323 |
AFTER JOSEPH CHINARD (1756-1813), PARCEL-GILT PLASTER BUST OF MADAME RECAMIER, c. 1900, spuriously inscribed "Houdon" on the socle. 53cm Note: The terracotta original of this portrait bust can be seen in the Getty Museum, California £300-500 | Nil |
|
360 |
| 324 | LARGE PATINATED METAL BUST, "BELGICA", the female personification of Belgium in a First World War helmet, the integral socle cast with a prostrate German Imperial eagle, signed verso "J. Muller". 62cm £250-350 | Nil |
|
|
| 325 | AFTER AUGUSTIN PAJOU (1730-1809), TERRACOTTA BUST OF MADAME DU BARRY, 62cm £300-400 | Nil |
|
|
| 326 | PATINATED BRONZE MODEL OF A BAYING STAG, mounted on an oval marble plinth. Length overall 36cm £120-180 | Nil |
|
150 |
| 327 | PIERRE-LOUIS DETRIER (1822-97), "FRANCE C'EST POUR TOI", PATINATED BRONZE, signed Detrier and inscribed "Salon de 1873", modelled as a mother presenting her infant child to France. 46cm Note: Detrier was a pupil of Gayrard and debuted at the Paris Salon in 1866. This bronze is likely to have been produced in the patriotic aftermath of the Franco-Prussian War (1870-71) £1500-2000 | Nil |
|
|
| 328 | LARGE AND STRIKING PAIR OF CONTINENTAL MAJOLICA BUSTS, c. 1900, modelled as a gentleman and lady in period costume on integral "rococo" socles, enamel painted in pastel colours highlighted with gilding, each with impressed pattern numbers. Height 51cm £1000-1500 | Nil |
|
|
| 329 | AFTER LOUIS-AUGUSTE MOREAU (1855-1919), PATINATED METAL FIGURE GROUP, "VAINCRE OU MOURIR", on a wooden plinth. Height 73cm £300-500 | Nil |
|
|
| 330 | HENRI-LOUIS LEVASSEUR (1853-1934), ETOILE DU BERGER (THE SHEPHERD'S STAR), A LARGE PATINATED BRONZE, inscribed "H. Levasseur", the socle with title plaque and Hors Concours. 94cm £2500-3000 | Nil |
|
2300 |
| 331 | AFTER JEAN-DIDIER DEBUT (1824-1893), THE TUNISIAN WATER CARRIER, A BRONZED AND COLD-PAINTED TERRACOTTA, with integral plinth bearing a plaque with title, artist and Prix de Rome. 0.94m £400-600 | Nil |
|
400 |
| 332 | AFTER LUDVIK WURZEL (CZECH 1865-1913), TERRACOTTA GROUP OF A SEATED MAN FEEDING HIS GRANDSON, the elderly man seated on a coffer, signed "Wurzel" to the base, with indistinct stamped mark to rear. Height 36cm £250-350 | Nil |
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|
| 333 | AFTER GEORGE BAXTER (1804-1867), "THE CRUCIFIXION", print, framed. 35cm by 29cm £40-60 | Nil |
|
40 |
| 334 | AFTER WALTER WILLIAM MAY (1831-1896), FULL RIGGED SAILING VESSEL AND BARGES AT SEA, A PAIR OF PRINTS, c.1920, in gilt-composition frames. 17cm by 10cm £50-70 | Nil |
|
50 |
| 335 | THOMAS ROWLANDSON, HAND-COLOURED ENGRAVING, "THREE PRINCIPAL REQUISITES TO FORM A MODERN MAN OF FASHION", pub. by Thomas Tegg, 1814. 25cm by 34.5cm £120-180 | Nil |
|
|
| 336 | THOMAS ROWLANDSON, HAND-COLOURED ENGRAVING, "A TAILORS WEDDING", dated 1814. 33cm by 24.5cm £120-180 | Nil |
|
260 |
| 337 | THOMAS ROWLANDSON, HAND-COLOURED ENGRAVING, "RECONCILIATION OR THE RETURN FROM SCOTLAND", pub. by W.Hinton, 1785. 24.5cm by 34cm £100-150 | Nil |
|
130 |
| 338 | GIOVANNI BATTISTA PIRANESI, CHAMBER NEAR VIGNA, CASOLI, engraving, framed. 14cm by 21cm £60-80 | Nil |
|
|
| 339 | JOHN STEVEN DEWS (b.1949), METEOR IV RACING ON THE SOLENT OFF FORT ALBERT, LIMITED EDITION PRINT, signed in pencil, numbered 444/495, Chelsea Green Editions stamp, framed. 51cm by 75cm £150-250 | Nil |
|
130 |
| 340 | AFTER GEORGE SOPER (1870-1942), KELP GATHERERS, ETCHING, signed in pencil to the mount. 21cm by 30cm £80-120 | Nil |
|
95 |
| 341 | AFTER CLARENCE UNDERWOOD, SET OF SIX FASHION PRINTS, framed. 40.cm by 30cm £180-250 | Nil |
|
110 |
| 342 | AFTER CLARENCE UNDERWOOD, SET OF SIX FASHION PRINTS, framed. 40.cm by 30cm £180-250 | Nil |
|
100 |
| 343 | GEORGE CRUIKSHANK (1792-1878), "A CURIOUS JUNTO OF SLANDERING ELVES or LISTNER'S (sic) SELDOM HEAR GOOD OF THEMSELVES", a black and white engraving, pub. by Thomas McLean, 1835, with alleged Cruikshank signature framed in the mount. 24.5cm by 34.5cm £100-150 | Nil |
|
160 |
| 344 | CLARK & HAMBLE AFTER DOMINIC SERRES, "A LUGGER, WITH A VIEW OF THE EDDISTONE LIGHT HOUSE" AND "A SLOOP, WITH A VIEW OF CALSHOT CASTLE", PAIR OF COLOURED ENGRAVINGS, published by Edward Orme 1806. 26cm by 41cm £80-120 | Nil |
|
65 |
| 345 | CECIL ALDIN (1870-1935), "THE HUNTSMAN", PRINT, framed. 22cm by 57cm £80-120 | Nil |
|
80 |
| 346 | AFTER BERNARD LENS (1682-1740), "A VIEW FROM THE BOWLING GREEN AT ISLINGTON", etching, inscribed "B. Lens delt. 1730". £80-120 | Nil |
|
160 |
| 347 | BUCK, SAMUEL AND NATHANIEL, "THE SOUTH WEST PROSPECT OF THE CITY OF DURHAM", an engraved panorama, pub. 1745. 32.5cm by 83.5cm £120-180 | Nil |
|
|
| 348 | ROBERT MORDEN, NORTHUMBERLAND, 18th CENTURY HAND-COLOURED ENGRAVED MAP. 21cm by 17cm £60-80 | Nil |
|
55 |
| 349 | PAIR OF 18th CENTURY HAND-COLOURED ENGRAVED MAP DIAGRAMS, of roads through the counties of Northumberland, Cumberland, Durham and Yorkshire. 19cm by 12.5cm £70-90 | Nil |
|
75 |
| 350 | AFTER HOGARTH, TWO COLOURED ENGRAVINGS, 19th century, "A Midnight Modern Conversation" and "The Distrest Poet". 35.5cm by 48.5cm and 37cm by 42cm £100-150 | Nil |
|
90 |
| 351 | AFTER THOMAS WOODWARD (1801-51), "THE WORCESTERSHIRE FOX HUNT", engraving by H.Pyall, pub. by Messrs Fuller, 1829, framed. 58cm by 69cm £80-120 | Nil |
|
|
| 352 | AFTER THOMAS WOODWARD (1801-52), "THE QUEEN'S FAVOURITE CHARGER", LITHOGRAPH, by Fairland, published 1843. 53cm by 63cm £80-120 | Nil |
|
120 |
