Autumn Catalogue Sale
on Saturday 24th September 2011
1. AN EXTENSIVE GROUP OF CROWN DUCAL "ORANGE TREE" BREAKFAST, TEA AND DINNER WARES, enamelled in colours and with printed marks, including teapot, coffee pot, hot water pot, three milk and cream jugs of varying sizes, sugar bowls, butter dish, toast rack, lemon squeezer, cruet, preserve dishes, comport, dessert set of serving bowl and six bowls, twelve teacups, five egg cups, five dinner plates, approximately twenty-four side plates of varying sizes etc, approximately eighty pieces. £300-500
2. A CARLTON WARE "MIKADO" PATTERN DISH, enamel painted with a pagoda and figures within a gilt rim, printed factory mark. 30.5cm by 18cm£30-40
3. AN H.G. HARLEY JONES WILTON WARE COVERED VASE, c.1929, the baluster body lustre glazed and decorated with cranes, printed factory mark. 30cm£50-70
4. A CROWN DEVON "MATTITA" PATTERN JUG, c.1930's, the bulbous body tubelined and hand-painted with stylised flowers, with s-scroll handle, blue printed factory mark, M115. 14.5cm£80-120
5. A CROWN DEVON POTTERY VASE, c.1930's, the stepped body with lug handles, decorated with foxgloves and daffodils, M460, printed factory mark. 20cm£70-90
6. A CROWN DEVON POTTERY EWER, c.1930's, decorated with foxgloves and daffodils, M460, printed factory mark. 23cm£70-90
7. A PAIR OF CROWN DEVON "MATTAJADE" PATTERN DWARF CANDLESTICKS, c.1930's, vividly enamel painted to Enoch Boulton's design, pattern no. 2320, printed factory mark. 8cm£100-150
8. CLARICE CLIFF FOR NEWPORT POTTERY, A "BOUQUET" PATTERN WALL MEDALLION, hand-painted, moulded and pierced with flowerheads, printed factory mark. 19.5cm£200-300
9. CLARICE CLIFF FOR NEWPORT POTTERY, A "DELECIA PANSIES" PATTERN BOWL, the circular body hand-painted with a running design of flowers, printed factory mark. 8.5cm by 23cm£250-350
10. AN ARTS AND CRAFTS COPPER AND SLAG GLASS HANGING LIGHT, of hexagonal form, the lower section of the frame embossed with Tudor roses, beneath sloping glass panels surmounted by an upper section pierced with cruciform panels, unsigned. Height excluding chain 29cm£150-250
12. A PAIR OF ARTS AND CRAFTS COPPER CANDLESTICKS, POSSIBLY A.E. JONES, c. 1920, each with domed base issuing four riveted straps supporting a drip pan with tapering candle cup, planished throughout, unmarked. 24cm£350-450
13. A KESWICK SCHOOL COPPER TRAY, of galleried rectangular form, repousse with a panel of scrolling foliage, stamped KSIA mark. 53cm by 24cm£200-300
14. A NEWLYN COPPER TRAY, of circular form, decorated with two incised scalloped bands, stamped mark. 37.5cm£70-90
15. AN ARTS AND CRAFTS PEWTER COVERED DISH, EARLY 20th CENTURY, circular, the knop and rim cast with mice, no maker's mark, no. 0155. Diameter 20cm£60-90
16. A PAIR OF KESWICK SCHOOL FIRTH STAYBRITE PIN DISHES, with crimped rims, planished. 10.5cm£40-60
17. AN ART NOUVEAU COPPER CHARGER, JOSEPH SANKEY, the broad rim cast with Art Nouveau foliate motifs and hearts, stamped mark. 36cm£50-70
18. A KESWICK SCHOOL PLANISHED SILVERED METAL ELONGATED BOWL, c.1970's, stamped marks, no. V1183. 45cm£40-60
19. A KESWICK SCHOOL BRASS VASE, early 20th century, the cylindrical vessel with scrolling leaf decoration and slightly flared rim, stamped KSIA. 19.5cm£70-90
20. A KESWICK SCHOOL HAMMERED PEWTER FOOTED BOWL, early 20th century, the foot engraved with zig-zags and flowerheads, no. Y132, stamped marks. 18cm£100-150
21. BARNABY POWELL FOR WHITEFRIARS, A RUBY GLASS RIBBON-TRAILED VASE, c. 1935. 18cm£50-70
22. A PAIR OF HAMMERED PEWTER TAZZAS, c.1930, with shaped square tops, stamped Hampden Pewter. 6cm by 16cm£45-55
23. A CELTIC-INSPIRED ARTS AND CRAFTS OAK GALLERIED TRAY, of rectangular form, engraved with stylised geometric motifs. 53cm by 26cm£70-90
24. SUSIE COOPER FOR GRAY'S POTTERY, A 1930's POTTERY JUG, hand-painted with green and blue stripes, no. 8375, printed factory mark. 10cm£40-60
25. A LARGE CONTINENTAL ART GLASS VASE, clear glass, formed as three trumpets on a circular domed foot, signed with retailer's name "Cleybergh". Length 72cm£60-80
26. COSTA BODA: A SWEDISH ART GLASS EGG, marbled in pink white and gold. 18cm£50-70
27. A 1930's JOHN WALSH WALSH POMPEIAN VASE, amethyst in colour with bubble inclusions. 22cm£40-60
28. A 20th CENTURY ART POTTERY HURRICANE LANTERN, drip-glazed in mottled green. 17cm£40-60
29. A LIBERTY & CO. TUDRIC PEWTER FOOTED BOWL, of circular form with stepped foot, no. 01333, stamped marks. 9.5cm by 25.5cm£80-120
30. A LIBERTY & CO. ENGLISH PEWTER SIFTER, the barrel body engraved with swirls against a hammered ground, no. 1941, stamped marks. 12cm£150-200
31. A LIBERTY & CO. HAMMERED PEWTER FOOTED CANDLE STAND, with c-scroll handle, no. 01891, stamped marks. 6cm (to top of dish) by 13.5cm£150-200
32. A LIBERTY & CO. TUDRIC PEWTER HAMMERED DISH, with twin lug handles and broken outline, no. 01497, stamped marks. 30cm by 21.5cm£150-200
33. AN EARLY 20th CENTURY LIBERTY & CO. TUDRIC PEWTER TWIN-HANDLED TRAY, of rectangular form, the tapering handles terminating in shield/heart-shaped plaques, stamped marks, no. 043. Length 47.5cm£70-90
34. A LIBERTY & CO. TUDRIC PEWTER CENTRE BOWL, POSSIBLY DESIGNED BY OLIVER BAKER, of circular bellied form, cast with stylised plant-form straps, planished finish, stamped marks and no. 01129. Diameter 28cm£300-400
35. A LIBERTY & CO. TUDRIC PEWTER TAZZA DESIGNED BY ARCHIBALD KNOX, the circular domed foot beneath a tripartite standard supporting a shallow bowl, the rim cast with stylised Honesty, stamped marks, no. 01161. 27.5cm£1000-1200
36. A MOORCROFT POTTERY VASE, the bulbous body tubelined and hand-painted with iris against a blue ground, impressed marks. 9cm£40-60
37. A MOORCROFT POTTERY TAZZA, tubelined and hand-painted with anemone against a pale blue ground, painted marks. 11cm by 22cm£100-150
38. A MOORCROFT COMPORT, a trial piece, tubelined and painted with a stylised flower against a cream ground, date mark for 7th March 2007, printed and impressed marks. 23cm diameter£120-180
39. A MOORCROFT POTTERY SMALL TRAY, trial piece with date mark 25th January 2007, tubelined and painted with flowers against a ground shading from green to cream, within a black rim, painted and impressed marks. Length 20.25cm£60-90
40. A JAMES MACINTYRE "18th CENTURY" PATTERN VASE, DESIGNED BY WILLIAM MOORCROFT, c.1908, the trumpet shaped body tubelined and hand-painted with swags of roses and forget-me-nots against a white ground with gilt-highlighted rim and foot, brown printed factory mark and green painted signature. 28cm£600-800
41. A MOORCROFT POTTERY "GREEN DRAGON" JARDINIERE, DESIGNED BY TREVOR CRITCHLOW, tubelined and hand-painted with a dragon against a buff ground, impressed and painted marks to base. Height 20cm£200-300
42. WILLIAM MOORCROFT FOR LIBERTY & CO., A TUDRIC PEWTER-MOUNTED POMEGRANATE PATTERN VASE, of slender baluster form, tubelined and painted against a cobalt blue ground, with hammered pewter mount, the base with signature and impressed marks. 15.5cm£350-450
43. A MOORCROFT SALT-GLAZED COVERED JAR, IN THE ANEMONE PATTERN, of cylindrical form, tube-lined and painted against an off-white ground, printed mark and facsimile signature. 9.5cm£70-90
44. A MOORCROFT POTTERY COVERED BOWL, IN THE RED TULIP PATTERN, tube-lined and painted against a reddish-brown ground, impressed marks. Diameter 13cm£60-80
45. A MOORCROFT POTTERY BOWL, IN THE ANEMONE PATTERN, tube-lined and painted against a green ground, impressed marks. Diameter 11.5cm£60-80
46. A SET OF SIX MOORCROFT POTTERY EGG CUPS, IN THE SPRING FESTIVAL PATTERN, each individually tubelined and painted with snowdrops, bluebells, tulips etc, impressed and painted marks, boxed. £350-450
47. A PAIR OF CHINESE EXPORT IMARI PORCELAIN PLATES, QIANLONG PERIOD, each painted with flowers and foliage; together with a CHINESE EXPORT IMARI PORCELAIN BOWL, QIANLONG PERIOD, similarly decorated (bowl with repair and chip). Plates 23cm, bowl diameter 23cm£80-120
48. A PAIR OF SMALL KUTANI PORCELAIN VASES, each painted with figures by a lake and with two character mark; together with a SATSUMA CENSER, painted with female figures against a dark blue ground (lacking cover). Vases 6cm£40-60
49. A GROUP OF CHINESE PORCELAIN, 18th/19th CENTURY comprising: A SMALL BALUSTER VASE, painted in enamels with figures, birds and butterflies; together with a PILLOW VASE, painted in enamels with floral sprays within yellow bands; a RICE BOWL, painted in enamels with figures in landscapes; and a WINE POT, enamel painted with birds and butterflies amidst flowers and foliage (lacking cover). (4) First 17.5cm£80-120
50. A 19th CENTURY PERSIAN UNDERGLAZE PAINTED POTTERY QAJAR VASE, of lobed form, showing Iznik influence, decorated with panels of flowers and foliage, the shoulder in geometric patterns. Height 21cm £150-250
51. AN 18th/19th CENTURY PERSIAN UNDERGLAZE PAINTED POTTERY QAJAR BOTTLE FLASK, decorated with a bird and flowers. 16cm£120-180
52. A JAPANESE SATSUMA MINIATURE VASE, MEIJI PERIOD, of flask shape, on an ebonised stand, characteristically decorated with figures in landscapes, signature to base. 11.5cm£30-50
53. A JAPANESE KUTANI CUP AND SAUCER, MEIJI PERIOD, finely painted with figures and foliage, each piece with signature to base. Saucer 11cm£30-50
54. A JAPANESE PORCELAIN CHARGER, the well enamel painted with exotic birds amidst flowering prunus within a floral-painted black border. 31.5cm£70-90
55. A 19th CENTURY COPPER LUSTRE TANKARD, moulded with leaf-capped handle, painted with squiggles; together with a 19th CENTURY COPPER LUSTRE JUG, of baluster form, painted with a band of floral sprigs within pink squiggles. (2). 11cm and 11.5cm£40-60
56. A STAFFORDSHIRE PUCE LUSTRE PARTIAL TEA SERVICE, second quarter of the 19th century, comprising six cups and saucers, cream jug and sugar/slop bowl, each piece printed with a lady on horseback opposed by a vignette of a country house. £40-60
57. A PAIR OF JOHN CARR & SONS, NORTH SHIELDS, HAND-PAINTED POTTERY CABINET PLATES, LATE 19th CENTURY, each decorated in oils with a Dutch winter landscape, one signed with a monogram, impressed marks. 23cm£80-120
58. A 19th CENTURY MAJOLICA JARDINIERE STAND, of serpentine form, moulded with scrolls, stylised foliage and flowerheads and glazed in pink, green and gold, the interior glazed in yellow, unmarked. 59cm£100-150
59. A CONTINENTAL BLUE AND WHITE PORCELAIN DISH, 18th CENTURY, with moulded and scalloped border, centred by sponge/painted decoration of a bouquet of flowers to the well within a flowerhead border, the glaze with a blue tinge. 21.5cm£40-60
60. A PINDER BOURNE & CO. "CELLINI" DINNER SERVICE, c. 1880, comprising large tureen, sauce tureen on stand, four oval serving plates, two draining plates, a large "well and tree" platter, ten dinner plates, twenty-three fish/dessert plates, and three soup plates, printed marks. £100-150
61. A ROYAL DUX PORCELAIN FIGURE GROUP, c. 1900, modelled as a farmer leaning on a hoe, a female figure kneeling beside him, on an oval plinth, pink triangle mark. 46cm£100-150
62. A ROYAL DUX PORCELAIN FIGURE, THE TURKISH SLAVE, c. 1900, modelled shackled in chains, on a square plinth, pink triangle mark. 58cm£100-150
63. A LATE 19th CENTURY MOROCCAN UNDERGLAZE PAINTED POTTERY FEZ BOWL, decorated in polychrome with floral motifs. 25cm£80-120
64. A LATE 19th CENTURY MOROCCAN UNDERGLAZE PAINTED POTTERY FEZ JAR AND COVER, decorated in polychrome with floral motifs. 17cm£80-120
65. A 17th/18th CENTURY CENTRAL ASIAN (TURKESTAN) UNDERGLAZE PAINTED POTTERY BOWL, decorated to the interior in green and brown floral patterns, Bokhara region. 33cm£80-120
66. A CONTINENTAL AESTHETIC MOVEMENT POTTERY MOON FLASK, 19th CENTURY, with Japonesque decoration against a rich blue ground. 33cm£40-60
67. A GROUP OF NEW HALL AND OTHER PORCELAIN TEA BOWLS AND SAUCERS, EARLY 19th CENTURY, one tea bowl in the "Boy in the Window" pattern, the remaining three decorated with floral sprays and dotted lines, two with saucers. Total four cups and three saucers£40-60
68. A SET OF SIX ROYAL CROWN DERBY IMARI SOUP PLATES, printed marks and no. 1128. 21cm£350-450
69. A ROYAL CROWN DERBY IMARI COMPORT, pattern no. 1128, printed marks. 13cm by 26cm£200-300
70. A SET OF SIX ROYAL CROWN DERBY IMARI DESSERT/CEREAL BOWLS, printed marks, no. 1128. 16cm£250-350
71. A ROYAL CROWN DERBY IMARI BREAD PLATE, CREAM AND SUGAR, pattern no. 1128, printed marks. (3)£180-250
72. A SET OF SIX ROYAL CROWN DERBY IMARI TEA PLATES, printed marks and no. 1128. 16cm£120-180
73. A PAIR OF ROYAL CROWN DERBY IMARI TWO-HANDLED VASES, with integral "covers", pattern no. 1128, printed marks. 30cm£750-1000
74. A SET OF SIX ROYAL CROWN DERBY IMARI CUPS AND SAUCERS, the cups with white interiors, pattern no. 1128, printed marks.£400-500
75. A SET OF SIX ROYAL CROWN DERBY IMARI TEACUPS AND SAUCERS IN THE ELIZABETH SHAPE, the cups decorated to the interior, printed marks and no. 1128£500-700
76. TWO ROYAL CROWN DERBY FLORAL ENCRUSTED MODELS OF PEACOCKS, the first inscribed to the base Townsend and Griffiths, the second Plant and Whittaker, printed marks, boxed. First 22cm£600-800
77. A ROYAL CROWN DERBY IMARI TEAPOT, CREAM JUG AND SUGAR BOWL, printed marks, no. 1128. Teapot length across spout 27cm£350-450
78. A MEISSEN KAKIEMON PLATE, IN THE GELBE LOWE PATTERN, a tiger about bamboo beside flowering prunus, blue crossed swords mark, impressed number "23". Diameter 24.75cm£100-200
79. AN ENGLISH DELFT DISH, 18th CENTURY, the well painted with a basket of fruit, the underside glazed in brown (cracks, stapled repair). 33cm£50-70
80. A PAIR OF 19th CENTURY DELFT DISHES, each painted in blue with fruit and flowerheads within a linear border. 31cm£50-70
81. A LATE 19th CENTURY MINTONS "MILAN" PATTERN DRAINING PLATE, blue and white. 33cm by 23.5cm£60-80
82. A 19th CENTURY MAJOLICA LADY'S SHOE, glazed in green shading to yellow, unmarked. 25cm£40-60
83. A VICTORIAN STAFFORDSHIRE TREACLE-GLAZED POTTERY MONEY BOX, modelled as a spaniel's head. 10cm£70-90
84. A VICTORIAN SCOTTISH TREACLE-GLAZED POTTERY MONEY BANK, modelled as a Scotch chest. 18cm by 8cm by 5.5cm£55-65
85. AN EDWARDIAN PORCELAIN HEART-SHAPED SCENT FLASK WITH SILVER TOP, the body decorated in an Imari palette, the silver screw-off cap marked for Birmingham 1906. 5.5cm£70-90
86. A LATE 19th CENTURY YELL0W-GLAZED POTTERY DRAGON, POSSIBLY BURMANTOFTS, crouching and with looped tail, impressed numerals to the base. Length 18.5cm£40-60
87. A LARGE IZNIK POTTERY DISH, glazed in blues, greens and browns, on a deep foot rim. Diameter 45cm £60-80
88. A ROYAL WORCESTER FRUIT PAINTED VASE, J. Reed, of ovoid form, shape no. 2227, black-printed factory mark. 18cm£550-650
89. TWO ROYAL WORCESTER FRUIT PAINTED SMALL DISHES, each E. Townsend and with gadrooned edges, early 20th century, puce printed mark. Larger 11cm by 8.5cm£300-400
90. A SMALL PAIR OF ROYAL WORCESTER FRUIT PAINTED VASES, each signed Roberts, of tapering form with undulating rim, no. G957, black printed mark. 9cm£300-400
91. A ROYAL WORCESTER FRUIT PAINTED BOWL, signed H. Ayrton, with undulating rim, gilt exterior, puce printed mark. 7cm by 14.5cm£300-400
92. A ROYAL WORCESTER FRUIT PAINTED PLAQUE, signed J. Bowman, framed. 12cm by 17cm£700-900
93. A PAIR OF ROYAL WORCESTER FRUIT PAINTED COFFEE CANS AND SAUCERS, each piece signed Roberts, the cans with gilt interiors, black printed marks.£450-550
94. A ROYAL WORCESTER FRUIT PAINTED TWO-HANDLED VASE AND COVER, signed Leaman, no. 2701/2, black printed mark. 16cm£400-500
95. A ROYAL WORCESTER FRUIT PAINTED COMPORT, signed T. Lockyer, of shaped oval form with gadrooned edge and shell handles, puce printed factory mark. 18cm by 31cm£1200-1500
96. A ROYAL WORCESTER FRUIT PAINTED TWO-HANDLED VASE AND COVER, signed K. Mason, of pedestal form, shape no. 2363, black printed mark. 21cm£900-1200
97. A LARGE AND STRIKING ROYAL WORCESTER FRUIT PAINTED TUREEN, COVER AND UNDERPLATE, the tureen and underplate signed J. Bowman, the cover with fruit-moulded gilded knop, the two-handled tureen with gilded base, black printed mark; the underplate with shell handles, gilt factory mark. Height 27cm, length of underplate 40cm£4000-5000
98. A PAIR OF ROYAL WORCESTER FRUIT PAINTED CUPS AND SAUCERS, one duo D. Fuller the other Platt and Smith, with gilt interiors, black printed marks.£800-1000
99. A ROYAL WORCESTER FRUIT PAINTED TWO-HANDLED VASE, signed D. English, of pedestal form, shape no. 1969, black printed mark. 31cm£1700-2000
100. A ROYAL WORCESTER FRUIT PAINTED GINGER JAR AND COVER, signed H.H. Price, decorated in the round, shape no. 2826, puce printed mark. 17cm£1400-1800
101. A ROYAL WORCESTER FRUIT PAINTED GINGER JAR AND COVER, signed P. Stanley, decorated in the round, shape no. 2826, black printed mark. 17cm£1400-1800
102. A PAIR OF ROYAL WORCESTER FRUIT PAINTED GINGER JARS AND COVERS, Nutt and Cook, painted in the round, shape no. 2826, black printed marks. 17cm£3000-3500
103. A PAIR OF ROYAL WORCESTER FRUIT PAINTED 10" PLATES, signed Telford, each gilded plate centred by a painted panel, gilt printed marks. 27cm£550-650
104. A ROYAL WORCESTER FRUIT PAINTED SUGAR BOWL, signed Freeman, with gilt interior, black printed mark. 6cm by 9.5cm£300-400
105. A ROYAL WORCESTER FRUIT PAINTED DISH, signed Freeman, with gadrooned edge, black printed mark. 17.5cm£350-450
106. A ROYAL WORCESTER FRUIT PAINTED SOUP TUREEN, COVER AND UNDERPLATE, each piece signed P. English, the cover with c-scroll handle, the oval tureen with twin handles, the underplate a shaped oval, all with black printed mark. Height 22cm, length of underplate 37cm£4000-5000
107. A ROYAL WORCESTER FRUIT PAINTED PLAQUE, signed P. Platte, framed, black printed mark. 16.5cm by 23.5cm£650-750
108. A ROYAL WORCESTER FRUIT PAINTED POT POURRI, signed Leaman, of ovoid form with pierced cover, shape no. H169, black printed mark. 18cm£900-1200
109. A ROYAL WORCESTER FRUIT PAINTED SUGAR BOWL, signed T. Nutt, with gilt interior and rope edge, black printed mark. 7cm by 11.5cm£400-500
110. A ROYAL WORCESTER FRUIT PAINTED TWO-HANDLED VASE, signed D. Fuller, of pedestal form, shape no. 1969, black printed mark. 28.5cm£1500-2000
111. A ROYAL WORCESTER FRUIT PAINTED TWO-HANDLED VASE AND COVER, signed J. Reed, of slender ovoid form, shape no. 2710, black printed mark. 32cm£1200-1500
112. A ROYAL WORCESTER FRUIT PAINTED SMALL POT POURRI, signed, of tapering form with pierced cover, shape no. H291, black printed mark. 13cm£400-500
113. A LARGE ROYAL WORCESTER FRUIT PAINTED POT POURRI, signed Freeman, the pierced cover concealing a lid, decorated in the round, shape no. 1286, black printed mark. 25cm£2000-2500
114. A ROYAL WORCESTER FRUIT PAINTED POT POURRI, signed D. Winter, the pierced cover concealing a lid, shape no. 1286, black printed mark. 20cm£1000-1500
115. A PAIR OF ROYAL WORCESTER FRUIT PAINTED COFFEE CANS, signed, with white interiors and rope edging, black printed marks.£350-450
116. A BRISTOL GREEN WINE GLASS, EARLY 19th CENTURY. 13cm£30-50
117. A LATE 19th CENTURY STOURBRIDGE VASE, of bulbous long-necked form, with frilled rim decorated with an applied amber glass trim, over a cranberry and white Nailsea style loop ground. 21cm£60-80
118. THREE LATE 19th CENTURY SATIN GLASS VASES, POSSIBLY WEBB, each with frilly rim, one with a pale blue ground, another pale yellow, the third a shaded pink ground, two with a "quilted" air trap finish, the third a pattern of chevrons. Tallest 15cm£80-120
119. AN UNUSUAL CONTINENTAL WHITE OVERLAY GLASS BOWL, possibly early/mid 20th century, of spherical form, the simple pierced overlay revealing a striking yellow ground. Diameter 21cm£50-70
120. A PAIR OF LATE 19th CENTURY SATIN GLASS VASES, POSSIBLY WEBB, of gourd form, with a quilted air trap satin finish over a graduated pink ground. 15.5cm£60-90
121. TWO 19th CENTURY SATIN GLASS VASES, in the Aesthetic taste, one of Oriental form, the other bulbous, both light blue and applied with delicate orange fronds. Taller 15cm£40-60
122. AN UNUSUAL 19th CENTURY SUNDERLAND GLASS DUMP WEIGHT, enclosing a sulphide of thistles. 13cm£150-200
123. A 19th CENTURY SUNDERLAND GLASS DUMP WEIGHT, enclosing a triple flowerhead sulphide inclusion. 12cm£70-90
124. ADVERTISING INTEREST: AN ETCHED GLASS WHISKY TUMBLER, DUNVILLE'S OLD IRISH WHISKEY. 9.5cm£50-70
125. A PAIR OF IRIDESCENT GLASS VASES, IN THE MANNER OF LOETZ, early 20th century, of shaft and globe form, unmarked. 12cm £70-90
126. A SOWERBY MALACHITE PRESSED GLASS VASE, registration mark for 1882, of square tapering form, moulded with a basketwork pattern. 9.75cm£40-60
127. A FRENCH GILT-BRONZE MOUNTED CUT-GLASS PINEAPPLE SERVER, the glass pineapple-form body elaborately diamond-cut and hinged to the centre with gilt-bronze collars, surmounted by a gilt-bronze pineapple knop and supported on a leaf-scroll gilt-bronze base. 23cm£100-150
128. AN EDWARDIAN CUT AND ETCHED GLASS LIQUEUR SET, comprising a decanter and six glasses, each piece acid etched with a floral band, engraved with trelliswork and faceted. £80-120
129. AN EARLY 20th CENTURY PATINATED METAL FIGURAL LAMP, cast as a young man in 16th century costume with arms aloft, on an ebonised wooden base. Overall height excluding fitting 41cm£50-70
130. A PAIR OF CONTINENTAL ART NOUVEAU BRONZE TWIN-HANDLED VASES, of shouldered form, cast with bound scrolling foliage. 16.5cm£70-90
131. A 19th CENTURY BRONZE WALL POCKET/SPILL HOLDER, cast with flowers and foliage, registration mark for 1886. 21.5cm£40-60
132. A MIDDLE EASTERN GILT-METAL AND NIELLO CLOCKWORK TABLE BELL, IN THE FORM OF A TORTOISE, with head and tail push button action. 15cm£100-150
133. AN AUSTRIAN BRONZE DISH, EARLY 20th CENTURY, cast with a hound straining on a leash, signed R. Berndorf. 15cm£40-60
134. TWO 19th CENTURY PEWTER HIP FLASKS, one shaped for the hand, with stamped marks, the other wicker-bound with carrying loops. First 9.5cm by 10cm£45-65
135. A NEST OF BRONZE CUP/BUCKET WEIGHTS, PROBABLY GERMAN, EARLY 19th CENTURY, the outer weight with hinged scrolling handle, the cover engraved with a dial inscribed with numbers and numerals, the lock bearing the date 1812 in Roman numerals, the sides decorated with punchwork scrolls, containing seven graduated weights, unmarked. £150-250
136. A PAIR OF 18th/19th CENTURY DUTCH BRASS HEEMSKIRK CANDLESTICKS, each ovoid candlecup above a knopped stem with mid-drip pan, on a domed circular foot. 22cm£250-350
137. A COUNTRY WROUGHT-IRON FOOTMAN, of triangular form, the top incorporating a heart motif, with scroll stretcher and raised on cabriole legs with pad feet. Diameter 34.5cm£50-70
138. A COUNTRY WROUGHT-IRON GRIDDLE/TOASTING FRAME, the plate decorated with scrollwork, with flat baluster handle, and raised on three legs. Length 51.5cm£40-60
139. A WHITE-METAL CANNON CARRIAGE-FORM BOTTLE HOLDER. 30cm£100-150
140. AN IVORY-HANDLED SILVER-PLATED STILTON SCOOP, SECOND QUARTER OF THE 19th CENTURY. 23.5cm£60-80
141. AN EDWARDIAN SILVER-PLATED TEA CADDY, in 18th century style, of navette form, half-gadrooned, with hinged cover, marks for William Hutton & Sons. Width 11cm£60-80
142. A LATE 18th/EARLY 19th CENTURY SHEFFIELD-PLATED TEA CADDY, of cylindrical canister form. 9.5cm£60-80
143. A PAIR OF VICTORIAN SILVER-PLATED FISH SERVERS, cased. £60-80
144. AN ELECTROPLATED BRITANNIA METAL SHELL-FORM SPOON WARMER, JAMES DIXON & SONS, SHEFFIELD. 10cm by 18cm£120-180
145. A PAIR OF GEORGE III SILVER SALAD SERVERS, SPOON AND FORK, JAMES HYDE, LONDON 1786, fiddle and thread, engraved with a coronet. Length 31cm. Total 12 troy ounces£300-500
146. A SET OF TWELVE GEORGE V SILVER LOBSTER PICKS, ROBERTS & BELK, SHEFFIELD 1927, each with pierced scroll handle. Length 15cm, total weight approx. 3 1/2 troy ounces£100-150
147. AN UNUSUAL CHINESE SILVER THREE PIECE CHOCOLATE SERVICE, early 20th century, comprising chocolate pot, cream and sugar, each piece cast with faux bamboo handles and with stippled base studded with bosses, stamped Chinese character mark. Total weight approx. 23 troy ounces£250-350
148. A GEORGE VI SILVER AND ROSEWOOD PEDESTAL BOWL, IN THE ART DECO TASTE, ELKINGTON & CO., BIRMINGHAM 1942, the plain shallow bowl above a short fluted rosewood standard, raised on a stepped circular foot. Diameter 23.5cm, gross weight 22oz£250-350
149. A SUBSTANTIAL GEORGE VI SILVER FOOTED CENTRE BOWL, F.G. RICHARDS, BIRMINGHAM 1937, of circular form, raised on three scroll feet. Diameter 26cm, 35 troy ounces. £500-700
150. A FRENCH SILVER THREE-PIECE TEA SERVICE, MAISON CARDEILHAC, PARIS, 1904-20, marks for Amelie Cardeilhac and 1st standard (950), the teapot of pear-form, each piece applied with stylised fleurs-de-lys, the sucrier with pierced trefoil handles. Gross weight 23 troy ounces, 715 grams. £400-600
151. A 19th CENTURY PORTUGUESE SILVER SOUP LADLE, OPORTO 1870-77, fiddle and shell, marked "Aurificia", in a silk-lined case. 34cm. 7.5 troy ounces£80-120
152. A GEORGE V SILVER-GILT DRESSING TABLE SET, LONDON 1932, decorated in the Oriental taste, each piece engraved with Chinese figures in landscapes, comprising a pair of cut-glass scent bottles, a dressing table jar, a hand mirror, four brushes and a comb; together with a cover for a second dressing table jar (10 pieces in total). £200-300
153. A VICTORIAN SILVER SNUFF BOX, NATHANIEL MILLS, BIRMINGHAM 1850, of rectangular form, with cross-hatched engine-turned decoration and scroll-cast thumbpiece, gilt interior and cartouche with presentation inscription. 3.12 troy ounces£200-300
154. AN EDWARDIAN SILVER SPIRIT KETTLE, BURNER AND STAND, CHESTER 1906, maker's mark "W&S", the kettle of faceted oval form, with gadrooned rim, hinged cover with ebony knop and scroll-cast ebony inset handle, attached with twin key-form pins on chains to the stand cast with a gadrooned rim and raised on scrolling cabriole legs terminating in shell feet. Height overall 34cm, weight 42 troy ounces. £800-1000
155. A GEORGE V SILVER VESTA CASE, BIRMINGHAM 1925, of rectangular form, with sliding action, engraved throughout with foliate scrolls. 1.7 troy ounces£70-90
156. A PAIR OF SILVER-MOUNTED FACETED GLASS DECANTERS, of traditional "whisky" shape, each with a silver collar marked for Birmingham 1972; with TWO SILVER DECANTER LABELS, SHERRY AND BRANDY, the first rectangular with shell and scroll-cast border, Birmingham 1971, the second oval with leaf and scroll-cast border, Birmingham 1968. £80-120
157. A PAIR OF SILVER BALUSTER CANDLESTICKS, BIRMINGHAM 1972, each with dome base beneath a tapering standard and baluster candle cup, decorated with bands of beadwork, weighted. 22.5cm£300-400
158. A PAIR OF EDWARDIAN SILVER CANDLESTICKS, GOLDSMITHS & SILVERSMITHS CO. LTD, LONDON 1903, each with shaped oval base beneath a ribbed tapering standard supporting a shaped oval urn candlecup with detachable drip pan, weighted. 18cm£180-250
159. A SILVER MODEL OF A HORSE, LONDON 1986, modelled with left foreleg raised, stamped "Filled". Height 15.5cm£150-200
160. A GEORGE III SILVER TEAPOT STAND, PETER AND ANN BATEMAN, LONDON 1791, of oval form, with a band of bright-cut decoration centred by a shield-shaped escutcheon enclosing a monogram, on fluted scroll feet. 18cm, 4 troy ounces.£180-250
161. A GEORGE III SILVER VINAIGRETTE, marks indistinct, probably Birmingham 1818, of rectangular form, the cover with vacant escutcheon against an engine-turned ground within a foliate scroll border, gilt grille. 3cm£100-150
162. A GEORGE III SILVER VINAIGRETTE, JOSEPH WILLMORE, BIRMINGHAM 1807, plain, of shaped octagonal form, gilt grille. 2.75cm£100-150
163. A WILLIAM IV SILVER VINAIGRETTE, THOMAS SHAW, BIRMINGHAM 1830, rectangular, with bright-cut decoration, gilt grille and suspension loop. 2.25cm£100-150
164. A MID-VICTORIAN SILVER VINAIGRETTE, EDWARD SMITH, BIRMINGHAM 1864, of rectangular form, engraved with scrollwork, silver grille. 2cm£100-150
165. A GEORGE III SILVER VINAIGRETTE, JOHN BETTRIDGE, BIRMINGHAM 1818, of rectangular form, with cut-off corners, the cover with squiggle decoration against a stippled ground, gilt grille. 2.25cm£100-150
166. A GEORGE III IRISH SILVER MEAT SKEWER, BENJAMIN TAIT, DUBLIN 1789, with bright-cut decoration. 27.5cm, 2.1 troy ounces£300-400
167. A PAIR OF WILLIAM IV SILVER SALAD SERVERS, SPOON AND FORK, MARY CHAWNER, LONDON 1835, fiddle and thread. 12 troy ounces. £350-450
168. SILVER ASPARAGUS SERVING TONGS, GOLDSMITHS & SILVERSMITHS CO., LONDON 1900. 4.3 troy ounces£180-250
169. A CHINESE SILVER TRINKET BOX, of octagonal form, the hinged cover and sides pierced with flowers, foliage and exotic birds, stamped character mark and "80". Diameter 5.25cm, 1.8 troy ounces£150-200
170. A PAIR OF SHOE BUCKLES, apparently silver but unmarked, c.1840, profusely cast with foliage. 4.5cm by 3cm£60-80
171. GEORGE III SILVER TONGS, DARLING & BELL, NEWCASTLE 1817, fiddle pattern, engraved to the bow with a monogram. 14.5cm, 1.40 troy ounces£50-70
172. A LATE VICTORIAN SILVER HEART-SHAPED RING BOX, BIRMINGHAM 1899, decorated throughout with scrolls and flowerheads against a stippled ground. 6cm by 5.5cm, 1.17 troy ounces. £80-120
173. AN EDWARDIAN SILVER AND IVORY-HANDLED DESK SEAL, SAMPSON MORDAN, CHESTER 1909. 6cm£70-90
174. A VICTORIAN SILVER CADDY SPOON, LONDON 1855. 10cm, 1.04 troy ounces£50-70
175. AN EDWARDIAN SILVER QUAICH, WILLIAM HUTTON & SONS, LONDON 1908, the planished shallow bowl with Art Nouveau-inspired pierced handles cast with thistles. Across handles 18.75cm, 5.57 troy ounces.£200-300
176. A GEORGE V SILVER PHOTOGRAPH FRAME, BIRMINGHAM 1912, the rectangular aperture within a plain conforming frame, wooden easel back. Aperture 15.5cm by 10cm£100-120
177. A LATE 19th CENTURY CONTINENTAL STERLING SILVER BOWL, IMPORT MARKS FOR LONDON 1891, lobed and elaborately chased with scrolling foliage. Diameter 13.75cm, 3.10 troy ounces£70-90
178. AN OPAL AND DIAMOND RING, the oval-cut opal within a border of brilliant-cut diamonds, on an 18ct yellow gold band with scroll-cast shoulders. Ring size L/M£80-120
179. A PAIR OF VICTORIAN GOLD AND BANDED AGATE CUFFLINKS, c. 1870, the oval cabochon-cut agates collet-set in an oval mount with beadwork border, double ended with connecting chain link. £100-150
180. A DIAMOND CLUSTER SIGNET RING, the oval mount pave set with brilliant-cut diamonds in a heavy fluted mount, on an 18ct white gold band. Ring size M. £900-1100
181. A SAPPHIRE AND DIAMOND CLUSTER RING, the oval mixed-cut sapphire collet set within a diamond-set mount, each radiating segment set with two brilliant-cut diamonds, on an 18ct white gold band. Ring size M£1200-1400
182. AN EMERALD AND DIAMOND RING IN ART DECO STYLE, the centre set with a truncated baguette-cut diamond and four step-cut emeralds, all collet-set above a pierced mount, on an 18ct white gold and platinum band. Ring size N£1200-1500
183. AN AQUAMARINE AND DIAMOND RING, the step-cut aquamarine (approx. 4 carats) four-claw set between baguette cut diamond shoulders and four brilliant-cut diamonds to each side of the hoop, on an 18ct white gold band. Ring size J£1500-1800
184. A PAIR OF DIAMOND STUD EARRINGS, each brilliant-cut diamond claw-set on 18ct white gold post and butterfly fittings. £1800-2200
185. A PINK SAPPHIRE AND DIAMOND BRACELET, the eighteen oval mixed-cut pink sapphires spaced by pairs of brilliant-cut diamonds, mounted in 18ct white gold. Length 18.5cm£1800-2200
186. A SAPPHIRE AND DIAMOND RING, the oval purplish-blue sapphire four claw-set above tapering shoulders set with baguette-cut diamonds on an 18ct white gold band. Ring size M£2000-2500
187. A PAIR OF SAPPHIRE AND DIAMOND CLUSTER EARRINGS, the oval mixed-cut sapphire set within a border of twelve brilliant-cut diamonds, on 18ct white gold post and butterfly fittings. £700-900
188. A SAPPHIRE AND DIAMOND RING, the oval mixed-cut sapphire four-claw set between stepped baguette-cut diamond-set shoulders, on an 18ct white gold band. Ring size K/L£700-900
189. A DIAMOND BRACELET, the forty princess-cut diamonds in 18ct white gold box settings. Length 18.5cm£1000-1500
190. A TANZANITE AND DIAMOND RING, the trillion-cut tanzanite set between three princess-cut diamonds to each shoulder, on an 18ct white gold band. Ring size M£3000-4000
191. A DIAMOND LINE BRACELET, the fifty-eight brilliant-cut diamonds claw-set in 18ct white gold. Length 18.5cm, total weight of diamonds approx. 4.6 carats£3200-3500
192. A SAPPHIRE AND DIAMOND CLUSTER RING, the brilliant-cut diamond within four oval mixed-cut sapphires within an undulating brilliant-cut diamond-set mount, on a basket setting, band unmarked. Ring size L/M£400-500
193. A LATE VICTORIAN PEARL AND DIAMOND TIE PIN, modelled as a fly, set with two black cultured pearls and rose-cut diamonds to the wings. £80-120
194. A JADE BEAD AND DIAMOND NECKLACE, the fifty-one graduated round beads ranging from approx. 9mm to 6mm, on a rectangular clasp set with three round brilliant-cut diamonds. Length 50cm£500-700
195. A CULTURED PEARL AND GARNET NECKLACE, the two graduating rows of cultured pearls on an oval 9ct gold clasp set with a cabochon-cut garnet within a border of twelve half pearls. £120-180
196. A SAPPHIRE, DIAMOND AND PALLADIUM BROOCH, c. 1940, the old brilliant-cut diamond collet set within a border of seven circular-cut sapphires, above a moulded flowerhead, with nine radiating ropework tendrils, randomly set with ten old brilliant-cut diamonds, stamped "PALLAD" and "C&K" (Cooke & Kelvey, Calcutta)£150-200
197. A 14ct YELLOW GOLD AND CULTURED PEARL BROOCH, c. 1950, of pierced flowerhead design, set with fourteen cultured pearls of varying sizes, stamped "14K".£60-80
198. A 14ct GOLD AND CULTURED PEARL BROOCH, c. 1950, the mount of ribbon-tied design, set with half-pearls, with radiating knife-edge bars set with fifteen cultured pearls. £60-80
199. AN INDIAN YELLOW GOLD PRECIOUS METAL DEMI-PARURE, c. 1950/60, comprising a necklace, ring and a pair of earrings, each with pierced circular panels divided by moulded bars, in original fitted case. Total weight 31 grams£400-600
200. AN OPAL BRACELET, the graduating row of nine oval-cut opals each claw-set on an oblong pierced bracelet strap. £120-180
201. A PAIR OF OPAL EARRINGS, the circular-cut opals, each claw-set above a pierced mount, screw-back fittings. £40-60
202. AN OPAL BAR BROOCH, c. 1890, the oval-cut opal claw-set above an oval pierced mount, on a knife-edge bar. £70-90
203. A PAIR OF CULTURED PEARL EARRINGS, c. 1940, each set with a cultured pearl within a crescent-shaped mount set with half pearls and with four graduating cultured pearls above, three set on knife-edge bars, screw-back fittings. £40-60
204. A GENTLEMAN'S YELLOW GOLD SIGNET RING, the oblong mount with cut corners and engraved with a monogram "AE", on a tapering plain band. 11.5 grams£100-150
205. A ZIRCON BROOCH, c. 1940, modelled as a spray set with five principal circular-cut stones above four knife-edge bars, each set with circular-cut zircons, between moulded ribbons; together with A PAIR OF ART DECO PASTE-SET CLIPS, of fleur-de-lys design, set throughout with circular-cut stones, on yellow gold detachable brooch mount. (2)£80-120
206. A DIAMOND CLUSTER RING, the three baguette-cut diamonds within a band of twelve round brilliant-cut diamonds, claw-set on an 18ct yellow gold band. Total weight of diamonds approx. 1 carat, ring size L£600-800
207. A DIAMOND FLOWERHEAD CLUSTER RING, the seven round brilliant-cut diamonds claw-set on an 18ct yellow gold band. Total weight of diamonds approx. 1 carat, ring size J£600-800
208. A RUBY AND DIAMOND CLUSTER RING, the oval-cut ruby within a border of ten round brilliant-cut diamonds, claw-set on an 18ct yellow gold band. Ruby approx. 2 carats, diamonds approximately 1.5 carats in total, ring size M.£2000-3000
209. A THREE-STONE DIAMOND RING, the three round brilliant-cut diamonds claw-set in a crossover setting, on an 18ct yellow gold band. Total weight of diamonds approx. 0.5 carats, ring size P.£400-600
210. A SAPPHIRE AND DIAMOND RING, the oval-cut sapphire flanked by two trapezium-cut diamonds, on an 18ct white gold band. Ring size L£300-500
211. A DIAMOND SOLITAIRE RING, the round brilliant-cut stone claw-set on an 18ct yellow gold band. Approx. weight of stone 0.33 carats, ring size L£250-350
212. AN OPAL AND DIAMOND RING, the oval opal within a double band of thirty-two round brilliant-cut diamonds, on an 18ct white gold band. Opal approx. 12mm by 9mm, ring size M£800-1200
213. A SEVEN STONE DIAMOND RING, the graduated round brilliant-cut stones on an 18ct white gold band. Total weight of stones approx. 1 carat, ring size N/O£500-700
214. A PAIR OF DIAMOND STUD EARRINGS, each round brilliant-cut stone weighing approximately 0.5 carats, claw-set in 18ct white gold, post and butterfly fittings. £1000-1500
215. A PAIR OF DIAMOND AND PEARL EARRINGS, each with pierced foliate white gold mounts set with brilliant-cut diamonds suspending twelve cultured pearl strands, 18ct white gold, post and butterfly fittings. Length 7cm£700-900
216. AN EARLY 20th CENTURY 9ct GOLD AND SEED PEARL BANGLE, the central disc mounted with a pearl within a band of smaller half pearls, between two rows of twelve further half pearls, unmarked but tests as 9ct. £80-120
217. A VICTORIAN BRAIDED HAIR BRACELET, with yellow metal locket and fittings.£70-90
218. A MID-19th CENTURY SCOTTISH AGATE BROOCH, of flowerhead form, the various coloured stones set in slate. 4.75cm£70-90
219. A SAPPHIRE AND DIAMOND RING, the oval-cut sapphire flanked by a pair of round brilliant-cut diamonds claw-set on an 18ct yellow gold band. Total weight of diamonds approx. 0.20 carats, ring size N£150-250
220. AN ARTS & CRAFTS SILVER AND ENAMEL BRACELET, JAMES FENTON, BIRMINGHAM 1911, each c-scroll cast plaque enclosing a green enamel panel with bubble inclusions. 19cm
£150-200
221. A CHARLES HORNER SILVER AND ENAMEL PENDANT, CHESTER 1909, the foliate-cast pendant applied with blue-green enamel panels, beneath a similarly enamelled spacer, on a tracelink chain. £150-200
222. A STRIKING CHARLES HORNER SILVER AND ENAMEL PENDANT, CHESTER 1908, of yolk form, pierced and applied with blue-green enamels, with pendant drop enamelled en suite and enamelled spacer to the tracelink chain. £300-400
223. A VINTAGE ROLEX OYSTERDATE PERPETUAL GENTLEMAN'S STAINLESS STEEL WRISTWATCH, c. 1950/60, the off-white dial (somewhat discoloured) with tapered baton numerals and hands, centre seconds and date aperture, on a conforming Rolex steel bracelet strap. £250-350
224. AN EBEL LADY'S YELLOW GOLD WRISTWATCH, the circular dial with baton numerals on a gold bracelet strap stamped "750". £100-150
225. A TUDOR ROYAL LADY'S WRISTWATCH, case 9ct gold, the circular dial with Roman and baton numerals with subsidiary seconds dial, on a ropework bracelet strap (unmarked).£70-90
226. A THOMAS RUSSELL & SON, LIVERPOOL 9ct GOLD OPEN FACE POCKET WATCH, the signed white enamel dial with Roman numerals and subsidiary seconds dial, keyless jewelled signed movement, case marked for Chester 1928. £250-350
227. A WALTHAM 9ct GOLD OPEN FACE POCKET WATCH, the signed white enamel dial with Arabic numerals and subsidiary seconds dial, Dennison gold case marked for Birmingham 1926. £200-300
228. A VERTEX LADY'S DIAMOND AND PLATINUM COCKTAIL WATCH, the circular white dial with Arabic numerals in a case stamped "Vertex Platinum", with diamond-set platinum lugs, 17 jewel Avalon movement, on a woven and leather strap. £200-300
229. A LATE 19th CENTURY CHILD'S PERCUSSION CAP RIFLE, with ramrod, leather shoulder strap with copper hunting horn attached, the butt with pierced silver monogram mount and hallmarks for 1898. Length overall 89cm£100-150
230. A KOHLER & CO. COPPER AND SILVER-PLATE POST OR COACHING HORN, c. 1900, engraved "The Beaufort" and with maker's name, in its original leather carrying case, similarly embossed. Length 91.5cm£100-150
231. AN UNUSUAL VICTORIAN CASED NATIVITY SCENE, three-dimensional in printed card, showing the Holy Family with shepherds in a rustic stone stable, ruined columns in the background, in a wallpapered wooden glass-fronted case. Case 40cm by 34cm by 19cm£50-70
232. A STRAUSS TINPLATE MECHANICAL TOY, "WILDFIRE TROTTER", the wind-up horse and cart painted in black, mustard, grey and red. Length 22.5cm£80-120
233. AN EARLY 20th CENTURY THREE-PIECE CLOCKWORK MONKEY BAND, each plush with felt hat, playing cymbals, drum and maracas, each with key. Tallest 23cm£100-150
234. A LATE 19th/EARLY 20th CENTURY SWORDFISH BILL. 87cm£100-150
235. A GROUP OF VINTAGE STUFFED TOYS COMPRISING: a Chiltern kitten with miaow and glass eyes; a Real Soft Toys cat with collar and glass eyes; a Muffin the Mule; a chicken with outstretched wings; a seated monkey with glass eyes; and an Andy Pandy with cloth body. (6)£50-70
236. AN INUIT-STYLE TOOTH, decorated with a figure in a canoe. 9.5cm£30-50
236A. A LATE 19th/EARLY 20th CENTURY EGYPTIAN DRUM, the tapering body densely overlaid with mother-of-pearl in geometric patterns. Height 30cm£40-60
237. WELLINGTON, THE PENINSULAR CAMPAIGN: A MID-19th CENTURY GILT-METAL CASE CONTAINING FIVE MINIATURE COMMEMORATIVE MEDALS, the case cast with a trophy of arms, inscribed "The Wellington Peninsular Medals" and a registration mark for 1849, "Waterloo" and a battle scene verso, containing five gilt-metal miniature medals including Salamanca, Vimiera, Pamplona etc. Case 22mm£100-150
238. A RARE WORLD WAR II GERMAN LUFTWAFFE EAGLE AND SWASTIKA SPORTS SHIRT CLOTH BADGE. 25cm£40-60
239. A WORLD WAR II GERMAN WEHRMACHT MERIT CROSS, 2nd CLASS NON-COMBAT, dated 1939, with swastika. £40-60
240. A WORLD WAR II GERMAN WEHRMACHT MERIT CROSS, 2nd CLASS, COMBAT VERSION, dated 1939 with swastika and crossed swords. £40-60
241. A WORLD WAR II GERMAN CUSTOMS OFFICER'S EPAULETTE, with two pips and decoration. £30-40
242. A WORLD WAR II GERMAN WEHRMACHT WEST WALL MEDAL, with ribbon, swastika and eagle, inscription to reverse. £40-60
243. A WORLD WAR II GERMAN HUNTING ASSOCIATION BADGE, with stag's head and swastika (the Hunting Association founded by Hermann Goering). £40-60
244. A WORLD WAR II GERMAN WEHRMACHT OFFICER'S TUNIC CLOTH BADGE WITH EAGLE AND SWASTIKA. £40-60
245. FOLK ART: A 19th CENTURY WHALEBONE VERTEBRA NAIVELY PAINTED AS JOHN WESLEY. 12.5cm£150-250
245A. A MAORI WOODEN STAFF, TAIAHA, with a carved pointed tip above shell eyes to both sides, on a tapering shaft with a flattened end. 1.81m£150-250
245B. A MAORI CLUB, TEWHATEWHA, the axe-form head with spirally-carved decoration, on a tapering shaft. 1.52m£150-250
246. AN INLAID MARBLE PLAQUE, decorated as a foliate spray with malachite, lapis lazuli etc. 18cm by 13cm£30-50
247. A RUSSIAN FINELY-PAINTED PAPIER MACHE BOX, signed and dated 1954, decorated with a scene from a fable. 15cm by 10cm£80-120
248. A LATE 19th/EARLY 20th CENTURY CONTINENTAL GILT-METAL MOUNTED ENAMEL CASKET, of bombe form, the hinged cover and sides painted with floral sprays against a pink ground, the metal mounts cast with scrolls and stylised foliage. 15cm£70-90
249. A LACQUER TWIN-HANDLED TRAY, c. 1920/30, in the Oriental taste, boldly decorated with a bird in flight and two fruiting boughs all against a black ground. Length across handles 60.5cm£80-100
250. A 19th CENTURY PAPIER-MACHE BOX, the lift-off circular lid with printed scene of mountains and a river. 9cm£60-80
250A. A GROUP OF YEMENI JEWELLERY, including a collar suspending beads, a pair of earrings, bangles, an anklet etc£80-120
250B. A NORTH AFRICAN PAINTED WOODEN BOX, the domed conical cover and body painted in red with bands of incised decoration; together with TWO YEMENI BASKETS, each wicker basket with coloured bands and leather carrying handles. First 15cm£50-70
251. TREEN: AN UNUSUAL SCANDINAVIAN ALE HEN, possibly Norwegian, birch, with dug-out bowl, and decorated with geometric chip carving. Length 26cm£80-120
252. TREEN: AN ARTICULATED WOODEN DOLL, in a "grass" skirt. 24.5cm£80-120
252A. GABON, A FANG NGIL WOODEN MASK, with high domed forehead, long tapering nose, traces of white pigment, on an ebonised and wrought-metal stand. 47cm£100-200
253. A VICTORIAN TURNED AND PAINTED WOODEN TRUNCHEON, painted with the "VR" monogram under a crown, "Police" within a cartouche and the base of the handle stamped "Parker 233 Holborn". 44cm£120-180
254. TREEN: A PAIR OF PINCUSHIONS IN THE FORM OF A LADY'S BOOT. 11cm£50-70
255. A BLACK FOREST LETTER RACK, early 20th century, the shaped backboard mounted with four masks, each displaying a differing emotion. 42cm£60-80
256. A VICTORIAN ROSEWOOD GAVEL.£35-45
257. A BURR ELM SNUFF BOX, c.1830/40, tortoiseshell lined; together with a turned rosewood patch box. (2)£45-55
258. TREEN: AN EARLY 19th CENTURY SYCAMORE WASHING BAT, of characteristic form, with chip-carved decoration. 65cm£40-60
259. A SMALL SYCAMORE "DUG-OUT" BOWL WITH SYCAMORE LADLE, 19th century. Diameter of bowl 20.5cm£50-70
260. CIRCLE OF ERIC GILL, CHRIST ON THE CROSS, carved wood, on a stepped oak plinth signed with a monogram. 90cm£200-300
260A. A BENIN TYPE BRONZE MODEL OF A SEATED MAN. 19cm£60-80
260B. A BENIN TYPE BRONZE MODEL OF A MAN WITH A STICK. 19cm£45-55
261. A PATINATED BRONZE GROUP OF A HORSE AND JOCKEY, in 19th century style, cast on an oval integral base and black marble plinth, bearing the inscription "Edgar Bertram 1878". Height overall 48cm£300-500
262. A SMALL WHITE MARBLE BUST OF A GIRL WITH LONG HAIR, signed Cratchley. 16cm£100-150
263. GEORGES GIRAUD, A BRONZE MEDAL, "SOCIETE BOTANIQUE DE FRANCE", centenary 1854-1954, the reverse finely cast with the head of a girl against a ground of mushrooms, grapes, ears of corn, etc, signed, in original presentation case. 6.5cm£60-80
264. J.H. COEFFIN, GILT-BRONZE COMMEMORATIVE MEDAL FOR THE LAUNCH OF THE S.S. FRANCE, 1962, one side with an image of the liner, the obverse with a bust of Marianne within an inscription. 5.2cm£40-60
265. A FRENCH BRONZE EXHIBITION MEDAL, SOCIETE PHILOMATIQUE, BORDEAUX 1895, cast to one side with a seated female nude against a background of the exhibition buildings, the obverse with a bust of Burdigala (Bordeaux) with grapes and vines entwined in her hair and a ship as headpiece, signed to both sides. 6cm£50-70
266. A LARGE JAPANESE OKIMONO OF A FISH SELLER, MEIJI PERIOD, holding a knife in his right hand, baskets of fish over his left shoulder, unsigned. 32cm£100-150
267. A LARGE JAPANESE IVORY OKIMONO OF A SAMURAI, MEIJI PERIOD, standing with a katana under his left arm, unsigned. 39cm£100-150
268. A LARGE CHINESE ROOT WOOD CARVING OF ENTWINED SNARLING DRAGONS, elaborately carved, centred by a flaming pearl and with detachable flaming pearl surmount, incised marks to base. 63cm£200-300
269. A CHINESE IVORY PUZZLE BALL ON STAND, the ball profusely carved with birds and flowerheads, the stand with domed base beneath a tapering standard carved with figures beneath a stiff leaf-carved rim. Diameter of ball 5.5cm, height overall inc. stand 12.5cm£120-180
270. A THREE-SECTION IVORY INRO, incised and coloured to each side with a young girl in a garden. 6.75cm£50-70
271. A FOUR-SECTION IVORY INRO, coloured and incised to one side with an erotic scene, the obverse a bird in a bough. 6.5cm£50-70
272. A THREE-SECTION IVORY INRO, incised and coloured to each side with a girl in a garden. 6.75cm£50-70
273. A CHINESE GREEN HARDSTONE TRIPOD CENSER, 19th CENTURY, raised on three paw feet, carved in low relief with taotie masks, lion mask handles, the cover with a coiled dragon finial, the stone with natural russet flaws, raised on a custom-made hardwood stand. Overall 33cm£100-150
274. A CHINESE HARDWOOD FIGURE OF LIU HAI, carved standing holding aloft the three-legged toad. 41.5cm£60-80
275. A JAPANESE OKIMONO, MEIJI PERIOD, of a man holding a fan, lotus leaf mark to base. 19cm£250-350
276. A PAIR OF JAPANESE BRONZE VASES, early 20th century, each cast with a dragon and sea creatures. 15.5cm£60-90
277. A 19th CENTURY CHINESE SOAPSTONE SEAL IN A HORN CASE, the seal engraved with a landscape, the fitted case with integral ink stone. 11.5cm£50-70
278. A PAIR OF CHINESE BRONZE BOWLS ON STANDS, c. 1920, each cast with a broad band of exotic beasts, cast with seal signature to the base and on a carved hardwood stand. Diameter of bowls 26cm£100-150
279. A LARGE CHINESE CLOISONNE ENAMEL CENTRE BOWL, profusely decorated with chrysanthemums, peonies and other flowers, on a hardwood stand. Diameter 38cm£120-180
280. FRENCH, GEORGE RUSSELL, "THE ROYAL DESCENT OF NELSON AND WELLINGTON", pub. William Pickering, London 1853, 8to, original embossed cloth covers, losses to spine, cover worn, light foxing. £250-350
281. PERCY MACQUOID & RALPH EDWARDS, "THE DICTIONARY OF ENGLISH FURNITURE", three volumes, pub. Country Life 1924-27, original cloth and gilt. £180-250
282. COOPER, W. HEATON, "LAKELAND PORTRAITS", first edition 1954, original dustwrapper, signed by the author on dedication page; SAME AUTHOR, "THE TARNS OF LAKELAND", first edition 1960, original dustwrapper; and SAME AUTHOR, "THE HILLS OF LAKELAND", first edition 1938, original dustwrapper. (3)£200-300
283. HUISH, MARCUS B. & HELEN ALLINGHAM R.W.S., "HAPPY ENGLAND", pub. Black 1904, coloured plates with captioned tissue guards, gilt-decorated cloth. £50-70
284. MUNNINGS, SIR ALFRED, THE AUTOBIOGRAPHY, THREE VOLUMES, "AN ARTIST'S LIFE", "THE SECOND BURST" AND "THE FINISH", the first, a second edition 1951, the second a first edition 1951, the third a first edition 1952, each with original dustcovers. (3)£80-120
285. GODDEN, GEOFFREY A., "STEVENGRAPHS AND OTHER VICTORIAN SILK PICTURES", first edition pub. 1971, original dustwrapper. £40-60
286. EDWARDS, GEORGE, "GLEANINGS OF NATURAL HISTORY", remnants of volume pub. London 1758, engraved portrait frontspiece, (no plates otherwise), "A NATURAL HISTORY OF ENGLISH INSECTS", a few remnant pages, pub. London 1720 inc. dedication pages, bound together in later cloth binding. £30-50
287. JOHN, W.D. & BAKER, WARREN, "OLD ENGLISH LUSTRE POTTERY", second edition 1962, limited to 1000 copies, cloth covers. £40-60
288. ROSE, THOMAS, "WESTMORLAND, CUMBERLAND, DURHAM & NORTHUMBERLAND ILLUSTRATED, pub. London 1833, numerous black and white engravings by Thomas Allom, Pickering etc, calf spine. £80-120
289. LINTON, E. LYNN, "THE LAKE COUNTRY", ill. W. J. Linton, pub. London 1864, cloth covers. £50-70
290. PALMER, W.T., "THE ENGLISH LAKES", ill. A. Heaton Cooper, second edition pub. London 1908, seventy-five coloured plates with tissue guards, pictorial cloth covers. £50-70
291. PAYN, JAMES, "THE LAKES IN SUNSHINE, BEING PHOTOGRAPHIC AND OTHER PICTURES OF THE LAKE DISTRICT", pub. Windermere 1867, pictorial cloth covers. £50-70
292. CESCINSKY, HERBERT, "ENGLISH FURNITURE OF THE EIGHTEENTH CENTURY", three volumes, half leather, large quarto. £100-150
293. KNIGHT, CHARLES (ed.), "OLD ENGLAND, A PICTORIAL MUSEUM", TWO VOLUMES, pub. James Sangster, London, numerous coloured and black and white illustrations/engravings, large 4to, cloth covers. £30-50
294. NORMAN WILKINSON (1878-1971), "THE LONDON PILOT", etching, signed in pencil lower right and inscribed lower left, framed. Plate 15cm by 22.5cm£120-180
295. NORMAN WILKINSON (1878-1971), FISHING BOATS OFF THE SOUTH COAST, etching, signed in pencil lower right, framed. Plate 17.5cm by 27.75cm£120-180
296. AN EARLY 20th CENTURY PHOTOGRAPH OF A FEMALE AVIATOR. 30.5cm by 25cm£30-40
297. ARTHUR SPENCER ROBERTS (1920-1997), RED TIGER, limited edition print of 750, signed in pencil, framed. 59cm by 75cm£60-80
298. SAMUEL BUCK, AN ENGRAVING OF "THE NORTH VIEW OF EGLESTON ABBEY..."; together with a print of Durham from the south. (2) £30-40
299. A SILHOUETTE, OF TWO FIGURES IN 18th CENTURY DRESS, heightened with white, in an oval frame. Overall 17cm by 13cm£50-70
300. SPANISH SCHOOL, 17th CENTURY, MADONNA AND CHILD, oil on canvas, in a later gilt-composition frame. 33cm by 28cm£400-600
301. AFTER RAPHAEL, 18th CENTURY, THE MADONNA DEL GRANDUCA, oil on panel, in a later gilt-composition frame. 19cm by 13.5cm£500-700
302. CONTINENTAL SCHOOL, 19th CENTURY, THE ANGEL OF THE ANNUNCIATION, oil on oval panel, in an elaborate gilt-composition frame. 28cm by 21.5cm£150-250
303. ITALIAN SCHOOL, 16th/17th CENTURY, THE HOLY FAMILY WITH JOHN THE BAPTIST, oil on oak panel, framed. 57cm by 45cm£1200-1800
304. CONTINENTAL SCHOOL, 17th/18th CENTURY, THE HOLY FAMILY, tempera on vellum, framed. 65cm by 45cm£150-250
305. HENRY JOHN SYLVESTER STANNARD (1870-1951), CHILDREN BY A THATCHED COTTAGE, signed lower left, watercolour, framed. 21cm by 37cm£150-200
306. CIRCLE OF GEORGE MORLAND (1763-1804), FIGURES IN A WINTER LANDSCAPE, oil on canvas, framed. 25cm by 31cm£150-250
307. RUSSIAN SCHOOL, 20th CENTURY, SNOW-COVERED CHURCH YARD, signed with a monogram lower left, gouache, framed. 40cm by 38cm£100-150
308. ASHLEY JACKSON F.R.S.A., SADDLEWORTH MOOR, DINGLEY MILL, signed lower left, watercolour, presentation inscription from the artist verso dated 1983, framed. 35cm by 53cm£400-600
309. CIRCLE OF SIR JOHN LAVERY (1856-1941), ARAB FIGURES AT SUKO, oil on panel, inscribed verso, unframed. 28cm by 19.5cm£150-250
310. STAITHES SCHOOL, MARES AND FOALS IN A FIELD, oil on panel, framed. 19cm by 27cm£50-70
311. ANGLO-INDIAN SCHOOL, 19th/EARLY 20th CENTURY, TURBANNED SERVANT and GENTLEMAN WITH AN UMBRELLA, A PAIR OF WATERCOLOURS, each signed with a monogram "HAB", framed. Each 22cm by 16cm£70-90
312. FRANK HARDY (20th CENTURY), "THE MODEL", STUDY OF A FEMALE NUDE, signed lower left, oil on board, label verso, framed. 36cm by 22cm£70-90
313. ENGLISH SCHOOL, 19th CENTURY, DUTCH BOATS AT BLACKWALL REACH, signed "FW" and dated 1839, pen and ink, framed. 13.5cm by 12.5cm£40-60
314. NARDI (LATE 19th/EARLY 20th CENTURY), GANDRIA LUGANO, signed lower right, watercolour, framed. 27.5cm by 36cm£70-90
315. CIRCLE OF THOMAS MILES RICHARDSON (1830-90), A CONTINENTAL HARBOUR, signed with a monogram lower left, watercolour, framed. 23cm by 33cm£150-200
316. AN INDIAN MINIATURE PAINTING, of a man mounted on a dog, watercolour on ivory, highlighted with gilding, circular. 15mm£30-50
317. CIRCLE OF HUMPHREY JENNINGS (1907-1950), MONOCHROME COMPOSITION, oil on board, inscribed "Humphrey Jennings" in pencil verso. 76cm by 61cm£120-180
318. CHINESE SCHOOL, 19th CENTURY, CHILD WITH A FAN and CHILD WITH A PARASOL, A PAIR OF STUDIES, OIL ON CANVAS, each with heavy craquelure, framed. 23cm by 14cm£50-70
319. AFRICAN SCHOOL, 20th CENTURY, HUNTING AND FISHING, signed Ossiala, gouache, framed. 24cm by 31cm£40-60
320. EDWARD ELLIOTT (b. 1918), THREE VASES, signed lower left, label verso, with date 1968, framed. 39.5cm by 50cm£40-60
321. E. BAKER (20th CENTURY), A JUNK BY MOONLIGHT IN HONG KONG HARBOUR, gouache, signed lower right and dated 1950, framed. 24cm by 31cm£50-70
322. ATTRIBUTED TO JOHN DUNCAN FERGUSSON (1874-1961), FOUR FIGURATIVE STUDIES, CHARCOAL ON PAPER, one signed verso, unframed. Each 11cm by 18cm£200-300
323. AFTER LEONARDO DA VINCI, FIGURE STUDY OF A MAN WITH A STAFF, pen and red ink on paper, indistinctly signed and inscribed, unframed. 33.5cm by 23.5cm£30-50
324. FREDERICK (FRED) LAWSON (1888-1968), "OLD CHAPEL, MONTREUIL, FRANCE", signed lower right and dated 1914, pencil and watercolour, framed. 25.5cm by 31.5cm£350-450
325. DOROTHY MARGARET AND ELIZABETH MARY ALDERSON (1900-1992) & (1900-1988), HAYCART ON A MOOR, signed lower right and dated 1982, watercolour, framed. 29cm by 39cm£400-600
326. FREDERICK (FRED) LAWSON (1888-1968), BOLTON CASTLE, signed lower right, pencil and watercolour, framed. 25cm by 33cm£250-350
327. ROBERT LESLIE HOWEY (1900-1981), BLETARN & LANGDALE PIKES, signed lower left, watercolour, framed. 11cm by 16cm£180-250
328. DOROTHY MARGARET AND ELIZABETH MARY ALDERSON (1900-1992) & (1900-1988), FARMYARD SCENE WITH A HAYCART DUCKS AND A COLLIE, signed lower right and dated 1980, watercolour, framed. 28cm by 37.5cm£500-700
329. FREDERICK (FRED) LAWSON (1888-1968), ON THE SAND DUNES, ETAPLES, FRANCE 1914, signed and dated lower right, watercolour, framed. 26.5cm by 34cm£250-350
330. FREDERICK (FRED) LAWSON (1888-1968), KEPIER GATE, DURHAM CITY, signed lower right and dated 1916, watercolour, framed. 24cm by 33cm£250-350
331. DOROTHY MARGARET AND ELIZABETH MARY ALDERSON (1900-92) & (1900-88), STUDY OF A HUNTER, "CRESTA", signed lower right and dated 1931, watercolour, framed. 34cm by 47cm£300-500
332. FREDERICK (FRED) LAWSON (1888-1968), HAYCART ON A COUNTRY ROAD, signed lower right, framed. 37cm by 27cm£250-350
333. REGINALD A. GRATTAN (SOUTH AFRICAN, 20th CENTURY), SOUTH AFRICAN HOMESTEAD, oil on canvas, signed lower left, in a gilt composition frame. 44.5cm by 59cm£120-180
334. WILLIAM KNOX (1862-1925), VENICE, THE LAGOON, signed lower left, watercolour heightened with white, framed. 25cm by 35cm£300-500
335. FREDERICK JAMES ALDRIDGE (1850-1933), "ON THE LAGOONS", VENICE, signed and inscribed lower right, watercolour, framed. 18.5cm by 34.5cm£150-250
336. FREDERICK (FRED) LAWSON (1888-1968), A WOOD ON THE NORTH YORKSHIRE MOORS, signed lower left and dated 1941, watercolour, framed. 26cm by 36cm£200-300
337. FREDERICK (FRED) LAWSON (1888-1968), DALES FARMSTEAD, signed lower right, watercolour, framed. 23.5cm by 31.5cm£250-350
338. JOHN CHARLES MOODY (1884-1962), DURHAM CITY FROM THE RIVER, signed and inscribed lower right, watercolour, framed. 28cm by 38cm£150-250
339. DOROTHY MARGARET AND ELIZABETH MARY ALDERSON (1900-1992) & (1900-1988), A HUNT, PROBABLY THE HURWORTH, signed and dated 1964 lower right, watercolour, framed. 37.5cm by 54cm£1000-1500
340. ENGLISH SCHOOL, 19th CENTURY, AFTER THE STORM, watercolour, unsigned, framed. 10cm by 30cm£100-150
341. BRITISH SCHOOL, 20th CENTURY, LAKESIDE LANDSCAPE, attributed to Gilbert Hole verso, indistinctly monogrammed, oil on board, framed. 24cm by 33cm£80-120
342. DAVID HARDY (fl. 1855-1870), FIRST STEPS, signed and dated 1863 lower right, watercolour, framed. 49cm by 60cm
Note: A painter of rustic genre and country subjects in oil and watercolour. Hardy lived in Bath and exhibited at the Royal Academy and the Royal Society of British Artists.£2000-3000
343. ALFRED HERBERT (fl. 1843-1860), UNDER SAIL IN HEAVY WEATHER, signed with initials and dated 1856 lower left, watercolour, framed. 51cm by 73cm
Note: A seascape watercolourist who lived in Southend, Herbert gained first hand knowledge of coastal shipping while working as a Thames tugboat man. Forty-three of his works were exhibited at the Royal Academy. Very similar in his style to William Callow.£600-800
344. JOHN FALCONER SLATER (1857-1937), AN ORNAMENTAL GARDEN WITH POND, signed lower right, oil pastel, framed under glass. 52cm by 70cm
Note: Slater ran a store in the diamond fields of South Africa before returning to Tyneside to become a professional artist. He exhibited in London, Scotland and at the Laing Art Gallery in Newcastle. He was also a keen writer about art, in both the press and his own publication.£750-850
345. GEORGE HORTON (1859-1950), CHESTNUT TREES IN HOLLAND, signed lower right, watercolour, framed. 21cm by 32cm
Note: The main exhibitions of his work were held in The Hague and Rotterdam. Exhibited one piece at the RA in 1896. £350-450
346. JOHN WILLIAM GILROY (1868-1944), NEWCASTLE QUAYSIDE, signed lower right, watercolour, framed. 28cm by 43cm£750-1000
347. JOHN HENRY MOLE (1814-1886), A NORTHUMBRIAN PARKLAND LANDSCAPE, unsigned, watercolour, framed. 13cm by 21.5cm£250-350
348. JOHN WILSON HEPPLE (1886-1939), THE OLD BRIDGE, signed lower left, watercolour, framed. 21cm by 33cm
Note: The son of Wilson Hepple, he was born at Whickham. Although not a full time artist (he chose teaching as a profession) he exhibited regularly in the North East, mainly in the Northern Counties Exhibitions at the Laing Gallery.£150-200
349. JOHN WILSON HEPPLE (1886-1939), RIVER LANDSCAPE, unsigned, watercolour framed. 21cm by 32cm
See note for the preceding lot.£200-300
350. GARY MAHON (SCOTTISH, CONTEMPORARY), COTTAGE IN A RUSTIC LANDSCAPE, signed lower right, oil on canvas, in a pine frame. 29cm by 29cm
Note: Mahon was born in Glasgow. The subject matter of many of his artworks is the rugged landscapes of the West Coast of Scotland including the villages, beaches and hills. His work tends to focus on the objects that give a place a character. The use of colour and contrast of light form the essence of his work. He has won many awards and his works are held, amongst other places, in The House of Lords, Palace of Westminster.
This lot may be subject to ARR.£300-400
351. THOMAS (TOM) DACK (b. 1933), A QUIET PINT, signed lower right, watercolour, framed. 15cm by 21cm
Note: Dack, born in Newcastle upon Tyne, paints primarily marine and aeronautical subjects. He has exhibited heavily throughout the North East.£100-150
352. JOHN HAMILTON GLASS (1820-1885), IN THE BORDERS, signed lower right, watercolour heightened with white, framed. 29cm by 43cm£350-450
353. THOMAS (TOM) McGUINNESS (1926-2006), ERECTING THE PROPS, signed and dated (19)88 lower right, pen, ink and watercolour, framed. 35cm by 55cm
Note: An industrial painter in oil and watercolour, he was born at Witton Park, near Bishop Auckland in County Durham and in 1944 was conscripted to the coal industry as a Bevin Boy. He was interested in drawing from his school days but had no formal training until his colliery training officer recommended he attend evening classes at Darlington College, under Ralph Leslie Swinden RA. In 1947 he left the mines and about this time joined the Sketching Club at The Settlement, Spennymoor, where a fellow member was Norman Cornish. By 1948 he began to paint seriously, and in the following year showed his work for the first time at the Artists of the Northern Counties exhibitions at the Laing Art Gallery, Newcastle, and the Federation of Northern Arts Societies' exhibitions at the Shipley Art Gallery, Gateshead. In 1972 he held his first one-man show at the Wibley Gallery, London, to much critical acclaim. In 1997 the Bowes Museum, Barnard Castle, held the "Mines a McGuinness" exhibition to mark the publication of an exhaustive account of his life and work, "Tom McGuinness - the art of an underground miner".£3000-4000
354. WILLIAM IRVING (1866-1943), THE NORTHUMBERLAND COAST, signed and dated 1875 lower left, oil on canvas, framed. 47cm by 88cm£400-600
355. JOHN ARTHUR DEES (1875-1959), LAKELAND COTTAGE, signed lower right, watercolour, framed. 27cm by 38cm
Note: Dees was born in Newcastle and studied at the School of Art Gateshead, winning gold medals in 1895 and 1896, but decided on a career in commerce.£150-200
355A. EDWIN EARP (1851-1945), BOATS AT SAIL, A PIER BEYOND, signed lower right, watercolour, framed. 25.5cm by 38.5cm£100-150
356. MAY HUTCHISON (SCOTTISH, CONTEMPORARY), FLOWER GATHERERS, signed lower right, oil on canvas, framed. 44cm by 55cm£120-180
357. FRANCIS (FRANK) THOMAS CARTER (1853-1934), NEAR SCARTOLER, signed lower right, oil on canvas, framed. 30cm by 44cm
Note: Carter was born at Warkworth, a son of the station master. A regular exhibitor at the RA and RSA, it is often said that he spent six days of the week as an innkeeper and Sundays as a painter. His family ran the Nags Head in Newcastle.£350-450
358. AFTER REMBRANDT, SELF-PORTRAIT, signed lower right, oil on canvas, framed. 78cm by 58cm£150-250
359. ARTHUR HENRY GRAHAM HOGGARTH (1882-1964), AFFPUDDLE, signed, pen and ink, framed. 18.5cm by 27cm£120-180
360. ARTHUR HENRY GRAHAM HOGGARTH (1882-1964), KNARESBOROUGH, unsigned, titled lower right, framed. 23cm by 55cm£120-180
361. ARTHUR HENRY GRAHAM HOGGARTH (1882-1964), RIVER LANDSCAPE, signed with initials lower left, crayon, framed. 25.5cm by 33cm£120-180
362. ARTHUR HENRY GRAHAM HOGGARTH (1882-1964), WINDSWEPT TRACK, unsigned, watrecolour, framed. 24cm by 36cm£120-180
363. HERBERT DAVIS RICHTER R.S.W. (1874-1955), "SUNLIGHT PAGEANTRY", signed lower right, old Glasgow Institute of Fine Arts label verso, oil on canvas, in a gilt-composition frame. 75cm by 62cm£3500-4500
364. WILLIAM JOSEPH J.C. BOND (1833-1928), MONK BAR YORK, monogrammed lower left, watercolour, framed. 22cm by 17cm£150-250
365. GEORGE STANFIELD WALTERS (1838-1924), COASTAL SHIPPING (OFF CALAIS), signed lower left, watercolour, framed. 23cm by 33cm£250-350
366. CHARLES THORNLEY (fl. 1858-1898), "OFF THE SUSSEX COAST", signed lower right, oil on board, titled and attributed on the slip, in a gilt composition frame. 29cm by 24cm£3000-4000
367. JOHN THOMAS YOUNG GILROY, A.R.C.A., F.R.S.A. (1898-1985), STILL LIFE OF ROSES WITH A PORCELAIN FIGURE, signed lower right, oil on board, in a gilt-composition frame. 61cm by 75cm£400-600
368. NOEL HARRY LEAVER A.R.C.A. (1889-1951), CHURCH IN A NORFOLK LANDSCAPE, signed lower right, watercolour, framed. 18cm by 27cm£600-800
369. JOSEPH KIRKPATRICK (1872-1930), TWO GIRLS IN A WOOD, signed lower right and dated 1898, watercolour, framed. 22cm by 15cm
Note: Kirkpatrick exhibited frequently between 1891 and 1928 at Birmingham, Liverpool, London etc including thirteen pictures at the Royal Academy£800-1200
370. JAMES NOBLE (BRITISH, 1919-89), STILL LIFE OF ANEMONES, signed lower left and dated '51, oil on board, framed. 44cm by 34cm£400-600
371. HENRY MOORE R.A., R.W.S. (1831-95), SHIP IN FULL SAIL ON CHOPPY SEAS, signed lower right, oil on canvas, framed. 45cm by 80cm£1800-2500
372. JAMES MACBETH (SCOTTISH, 1847-91), THE FAIRGROUND AT NIGHT, signed lower left and dated 1878, oil on canvas, framed. 88cm by 62cm£3000-4000
373. WILLIAM GOLDSMITH (BRITISH, 20th CENTURY), HARVEST TIME, signed lower left and indistinctly dated, watercolour, framed. 29cm by 58cm£600-800
374. CIRCLE OF WILLIAM ADOLPHUS KNELL (1802-75), SHIPPING IN STORMY SEAS, oil on canvas, in a gilt-composition frame. 29.5cm by 39.5cm£1000-1500
375. ENGLISH SCHOOL, 19th CENTURY, HARVESTING THE LOBSTER POTS, oil on canvas, framed. 47cm by 65cm£1500-2000
376. CONTINENTAL SCHOOL, 19th CENTURY, THE COUNTRY LOVERS, indistinctly signed lower left, oil on canvas, in a gilt-composition frame. 43cm by 35cm£1800-2500
377. G. HAMMOND (BRITISH, 20th CENTURY), HUNTSMEN AND HOUNDS, a miniature watercolour, on card, signed lower left, in a gilt-composition frame. 7.5cm by 10cm£70-90
378. ENGLISH SCHOOL, c. 1900, WOODLAND CLEARING, monogrammed "SP" lower left, oil on canvas, in a gilt frame, the slip with spurious attribution to Sutton Palmer. 33cm by 48cm£60-80
379. ENGLISH SCHOOL, 19th CENTURY, MOTHER AND CHILD and BOY PLAYING A PICCOLO, A PAIR OF OILS ON CANVAS, each signed "Stanley", in gilt-composition frames. 29.5cm by 22cm£100-150
380. GUY L'HOSTIS (FRENCH, 20th CENTURY), "GORCH FOCK SAILING FROM ROUEN 1989", signed lower left, inscribed and dated lower right, watercolour, framed. 33cm by 47cm£120-180
381. DAME LAURA KNIGHT (1877-1970), CIRCUS ACT, monogrammed lower right, ink and wash, studio stamp verso, framed. 18.5cm by 26.5cm£800-1200
382. MALCOLM MORLEY (b. 1931), UNTITLED, MIXED MEDIA, scored and heightened, signed and dated 1977 verso (image attached to rear of frame). 54cm by 73cm
Provenance: Private Collection, Los Angeles
This work may be subject to ARR£1500-2500
383. SIDNEY V. GARDNER (BRITISH, exh. 1891-1927), "THE ROAD BY THE RIVER", signed lower right and dated 1900, old gallery label verso, oil on board, in a gilt-composition frame. 24cm by 34cm£500-700
384. WILLS (LATE 19th/EARLY 20th CENTURY), "RAVENSCAR", signed lower left and inscribed lower right, charcoal, framed. 16cm by 22cm£60-80
385. SHERREE VALENTINE DAINES (b. 1956), HORSE AND JOCKEY, monogrammed lower right, oil on board, framed. 31cm by 25.5cm
This work may be subject to ARR£900-1100
386. MANNER OF ARTHUR SPOONER (1873-1962), PORTRAIT OF A GIRL IN A HUNTING WAISTCOAT, signed "A. Spooner" lower right, oil on canvas, in a gilt-composition frame. 65cm by 55cm£150-250
387. 20th CENTURY SCHOOL, PORTRAIT OF A FARMER, indistinctly signed "Woodruff"? lower right, oil on canvas, framed. 75cm by 62cm£150-200
388. ATTRIBUTED TO FRANCIS SWAINE (c. 1720-83), A MOONLIT HARBOUR SCENE, signed lower right "F (in monogram) Swaine", oil on canvas, in a gilt-composition frame. 40cm by 70cm£700-900
389. CIRCLE OF KATE PERUGINI (1839-1929), A MOTHER AND TWO INFANTS, oil on board, unsigned, in a gilt-composition frame. 84cm by 59cm£700-900
390. HENRY ASTON BAKER (c. 1874-1856), "COMING TO ANCHOR", a marine watercolour of a man-of-war, watercolour, titled and monogrammed in ink, with dealer's label verso; together with "SOUTH SEA CASTLE...NEAR PORTSMOUTH", by the same hand, with a note verso, a marine watercolour, titled and monogrammed to the reverse of the watercolour (not removed from frame). (2) 12cm by 18.5cm and 14cm by 21.5cm
Note: the first with a dealer's note verso indicating a date on the reverse of the watercolour of May 1798 and a further hand-written note stating that the same subject appears as an etching in the Naval Chronicles with the original painting attributed to Nicholas Pocock. A similar note is inscribed to the reverse of the second watercolour. £80-120
391. FRED ROE (1864-1947), "THE GOTHS IN ROME", inscribed, signed and dated (18)89, watercolour en grisaille, framed. 62cm by 44cm£300-500
392. C.J. SMITH R.N., FOUR MEN-OF-WAR IN FULL SAIL, watercolour, signed lower left, framed. 33cm by 54cm£100-150
393. CIRCLE OF JACOB VAN TOORENVLIET (1641-1719), SERVANT GIRL IN A TAVERN, oil on board, framed, Palacio do Correio-Velho/Sotheby's lot label verso, further label, c. 1930/40 for Lisbon restorer "Casa dos Dourados". 24.5cm by 20cm
£1000-1500
394. FOLLOWER OF FREDERIK MARINUS KRUSEMAN (1816-1882), SKATERS BY A WINDMILL, indistinctly signed lower centre, oil on board, unframed. 43.5cm by 55.5cm£800-1200
395. DAVID STEFAN PRZEPIORA (b. 1944), FIGURES BY A CLOCK TOWER, signed lower right and dated (19)79, oil on board, framed. 49.5cm by 98cm£120-180
396. ENGLISH SCHOOL, EARLY 20th CENTURY, FISHING SMACK AT LOW TIDE, WATERCOLOUR, unsigned, framed, paper label verso "Artist Ronald Westby, South East London, now living in Surrey". 44.5cm by 34cm£60-80
397. ABRAHAM HULK, JUNIOR (1851-1922), "CORNFIELD" AND "DARTMOOR", a pair of watercolours, each signed, unframed. 17.5cm by 33cm£30-50
398. ABRAHAM HULK, JUNIOR (1851-1922), RIVER LANDSCAPES, A PAIR OF WATERCOLOURS, each signed, framed. 32cm by 16.5cm£50-70
399. ABRAHAM HULK, JUNIOR (1851-1922), SEASCAPE WITH GULLS, signed lower left, watercolour, framed. 19cm by 27cm£30-50
400. ABRAHAM HULK, JUNIOR (1851-1922), RIVERSIDE PATH, signed lower left, watercolour, framed. 17cm by 44cm£40-60
401. ABRAHAM HULK, JUNIOR (1851-1922), WOODED LANDSCAPES, A PAIR OF WATERCOLOURS, each signed lower right, framed. 44cm by 17cm£50-70
402. ARTHUR ERNEST MAUGHAM OF SHEFFIELD, (EXH. 1908), THE STONE BRIDGE AT WINSTON ON THE TEES, signed lower right and dated 1917, watercolour, framed. 33cm by 49cm£180-250
403. ARTHUR ERNEST MAUGHAM OF SHEFFIELD (EXH. 1908), THE BRIDGE AT CROFT ON THE TEES NEAR DARLINGTON, signed lower right and dated 1917, watercolour, framed. 33cm by 49cm£200-300
404. DOUGLAS PITTUCK (1911-1993), BARNARD CASTLE SCHOOL YARD, oil on board, inscribed verso, in a gilt-composition frame. 79cm by 120cm
Note: Pittuck was born in Plumstead, London and educated at Wallington Grammar School where he was taught art by Tom Nash, a friend of Stanley Spencer. Whilst employed at New College Oxford, he was allowed time to attend art classes at the Ruskin School of Drawing and Fine Art in the 1930's. After the war he returned to the Ruskin full time with the aid of an ex-serviceman's grant and studied under luminaries such as Eric Ravilious. He began a 25 year career as an art teacher at Barnard Castle School in 1948. He remained an active artist and was one of the "Four Teeside Painters" formed in 1951. His ex-pupils remember him talking of his influences who included Cezanne and an echo of that style can be seen in this work. £200-300
405. DOUGLAS PITTUCK (1911-1993), FIGURES BY A MILL, signed lower left and dated (19)68, oil on board, framed. 103cm by 74.5cm
Note: for biography of the artist see note on previous lot. This work clearly shows quite different early 20th century influences. £150-250
406. WILLIAM HENRY WILLIAMSON (1820-83), FISHING SMACKS BY MOONLIGHT, monogrammed lower left and dated 1875, oil on board. 19cm by 36cm£200-300
407. WILLIAM HENRY WILLIAMSON (1820-83), FISHING SMACKS IN ROUGH SEAS, signed lower left and dated 1864, oil on board, under glass in a gilt-composition frame. 22cm by 34cm£300-500
408. GILBERT RAKOTO, MADAGASCAR, signed, titled and dated 1970 lower left, watercolour, framed. 18cm by 24cm£40-60
409. HAROLD BENNETT, ALVINGHAM MILL, NR SOUTH LINCOLNSHIRE, signed lower left, inscribed verso, oil on board, framed. 32cm by 40cm£40-60
410. GEORGE P. WISEMAN (b.1905), "ST.HUBERT", STUDY OF A TRAWLER, signed and dated 1951 lower right, titled lower left, watercolour, framed. 25cm by 42cm£60-80
411. LOUISE MIZEN, STUDY OF THE HEAD OF A YORKSHIRE TERRIER, signed and dated (19)85, pastel, framed. 22cm by 22cm£60-80
412. ANTON PURIGINI, CAIRO, signed lower right, titled lower left, watercolour, framed. 23.5cm by 52cm£50-70
413. GARMON MORRIS (fl. 1900-1930), MOONLIGHT NIGHT, COAST OF ESSEX, signed lower right, titled lower left, watercolour, framed. 19cm by 53cm£200-300
414. ENGLISH SCHOOL, MATERNAL LOVE, signed with the initials EMS lower right, watercolour, framed. 30cm by 35cm£100-150
415. INDIAN SCHOOL, CEREMONIAL PROCESSION, unsigned, gouache on silk, framed. 25cm by 51cm£80-120
416. WILLIAM JAMES SMITH CRAMPTON (1855-1935), TACKING ROUND THE HEADLAND, signed lower left, oil on canvas, framed. 40cm by 60cm£300-400
417. CLAUDIO CASTELUCHO DIANA (SPANISH, 1870-1927), STILL LIFE OF WHITE DAHLIA AND CLEMATIS, signed C Castelucho, oil on canvas, framed. 45cm by 54cm£100-150
418. SHEILA HUGHES, AN AUTUMNAL LANDSCAPE, signed lower right, watercolour, framed. 27cm by 37cm£80-120
419. TOM OLDHAM, THE BOWES MUSEUM, signed lower right, watercolour, framed. 24cm by 33cm£80-120
420. MAJOR H.E. MORRITT, A GIRL BY THE WATER SIDE, Bowes Museum exhibition label verso, oil on canvas, framed. 29cm by 39cm£100-150
421. MAJOR H.E. MORRITT, THE TEES BEFORE WHORLTON, inscribed in pencil verso, oil on panel, framed. 23cm by 31.5cm£100-150
422. ISABELLA (ISA) JOBLING (NEE THOMPSON) (1851-1926), A CORNER OF THE GARDEN, signed lower left, watercolour, framed. 17cm by 24cm£80-120
423. N.D. THORP, HARTLEPOOL, signed and dated 1924 lower right, watercolour, framed. 23cm by 33cm£80-120
424. JOHN SANDERSON WELLS (1872-1955), A WOMAN IN AN INTERIOR, signed lower left, oil on panel, framed. 31cm by 21cm£400-500
425. VINCENZO D'ESPOSITO (fl. 1890-1920), SHIPPING IN THE GRAND HARBOUR, VALETTA, BY MOONLIGHT, signed lower right, watercolour and bodycolour, in a period gilt-composition frame. 23cm by 33.5cm£200-300
426. VINCENZO D'ESPOSITO (fl. 1890-1920), GONDOLAS IN THE GRAND HARBOUR AT VALETTA, signed lower left, watercolour and bodycolour, in a period gilt-composition frame. 23cm by 33.5cm£200-300
427. LOUIS E. CLARK (BRITISH, LATE 19th CENTURY), HIGHLAND RIVERSCAPES, A PAIR OF OILS, each signed, on canvas, in period gilt-composition frames. Each 34cm by 44cm£400-600
428. EDWARD HORACE THOMPSON (1879-1949), "WHEN EVENING DRAWS ON, DERWENTWATER AND THE BORROWDALE FELLS FROM CASTLE HEAD" and "A SUMMERS DAY, WINDERMERE FROM WANSFELL ABOVE STOCKGILL FORCE", A PAIR OF WATERCOLOURS, each signed, titled verso, in gilt-composition frames. Each 31cm by 45cm£700-1000
429. THOMAS BOND WALKER (1861-1933), PORTRAIT OF A LADY WEARING A CAMEO, signed upper right and dated 1916, oil on canvas, in a gilt-composition frame. 65.5cm by 49.5cm£200-300
430. RICHARD W. MARSHALL (b.1944), FARNDALE MOOR, NORTH YORKSHIRE MOORS, signed, watercolour and gouache, framed. 22.5cm by 35cm£100-150
431. A PAIR OF 19th CENTURY JAPANESE WATERCOLOURS OF BATTLE SCENES, (originally one page), on paper, one depicting a desperate struggle on a wooden bridge, the other a besieged garrison at the bridge end, signed; together with a 19th CENTURY JAPANESE WATERCOLOUR on paper, of a pensive male figure before a background of calligraphy. First 36cm by 25cm£100-150
432. WILLIAM LANGLEY (1852-1922), BRINGING HOME THE FLOCK AT SUNSET, signed lower right, oil on canvas, in a gilt-composition frame. 38cm by 59cm
£300-500
433. ALBERT MOULTON FOWERAKER R.B.A. (1873-1942), GIRL AND GEESE BY A THATCHED COTTAGE, signed lower right, watercolour, framed. 24.5cm by 35cm
Note: Foweraker was a member of the Royal Society of British Artists and exhibited 52 paintings there. He also exhibited at the Royal Academy and numerous London and provincial galleries.
£600-800
434. JOSEPH JOHN JENKINS (1811-85), GATHERING WILD FLOWERS, signed lower left and dated 1858, watercolour, framed. 49cm by 33cm
£500-700
435. ATTRIBUTED TO MYLES BIRKET FOSTER (1825-1899), THE RIDE ON THE DONKEY, signed with a monogram, inscribed title verso, watercolour, framed. 16.5cm by 11.5cm£500-700
436. MARIE (MIZZI) WUNSCH (GERMAN, 1862-1898), THE SECRET, signed lower left, oil on panel, in a gilt-composition frame. 29cm by 18cm£800-1200
437. W.G. TENNICK, THE TREE FELLERS, signed lower left, oil on canvas, in a gilt-composition frame. 99cm by 74cm£250-350
438. AN EARLY 19th CENTURY SILK NEEDLEWORK OF CHRIST AND THE WOMAN OF SAMARIA, each figure with a painted face, fresh bright colours, in a verre eglomise mount, framed. 42cm by 48cm£60-80
439. A GOOD CONTINENTAL SILVER-MOUNTED BEADWORK EVENING BAG, c. 1900, the silver chased with putti and baskets of flowers, the beadwork decorated with roses, with beadwork fringe and kid-lined interior. Silver stamped "800", length of bag excluding chain but including fringe 31cm£8-120
440. AN EARLY 20TH CENTURY EMBROIDERED PANEL, depicting medieval courtly figures, galleons, castles etc, enriched with gold thread, mounted on velvet with hanging loops. 1.4m by 1.14m
£70-90
441. RACING INTEREST: THE DERBY 1868, A COLOURED SILK PANEL, printed with the horses and jockeys, the names of the first three horses and their owners including Blue Gown, owned by Sir Joseph Hawley recorded underneath the vignette, mounted on a wooden stretcher. 74cm by 78cm£100-150
442. A 19th CENTURY WOOLLEN PAISLEY SHAWL, in the characteristic palette, with black fringe. 3.2m by 1.65m£250-350
443. A LARGE PATCHWORK QUILT, worked in multi-coloured hexagons against a white ground within a pale green border, white reverse. 2.36m by 2.40m£350-450
444. A HUGH MACKAY CARPET, the privately commissioned design with dark navy border. 4.10m by 2.80m£150-250
445. A HUGH MACKAY CARPET, the privately commissioned design with a green ground. 3.60m by 2.76m£150-250
446. AN ANTIQUE TIMURI RUG, East Persia/Afghanistan. 1.04m by 1.84m£80-120
447. A SULAYMAN STYLE AFGHAN RUG. 1.09m by 2.18m
£100-150
448. AN ANTIQUE KURDISH RUG. 1.25m by 1.65m£60-80
449. A LESGHI CAUCASIAN STYLE RUG. 1.34m by 2.30m£120-180
450. AN OLD TABRIZ RUG, West Persian. 1.23m by 2.00m
£150-200
451. A TURKEMAN RUG. 1.38m by 2.13m£70-90
452. AN IVORY GROUND MORI BOKHARA RUG. 1.26m by 1.95m£60-80
453. AN ANTIQUE FERRAGHAN RUG, West Persia. 1.28m by 1.99m£200-300
454. A RED GROUND MORI BOKHARA RUG. 1.23m by 2.03m£80-120
455. A SMALL CAUCASIAN STYLE CARPET. 1.99m by 2.95m£100-150
456. A SMALL CAUCASIAN STYLE CARPET. 1.99m by 2.95m£100-150
456A. A KASHAN PRAYER RUG, early 20th century. 1.25m by 2.00m£300-400
456B. AN OLD KASHAN CARPET. 3.50m by 0.84m£500-700
457. A WESTERN ANATOLIAN PRAYER RUG, probably Melas. 1.67m by 1.26m£70-90
458. AN USHAK RUG, PROBABLY WESTERN ANATOLIAN. 1.90m by 1.18m£60-80
459. A SMALL HERIZ CARPET. 3.20m by 2.34m£120-180
460. AN IMPOSING 19th CENTURY FRENCH GILT-BRONZE MOUNTED PORCELAIN GARNITURE DE CHEMINEE, IN LOUIS XVI STYLE, the porcelain dial with Roman chapter ring signed with retailer's name, "Silber & Fleming, London & Paris", and painted with a landscape, within a case of architectural form surmounted by an urn all mounted with Sevres-style panels within gilt cartouches against a crimson ground, the eight-day two-train movement with countwheel striking on a bell, with a pair of urns mounted and decorated en suite, all three pieces resting each on a giltwood plinth with bun feet and on ebonised bases under glass domes. Clock excluding stand and plinth 46.5cm£300-500
461. A FRENCH 19TH CENTURY ROCOCO REVIVAL GILT-BRONZE MANTEL CLOCK, the white enamel dial signed J. Meyer, 31 & 33 Boulevard St. Martin, Paris, the eight-day movement striking on a bell, the movement signed Mougin, all within an elaborately cast case with c-scrolls, shells and stylised foliage. 53.5cm£150-250
462. JOSIAH ABRAHAM (LISKEARD, 1796-1879), A CORNISH THIRTY-HOUR OAK LONGCASE CLOCK, the hood with swan-neck pediment and sphere finial, the case with arched trunk door with a band of inlay, 12" square painted dial with subsidiary seconds and date aperture, outside countwheel striking the hours on a bell, painted to each corner with a floral spray, complete with weight and pendulum. 2.70m£300-400
463. A GILT-METAL MOUNTED EBONISED PORTICO CLOCK, c.1870, the cylinder two-train movement with outside countwheel striking on a bell, the engine-turned silvered dial within a shell and scroll cast gilt metal surround, suspending from a stepped hood and four Doric columns continuing to a platform base raised on flattened bun feet. 44cm by 24cm by 13cm£200-300
464. A SHERATON REVIVAL SATINWOOD BANDED MAHOGANY ANEROID BAROMETER, with thermometer above a silvered dial, signed HEITZMAN & SONS/CARDIFF, over an uninscribed brass plaque. 0.88m£200-300
465. A LATE GEORGIAN SHELL-INLAID MAHOGANY WHEEL BAROMETER, c.1830, with broken urn-topped pediment above a thermometer, with silvered register, continuing to a silvered circular dial with central sweep, signed I.APRILE/Sudbury. 0.98m £400-500
466. A STRING-INLAID FIGURED MAHOGANY WHEEL BAROMETER, c.1850, the acorn and urn topped pediment surmounting a dry/damp scale above a thermometer, with silvered register, over a silvered circular 10" dial, with central sweep, continuing to a level, signed Macrae/34 Aldgate. 1.12m£450-550
467. A LATE VICTORIAN OAK ANEROID BAROMETER, the leaf-carved frame mounted with thermometer and circular dial with centre sweep. 0.91m£80-120
468. A ROBERT "MOUSEMAN" THOMPSON OAK WEATHER CENTRE, the stepped rectangular board with canted corners and mounted with thermometer, hygrometer and barometer, with carved mouse signature. 44.5cm by 18.5cm£200-300
469. A ROBERT "MOUSEMAN" THOMPSON OAK BREADBOARD, mid 20th century, of characteristic elongated octagonal form, with carved mouse signature. 30cm by 25cm
Note: Sold to benefit Butterwick Hospice. No buyers premium on this lot.£100-150
470. AN OAK AND LEATHER FIRESIDE STOOL, IN THE MANNER OF ROBERT "MOUSEMAN" THOMPSON, probably worked by an ex-Thompson carver, carved to a stretcher EASTER 1954, the interwoven top raised on six faceted baluster legs terminating in blocks joined by stretchers. 0.28m by 0.90m by 0.35m£200-300
471. A PAIR OF ROBERT "MOUSEMAN" THOMPSON OAK CHESTS OF DRAWERS, c.1960, each rectangular top with canted corners above two short over three graduated drawers, raised on faceted block feet, each with carved mouse signature, fully adzed, panelled backs and sides, excellent golden colour. 0.94m by 0.92m by 0.46m£5000-7000
472. A PAIR OF ROBERT "MOUSEMAN" THOMPSON OAK NAPKIN RINGS, c.1950's, of characteristic form but slightly smaller than the later designs, each with carved mouse signature.£80-120
473. A ROBERT "MOUSEMAN" THOMPSON OAK 11" FRUIT BOWL, c.1980's, the shallow well with carved mouse signature, adzed inside and out. 28cm£200-300
474. A ROBERT "MOUSEMAN" THOMPSON OAK BOOK TROUGH, c.1980's, of characteristic form, with carved mouse signature. 45cm£200-300
475. A BEEMAN OAK OCCASIONAL TABLE, c.1940/50, the rectangular top with chequered frieze, raised on four chamfered square-section legs continuing to an H-form ground level stretcher, with carved bee signature. 0.42m by 0.39m by 0.26m£200-300
476. A PAIR OF ALBERT "EAGLEMAN" JEFFRAY OAK PANEL BACK CHAIRS, each with original tan leather seats raised on faceted baluster legs terminating in blocks joined by stretchers, adzed throughout, each with recessed carved eagle signature.£300-500
477. A THOMAS "GNOMEMAN" WHITTAKER OAK HALL TABLE, c.1950, the pegged rectangular top above a trestle base, adzed throughout, with carved gnome signature. 0.68m by 0.90m by 0.42m
Provenance: From a Whitby hotel, purchased direct from the carver.£350-450
478. A PAIR OF THOMAS "GNOMEMAN" WHITTAKER OAK AND LEATHER UPHOLSTERED TAVERN STOOLS, c.1950, the stuffed over rectangular seats above a trestle base, fully adzed, with carved gnome signature.
Provenance: From a Whitby hotel, purchased direct from the carver.£400-600
479. A ROBERT "MOUSEMAN" THOMPSON OAK COFFEE TABLE, c.1950/60, the adzed octagonal top above a cruciform standard continuing to a platform base, with carved mouse signature. 0.48m by 0.49m£600-800
480. A SET OF SIX ROBERT "MOUSEMAN" THOMPSON OAK DINING CHAIRS, c.1950, each with lattice back above an original tan leather seat, raised on faceted baluster legs terminating in blocks joined by stretchers, each with carved mouse signature to front left leg.
Note: Chairs of later design had the front stretcher placed further back rather than between the front blocks.£3000-4000
481. A ROBERT "MOUSEMAN" THOMPSON OAK 6' SIDEBOARD, c.1960, the rectangular top with canted corners above a conforming case with a pair of six-panel cupboard doors, with Arts & Crafts wrought iron hinges and latches, flanking a bank of three graduated drawers, fitted with turned pulls, raised on faceted block feet, adzed throughout, with carved mouse signature. 0.83m 1.84m by 0.47m £4000-6000
482. A LARGE ROSEWOOD CADDY, PROBABLY CHINESE, FIRST HALF OF THE 19th CENTURY, of plain rectangular form, mounted with ropetwist ring handles, opening to reveal an interior fitted with four pewter canisters and covers each engraved with birds and flowers. 12.5cm by 41cm by 22cm£200-300
483. A LATE GEORGE III BRASS-BOUND MAHOGANY PLATE BUCKET, cylindrical, with pierced slatted body, brass collar and swing handle. Diameter 30.5cm£500-700
484. AN EDWARDIAN PATENTED FOLDING CAKESTAND. 0.90m£40-60
485. A VICTORIAN CHAISE LONGUE, the rosewood show-frame with scroll end and leaf carving, raised on short faceted legs. 1.90m£150-250
486. AN INLAID ROSEWOOD CORNER CHAIR, c.1890, the out-scrolled arms raised on square-section columns and pierced foliate panels, raised on square-section tapering legs terminating in spade feet, intricately inlaid throughout with bone and stained woods.£100-150
487. A VICTORIAN GENTLEMAN'S BUTTON-BACK ARMCHAIR, the walnut show-frame with spoon back above scroll arms, raised on turned legs moving on castors.£100-150
488. A SET OF THREE STEEL FIRE IRONS, LATE 18th/EARLY 19th CENTURY, comprising shovel, tongs and poker. Longest 73cm£120-180
489. A SHAPLAND & PETTER RED WALNUT HANGING CABINET, with pierced crest rail, glazed door and wing shelves, stamped locks and no. 2948C. 0.69m by 0.65m£80-120
490. A VICTORIAN MAHOGANY WASHSTAND, the twin hinged covers opening to reveal the apertures for a wash set, above a dummy drawer over a cupboard door above a drawer, all fitted with turned pulls, raised on bulbous and turned tapering legs. 0.88m by 0.56m by 0.51m£150-200
491. A CHINESE RED LACQUER ENVELOPE CARD TABLE, the square top above a frieze fitted to each side with a drawer alongside a dummy, raised on cabriole legs joined by an x-form stretcher, elaborately decorated throughout with a dragon, stylised foliage and dragon masks. 0.79m by 0.60m closed£200-300
492. A CHINESE TEAK OPEN BOOKCASE, 20th century. 1.22m by 1.05m by 0.25m£150-250
493. AN AESTHETIC EBONISED HANGING CORNER CABINET, IN THE MANNER OF DANIEL COTTIER, with mirrored, spindled and fret galleried superstructure above a pair of cupboard doors centred by the painted images of birds on branches, over an open shelf backed by three mirror plates, remnants of an old paper label verso. Height 1.14m, depth 0.40m£250-350
494. A PAIR OF AESTHETIC EBONISED AND CARVED HALL CHAIRS, in the manner of Christopher Dresser, with boarded seats, raised on ring-turned tapering legs.£200-300
495. A MAPLE & CO FIGURED MAHOGANY SIDEBOARD, early 20th century, the bowed and inverted bowed top with gadrooned edge and brass back rail, above a Vitruvian scroll carved band over a pair of bow-fronted short drawers over a recessed bow-fronted cupboard door with oval beaded panel, flanked by a pair of inverted bow-fronted cupboard doors with beaded oval panels, enclosing slides and a cellarette, raised on short square-section tapering legs carved with pendant bell flowers and terminating in spade feet, makers label to inside of door. 1.45m (to top of rail) by 1.96m by 0.75m£200-300
496. A LARGE VICTORIAN MAHOGANY WIND-OUT EXTENDING DINING TABLE, 14'6" extended, the moulded top with rounded corners and reeded edge, above a plain frieze raised on massive leaf-carved and reeded cup-and-cover baluster legs, moving on castors, with five additional leaves, the mechanism with applied plate JOSEPH FITTER/BIRMINGHAM. 0.73m by 4.41m by 1.50m£1000-1500
497. JOHN TAYLOR & SON, EDINBURGH, A LATE VICTORIAN MAHOGANY 6' BOOKCASE, the projecting cornice surmounted by a crest, above a pair of glazed doors beside a single glazed door, enclosing adjustable shelves with moulded fronts, all flanked by channel-moulded pilasters, the conforming base with fielded panel doors, raised on a plinth, stamped to the inside of one base door. 2.40m by 1.90m by 0.45m£600-800
498. A CHINESE HARDWOOD PLANTSTAND, early 20th century, the circular marble-inset top with beaded edge, above foliate fretwork, raised on cabriole legs joined by an x-form stretcher. 0.90m£120-180
499. A GEORGE III MAHOGANY TILT-TOP TRIPOD SUPPER TABLE, the circular top above a turned tapering stem continuing to hipped downswept legs terminating in pads. 0.74m by 0.92m£300-400
500. A GEORGE III MAHOGANY TILT-TOP TRIPOD SUPPER TABLE, the circular top above a baluster stem continuing to hipped downswept legs terminating in pointed pads. 0.73m by 0.89m£300-400
501. A GEORGE III MAHOGANY FOLDOVER TEA TABLE, the top with reeded edge and rounded corners above a fielded panel frieze, raised on turned tapering legs. Closed 0.75m by 0.87m by 0.43m£200-300
502. A WALNUT FOLDOVER CARD TABLE, IN GEORGE II IRISH STYLE, the shaped cross-banded and quarter-veneered top above a shaped frieze centred by a shell motif, raised on scroll and leaf-capped cabriole legs terminating in ball and hairy paw feet. Closed 0.76m by 0.92m by 0.46m£300-400
503. A PAIR OF CHINESE HARDWOOD PLANTSTANDS, early 20th century, the shaped marble-inset tops with beaded edge above foliate pierced panels, raised on cabriole legs joined by x-form stretchers. 0.91m£300-400
504. A SMALL CHINESE HARDWOOD PLANTSTAND, early 20th century, the circular marble-inset top above leaf-carved fret panels, raised on cabriole legs, joined by an x-form stretcher. 0.61m£70-90
505. AN EDWARDIAN INLAID MAHOGANY CAKE TABLE, the moulded shaped square top with a satinwood band above four circular fold-down stands, each with an Art Nouveau inlaid motif, raised on square-section tapering legs joined by a shelf stretcher. 0.74m by 0.43m£100-150
506. A PAIR OF VICTORIAN OAK HALL CHAIRS, with arch-top backs and bowed front rails.£150-200
507. A MAHOGANY BOOKCASE CABINET, the upper section with a pair of astragal glazed doors, enclosing adjustable shelves, above a base with a pair of frieze drawers over a pair of fielded panel doors, raised on bracket feet, (a marriage). 2.14m by 1.06m by 0.39m£250-350
508. A 19th CENTURY WALNUT JEWELLERY CASKET, the cushion-moulded hinged rectangular lid, opening to reveal a fitted interior with mirror, above a bombe case over a platform base fitted with two short drawers, raised on flattened bun feet (distressed). 28cm by 35cm by 23cm£100-150
509. ROBERT HERITAGE FOR ARCHIE SHINE, A ROSEWOOD DINING SUITE, comprising 7' marble-topped sideboard, with a bank of four drawers beside a pair of cupboard doors; a 7'8" extending dining table with D-ends and twin leaves; and a set of six upholstered side chairs, all unmarked.£600-800
510. AN ART DECO WALNUT VENEERED DINING SUITE, the 6' table with quarter veneered and cross-banded rectangular top with inverted corners, raised on shaped twin stepped pillars, 0.81m by 1.83m by 0.92m; the six cloud back chairs upholstered in cream leather and with half veneered backs, raised on square-section tapering legs.£2000-3000
511. A GEORGE III MAHOGANY FOLDOVER CARD TABLE, the top with reeded edge and rounded corners, opening to reveal a red baize playing surface, above a plain frieze, raised on slender turned tapering legs. Open 0.73m by 0.89m by 0.84m£200-300
512. A VICTORIAN CHAISE LONGUE, c.1860, the walnut humpback show-frame carved with scrolls and leaves, raised on cabriole legs terminating in scrolls and moving on castors. 1.70m£200-300
513. A VICTORIAN BUTTON-BACK GENTLEMAN'S ARMCHAIR, the mahogany show-frame with scroll-carved spoon back above scrolls arms and a stuffed over seat, raised on turned legs moving on castors.£100-150
514. A VICTORIAN LADY'S BUTTON-BACK CHAIR, the mahogany show-frame with spoon-back above a stuffed over seat with bowed front rail, raised on turned legs moving on castors.£100-150
515. AFTER MARCEL BREUER, A PAIR OF B3 WASSILY STYLE CHAIRS, the white leather suspending from tubular frames, later Italian versions.£200-300
516. A 19th CENTURY BEECH ROCKING CHAIR, OF OXFORD TYPE, the bar back above a sea grass seat, raised on turned legs, united by a boldly turned front stretcher.£180-250
517. AN EARLY 20th CENTURY BEECH METAMORPHIC CHILD'S HIGH/ROCKING CHAIR.£60-80
518. A REGENCY MAHOGANY BOW-FRONTED CHEST OF DRAWERS, well proportioned, the moulded rectangular top above three long graduated drawers, fitted with turned pulls, over a shaped apron flanked by splayed bracket feet. 0.92m by 0.92m by 0.53m£200-300
519. A VICTORIAN BURR WALNUT BOW-FRONTED CORNER WHAT-NOT, c.1860, with two moulded graduated shelves continuing via finely turned columns to a cupboard base, raised on short waisted legs moving on castors. Height 1.53m, depth of base 0.43m£300-400
520. A GEORGE III MAHOGANY WASHSTAND, the pair of hinged covers opening to reveal an interior fitted for a wash set, above a cupboard door with oval panel over a short drawer, fitted with gilt-brass carrying handles and raised on square-section tapering legs. 0.89m by 0.44m£400-500
521. A LATE 19th CENTURY ACANTHUS CARVED MAHOGANY TORCHERE. 1.65m£50-70
522. A SET OF SIX GEORGE III MAHOGANY DINING CHAIRS, in Hepplewhite style with stop-fluted shield backs above a stuffed over seat with bowed front rail, raised on square-section tapering legs joined by stretchers.£400-600
523. A REGENCY MAHOGANY CANTERBURY, the four divisions above a base drawer fitted with gilt-brass pulls, raised on short ring-turned legs, moving on castors. 0.56m by 0.46m by 0.40m£500-700
524. A SET OF SIX LANCASHIRE SPINDLE-BACK CHAIRS, c.1800, the yoked rails above two bands of five baluster turned spindles between turned posts with nipple finials, over a rush seat raised on tapering legs, joined by baluster turned stretchers, terminating in pad and hoof feet.£200-300
525. A GILT-METAL MOUNTED GREEN ONYX TORCHERE, the square top above a cylindrical standard, surmounted by a Corinthian capital, continuing to a square plinth base. Height 1.08m, top 0.28m£200-300
526. A WALNUT FRAMED BERGERE, IN LOUIS XV STYLE, the foliate carved show-frame and raised on short cabriole legs.£150-250
527. A GEORGE III MAHOGANY HANGING CORNER CABINET, the projecting cornice with dentilled moulding over a plain frieze above an astragal glazed door, enclosing shaped shelves. Height 0.96m, depth 0.46m
£100-150
528. A GEORGE III MAHOGANY HANGING CORNER CABINET, the projecting cornice with dentilled moulding over a figured frieze above an astragal glazed door, enclosing shaped shelves. Height 0.95m, depth 0.46m
Note: A near pair with the preceding lot.£100-150
529. A CHIPPENDALE STYLE MAHOGANY TILT-TOP TRIPOD TABLE, the octagonal moulded top, with fretwork gallery, tilting on a birdcage continuing to an acanthus carved stem above leaf capped hipped downswept legs terminating in ball and claw feet. 0.77m by 0.72m£200-300
530. A WILLIAM IV MAHOGANY CELLARETTE, of sarcophagus form, the hinged rectangular top carved with massive gadrooning above figured veneers interspersed by reeded pilasters with scroll capitals, raised on reeded bun feet moving on castors, replacement interior. 0.45m by 0.66m by 0.48m£600-800
531. A CHALLEN EBONISED BABY GRAND PIANO, with metal frame and raised on three tapering square-section legs, early 20th century. 1.42m by 1.44m£200-300
532. A LARGE VICTORIAN PAPIER-MACHE TRAY, with scalloped rim, inlaid with mother-of-pearl, painted with a floral spray and highlighted with gilding. 52cm by 68cm£100-150
533. AN ARTS & CRAFTS OAK HALLSTAND, the crest rail with quatrefoil cut-out, above a bevelled mirror plate flanked by ram's head terminal hooks, over a glove box above stickstands with drip pans below. 1.95m by 1.07m£250-350
534. AN EARLY 20th CENTURY SOLID ROSEWOOD SIDEBOARD, the mirror-backed superstructure with club cut-outs and canopy supported by tapering columns, the base with a pair of frieze drawers above a pair of panelled cupboard doors, raised on block feet, copper handles and strap hinges. 1.72m by 1.22m by 0.61£300-400
535. A LIBERTY & CO. OAK OPEN BOOKCASE, each side with trefoil cut-outs, enclosing four ledge-back pegged shelves, each numbered 1-4 to the rear, unmarked but a known design. 1.17m by 0.83m by 0.24m£400-600
536. AN ARTS & CRAFTS OAK OVERMANTEL MIRROR, possibly Wylie & Lochead, the projecting canopy supported on square-section tapering columns flanking a rectangular mirror plate. 0.74m by 1.37m£250-350
537. AN ARTS & CRAFTS OAK BUREAU BOOKCASE, the moulded cornice above a recess beside a cupboard door inset with an Art Nouveau repousse panel, over a slant-front opening to reveal a fitted interior, above a frieze drawer over open shelves. 1.41m by 0.93m by 0.32m£300-400
538. A SHAPLAND & PETTER OAK WARDROBE AND DRESSING CHEST, the wardrobe with stepped top over a mirror-fronted door flanked by copper panels repousse with stylised plantform, over a base drawer above a plinth base, copper handles; the dressing chest with mirrored superstructure flanked by heart cut-outs above a spindle gallery over a moulded top above three long graduated drawers, fitted with copper handles, raised on a plinth base, locks stamped S&P B. Wardrobe 1.97m by 1.16m by 0.47m£1500-2000
539. A GEORGE III STYLE MAHOGANY TWIN PILLAR DINING TALE, the 8'3" top with reeded edge and rounded corners, raised on cylindrical stems continuing to reeded downswept legs terminating in brass hairy paws, moving on castors, one leaf. 0.74m by 2.51m by 1.14m£200-300
540. AN ART NOUVEAU POLISHED BRASS COAL BIN, c.1910, the shaped square-section body, repousse with stylised motifs and bosses, of riveted construction. 50cm by 30.5cm by 30.5cm£200-300
541. AN ARTS & CRAFTS HAMMERED AND POLISHED COPPER COAL BUCKET, of elliptical form, with brass swing-handle and domed foot with tubular edge, stamped 16/2C/JM. 36cm by 42cm£120-180
542. AN ARTS & CRAFTS POLISHED COPPER COAL BUCKET, of helmet form, with wrought iron swing-handle, with gadrooned hood and raised on bun feet, complete with shovel, indistinct applied roundel to base. 33cm by 39cm£120-180
543. A 19th CENTURY CAST IRON DOG GRATE, the basket above a pierced apron, flanked by mask cast and urn-topped uprights. 0.57m by 0.68m by 0.29m£300-400
544. A BLACKAMOOR MOULDED STICKSTAND. 1.26m£250-350
545. A SET OF SIX CHIPPENDALE STYLE MAHOGANY DINING CHAIRS, early 20th century, including two carvers, each with acanthus carved yoked rail above a pierced splat over a drop-in seat with straight front rail, raised on channel-moulded square-section legs joined by an H-stretcher.£500-700
546. AN 18th CENTURY STYLE MAHOGANY FRAMED GAINSBOROUGH CHAIR, c.1890, floral tapestry upholstered, the swept-top back between scroll and acanthus carved downswept arms flanking a stuffed over seat, raised on acanthus capped cabriole legs terminating in scrolls resting on flattened pads, stamped no. L681.£500-700
547. A PAIR OF MAHOGANY THREE TIER ETAGERES, each shaped shelf with undulating gallery, raised on splayed square-section legs. 0.67m by 0.36cm by 0.28m£250-350
548. A SET OF THREE EDWARDIAN INLAID MAHOGANY SPIDER LEG NESTING TABLES, the master table with central inlaid oval panel, each with satinwood band. Master 0.66m by 0.57m by 0.37m£280-350
549. A PAIR OF LOUIS XVI STYLE MARBLE-TOPPED OAK POT CUPBOARDS, the square tops above a short drawer over a cupboard door, each with gilt-brass pulls, above a shaped apron flanked by scroll-carved shoulders continuing to cabriole legs terminating in scrolls. 0.89m by 0.40m£380-450
550. A REGENCY MAHOGANY WORK TABLE, the moulded rectangular top opening to reveal a fitted interior with well, raised on lyre ends supported by a plinth terminating in scroll feet, moving on castors. 0.73m by 0.56m by 0.45m£700-900
551. A VICTORIAN INLAID WALNUT SMALL WHAT-NOT, the three canted tiers raised on twist columns. 0.83m by 0.59m by 0.25m£60-80
552. A VICTORIAN INLAID WALNUT WHAT-NOT, the four tiers, with chequered inlay, raised on twist columns. 1.27m by 0.71m by 0.27m£100-150
553. A PAIR OF GILT AND EBONISED BLACKAMOOR STANDS IN 18th CENTURY STYLE, each turbanned figure holding a goblet and grapes, above a leaf-moulded tripod base and supporting a rectangular top moulded with a fabric swag. 93cm£300-500
554. A CHINESE PARCEL-GILT HARDWOOD MIRROR, the rectangular plate within a fretwork frame carved with pierced, gilded foliate panels. 68cm by 55cm£80-120
555. AN ARTS & CRAFTS OAK CARVER, the crest rail with ying yang type cut-out, raised on square-section tapering legs, corroded makers label.£80-120
556. A GEORGE III INLAID MAHOGANY SIDEBOARD, the banded bow-fronted top, with brass back rail, above a pair of frieze drawers flanked by a bank of two drawers and a deep drawer with dummy drawer fronts, raised on square-section tapering legs. 1.45m (to top of back rail) by 2.26m by 0.77m£400-600
557. A BENHAM & FROUD COPPER AND WROUGHT IRON COAL BIN, the copper two-handled tapering bin within an Arts & Crafts wrought iron stand, orb mark to base of liner. 0.41m£200-300
558. A VICTORIAN ROSEWOOD TABLE TOP LETTER BOX, the hinged rectangular lid with labelled cut-outs for Answered and Unanswered mail. 10cm by 23cm by 10cm£80-120
559. A COMPOSITIION STONE URN OF WARWICK VASE TYPE. 0.70m£150-200
560. AN EDWARDIAN MAHOGANY TABLE TOP SMOKER'S CABINET/HUMIDOR, the rectangular galleried top extending at each side to form pipe racks, above a pair of fielded panelled doors opening to reveal an interior fitted with six drawers with recessed handles. 31.5cm by 60cm by 18cm£80-120
561. A 17th CENTURY STYLE OAK 6' REFECTORY TABLE, the plank top above a foliate carved frieze, raised on massive cup and cover legs terminating in blocks joined by stretchers. 0.77m by 1.83m by 0.83m£500-700
562. A WILLIAM IV MAHOGANY FOLDOVER TEA TABLE, the top with rounded corners, above a plain frieze flanked by scrolls, raised on a boldly turned and acanthus carved stem continuing to an inverted platform base, raised on massive paw feet moving on castors. Open 0.72m by 0.90£250-350
563. AN OAK CARVER, c.1920, the pierced and scroll-carved rail between barleytwist posts, above a drop-in seat flanked by channel-moulded arms, raised on barleytwist legs joined by an H-stretcher.£60-80
564. A PAIR OF MAHOGANY CANDLESTICKS, IN GEORGE III STYLE, EARLY 20th CENTURY, each with domed circular base beneath a leaf-carved fluted columnar standard, supporting a fluted candle cup and square detachable drip pan. 32.75cm£80-120
565. A CHINOISERIE LACQUER WALL MIRROR IN THE QUEEN ANNE TASTE, the rectangular plate within a conforming frame with fretwork carved crest, the frame lacquered in gilt, red and white against a black ground with Chinese figures, buildings and landscapes. Height 63cm£200-300
566. A REGENCY MAHOGANY FRAMED SETTEE, the reeded frame with downswept arms and vasiform supports, raised on reeded tapering legs. 1.83m£500-700
567. A CONTINENTAL PARCEL-GILT AND BURR ELM BOMBE BUREAU, the moulded top above a fall front, over a pair of drawers above a pair of cupboard doors, raised on short cabriole legs terminating in scrolls. 1.01m by 1.26m by 0.45m£300-400
568. ATTRIBUTED TO GILLOWS, A MID 19th CENTURY MAHOGANY WRITING TABLE, the moulded rectangular tooled leather inset top above a pair of short frieze drawers, raised on bulbous and reeded legs, moving on castors. 0.75m by 0.90m by 0.60m£250-350
569. A BLACK FOREST CARVED WALNUT AND BEADWORK PRIE DIEU, 19th CENTURY, with bird carved crest, within elaborate scrolling foliage, above a beadwork back panel and stuffed over seat, raised on scroll-carved legs.£100-150
570. ATTRIBUTED TO GILLOWS, A SET OF FOUR GEORGE IV MAHOGANY DINING CHAIRS, including one carver, with ropetwist and bobbin-turned crest rail above a scroll-carved and gadrooned mid rail between reeded scrolling posts over a drop-in bow-fronted seat, raised on turned and reeded tapering legs. £600-700
571. A SCOTTISH REGENCY MAHOGANY BOW-FRONTED CHEST OF DRAWERS, the moulded top above four long graduated drawers, fitted with ivory escutcheons and gilt-brass circular backplate handles, flanked by rope-twist 3/4 columns. 0.93m by 1.09m by 0.53m£180-250
572. A REGENCY WIREWORK PLANT TROUGH, the circular well above a triform stand terminating in scrolls. 0.69m by 0.64m£100-150
573. A GEORGE III MAHOGANY CHEST OF DRAWERS, 18th CENTURY, well proportioned, the caddy top above a slide over three long graduated oak lined drawers, with gilt-brass fret escutcheons and drop handles, raised on bracket feet. 0.80m by 0.87m by 0.48m£800-1000
574. A GEORGE III MAHOGANY STOOL, the stuffed over rectangular top raised on moulded square-section legs joined by an H-stretcher.£100-150
575. AN EARLY 18th CENTURY WALNUT CHEST ON STAND, the projecting cornice above two short drawers flanking a central drawer, over three long graduated drawers, all flanked by fluted pilasters to the canted corners, with brass backplate handles, escutcheons and chevron banding, the later stand fitted with three drawers above a shaped apron, raised on cabriole legs terminating in pads. 1.54m by 1.06m by 0.54m£500-700
576. A WYLIE & LOCHEAD MAHOGANY POT CUPBOARD, late 19th century, the square moulded top, with gallery back, above a panelled and plank door, raised on a plinth base, stamped WYLIE & LOCHEAD GLASGOW/67054. 0.87m by 0.38m£150-200
577. AN OAK RUSH-SEATED TURNER'S CHAIR, c.1900, of characteristic form.£250-350
578. AN ERCOL ASH GATELEG DINING TABLE, the oval top above a trestle base with cut-out ends, bears two factory labels. 0.73m by 1.22m by 1.06m£250-350
579. A SHAPLAND & PETTER ARTS & CRAFTS INLAID OAK SIDEBOARD, the superstructure with a rectangular bevelled mirror plate flanked by a pair of glazed cupboard doors with copper flowerhead mounts and straps, above four baluster turned columns before an inlaid frieze, the base with a moulded rectangular top above a pair of frieze drawers with inlaid fronts and copper pulls, over a recess above a cupboard door, with inlaid front, copper strap hinges and handle, beside a larger cupboard door, raised on ring-turned feet, the locks stamped S&P B. 1.78m by 1.52m by 0.61m£2000-3000
580. A GEORGE III INLAID MAHOGANY CHEST ON CHEST, the upper section with projecting lift-off cornice, above a frieze with a band of inlay, over two short over three long graduated drawers, the base fitted with three long graduated drawers, all with figured drawer fronts and gilt-brass oval backplate handles, raised on splayed bracket feet. 2.00m by 1.08m by 0.53m£750-1000
581. A LATE GEORGE III MAHOGANY TEA CADDY, the rectangular lid opening to reveal twin lidded compartments flaking a mixing bowl. 13cm by 24cm by 12.5cm£70-90
582. A 19th CENTURY BRASS-BOUND COOPERED PEAT BUCKET, of elliptical form, with brass swing-handle and liner. £250-350
583. A FINE PAIR OF VICTORIAN MAHOGANY WELLINGTON CHESTS, of small proportions, the rectangular caddied tops above a plain frieze over eight graduated drawers, with turned pulls and locking pilaster, raised on a plinth base, (without key). 0.95m by 0.44m by 0.33m£1800-2500
584. A 19th CENTURY BRASS-BOUND FIGURED MAHOGANY WRITING SLOPE, of characteristic form with campaign handles and vacant brass plaque. 0.20m by 0.47m by 0.30m£180-250
585. A VICTORIAN MAHOGANY SUTHERLAND TABLE, the moulded top with cut-off corners, raised on a bulbous and turned stand with gateleg action, moving on castors. Open 0.68m by 0.99m by 0.86m£100-150
586. A 19th CENTURY MAHOGANY TEA CADDY, of sarcophagus form, with fitted interior, raised on brass ball feet. 15.5cm by 18cm by 15cm£60-80
587. A SET OF THREE 18th CENTURY PROVINCIAL ELM DINING CHAIRS, each with yoked crest rail above a pierced splat, the stuffed over seats raised on square-section legs, joined by stretchers.£100-150
588. AN 18th CENTURY OAK SETTLE, the moulded crest rail above a four ogee panel back between downswept arms over a seat raised on turned and block legs joined by stretchers. 1.80m£300-400
589. AN OAK MULE CHEST, LANCASHIRE, 18th CENTURY, the moulded hinged rectangular top above an ogee fielded three panel front over a pair of short drawers, fitted with brass bale handles and escutcheons, raised on ogree bracket feet. 0.89m by 1.43m by 0.56m£150-250
590. A LATE 17th CENTURY SMALL OAK SIX PLANK COFFER, the hinged 26" lid above a foliate arabesque carved band within chip-carved edges, original lockplate, raised on stile ends. 0.38m by 0.66m by 0.25m£500-700
591. AN OAK COFFER, LAKE DISTRICT, 17th CENTURY, the four-panel moulded lid, opening to reveal a candle box, above a three-panel front with diamond and dot carving, between channel-moulded posts. 0.58m by 1.26m by 0.52m£250-350
592. AN 18th CENTURY OAK TILT-TOP TRIPOD TABLE, the circular top raised on a baluster stem continuing to hipped downswept legs terminating in pads. 0.75m by 0.82m£100-150
593. A GEORGE III INLAID OAK CORNER CUPBOARD, the dentil moulded cornice above a panel door, centred by an inlaid star within an inlaid band and enclosing shaped shelves, over a later stand. Height 1.09m, depth 0.43m£100-150
594. A SMALL OAK GATELEG DINING TABLE, c.1680, the oval plank top above a short drawer with turned pull, raised on baluster and block legs joined by square-section stretchers. 0.73m by 1.41 (open) by 1.03m£150-250
595. A JOINED OAK BUFFET, FIRST HALF OF THE 17th CENTURY, three tiers, the moulded rectangular top above a strapwork carved frieze continuing to the central tier, via fluted cup and cover supports, with channel moulded frieze over further cup and cover supports, with zig-zag carving, terminating in blocks joined by the bottom tier. 1.21m by 1.33m by 0.43m£300-500
596. AN OAK SIDE TABLE, the moulded rectangular top carved with the date 1659 and the name ANNE SLINGSBYE, within a two-section scroll and foliate carved border, the scroll carved frieze drawer, centred with a monogram AS and fitted with turned wooden pulls, above a carved apron between leaf carved double slightly baluster legs continuing to blocks, joined by a shelf stretcher, terminating in double bun feet. 0.72m by 0.76m by 0.52m£150-250
597. A 19th CENTURY ASH AND ELM BROAD-ARM WINDSOR CHAIR, the spindle back with pierced splat above six boldly turned spindles, over an elm serpentine front seat raised on turned baluster legs joined by stretchers.£250-350
598. A 19th CENTURY ELM WINDSOR CHAIR, the hooped spindle back with pierced splats above a seat raised on baluster turned legs joined by a crinoline stretcher.£200-300
599. AN OAK BIBLE BOX, the slant-front with iron strap hinges, opening to reveal an interior with three short suspended drawers, above a pair of leaf-carved panels flanking an iron lockplate, with key. 0.30m by 0.69m by 0.70m£250-350
600. AN OAK SIDE TABLE, 18th century and later alterations, the rectangular moulded top above a frieze drawer, raised on baluster legs terminating in blocks joined by stretchers. 0.74m by 0.77m by 0.57m£300-400
601. A 19th CENTURY ELM WINDSOR CHAIR, the low hoop back enclosing spindles and pierced splats, above a dished seat, raised on baluster legs joined by an H-stretcher.£180-250