DIAMOND RING, the oval-cut opal within a border of brilliant-cut diamonds, on an 18ct yellow gold band with scroll-cast shoulders. Ring size L/M£80-120
180.    A DIAMOND CLUSTER SIGNET RING, the oval mount pave set with brilliant-cut diamonds in a heavy fluted mount, on an 18ct white gold band. Ring size M. £900-1100
181.    A SAPPHIRE AND DIAMOND CLUSTER RING, the oval mixed-cut sapphire collet set within a diamond-set mount, each radiating segment set with two brilliant-cut diamonds, on an 18ct white gold band. Ring size M£1200-1400
182.    AN EMERALD AND DIAMOND RING IN ART DECO STYLE, the centre set with a truncated baguette-cut diamond and four step-cut emeralds, all collet-set above a pierced mount, on an 18ct white gold and platinum band. Ring size N£1200-1500
183.    AN AQUAMARINE AND DIAMOND RING, the step-cut aquamarine (approx. 4 carats) four-claw set between baguette cut diamond shoulders and four brilliant-cut diamonds to each side of the hoop, on an 18ct white gold band. Ring size J£1500-1800
184.    A PAIR OF DIAMOND STUD EARRINGS, each brilliant-cut diamond claw-set on 18ct white gold post and butterfly fittings. £1800-2200
186.    A SAPPHIRE AND DIAMOND RING, the oval purplish-blue sapphire four claw-set above tapering shoulders set with baguette-cut diamonds on an 18ct white gold band. Ring size M£2000-2500
187.    A PAIR OF SAPPHIRE AND DIAMOND CLUSTER EARRINGS, the oval mixed-cut sapphire set within a border of twelve brilliant-cut diamonds, on 18ct white gold post and butterfly fittings. £700-900
189.    A DIAMOND BRACELET, the forty princess-cut diamonds in 18ct white gold box settings. Length 18.5cm£1000-1500
190.    A TANZANITE AND DIAMOND RING, the trillion-cut tanzanite set between three princess-cut diamonds to each shoulder, on an 18ct white gold band. Ring size M£3000-4000
191.    A DIAMOND LINE BRACELET, the fifty-eight brilliant-cut diamonds claw-set in 18ct white gold. Length 18.5cm, total weight of diamonds approx. 4.6 carats£3200-3500
192.    A SAPPHIRE AND DIAMOND CLUSTER RING, the brilliant-cut diamond within four oval mixed-cut sapphires within an undulating brilliant-cut diamond-set mount, on a basket setting, band unmarked. Ring size L/M£400-500
202.    AN OPAL BAR BROOCH, c. 1890, the oval-cut opal claw-set above an oval pierced mount, on a knife-edge bar. £70-90
206.    A DIAMOND CLUSTER RING, the three baguette-cut diamonds within a band of twelve round brilliant-cut diamonds, claw-set on an 18ct yellow gold band. Total weight of diamonds approx. 1 carat, ring size L£600-800
209.    A THREE-STONE DIAMOND RING, the three round brilliant-cut diamonds claw-set in a crossover setting, on an 18ct yellow gold band. Total weight of diamonds approx. 0.5 carats, ring size P.£400-600
211.    A DIAMOND SOLITAIRE RING, the round brilliant-cut stone claw-set on an 18ct yellow gold band. Approx. weight of stone 0.33 carats, ring size L£250-350
213.    A SEVEN STONE DIAMOND RING, the graduated round brilliant-cut stones on an 18ct white gold band. Total weight of stones approx. 1 carat, ring size N/O£500-700
214.    A PAIR OF DIAMOND STUD EARRINGS, each round brilliant-cut stone weighing approximately 0.5 carats, claw-set in 18ct white gold, post and butterfly fittings. £1000-1500
215.    A PAIR OF DIAMOND AND PEARL EARRINGS, each with pierced foliate white gold mounts set with brilliant-cut diamonds suspending twelve cultured pearl strands, 18ct white gold, post and butterfly fittings. Length 7cm£700-900
218.    A MID-19th CENTURY SCOTTISH AGATE BROOCH, of flowerhead form, the various coloured stones set in slate. 4.75cm£70-90
229.    A LATE 19th CENTURY CHILD'S PERCUSSION CAP RIFLE, with ramrod, leather shoulder strap with copper hunting horn attached, the butt with pierced silver monogram mount and hallmarks for 1898. Length overall 89cm£100-150
234.    A LATE 19th/EARLY 20th CENTURY SWORDFISH BILL. 87cm£100-150
236A.   A LATE 19th/EARLY 20th CENTURY EGYPTIAN DRUM, the tapering body densely overlaid with mother-of-pearl in geometric patterns. Height 30cm£40-60
237.    WELLINGTON, THE PENINSULAR CAMPAIGN: A MID-19th CENTURY GILT-METAL CASE CONTAINING FIVE MINIATURE COMMEMORATIVE MEDALS, the case cast with a trophy of arms, inscribed "The Wellington Peninsular Medals" and a registration mark for 1849, "Waterloo" and a battle scene verso, containing five gilt-metal miniature medals including Salamanca, Vimiera, Pamplona etc. Case 22mm£100-150
239.    A WORLD WAR II GERMAN WEHRMACHT MERIT CROSS, 2nd CLASS NON-COMBAT, dated 1939, with swastika. £40-60
241.    A WORLD WAR II GERMAN CUSTOMS OFFICER'S EPAULETTE, with two pips and decoration. £30-40
242.    A WORLD WAR II GERMAN WEHRMACHT WEST WALL MEDAL, with ribbon, swastika and eagle, inscription to reverse. £40-60
243.    A WORLD WAR II GERMAN HUNTING ASSOCIATION BADGE, with stag's head and swastika (the Hunting Association founded by Hermann Goering). £40-60
245.    FOLK ART: A 19th CENTURY WHALEBONE VERTEBRA NAIVELY PAINTED AS JOHN WESLEY. 12.5cm£150-250
248.    A LATE 19th/EARLY 20th CENTURY CONTINENTAL GILT-METAL MOUNTED ENAMEL CASKET, of bombe form, the hinged cover and sides painted with floral sprays against a pink ground, the metal mounts cast with scrolls and stylised foliage. 15cm£70-90
249.    A LACQUER TWIN-HANDLED TRAY, c. 1920/30, in the Oriental taste, boldly decorated with a bird in flight and two fruiting boughs all against a black ground. Length across handles 60.5cm£80-100
250A.   A GROUP OF YEMENI JEWELLERY, including a collar suspending beads, a pair of earrings, bangles, an anklet etc£80-120
250B.   A NORTH AFRICAN PAINTED WOODEN BOX, the domed conical cover and body painted in red with bands of incised decoration; together with TWO YEMENI BASKETS, each wicker basket with coloured bands and leather carrying handles. First 15cm£50-70
252.    TREEN: AN ARTICULATED WOODEN DOLL, in a "grass" skirt. 24.5cm£80-120
255.    A BLACK FOREST LETTER RACK, early 20th century, the shaped backboard mounted with four masks, each displaying a differing emotion. 42cm£60-80
258.    TREEN: AN EARLY 19th CENTURY SYCAMORE WASHING BAT, of characteristic form, with chip-carved decoration. 65cm£40-60
260.    CIRCLE OF ERIC GILL, CHRIST ON THE CROSS, carved wood, on a stepped oak plinth signed with a monogram. 90cm£200-300
260A.   A BENIN TYPE BRONZE MODEL OF A SEATED MAN. 19cm£60-80
263.    GEORGES GIRAUD, A BRONZE MEDAL, "SOCIETE BOTANIQUE DE FRANCE", centenary 1854-1954, the reverse finely cast with the head of a girl against a ground of mushrooms, grapes, ears of corn, etc, signed, in original presentation case. 6.5cm£60-80
264.    J.H. COEFFIN, GILT-BRONZE COMMEMORATIVE MEDAL FOR THE LAUNCH OF THE S.S. FRANCE, 1962, one side with an image of the liner, the obverse with a bust of Marianne within an inscription. 5.2cm£40-60
265.    A FRENCH BRONZE EXHIBITION MEDAL, SOCIETE PHILOMATIQUE, BORDEAUX 1895, cast to one side with a seated female nude against a background of the exhibition buildings, the obverse with a bust of Burdigala (Bordeaux) with grapes and vines entwined in her hair and a ship as headpiece, signed to both sides. 6cm£50-70
280.    FRENCH, GEORGE RUSSELL, "THE ROYAL DESCENT OF NELSON AND WELLINGTON", pub. William Pickering, London 1853, 8to, original embossed cloth covers, losses to spine, cover worn, light foxing. £250-350
281.    PERCY MACQUOID & RALPH EDWARDS, "THE DICTIONARY OF ENGLISH FURNITURE", three volumes, pub. Country Life 1924-27, original cloth and gilt. £180-250
282.    COOPER, W. HEATON, "LAKELAND PORTRAITS", first edition 1954, original dustwrapper, signed by the author on dedication page; SAME AUTHOR, "THE TARNS OF LAKELAND", first edition 1960, original dustwrapper; and SAME AUTHOR, "THE HILLS OF LAKELAND", first edition 1938, original dustwrapper. (3)£200-300
283.    HUISH, MARCUS B. & HELEN ALLINGHAM R.W.S., "HAPPY ENGLAND", pub. Black 1904, coloured plates with captioned tissue guards, gilt-decorated cloth. £50-70
285.    GODDEN, GEOFFREY A., "STEVENGRAPHS AND OTHER VICTORIAN SILK PICTURES", first edition pub. 1971, original dustwrapper. £40-60
287.    JOHN, W.D. & BAKER, WARREN, "OLD ENGLISH LUSTRE POTTERY", second edition 1962, limited to 1000 copies, cloth covers. £40-60
292.    CESCINSKY, HERBERT, "ENGLISH FURNITURE OF THE EIGHTEENTH CENTURY", three volumes, half leather, large quarto. £100-150
294.    NORMAN WILKINSON (1878-1971), "THE LONDON PILOT", etching, signed in pencil lower right and inscribed lower left, framed. Plate 15cm by 22.5cm£120-180
295.    NORMAN WILKINSON (1878-1971), FISHING BOATS OFF THE SOUTH COAST, etching, signed in pencil lower right, framed. Plate 17.5cm by 27.75cm£120-180
299.    A SILHOUETTE, OF TWO FIGURES IN 18th CENTURY DRESS, heightened with white, in an oval frame. Overall 17cm by 13cm£50-70
301.    AFTER RAPHAEL, 18th CENTURY, THE MADONNA DEL GRANDUCA, oil on panel, in a later gilt-composition frame. 19cm by 13.5cm£500-700
308.    ASHLEY JACKSON F.R.S.A., SADDLEWORTH MOOR, DINGLEY MILL, signed lower left, watercolour, presentation inscription from the artist verso dated 1983, framed. 35cm by 53cm£400-600
309.    CIRCLE OF SIR JOHN LAVERY (1856-1941), ARAB FIGURES AT SUKO, oil on panel, inscribed verso, unframed. 28cm by 19.5cm£150-250
310.    STAITHES SCHOOL, MARES AND FOALS IN A FIELD, oil on panel, framed. 19cm by 27cm£50-70
312.    FRANK HARDY (20th CENTURY), "THE MODEL", STUDY OF A FEMALE NUDE, signed lower left, oil on board, label verso, framed. 36cm by 22cm£70-90
314.    NARDI (LATE 19th/EARLY 20th CENTURY), GANDRIA LUGANO, signed lower right, watercolour, framed. 27.5cm by 36cm£70-90
315.    CIRCLE OF THOMAS MILES RICHARDSON (1830-90), A CONTINENTAL HARBOUR, signed with a monogram lower left, watercolour, framed. 23cm by 33cm£150-200
316.    AN INDIAN MINIATURE PAINTING, of a man mounted on a dog, watercolour on ivory, highlighted with gilding, circular. 15mm£30-50
318.    CHINESE SCHOOL, 19th CENTURY, CHILD WITH A FAN and CHILD WITH A PARASOL, A PAIR OF STUDIES, OIL ON CANVAS, each with heavy craquelure, framed. 23cm by 14cm£50-70
319.    AFRICAN SCHOOL, 20th CENTURY, HUNTING AND FISHING, signed Ossiala, gouache, framed. 24cm by 31cm£40-60
324.    FREDERICK (FRED) LAWSON (1888-1968), "OLD CHAPEL, MONTREUIL, FRANCE", signed lower right and dated 1914, pencil and watercolour, framed. 25.5cm by 31.5cm£350-450
326.    FREDERICK (FRED) LAWSON (1888-1968), BOLTON CASTLE, signed lower right, pencil and watercolour, framed. 25cm by 33cm£250-350
327.    ROBERT LESLIE HOWEY (1900-1981), BLETARN & LANGDALE PIKES, signed lower left, watercolour, framed. 11cm by 16cm£180-250
329.    FREDERICK (FRED) LAWSON (1888-1968), ON THE SAND DUNES, ETAPLES, FRANCE 1914, signed and dated lower right, watercolour, framed. 26.5cm by 34cm£250-350
330.    FREDERICK (FRED) LAWSON (1888-1968), KEPIER GATE, DURHAM CITY, signed lower right and dated 1916, watercolour, framed. 24cm by 33cm£250-350
332.    FREDERICK (FRED) LAWSON (1888-1968), HAYCART ON A COUNTRY ROAD, signed lower right, framed. 37cm by 27cm£250-350
336.    FREDERICK (FRED) LAWSON (1888-1968), A WOOD ON THE NORTH YORKSHIRE MOORS, signed lower left and dated 1941, watercolour, framed. 26cm by 36cm£200-300
338.    JOHN CHARLES MOODY (1884-1962), DURHAM CITY FROM THE RIVER, signed and inscribed lower right, watercolour, framed. 28cm by 38cm£150-250
340.    ENGLISH SCHOOL, 19th CENTURY, AFTER THE STORM, watercolour, unsigned, framed. 10cm by 30cm£100-150
342.    DAVID HARDY (fl. 1855-1870), FIRST STEPS, signed and dated 1863 lower right, watercolour, framed. 49cm by 60cm

Note: A painter of rustic genre and country subjects in oil and watercolour. Hardy lived in Bath and exhibited at the Royal Academy and the Royal Society of British Artists.£2000-3000
343.    ALFRED HERBERT (fl. 1843-1860), UNDER SAIL IN HEAVY WEATHER, signed with initials and dated 1856 lower left, watercolour, framed. 51cm by 73cm

Note: A seascape watercolourist who lived in Southend, Herbert gained first hand knowledge of coastal shipping while working as a Thames tugboat man. Forty-three of his works were exhibited at the Royal Academy. Very similar in his style to William Callow.£600-800
344.    JOHN FALCONER SLATER (1857-1937), AN ORNAMENTAL GARDEN WITH POND, signed lower right, oil pastel, framed under glass. 52cm by 70cm

Note: Slater ran a store in the diamond fields of South Africa before returning to Tyneside to become a professional artist. He exhibited in London, Scotland and at the Laing Art Gallery in Newcastle. He was also a keen writer about art, in both the press and his own publication.£750-850
345.    GEORGE HORTON (1859-1950), CHESTNUT TREES IN HOLLAND, signed lower right, watercolour, framed. 21cm by 32cm

Note: The main exhibitions of his work were held in The Hague and Rotterdam. Exhibited one piece at the RA in 1896. £350-450
348.    JOHN WILSON HEPPLE (1886-1939), THE OLD BRIDGE, signed lower left, watercolour, framed. 21cm by 33cm

Note: The son of Wilson Hepple, he was born at Whickham. Although not a full time artist (he chose teaching as a profession) he exhibited regularly in the North East, mainly in the Northern Counties Exhibitions at the Laing Gallery.£150-200
349.    JOHN WILSON HEPPLE (1886-1939), RIVER LANDSCAPE, unsigned, watercolour framed. 21cm by 32cm

See note for the preceding lot.£200-300
350.    GARY MAHON (SCOTTISH, CONTEMPORARY), COTTAGE IN A RUSTIC LANDSCAPE, signed lower right, oil on canvas, in a pine frame. 29cm by 29cm

Note: Mahon was born in Glasgow. The subject matter of many of his artworks is the rugged landscapes of the West Coast of Scotland including the villages, beaches and hills. His work tends to focus on the objects that give a place a character. The use of colour and contrast of light form the essence of his work. He has won many awards and his works are held, amongst other places, in The House of Lords, Palace of Westminster.
This lot may be subject to ARR.£300-400
354.    WILLIAM IRVING (1866-1943), THE NORTHUMBERLAND COAST, signed and dated 1875 lower left, oil on canvas, framed. 47cm by 88cm£400-600
355.    JOHN ARTHUR DEES (1875-1959), LAKELAND COTTAGE, signed lower right, watercolour, framed. 27cm by 38cm

Note: Dees was born in Newcastle and studied at the School of Art Gateshead, winning gold medals in 1895 and 1896, but decided on a career in commerce.£150-200
355A.   EDWIN EARP (1851-1945), BOATS AT SAIL, A PIER BEYOND, signed lower right, watercolour, framed. 25.5cm by 38.5cm£100-150
357.    FRANCIS (FRANK) THOMAS CARTER (1853-1934), NEAR SCARTOLER, signed lower right, oil on canvas, framed. 30cm by 44cm

Note: Carter was born at Warkworth, a son of the station master. A regular exhibitor at the RA and RSA, it is often said that he spent six days of the week as an innkeeper and Sundays as a painter. His family ran the Nags Head in Newcastle.£350-450
359.    ARTHUR HENRY GRAHAM HOGGARTH (1882-1964), AFFPUDDLE, signed, pen and ink, framed. 18.5cm by 27cm£120-180
360.    ARTHUR HENRY GRAHAM HOGGARTH (1882-1964), KNARESBOROUGH, unsigned, titled lower right, framed. 23cm by 55cm£120-180
361.    ARTHUR HENRY GRAHAM HOGGARTH (1882-1964), RIVER LANDSCAPE, signed with initials lower left, crayon, framed. 25.5cm by 33cm£120-180
363.    HERBERT DAVIS RICHTER R.S.W. (1874-1955), "SUNLIGHT PAGEANTRY", signed lower right, old Glasgow Institute of Fine Arts label verso, oil on canvas, in a gilt-composition frame. 75cm by 62cm£3500-4500
364.    WILLIAM JOSEPH J.C. BOND (1833-1928), MONK BAR YORK, monogrammed lower left, watercolour, framed. 22cm by 17cm£150-250
365.    GEORGE STANFIELD WALTERS (1838-1924), COASTAL SHIPPING (OFF CALAIS), signed lower left, watercolour, framed. 23cm by 33cm£250-350
366.    CHARLES THORNLEY (fl. 1858-1898), "OFF THE SUSSEX COAST", signed lower right, oil on board, titled and attributed on the slip, in a gilt composition frame. 29cm by 24cm£3000-4000
368.    NOEL HARRY LEAVER A.R.C.A. (1889-1951), CHURCH IN A NORFOLK LANDSCAPE, signed lower right, watercolour, framed. 18cm by 27cm£600-800
369.    JOSEPH KIRKPATRICK (1872-1930), TWO GIRLS IN A WOOD, signed lower right and dated 1898, watercolour, framed. 22cm by 15cm
Note: Kirkpatrick exhibited frequently between 1891 and 1928 at Birmingham, Liverpool, London etc including thirteen pictures at the Royal Academy£800-1200
370.    JAMES NOBLE (BRITISH, 1919-89), STILL LIFE OF ANEMONES, signed lower left and dated '51, oil on board, framed. 44cm by 34cm£400-600
371.    HENRY MOORE R.A., R.W.S. (1831-95), SHIP IN FULL SAIL ON CHOPPY SEAS, signed lower right, oil on canvas, framed. 45cm by 80cm£1800-2500
372.    JAMES MACBETH (SCOTTISH, 1847-91), THE FAIRGROUND AT NIGHT, signed lower left and dated 1878, oil on canvas, framed. 88cm by 62cm£3000-4000
373.    WILLIAM GOLDSMITH (BRITISH, 20th CENTURY), HARVEST TIME, signed lower left and indistinctly dated, watercolour, framed. 29cm by 58cm£600-800
374.    CIRCLE OF WILLIAM ADOLPHUS KNELL (1802-75), SHIPPING IN STORMY SEAS, oil on canvas, in a gilt-composition frame. 29.5cm by 39.5cm£1000-1500
375.    ENGLISH SCHOOL, 19th CENTURY, HARVESTING THE LOBSTER POTS, oil on canvas, framed. 47cm by 65cm£1500-2000
377.    G. HAMMOND (BRITISH, 20th CENTURY), HUNTSMEN AND HOUNDS, a miniature watercolour, on card, signed lower left, in a gilt-composition frame. 7.5cm by 10cm£70-90
380.    GUY L'HOSTIS (FRENCH, 20th CENTURY), "GORCH FOCK SAILING FROM ROUEN 1989", signed lower left, inscribed and dated lower right, watercolour, framed. 33cm by 47cm£120-180
381.    DAME LAURA KNIGHT (1877-1970), CIRCUS ACT, monogrammed lower right, ink and wash, studio stamp verso, framed. 18.5cm by 26.5cm£800-1200
383.    SIDNEY V. GARDNER (BRITISH, exh. 1891-1927), "THE ROAD BY THE RIVER", signed lower right and dated 1900, old gallery label verso, oil on board, in a gilt-composition frame. 24cm by 34cm£500-700
387.    20th CENTURY SCHOOL, PORTRAIT OF A FARMER, indistinctly signed "Woodruff"? lower right, oil on canvas, framed. 75cm by 62cm£150-200
391.    FRED ROE (1864-1947), "THE GOTHS IN ROME", inscribed, signed and dated (18)89, watercolour en grisaille, framed. 62cm by 44cm£300-500
395.    DAVID STEFAN PRZEPIORA (b. 1944), FIGURES BY A CLOCK TOWER, signed lower right and dated (19)79, oil on board, framed. 49.5cm by 98cm£120-180
403.    ARTHUR ERNEST MAUGHAM OF SHEFFIELD (EXH. 1908), THE BRIDGE AT CROFT ON THE TEES NEAR DARLINGTON, signed lower right and dated 1917, watercolour, framed. 33cm by 49cm£200-300
412.    ANTON PURIGINI, CAIRO, signed lower right, titled lower left, watercolour, framed. 23.5cm by 52cm£50-70
413.    GARMON MORRIS (fl. 1900-1930), MOONLIGHT NIGHT, COAST OF ESSEX, signed lower right, titled lower left, watercolour, framed. 19cm by 53cm£200-300
415.    INDIAN SCHOOL, CEREMONIAL PROCESSION, unsigned, gouache on silk, framed. 25cm by 51cm£80-120
416.    WILLIAM JAMES SMITH CRAMPTON (1855-1935), TACKING ROUND THE HEADLAND, signed lower left, oil on canvas, framed. 40cm by 60cm£300-400
417.    CLAUDIO CASTELUCHO DIANA (SPANISH, 1870-1927), STILL LIFE OF WHITE DAHLIA AND CLEMATIS, signed C Castelucho, oil on canvas, framed. 45cm by 54cm£100-150
419.    TOM OLDHAM, THE BOWES MUSEUM, signed lower right, watercolour, framed. 24cm by 33cm£80-120
422.    ISABELLA (ISA) JOBLING (NEE THOMPSON) (1851-1926), A CORNER OF THE GARDEN, signed lower left, watercolour, framed. 17cm by 24cm£80-120
429.    THOMAS BOND WALKER (1861-1933), PORTRAIT OF A LADY WEARING A CAMEO, signed upper right and dated 1916, oil on canvas, in a gilt-composition frame. 65.5cm by 49.5cm£200-300
430.    RICHARD W. MARSHALL (b.1944), FARNDALE MOOR, NORTH YORKSHIRE MOORS, signed, watercolour and gouache, framed. 22.5cm by 35cm£100-150
432.    WILLIAM LANGLEY (1852-1922), BRINGING HOME THE FLOCK AT SUNSET, signed lower right, oil on canvas, in a gilt-composition frame. 38cm by 59cm
£300-500
434.    JOSEPH JOHN JENKINS (1811-85), GATHERING WILD FLOWERS, signed lower left and dated 1858, watercolour, framed. 49cm by 33cm
£500-700
436.    MARIE (MIZZI) WUNSCH (GERMAN, 1862-1898), THE SECRET, signed lower left, oil on panel, in a gilt-composition frame. 29cm by 18cm£800-1200
441.    RACING INTEREST: THE DERBY 1868, A COLOURED SILK PANEL, printed with the horses and jockeys, the names of the first three horses and their owners including Blue Gown, owned by Sir Joseph Hawley recorded underneath the vignette, mounted on a wooden stretcher. 74cm by 78cm£100-150
443.    A LARGE PATCHWORK QUILT, worked in multi-coloured hexagons against a white ground within a pale green border, white reverse. 2.36m by 2.40m£350-450
446.    AN ANTIQUE TIMURI RUG, East Persia/Afghanistan. 1.04m by 1.84m£80-120
447.    A SULAYMAN STYLE AFGHAN RUG. 1.09m by 2.18m
£100-150
448.    AN ANTIQUE KURDISH RUG. 1.25m by 1.65m£60-80
450.    AN OLD TABRIZ RUG, West Persian. 1.23m by 2.00m
£150-200
451.    A TURKEMAN RUG. 1.38m by 2.13m£70-90
452.    AN IVORY GROUND MORI BOKHARA RUG. 1.26m by 1.95m£60-80
453.    AN ANTIQUE FERRAGHAN RUG, West Persia. 1.28m by 1.99m£200-300
454.    A RED GROUND MORI BOKHARA RUG. 1.23m by 2.03m£80-120
456A.   A KASHAN PRAYER RUG, early 20th century. 1.25m by 2.00m£300-400
456B.   AN OLD KASHAN CARPET. 3.50m by 0.84m£500-700
458.    AN USHAK RUG, PROBABLY WESTERN ANATOLIAN. 1.90m by 1.18m£60-80
463.    A GILT-METAL MOUNTED EBONISED PORTICO CLOCK, c.1870, the cylinder two-train movement with outside countwheel striking on a bell, the engine-turned silvered dial within a shell and scroll cast gilt metal surround, suspending from a stepped hood and four Doric columns continuing to a platform base raised on flattened bun feet. 44cm by 24cm by 13cm£200-300
465.    A LATE GEORGIAN SHELL-INLAID MAHOGANY WHEEL BAROMETER, c.1830, with broken urn-topped pediment above a thermometer, with silvered register, continuing to a silvered circular dial with central sweep, signed I.APRILE/Sudbury. 0.98m £400-500
466.    A STRING-INLAID FIGURED MAHOGANY WHEEL BAROMETER, c.1850, the acorn and urn topped pediment surmounting a dry/damp scale above a thermometer, with silvered register, over a silvered circular 10" dial, with central sweep, continuing to a level, signed Macrae/34 Aldgate. 1.12m£450-550
476.    A PAIR OF ALBERT "EAGLEMAN" JEFFRAY OAK PANEL BACK CHAIRS, each with original tan leather seats raised on faceted baluster legs terminating in blocks joined by stretchers, adzed throughout, each with recessed carved eagle signature.£300-500
478.    A PAIR OF THOMAS "GNOMEMAN" WHITTAKER OAK AND LEATHER UPHOLSTERED TAVERN STOOLS, c.1950, the stuffed over rectangular seats above a trestle base, fully adzed, with carved gnome signature.

Provenance: From a Whitby hotel, purchased direct from the carver.£400-600
480.    A SET OF SIX ROBERT "MOUSEMAN" THOMPSON OAK DINING CHAIRS, c.1950, each with lattice back above an original tan leather seat, raised on faceted baluster legs terminating in blocks joined by stretchers, each with carved mouse signature to front left leg.

Note: Chairs of later design had the front stretcher placed further back rather than between the front blocks.£3000-4000
482.    A LARGE ROSEWOOD CADDY, PROBABLY CHINESE, FIRST HALF OF THE 19th CENTURY, of plain rectangular form, mounted with ropetwist ring handles, opening to reveal an interior fitted with four pewter canisters and covers each engraved with birds and flowers. 12.5cm by 41cm by 22cm£200-300
483.    A LATE GEORGE III BRASS-BOUND MAHOGANY PLATE BUCKET, cylindrical, with pierced slatted body, brass collar and swing handle. Diameter 30.5cm£500-700
490.    A VICTORIAN MAHOGANY WASHSTAND, the twin hinged covers opening to reveal the apertures for a wash set, above a dummy drawer over a cupboard door above a drawer, all fitted with turned pulls, raised on bulbous and turned tapering legs. 0.88m by 0.56m by 0.51m£150-200
491.    A CHINESE RED LACQUER ENVELOPE CARD TABLE, the square top above a frieze fitted to each side with a drawer alongside a dummy, raised on cabriole legs joined by an x-form stretcher, elaborately decorated throughout with a dragon, stylised foliage and dragon masks. 0.79m by 0.60m closed£200-300
493.    AN AESTHETIC EBONISED HANGING CORNER CABINET, IN THE MANNER OF DANIEL COTTIER, with mirrored, spindled and fret galleried superstructure above a pair of cupboard doors centred by the painted images of birds on branches, over an open shelf backed by three mirror plates, remnants of an old paper label verso. Height 1.14m, depth 0.40m£250-350
499.    A GEORGE III MAHOGANY TILT-TOP TRIPOD SUPPER TABLE, the circular top above a turned tapering stem continuing to hipped downswept legs terminating in pads. 0.74m by 0.92m£300-400
500.    A GEORGE III MAHOGANY TILT-TOP TRIPOD SUPPER TABLE, the circular top above a baluster stem continuing to hipped downswept legs terminating in pointed pads. 0.73m by 0.89m£300-400
501.    A GEORGE III MAHOGANY FOLDOVER TEA TABLE, the top with reeded edge and rounded corners above a fielded panel frieze, raised on turned tapering legs. Closed 0.75m by 0.87m by 0.43m£200-300
504.    A SMALL CHINESE HARDWOOD PLANTSTAND, early 20th century, the circular marble-inset top above leaf-carved fret panels, raised on cabriole legs, joined by an x-form stretcher. 0.61m£70-90
505.    AN EDWARDIAN INLAID MAHOGANY CAKE TABLE, the moulded shaped square top with a satinwood band above four circular fold-down stands, each with an Art Nouveau inlaid motif, raised on square-section tapering legs joined by a shelf stretcher. 0.74m by 0.43m£100-150
506.    A PAIR OF VICTORIAN OAK HALL CHAIRS, with arch-top backs and bowed front rails.£150-200
507.    A MAHOGANY BOOKCASE CABINET, the upper section with a pair of astragal glazed doors, enclosing adjustable shelves, above a base with a pair of frieze drawers over a pair of fielded panel doors, raised on bracket feet, (a marriage). 2.14m by 1.06m by 0.39m£250-350
520.    A GEORGE III MAHOGANY WASHSTAND, the pair of hinged covers opening to reveal an interior fitted for a wash set, above a cupboard door with oval panel over a short drawer, fitted with gilt-brass carrying handles and raised on square-section tapering legs. 0.89m by 0.44m£400-500
526.    A WALNUT FRAMED BERGERE, IN LOUIS XV STYLE, the foliate carved show-frame and raised on short cabriole legs.£150-250
529.    A CHIPPENDALE STYLE MAHOGANY TILT-TOP TRIPOD TABLE, the octagonal moulded top, with fretwork gallery, tilting on a birdcage continuing to an acanthus carved stem above leaf capped hipped downswept legs terminating in ball and claw feet. 0.77m by 0.72m£200-300
530.    A WILLIAM IV MAHOGANY CELLARETTE, of sarcophagus form, the hinged rectangular top carved with massive gadrooning above figured veneers interspersed by reeded pilasters with scroll capitals, raised on reeded bun feet moving on castors, replacement interior. 0.45m by 0.66m by 0.48m£600-800
533.    AN ARTS & CRAFTS OAK HALLSTAND, the crest rail with quatrefoil cut-out, above a bevelled mirror plate flanked by ram's head terminal hooks, over a glove box above stickstands with drip pans below. 1.95m by 1.07m£250-350
536.    AN ARTS & CRAFTS OAK OVERMANTEL MIRROR, possibly Wylie & Lochead, the projecting canopy supported on square-section tapering columns flanking a rectangular mirror plate. 0.74m by 1.37m£250-350
537.    AN ARTS & CRAFTS OAK BUREAU BOOKCASE, the moulded cornice above a recess beside a cupboard door inset with an Art Nouveau repousse panel, over a slant-front opening to reveal a fitted interior, above a frieze drawer over open shelves. 1.41m by 0.93m by 0.32m£300-400
547.    A PAIR OF MAHOGANY THREE TIER ETAGERES, each shaped shelf with undulating gallery, raised on splayed square-section legs. 0.67m by 0.36cm by 0.28m£250-350
549.    A PAIR OF LOUIS XVI STYLE MARBLE-TOPPED OAK POT CUPBOARDS, the square tops above a short drawer over a cupboard door, each with gilt-brass pulls, above a shaped apron flanked by scroll-carved shoulders continuing to cabriole legs terminating in scrolls. 0.89m by 0.40m£380-450
550.    A REGENCY MAHOGANY WORK TABLE, the moulded rectangular top opening to reveal a fitted interior with well, raised on lyre ends supported by a plinth terminating in scroll feet, moving on castors. 0.73m by 0.56m by 0.45m£700-900
551.    A VICTORIAN INLAID WALNUT SMALL WHAT-NOT, the three canted tiers raised on twist columns. 0.83m by 0.59m by 0.25m£60-80
552.    A VICTORIAN INLAID WALNUT WHAT-NOT, the four tiers, with chequered inlay, raised on twist columns. 1.27m by 0.71m by 0.27m£100-150
553.    A PAIR OF GILT AND EBONISED BLACKAMOOR STANDS IN 18th CENTURY STYLE, each turbanned figure holding a goblet and grapes, above a leaf-moulded tripod base and supporting a rectangular top moulded with a fabric swag. 93cm£300-500
554.    A CHINESE PARCEL-GILT HARDWOOD MIRROR, the rectangular plate within a fretwork frame carved with pierced, gilded foliate panels. 68cm by 55cm£80-120
557.    A BENHAM & FROUD COPPER AND WROUGHT IRON COAL BIN, the copper two-handled tapering bin within an Arts & Crafts wrought iron stand, orb mark to base of liner. 0.41m£200-300
558.    A VICTORIAN ROSEWOOD TABLE TOP LETTER BOX, the hinged rectangular lid with labelled cut-outs for Answered and Unanswered mail. 10cm by 23cm by 10cm£80-120
560.    AN EDWARDIAN MAHOGANY TABLE TOP SMOKER'S CABINET/HUMIDOR, the rectangular galleried top extending at each side to form pipe racks, above a pair of fielded panelled doors opening to reveal an interior fitted with six drawers with recessed handles. 31.5cm by 60cm by 18cm£80-120
566.    A REGENCY MAHOGANY FRAMED SETTEE, the reeded frame with downswept arms and vasiform supports, raised on reeded tapering legs. 1.83m£500-700
570.    ATTRIBUTED TO GILLOWS, A SET OF FOUR GEORGE IV MAHOGANY DINING CHAIRS, including one carver, with ropetwist and bobbin-turned crest rail above a scroll-carved and gadrooned mid rail between reeded scrolling posts over a drop-in bow-fronted seat, raised on turned and reeded tapering legs. £600-700
572.    A REGENCY WIREWORK PLANT TROUGH, the circular well above a triform stand terminating in scrolls. 0.69m by 0.64m£100-150
573.    A GEORGE III MAHOGANY CHEST OF DRAWERS, 18th CENTURY, well proportioned, the caddy top above a slide over three long graduated oak lined drawers, with gilt-brass fret escutcheons and drop handles, raised on bracket feet. 0.80m by 0.87m by 0.48m£800-1000
574.    A GEORGE III MAHOGANY STOOL, the stuffed over rectangular top raised on moulded square-section legs joined by an H-stretcher.£100-150
575.    AN EARLY 18th CENTURY WALNUT CHEST ON STAND, the projecting cornice above two short drawers flanking a central drawer, over three long graduated drawers, all flanked by fluted pilasters to the canted corners, with brass backplate handles, escutcheons and chevron banding, the later stand fitted with three drawers above a shaped apron, raised on cabriole legs terminating in pads. 1.54m by 1.06m by 0.54m£500-700
576.    A WYLIE & LOCHEAD MAHOGANY POT CUPBOARD, late 19th century, the square moulded top, with gallery back, above a panelled and plank door, raised on a plinth base, stamped WYLIE & LOCHEAD GLASGOW/67054. 0.87m by 0.38m£150-200
577.    AN OAK RUSH-SEATED TURNER'S CHAIR, c.1900, of characteristic form.£250-350
578.    AN ERCOL ASH GATELEG DINING TABLE, the oval top above a trestle base with cut-out ends, bears two factory labels. 0.73m by 1.22m by 1.06m£250-350
579.    A SHAPLAND & PETTER ARTS & CRAFTS INLAID OAK SIDEBOARD, the superstructure with a rectangular bevelled mirror plate flanked by a pair of glazed cupboard doors with copper flowerhead mounts and straps, above four baluster turned columns before an inlaid frieze, the base with a moulded rectangular top above a pair of frieze drawers with inlaid fronts and copper pulls, over a recess above a cupboard door, with inlaid front, copper strap hinges and handle, beside a larger cupboard door, raised on ring-turned feet, the locks stamped S&P B. 1.78m by 1.52m by 0.61m£2000-3000
582.    A 19th CENTURY BRASS-BOUND COOPERED PEAT BUCKET, of elliptical form, with brass swing-handle and liner. £250-350
583.    A FINE PAIR OF VICTORIAN MAHOGANY WELLINGTON CHESTS, of small proportions, the rectangular caddied tops above a plain frieze over eight graduated drawers, with turned pulls and locking pilaster, raised on a plinth base, (without key). 0.95m by 0.44m by 0.33m£1800-2500
586.    A 19th CENTURY MAHOGANY TEA CADDY, of sarcophagus form, with fitted interior, raised on brass ball feet. 15.5cm by 18cm by 15cm£60-80
587.    A SET OF THREE 18th CENTURY PROVINCIAL ELM DINING CHAIRS, each with yoked crest rail above a pierced splat, the stuffed over seats raised on square-section legs, joined by stretchers.£100-150
590.    A LATE 17th CENTURY SMALL OAK SIX PLANK COFFER, the hinged 26" lid above a foliate arabesque carved band within chip-carved edges, original lockplate, raised on stile ends. 0.38m by 0.66m by 0.25m£500-700
594.    A SMALL OAK GATELEG DINING TABLE, c.1680, the oval plank top above a short drawer with turned pull, raised on baluster and block legs joined by square-section stretchers. 0.73m by 1.41 (open) by 1.03m£150-250