Fine Art & Antiques Catalogue Sale
on Wednesday 17th March 2010
1. A CARLTON WARE "MIKADO" PATTERN TWIN-HANDLED COMPORT, enamelled with chinoiserie decoration against a cobalt blue ground, printed mark and pattern nos. Across handles 30cm£70-90
2. SUSIE COOPER "REVERIE" PATTERN COFFEE SERVICE, six place settings, comprising coffee pot, six cans and saucers, six sandwich plates, cream and sugar.£50-70
3. A MID-20th CENTURY WHITEFRIARS MILLEFIORI CORONATION PAPERWEIGHT, the central cane inscribed "EIIR" and "1953" within concentric bands of pink, white and blue canes, the body with a circular facet surrounded by five ovals. 7.5cm£50-70
4. POST-WAR ITALIAN GLASS BOWL, of flared undulating form, with blue tubular rim above blue bands against a yellow body, unmarked. 17.5cm by 33cm£40-60
5. PAIR OF ARTS & CRAFTS GOBERG WROUGHT IRON FIVE-LIGHT CANDELABRA, the staggered candle cups issuing from scroll-ended bars, centred by a pierced panel depicting a stylised flower, raised on a lightly fluted domed foot, stamped to the base GOBERG, and to the frame RASPER/AUSTRIA. 34cm£200-300
6. PAIR OF ROYAL DOULTON STONEWARE VASES, c.1920's, the ovoid bodies applied with blue foliate roundels against a mottled green ground, shape no. 8249, impressed factory mark. 26.5cm£120-180
7. DOULTON BURSLEM "TUDOR" PATTERN POTTERY VASE, c.1895, the compressed baluster body with flared rim, printed with stylised amber birds and trees against a red ground, painted no. D1078, impressed DOULTON/IVORY, black printed factory mark and TUDOR. 30cm£400-600
8. RUSKIN CRYSTALLINE VASE, 1932, the ovoid body with characteristic drip and mottled glaze, incised W.Howson-Taylor signature to base, impressed date and factory mark. 25cm£200-300
9. FRENCH ART DECO OPALINE GLASS BOWL, moulded with lozenge-centred panels, moulded MADE IN FRANCE. Diameter 23.5cm£80-120
10. ARTS & CRAFTS HAMMERED COPPER CASKET, the rectangular lid with riveted strap hinges and centred by a cartouche repousse with a monogram, the case of riveted construction and with carrying handles. 10cm by 23cm by 13cm£100-150
11. CARLTON WARE "PERSIAN" PATTERN VASE, with a purple lustre ground, possibly lacking cover, printed and "gold star" marks. 14cm£30-50
12. WALTER MOORCROFT POTTERY VASE, c.1950, the ovoid body tubelined and hand-painted with anemones against a cobalt ground, green painted initials, impressed MOORCROFT/MADE IN ENGLAND. 25cm£500-700
13. MOORCROFT POTTERY SHAKESPEARE GINGER JAR, "LOVE'S LABOUR'S LOST", the ovoid jar tubelined and hand-painted with stylised foliage against a blue ground, limited edition no. 222/250, dated 2002, retailed by B & W Thornton, Stratford on Avon, impressed and painted factory marks. 15cm£350-450
14. MOORCROFT POTTERY SHAKESPEARE GINGER JAR, "THE TEMPEST", the ovoid body tubelined and hand-painted with fruiting vine against a cobalt ground, limited edition no. 36/250, dated 2001, retailed by B & W Thornton, Stratford on Avon, impressed and painted factory marks. 15cm£350-450
15. JAMES MACINTYRE & CO. AURELIAN WARE BISCUIT BARREL, DESIGNED BY WILLIAM MOORCROFT, printed, painted and gilt-highlighted with Art Nouveau style motifs and flowerheads, with white-metal mount and cover, registration number for 1898, brown printed factory mark and painted pattern no. M904. 16cm to top of knop£150-250
16. JAMES MACINTYRE & CO. FLORIAN WARE TEAPOT, DESIGNED BY WILLIAM MOORCROFT, tubelined and hand-painted with cornflowers against a blue shaded ground, registration no. for 1897, brown printed factory mark, (chip to spout). 15cm£250-350
17. WILLIAM JOHN MOORCROFT "WINDSOR CARNATION" POTTERY VASE, the gourd shaped body tubelined and hand-painted with the stylised flower against a cobalt ground, limited edition no. 88/300, dated 17.4.93, retailed by Talents of Windsor, painted and printed factory marks. 29cm £400-600
18. LIBERTY & CO. TUDRIC PEWTER CRUET SET, comprising open salt, mustard and pepper shaker, hammered, no. 01079, stamped marks.£60-80
19. LIBERTY & CO. ENGLISH PEWTER ASHTRAY, DESIGNED BY ARCHIBALD KNOX, of rounded rectangular form, cast with stylised honesty, hammered, no. 0898, stamped marks. 13.5cm£100-150
20. LIBERTY & CO. TUDRIC PEWTER INKWELL, DESIGNED BY ARCHIBALD KNOX, of circular form with hinged domed cover, chased with stylised honesty, no. 0162, stamped marks. Diameter 12cm£200-300
21. PAIR OF LIBERTY & CO. ENGLISH PEWTER CANDLESTICKS, DESIGNED BY ARCHIBALD KNOX, the bullet-shaped candle cups raised on four triangular-section uprights issuing from a "folded" openwork foot, no. 0222, stamped marks. 10cm£700-900
22. A SET OF FIVE LATE 18th/EARLY 19th CENTURY CHINESE FAMILLE ROSE PORCELAIN TEA BOWLS, with three saucers and a rice bowl, each painted with figures in landscapes and cartouches. £150-200
23. CHINESE EXPORT PORCELAIN TEAPOT, COVER AND STAND, LATE 18th CENTURY, of globular form, unusually painted en grisaille with sheep amidst enamel painted floral sprays highlighted with gilding. Height 13cm, stand diameter 13cm£300-400
24. AN UNUSUAL JAPANESE BLUE AND WHITE PORCELAIN WATER DROPPER, MEIJI PERIOD, the body painted with foliage, the dropper modelled as a cockerel. 10cm£40-60
25. A GOOD SATSUMA WINE POT/SMALL TEAPOT, MEIJI PERIOD, the compressed lobed body painted with two cartouches enclosing figures, with crossed circle mark and signature. Width 8cm£150-250
26. AN 18th CENTURY CHINESE BLUE AND WHITE PORCELAIN DEEP DISH, decorated with figures in a rocky landscape, all within a border of trailing flowers. 32cm£150-200
27. BESWICK MODEL OF RED RUM WITH BRIAN FLETCHER UP, model no. 2511, on a wooden plinth. 32cm£150-250
28. BESWICK MODEL OF A NORWEGIAN FJORD HORSE, model no. 2282. 16.5cm£150-250
29. BESWICK MODEL OF A HUNTSWOMAN, grey gloss, model no. 1730. 21cm£200-300
30. BESWICK MODEL OF A HUNTSMAN, brown gloss, model no. 1501. 21cm£120-180
31. A PAIR OF ROYAL DUX (BOHEMIA) FIGURES OF ARAB WATER CARRIERS, she holds two amphoras, he a jug, on oval bases, painted in pastel pinks and blues and highlighted with gilding, impressed and applied pink triangle mark, shape nos. 1074 and 1075 and painted numerals XV. 50cm£600-800
32. A PAIR OF CONTINENTAL BISQUE FIGURAL LAMPS, early 20th century, modelled as a shepherd and shepherdess, each by a column on a rocky base, raised on a two-tier pierced gilt-brass stand. Height excluding fitting 49cm£300-500
33. 19th CENTURY STAFFORDSHIRE POTTERY COW CREAMER, the cow with brown sponged decoration, upon a naturalistic base. 17cm£100-150
34. 19th CENTURY STAFFORDSHIRE PASTILLE BURNER, modelled as a cottage, applied with bocage. 13cm by 13cm£70-90
35. SET OF SIX COALPORT MINIATURE CUPS AND SAUCERS/COFFEE CUPS AND SAUCERS, early 20th century, each lobed cobalt cup decorated with gilding and with gilt interior, green printed factory mark. £60-80
36. TWO COALPORT MINIATURE CUPS AND SAUCERS, the first decorated with gilding against a green ground, the second blue printed with birds against a gilded ground; together with A COALPORT MINIATURE BASKET; A SPODE WILLOW PATTERN CUP AND SAUCER; AND A WHITE GLAZED CUP AND SAUCER decorated with gilt sprigs. (5)£30-50
37. LEEDS POTTERY BLUE AND WHITE MEATPLATE, first quarter of the 19th century, transfer-printed with a version of the Two Figures pattern, impressed LEEDS POTTERY. 53cm by 39cm£60-80
38. LATE 18th/EARLY 19th CENTURY STONEWARE PLATE, painted in underglaze blue with an Oriental scene. 19.5cm£30-50
39. UFFRECHT & CO. TERRACOTTA FIGURE GROUP, c.1887-1895, modelled with a gentleman seated upon a tree stump with a lady standing by his side holding a vase, the couple in 18th century dress, raised on a circular base with beaded borders, impressed U&C/237. (Two chips to base) 41cm £60-80
40. STAFFORDSHIRE FLATBACK FIGURE GROUP, TAM O'SHANTER & SOOTER JOHNNY, picked out in vivid yellows, pink, orange, blue and green, the two figures seated flanking a barrel. 32cm£100-150
41. A PAIR OF FLATBACK MODELS OF STANDING LURCHERS, one with a hare in its mouth, on oval bases highlighted with gilding (leg to one dog repaired). 26cm£70-90
42. TWO LUSTRE-GLAZED 19th CENTURY POTTERY MODELS OF GREYHOUNDS, possibly Scottish, each finely modelled and standing on oval rustic bases (one repaired). 17.5cm£60-80
43. CONTINENTAL PORCELAIN CABARET SET, for two, hand-painted with dragonflies and lily pads against a light blue ground.£60-80
44. DERBY IMARI PALETTE SUPPER SERVICE, c. 1800, comprising a set of four quadrant tureens, domed pedestal tureen, eleven plates, three saucers and a coffee can, iron red marks and pattern nos. (various losses/damage).£200-300
45. A LONG BRIDGE PATTERN DISH, POSSIBLY SWANSEA, c. 1800-20, printed in blue with chinoiserie scene within a border incorporating prominent moths, impressed numeral "16". 41cm
£60-80
46. THREE 19th CENTURY ROYAL WORCESTER PLATES, the first in the Japanese taste, printed and painted in polychrome with Japanese motifs against a white ground, black printed mark and date mark for 1877; the second also in the Japanese taste, printed and painted in puce and buff with puce printed mark and date code for 1879; the third in the Moorish taste printed and painted with stylised flowers within ogee arches, date code for 1886. (3). First 26.5cm£50-70
47. ZSOLNAY PECS PORCELAIN MODEL OF A RECUMBENT BUFFALO, with naturalistic glaze and base, printed factory mark. 21cm£80-120
48. LATE 19th CENTURY ROYAL WORCESTER BLUSH IVORY TWIN-HANDLED VASE, of footed baluster form with waisted neck and lute handles, painted with opposing floral sprays and highlighted with gilding, shape no. 1553, date mark for 1893, puce printed factory marks. 22.5cm£50-70
49. LATE 19th CENTURY ROYAL CROWN DERBY JAPAN PATTERN TEA SERVICE, comprising twelve cups and saucers, twelve tea plates, pair of cake plates, cream and sugar, date mark for 1898, pattern no. 2649.£200-300
50. A DERBY PORCELAIN POT POURRI "FRILL" VASE AND COVER, c. 1770, encrusted with flowers, applied with a pair of female masks, the domed cover surmounted by a bird with outstretched wings, encrusted throughout with flowers, finely painted with moths and butterflies and with a frill band. 30cm £600-800
51. A RARE PAIR OF LOWESTOFT BLUE AND WHITE PIERCED TWIN-HANDLED BASKETS, c. 1770, painted in underglaze blue with a variation of the pine cone pattern, applied with flowerheads and entwined handles. 22cm£2000-2500
52. A VIENNA PORCELAIN FIGURE OF A SEATED LADY, 19th CENTURY, she in 18th century dress, a bible in her right hand beside a spinning wheel resting on a table, on a cartouche base moulded with rococo scrolls, impressed "beehive" mark and impressed numerals "844" and "15". 15.5cm
Note: The same model was produced by Meissen c. 1860£150-250
53. A BOW FIGURE OF A SEATED ABBESS, c. 1755, seated with a bible in her right hand wearing a hooded cloak, painted in black and pink and highlighted with gilding (restoration). 15cm£700-900
54. A ROYAL WORCESTER WHITE-GLAZED FIGURE OF A YOUNG GIRL, late 19th CENTURY, modelled clutching her draperies and bending into the wind, on a circular rustic base, with impressed mark. 26cm£80-120
55. JAMES & THOMAS BEVINGTON PARIAN FIGURE, "POLITICAN" (sic), c.1865-78, modelled as a cherub in robe and spectacles, impressed POLITICAN/J&TB/253. 25cm£100-150
56. A PAIR OF ENGLISH DELFT PLATES, 18th CENTURY, painted in blue with Chinoiserie decoration. £100-150
57. A STAFFORDSHIRE TWIN-HANDLED VASE, mid-19th CENTURY, of baluster form with scroll handles and raised on a domed scrolling foot, elaborately highlighted with gilding and bearing an inscription, "Miss Mary Eleanor Charlton, Apley Castle, Salop, Born May 13th 1845", with a further inscription verso.
Note: The Charlton family are recorded at Apley Castle from the early 14th century.£150-200
58. A PAIR OF WEDGWOOD BLUE JASPERWARE TWIN-HANDLED COVERED CAMPANA URNS, each with domed cover with acorn finial and raised on a square plinth, sprigged with Classical figures and motifs, impressed marks. 31cm£400-500
59. 19th CENTURY POTTERY MODEL OF A SEATED SPANIEL, the moulded body applied with brown running glaze patches. 19cm£40-60
60. A 19th CENTURY GILT-METAL MOUNTED PORCELAIN BONBONNIERE IN SEVRES STYLE, the cover painted with the figure of a lady in a landscape within a cartouche, the body with a floral spray, all against a cobalt ground and with a gilt interior, in a gilt two-handled mount with tripod base. 10cm£60-80
61. A MID-19th CENTURY PART DESSERT SERVICE, comprising six dessert plates and a comport, each painted with pink rosebuds within buff scrolling borders highlighted with gilding. £40-60
62. A BLOOR DERBY BOTANICAL PART DINNER SERVICE, c. 1835, comprising a soup tureen, pair of sauce tureens on stands, muffin dish, three serving plates, four dinner plates, six soup plates and eight dessert plates, each painted with differing flowers within grey and gilt scrolling borders. £70-100
63. A LARGE LATE 19th CENTURY MAJOLICA TWIN-HANDLED JARDINIERE, probably Continental, of bulbous form with scalloped rim, decorated in relief with lilies, flowers and foliage with leaf and flower decorated handles, glazed in purples and greens against a dark green ground and with turquoise interior (chips, handles riveted). Height 51cm, width across handles 78cm
Note: Sold Sotheby's "The Roger Whittaker Collection, Cubberly House, Ross-on-Wye, Monday 12th July 1999, lot 303. £300-400
64. SET OF SIX MINTON HOLLINS & CO. TILES, blue-printed on a cream ground with Classical masks, swags and roundels, impressed marks. 15cm square£100-150
65. SET OF TEN ART NOUVEAU PRINTED AND TUBELINED TILES, c. 1910, decorated with scrolling stylised flowers and foliage in green and yellow on a cream ground. 15.25cm square.£140-180
66. STRIKING MINTON MAJOLICA SUNFLOWER COMPORT, c. 1890, the shallow bowl modelled as a sunflower on a fruiting and leaf-moulded base, decorated in a vibrant turquoise glaze, impressed "Minton" "967". Diameter 34cm£150-200
67. A PAIR OF LEAF-SHAPED POLYCHROME-PAINTED PORCELAIN PICKLE DISHES, PROBABLY BOW, mid 18th CENTURY, each enamel painted with a floral spray, the serrated rim fringed in puce. 9cm£300-500
68. 19th CENTURY LUSTRE-GLAZED TRANSFER-PRINTED TEA SERVICE, decorated with Chinoiserie scenes within leaf borders, comprising: ten teacups and twelve saucers, twelve tea plates, pair of serving plates, slop bowl and six larger saucers. £40-60
69. A DOULTON LAMBETH SILVER-MOUNTED STONEWARE MUSTARD POT, LONDON 1883, the hinged silver cover with disc thumbpiece above a bulbous body with loop handle sprigged with putti playing musical instruments, with associated silver spoon, Birmingham 1903. 9.5cm£50-70
70. E.J.D. BODLEY PORCELAIN VASE, c. 1875-1892, the wrythen flask-form body painted and gilt-highlighted with foliage, black printed factory mark. 25cm£60-80
71. AN 18th CENTURY DELFT CHARGER, painted in blue with stylized flowers and fruit. 35cm£70-100
72. AN EDWARDIAN SERVICE OF CUT-GLASS DRINKING GLASSES, comprising nine large wines, five medium wines, eight small wines, eight liqueurs, three water glasses and seven finger bowls, the drinking glasses all with faceted knopped stems beneath bowls cut with a band of stars and hobnail panels, the finger bowls en suite. (40 pieces). £120-180
73. A GROUP OF FOURTEEN GREEN GLASS WINES, 19th CENTURY, of similar shape and varying sizes, the green bowls raised on clear glass stems and feet. Tallest 13.25cm£70-90
74. A GILT-BRONZE MOUNTED CUT-GLASS COLUMNAR TABLE LAMP, with stepped pedestal beneath a faceted column surmounted by a bronze Corinthian capital. 46cm£200-300
75. PAIR OF VICTORIAN BLUE GLASS TABLE LUSTRES, each gilt and enamel highlighted vase suspending eight clear cut-glass drops. 28.5cm£120-180
76. THREE PIECES OF 19th/20th CENTURY GLASS, PROBABY VENETIAN, comprising: a small bowl with alternating bands of latticino, orange and turquoise; a handkerchief bowl with alternating bands of latticino and pale blue; and a moulded amethyst glass vase. (3)
First 12cm£50-70
77. A PAIR OF VICTORIAN SILVER-TOPPED CUT-GLASS DRESSING TABLE JARS, each with faceted cylindrical body and engine-turned screw top, Charles Mappin, London 1880. 8.5cm£40-60
78. A VICTORIAN GLASS DRESSING TABLE JAR WITH A SILVER SLEEVE, CHESTER 1900, the sleeve pierced with putti and scrolls, the jar with cut-glass stopper. 12.5cm£30-50
79. A VICTORIAN SILVER-TOPPED CUT-GLASS SCENT BOTTLE, BIRMINGHAM 1900, the bottle of faceted oval form, the screw top chased with scrolls and engraved with an initial; together with A SMALL VICTORIAN SILVER-PLATE TOPPED CUT-GLASS SCENT BOTTLE, the faceted body with hinged top and glass stopper; and A VICTORIAN SILVER-PLATE MOUNTED CUT-GLASS DOUBLE-END SCENT BOTTLE. (3) First 9.5cm£40-60
80. A GROUP OF FOUR 18TH CENTURY DRINKING GLASSES, comprising: a short ale glass with wrythen bowl above a double knopped stem; another short ale glass with wrythen bowl and single knopped stem; a wine glass with drawn trumpet bowl above a plain stem; and a glass with part-fluted bowl above a folded foot. (4)£70-90
81. EDWARDIAN SILVER-TOPPED CUT-GLASS SCENT BOTTLE, BIRMINGHAM 1906, the bottle of tapering form, the hinged silver cover chased with flowers and foliage. 14cm£80-100
82. AN EDWARDIAN SILVER-MOUNTED CUT-GLASS SCENT BOTTLE, c. 1900-10, (marks indistinct), of oblong form, with silver collar and cut-glass stopper. 17.5cm£60-80
83. AN EDWARDIAN SILVER-MOUNTED CUT-GLASS SCENT BOTTLE, BIRMINGHAM 1902, of tall waisted form, with silver collar and cut-glass stopper. 25cm£80-100
84. A SUBSTANTIAL EDWARDIAN SILVER-MOUNTED GLASS INKWELL, BIRMINGHAM 1902, the square body with faceted edges surmounted by a hinged silver cover engraved with a monogram. Width 11cm£120-180
85. A VICTORIAN VASELINE GLASS EPERGNE, the bowl and three trumpets edged in turquoise and with blue tinted glass trailed decoration. 46cm£150-200
86. A PAIR OF GILT AND GLASS HIGH COMPORTS WITH A PAIR OF LOW COMPORTS EN SUITE, possibly Viennese, late 19th/early 20th century, each with circular foot decorated with a gilt "beaded" band, the bowls all with floral sprays joined by foliate swags against a cross-hatched band and under a gilt rim. High comports 17.5cm£80-120
87. A CARNIVAL GLASS "PEACOCK ON THE FENCE" BOWL, with a purple irridescent glaze, circular foot and frilly rim. 22.5cm£80-100
88. TWO VENETIAN GLASS BOWLS ON STANDS, LATE 19th CENTURY, one painted with alternating green twist and gilt "dust" bands, the other with alternating pink and blue twist bands, each piece with frilly rim. (Stand for second bowl with old stapled repair). Diameter of stands 19cm£70-90
89. 1930's LEADED AND STAINED GLASS PANEL, depicting a ship in full sail. 46cm by 67cm£60-80
90. GROUP OF NORTH-EAST PRESSED GLASS, comprising 1877 Sowerby basket, 1872 Queens Ivory sugar bowl, blue malachite covered dish and basket. (4)£50-70
91. GROUP OF SIX 18th/19th CENTURY DRINKING GLASSES, c.1790-1840.£70-90
92. A LATE 19th CENTURY ETCHED AND ENAMEL-PAINTED GLASS TOILET SET, comprising five named jars, "Bath-Salts, Powder, Lotion, Methylated" and "Dentifrice", each etched with rococo scrolls, shells and other decorative motifs and the jars and covers highlighted with blue enamel-painted bands. (5) Bath-Salts jar 19.5cm£180-250
93. A VICTORIAN SILVER-MOUNTED CUT-GLASS PIN JAR, the silver screw-top engraved with a monogram above a faceted cylindrical body. 19cm£20-40
94. A HENRY LOVERIDGE & CO. BRASS WATER JUG, late 19th century, probably a design by Dr. Christopher Dresser, with loop handle and spherical body; together with A HENRY LOVERIDGE & CO. BRASS JUG, of similar date, each with stamped mark. (2) First 28cm
Note: see Andrew Everett "Wolverhampton Japanned Ware" in Harry Lyons "Christopher Dresser: The People's Designer, 1834-1904" Antique Collector's Club 2005, plate 433 p. 216£40-60
95. 19th CENTURY BRASS AND COPPER KETTLE, with steel handle. 32cm£30-40
96. A PAIR OF BRASS COLUMNAR TABLE LAMPS, each with slender fluted column issuing from a gadrooned baluster knop above a square tapering base, raised on bracket feet. 48cm (inc. fitting) £60-90
97. PAIR OF LATE 19th CENTURY BRASS "CAMEL" ANDIRONS, each naturalistically cast in recumbent pose, on painted iron plinth bases. 17cm by 22.5cm by 13cm£120-180
98. A PAIR OF ADAM REVIVAL SILVER-PLATED CANDLESTICKS, each with leaf-cast candle cup, tapering stem and spreading oval base. 20cm£50-70
99. A WMF SILVER-PLATED TEA URN IN THE ADAM REVIVAL MANNER, c. 1910, the part-reeded body fitted with scroll-cast loop handles, raised on four fluted legs with paw feet raised on a shaped platform supported on scroll feet, stamped marks. 43cm£150-200
100. 19th CENTURY SHEFFIELD PLATED BOTTLE COASTER, with scroll-cast rim above a pierced body cast with lion masks supporting swags. Height 12cm£70-90
101. LATE VICTORIAN SILVER-PLATED BISCUIT BARREL, BRIDDON BROTHERS, SHEFFIELD (1863-1910), of oval form decorated in 18th century style with bun feet. 17cm£90-120
102. A VICTORIAN COPPER PHOTOGRAPH FRAME, the rectangular glass enclosed within a conforming frame formed of interlocking rings. Aperture 14cm by 9.5cm£80-100
103. A LATE VICTORIAN BRASS AND CUT-GLASS DOUBLE INKWELL , TOWNSEND & CO., the rectangular stand fitted with twin leaf-cast loop handles and with ribbon-tied cartouches, the bottles fitted with hinged brass covers, impressed maker's stamp. Length across handles 28cm£100-150
104. A BRONZE INKWELL IN THE EGYPTIAN TASTE, c. 1920/30, the well mounted on a circular plinth and surmounted by a hinged lid cast as a female head in Egyptian dress. Height 15cm£70-90
105. A LATE 19th CENTURY PATINATED BRONZE PLAQUE CAST AS A PORTRAIT BUST OF CHARLES DICKENS. 18cm£80-120
106. AN 18th CENTURY BRONZE PESTLE AND MORTAR. 11cm£60-80
107. 19th CENTURY BRASS COMB BOX. Length 24.5cm£100-150
108. PAIR OF 19th CENTURY BRASS ANDIRONS, each with urn-topped and knopped columns. Length 22.5cm£80-120
109. VICTORIAN COPPER JELLY MOULD, of oval form and with continuous "finger" surround. 17cm£80-120
110. VICTORIAN COPPER JELLY MOULD, of oval turreted form with central flue. 17cm£100-150
111. LARGE 19th CENTURY BRONZE BELL. 25cm£120-180
112. EARLY 20th CENTURY HAMMERED PEWTER TEA CADDY, of canted rectangular form with rope-twist rims, stamped TW&Co/Manor Perido, 2148. 14cm by 14cm by 11.5cm£50-70
113. PAIR OF VICTORIAN BRASS THREE-LIGHT CANDELABRA, with ribbed baluster stems and scrolling arms. 42cm£70-90
114. PAIR OF VICTORIAN BRASS CANDLESTICKS, of knopped baluster form. 30cm£30-40
115. GEORGE V SILVER AND TORTOISESHELL RING BOX, LONDON 1926, the hinged circular cover with silver inlay. Diameter 5.5cm£50-70
116. LATE VICTORIAN SILVER CARD CASE, BIRMINGHAM 1899, chased with sprigs of fruiting vine and foliage against an engine-turned ground, the interior fitted with ivory tablet and pencil, engraved with a monogram within a cartouche. 11cm by 8cm£60-80
117. TWO EDWARDIAN SILVER CIGARETTE CASES, Birmingham 1903 and 1906, each shaped for the pocket, one plain the other engraved with a monogram and chased with panels of scrolling foliage. Larger 9cm by 8cm, 6oz gross£60-80
118. GEORGE III SILVER MADEIRA LABEL, probably Jas. Ellis & Co., London, c. 1810, with reeded edge. 5.5cm£40-60
119. A SILVER MODEL OF A STANDING BOXER DOG. Height 11cm£70-90
120. A GEORGE V SILVER AND MOTHER OF PEARL RATTLE, Birmingham 1919, with mother of pearl handle and suspending two bells. £30-50
121. CONTINENTAL SILVER FOOTED BOWL, marked "925", repousse with grapes and vines, raised on three pierced scroll feet. Diameter 18cm£40-60
122. A GEORGE V SILVER "ALADDIN'S LAMP" TABLE LIGHTER, Birmingham 1910, with scroll handle. Length 12cm, 2oz£50-70
123. AN EDWARDIAN SILVER SALT, BIRMINGHAM 1905, of oval form, with pierced body and blue glass liner, raised on ball feet; together with AN EDWARDIAN SILVER MUSTARD, LONDON 1906, with pedestal foot and scroll handle, blue glass liner. (2) First 6cm £50-70
124. AN EDWARDIAN SILVER CARD TRAY, BIRMINGHAM 1903, of circular form with hammered surface and crimped edges; together with A VICTORIAN SILVER-TOPPED DRESSING TABLE JAR, LONDON 1883, of oval faceted form with engine turned top engraved with a crest; and A SMALL SILVER-TOPPED SCENT BOTTLE, Birmingham 1905, with screw top; and A SILVER-TOPPED CUT-GLASS DRESSING TABLE JAR, Chester marks (rubbed). (4)£60-80
125. EDWARDIAN SILVER CHRISTENING MUG, BIRMINGHAM 1901, of tapering cylindrical form, chased with gadrooning and a rococo cartouche (vacant). 8.25cm, 4oz.£120-150
126. A WILLIAM IV SILVER CREAM JUG, JOHN WALTON, NEWCASTLE, 1833, with gadrooned rim, acanthus-cast handle and ball feet. Length across handle 14cm, 5 1/2 oz£180-250
127. A PAIR OF GEORGE IV SCOTTISH SILVER TODDY LADLES, EDINBURGH 1827, kings pattern. Total 3oz£140-180
128. A SET OF EIGHT SILVER-GILT MENU CARD HOLDERS, CHRISTOPHER LAWRENCE, LONDON 1985, each decorated with a bark design and engraved with the letter "W". £100-150
129. GEORGE V SILVER DESK CALENDAR AND STAMP BOX, BIRMINGHAM 1923, with engine-turned decoration. 6.5cm by 11cm£100-150
130. SET OF SIX GEORGE III IRISH SILVER MUSTARD SPOONS, SAMUEL NEVILLE, c. 1800-10, with bright-cut decoration and a monogram.£180-240
131. GEORGE III SILVER CADDY SPOON, BIRMINGHAM 1793, the bowl with fluted rim, fiddle, thread and shell, engraved to the reverse. £100-150
132. A GEORGE VI SILVER SUGAR SIFTER, MAPPIN & WEBB, LONDON 1940, in 18th century style. 9oz£150-200
133. A PAIR OF GEORGE VI SILVER TAPER STICKS, THOMAS BRADBURY & SONS, SHEFFIELD, 1937/8, in 18th century style, each with shell-cast drip pan above a knopped stem and raised on a shaped square foot (weighted). 14cm£400-500
134. GEORGE V SILVER AND TORTOISESHELL JEWELLERY BOX, BIRMINGHAM 1925, of circular form, raised on scroll feet. 4.5cm by 8cm£120-180
135. GEORGE V SILVER SAUCE BOAT, THOMAS BRADBURY & SONS, SHEFFIELD 1933, with acanthus-cast handle. 7oz£100-150
136. GEORGE III SILVER STUFFING/BASTING SPOON, SAMUEL GODBEHERE & EDWARD WIGAN, LONDON 1793, Old English, engraved with a monogram. 4oz£150-200
137. GEORGE III SILVER SOUP LADLE, CHRISTOPHER & THOMAS BARKER, LONDON 1804, fiddle pattern. 5.5oz£180-250
138. EDWARDIAN SILVER THREE-PIECE DRESSING TABLE SET, LONDON 1908 AND 1909, comprising mirror and two brushes, chased with stylised flowers, engraved with a monogram.£70-90
139. A PAIR OF VICTORIAN SILVER NAPKIN RINGS, BIRMINGHAM 1898, chased with putti, scrolls and cartouches, in a fitted leather case. £80-100
140. CONTINENTAL SILVER APOSTLE SPOON, c. 1900, with cupid terminal, various marks, stamped "925". 18.5cm£30-50
141. GEORGE V SILVER TEA STRAINER, ATKIN BROS., SHEFFIELD 1913, with egg and dart rim. 13cm£20-40
142. MISCELLANEOUS GROUP OF SILVER, comprising: an Edwardian silver baluster-form pepper shaker, Sheffield 1906; a Continental silver tea strainer with scroll-cast handle; and a Continental silver urn-form pepper shaker. (3)£30-40
143. AN EDWARDIAN SILVER HEART-SHAPED TRINKET BOX, SHEFFIELD 1903, chased with flowerheads and with gilt interior. 5cm£30-50
144. A WILLIAM IV SILVER BOTTLE COASTER, (marks rubbed), with gadroon and shell-cast rim above sides with alternate plain and reeded bands, central silver disc engraved with a monogram. Diameter 19cm£100-150
145. A SILVER-BACKED HAND MIRROR AND BRUSH, BIRMINGHAM 1961, with engine-turned decoration, engraved with a monogram. £20-30
146. A PAIR OF OPAL AND DIAMOND EARRINGS, the pear-shaped cabochon-cut drops collet set below circular cabochon-cut opal surmounts spaced by diamond-set leaf connecting links. £800-1200
147. A DIAMOND, EMERALD, RUBY AND CULTURED PEARL PENDANT, the heart-shaped mount set with half pearls with a collet set ruby, emerald and and diamond to the centre, on an oval hoop. £100-200
148. A DIAMOND PENDANT, the pierced scrollwork mount set with diamonds, suspending a brilliant-cut diamond collet drop, on a fine trace-link chain with four diamond-set collets, stamped "750". £350-450
149. A VICTORIAN GARNET, GOLD AND DIAMOND BROOCH, c. 1870, the fluted cabochon-cut garnet set to the centre with an old cushion-cut diamond within star setting. within a gold mount and locket compartment to the reverse, brooch pin fitting. £500-700
150. A LATE 19th CENTURY GOLD, SAPPHIRE AND PEARL BRACELET, the fancy link chain alternately set with a circular-cut sapphire or half pearl, each collet set, the chain stamped "15". £600-800
151. A PAIR OF CULTURED PEARL EARRINGS, each set with seven cultured pearls in flowerhead cluster formation and with post and butterfly fittings. £200-300
152. A RUBY AND CHRYSOLITE RING, mid-19th CENTURY, the three graduating mixed-cut chrysolites spaced by two mixed-cut rubies within collet and bead mounts. £250-350
153. A TURQUOISE, GARNET AND PEARL RING, c. 1840, the oval mixed-cut garnet collet set within a bezel of eight half pearls between trefoils of turquoise stones, the shoulders carved with floral detail. £200-300
154. A VICTORIAN GOLD AND DIAMOND BROOCH, c. 1870, the old brilliant-cut diamond star set within a circular mount with scroll, bead and ropework decoration, the tapering mounts set with leaf spray decoration and trefoil terminals, cased. £200-300
155. A VICTORIAN GOLD AND PEARL NECKLACE, c. 1890, the front set with three floral clusters, with pearl-set petal spacers, on a fine trace-link chain.£280-320
156. A GOLD BROOCH, MODELLED AS A TERRIER, on a knife-edge bar, stamped to bar "9ct"£40-60
157. A VICTORIAN GOLD AND SEED PEARL BROOCH, modelled as two swallows in flight set with half pearls, on knife edge bar with pearl terminal and suspending a pearl drop; TOGETHER WITH A VICTORIAN SILVER AND GOLD BROOCH (cased). (2)£50-70
158. A THREE-STONE DIAMOND RING, the oval mixed-cut diamond flanked by two brilliants, claw set on a platinum bands, with import marks. Approx. 0.40 carats£350-450
159. AN OPAL AND DIAMOND RING, the oval opal surrounded by ten circular brilliant-cut diamonds, set on a 14ct white gold band, with import marks. Total weight of diamonds approx. 1 carat£500-700
160. A DIAMOND CLUSTER RING, centred by three baguette diamonds within a border of twelve brilliants, claw-set on an 18ct yellow gold band. Approx. 1 carat of diamonds£600-800
161. A THREE-STONE DIAMOND RING, set with three brilliant-cut diamonds in a white gold band. Approx. 0.74 carats, gold unmarked, untested£600-800
162. AN AQUAMARINE SOLITAIRE RING, the circular aquamarine claw set in a 14ct yellow gold band. Aquamarine approx. 4 carats£200-300
163. A SAPPHIRE AND DIAMOND BOMBE RING, set with seven bands of square cut sapphires and two bands of diamonds, on an 18ct yellow gold band. £250-350
164. AN 18ct GOLD TURQUOISE AND PEARL TWIN-HOOP BROOCH, set with turquoise beads and cultured pearls claw set in 18ct gold. £150-200
165. AN 18ct GOLD OPAL AND RUBY BROOCH, designed as a floral spray, set with opals and five small rubies, stamped "18ct" and fitted with safety chain.£300-400
166. A TWO-TONE 9ct GOLD BAR BROOCH, designed as an owl perched on a crescent moon, with red gem-set eyes in rose and yellow gold, stamped "375", fitted with safety chain.£60-80
167. A PAIR OF CULTURED SOUTH SEA PEARL AND DIAMOND DROP EARRINGS, each pearl approx. 11mm suspended from a line of four small brilliant-cut diamonds, with 18ct white gold hoop fittings. £300-400
168. A 9ct GOLD ALBERT OF TWISTED OVAL LINK, suspending a fob mount, each link marked ".375".£150-200
169. WITHDRAWN - A 9ct GOLD BRACELET, of curb-link suspending four charms, with heart-shaped padlock clasp.£150-200
170. GOLD-MOUNTED CAMEO BROOCH, of oval form, the shell cameo carved as a female head, the gold mount stamped "750" and with hinged pendant fitting.£30-40
171. A FIVE-STONE DIAMOND RING, the brilliant-cut diamonds claw set on an 18ct yellow gold band with tapering shoulders. £200-300
172. A SEVEN-STONE DIAMOND RING, the brilliant-cut stones cushion set on a 9ct yellow gold band£100-150
173. A NINE-STONE DIAMOND RING, brilliant-cut and claw set in a cluster setting on a 9ct yellow gold band. £150-250
174. A CONTINENTAL CAMEO BRACELET, c. 1900, composed of seven rectangular shell plaques, each carved with a Classical scene, mounted in silver and joined by paired chains; together with A CONTINENTAL CAMEO BROOCH, c. 1900, the oval shell plaque carved with a female head in a rectangular silver mount with brooch and pendant fitting, stamped "800". (2)£60-80
175. A 19th CENTURY CONTINENTAL SILVER AND IVORY BROOCH WITH EARRINGS EN SUITE, each piece unusually modelled as a grotesque mask within a silver mount, the earrings with post and screw fittings. £70-90
175A. A PAIR OF 19th CENTURY IVORY EARRINGS, intricately carved as pendant fuschia, with hoop fittings; together with A PENDANT en suite£50-70
176. A SAPPHIRE AND DIAMOND NECKLACE, the scroll front set with ten oval mixed-cut sapphires with scrolling gold foliate decoration and brilliant-cut diamond highlights, on a flat link chain, stamped "750". £450-550
177. A FIVE-STONE DIAMOND RING, the five brilliant-cut diamonds channel-set in a yellow gold band. £700-900
178. A FOUR STONE DIAMOND RING, the uniform row of brilliant-cut diamonds claw-set between tapering shoulders. £400-600
179. A BANGLE, OF TORQUE DESIGN, with panther head terminals and enamel detail. £70-100
180. A DIAMOND CLUSTER RING, set with nineteen brilliant-cut diamonds.£600-800
181. A SAPPHIRE AND DIAMOND RING, the step-cut sapphire set between two brilliant-cut diamonds collet set between tapering shoulders.£150-250
182. A CHARLES HORNER ART NOUVEAU SILVER AND ENAMEL PENDANT, CHESTER 1911, with sky blue enamel pendant suspending a shaped drop and enamel spacer on a tracelink chain. £200-300
183. A 19th CENTURY DOUBLE STRAND CORAL BEAD NECKLACE, composed of faceted and tubular beads with rolled gold clasp. 53cm£250-300
184. A SINGLE STRAND AMBER BEAD NECKLACE, c. 1900, composed of graduated faceted beads. 47cm£60-80
184A. A SET OF GRADUATED GLASS BEADS, PROBABLY VENETIAN, each swirled in pinks, blues and greens with gold "dust" inclusions (not strung). £40-60
185. VICTORIAN TUSK BROOCH, the mounts possibly gold. 13cm£60-80
186. A DIAMOND AND CITRINE ETERNITY RING, the 9ct yellow gold band set with eleven small diamonds alternating with citrines. £70-90
187. A DIAMOND ETERNITY RING, the engraved band stamped "Plat.", in a fitted red morocco case. £200-300
188. AN ONYX AND DIAMOND RING, OF ART DECO DESIGN, c. 1925, the onyx plaque inset with a circular-cut diamond between stepped shoulders. Stamped 9ct.£80-120
189. A CAMEO BROOCH, the shell cameo carved to depict a female head wearing a flower-trimmed hat; TOGETHER WITH A RING CAMEO AND NECKLACE, the ring with a female head and the necklace set with three cameo drops, each depicting a female head. (3)£70-100
189A. A GOLD-MOUNTED CAMEO BROOCH, c. 1900, the shell cameo carved as a female bust in profile, in an elaborately cast and chased gold mount (marks indistinct), with pendant fitting. £50-70
190. A SAPPHIRE AND DIAMOND BRACELET, composed of fourteen oblong links each set with baguette-cut sapphires, each link spaced by a circular link set with three circular-cut diamonds, mounted in gold, stamped "9K". 19.5cm£100-150
191. A VICTORIAN 9ct GOLD BAR BROOCH, set with a garnet and applied with a floral spray, fitted with a safety chain; A VICTORIAN 9ct GOLD BAR BROOCH, the central roundel set with a small diamond; and A METAL "HUNTING" STOCK PIN. (3) First 4.75cm£40-60
192. A PERIDOT AND AMETHYST BRACELET, c. 1900, the circular-cut amethysts and peridots alternately set between two fine trace-link chains.£120-180
193. A PERIDOT AND PEARL PENDANT, c. 1890, the mixed-cut peridot collet set within a knife-edge circular mount set with half pearls, suspended from a fine curb-link chain with pearl-set bow surmounts, the whole suspending a pear-cut peridot drop, also with pearl-set bow surmount.£150-200
194. A RUBY AND DIAMOND PENDANT, the oval mixed-cut ruby collet set within a heart-shaped mount pave-set with rose-cut diamonds; TOGETHER WITH A HEART-SHAPED LOCKET PENDANT, c. 1890, set with half pearls to the front. (2)£200-300
195. A JAPANESE IVORY OKIMONO, early 20th CENTURY, the group carved as a fisherman and child with a basket of fish, on an oval base. 21cm£100-150
196. A JAPANESE IVORY OKIMONO, early 20th CENTURY, of a boatman, holding a large paddle on a rocky base. 16cm£60-80
197. A JAPANESE IVORY OKIMONO, early 20th CENTURY, carved as a seated streetseller, a basket and a parasol at his feet. 9.5cm£60-80
198. TAXIDERMY: A 19th CENTURY HAWKSBILL TURTLE. 49cm£80-120
199. ENGLISH EARLY 20th CENTURY BISQUE HEADED DOLL, with cloth and composition body, original dress, marked GB/Made in England. 38cm£50-70
200. TRIBAL: LUBA NECK REST. 14.5cm£60-80
201. TRIBAL: GROUP COMPRISING: A WEST AFRICAN JANUS FIGURE; a PAPUA NEW GUINEA SPIRIT MASK; and a LUBA KIFWEBE TYPE MASK. (3)£100-150
202. TRIBAL: ASHANTI AKUABA FERTILITY DOLL. 36cm£60-80
203. TRIBAL: ZULU KNOB KERRIE. 84cm£80-120
204. TRIBAL: A SOLOMON ISLANDS CARVED FISH SPEAR. 1.78m£50-70
205. TRIBAL: CENTRAL AFRICAN SPEAR TOGETHER WITH A WEST AFRICAN HUNTING SPEAR. (2) Larger 1.66m£80-120
206. 19th CENTURY LEG OF MUTTON LEATHER GUN CASE. 78.5cm£30-50
207. TWO OAK SHIELD-FORM WALL PLAQUES, late 19th/early 20th century, one carved as a lion rampant, the other with a coat of arms carved with a sun, a unicorn and an angel. 15cm£40-60
208. A 19th CENTURY FRENCH BRONZE PAPERWEIGHT, CAST AS A SATYR, seated holding a pipe, on a circular base cast with floral swags, raised on a pink marble plinth. 11.25cm£70-90
209. A SMALL 19th CENTURY "GRAND TOUR" BRONZE BUST OF A ROMAN GENTLEMAN, MOUNTED ON A HORN PLINTH, 10cm£40-60
210. A 19th CENTURY GILT-BRONZE PIN CUSHION CAST AS A RECUMBENT LION, with leather pad to reverse and cast with integral plinth on ball feet. 9.5cm£50-70
211. TWO CARVED FRUITWOOD SPOONS, PROBABLY NORTHERN EUROPEAN, the larger with plain bowl and pierced scroll-carved handle; the smaller also with plain bowl and pierced scroll-carved handle. (2). First 33cm£40-60
212. A JAPANESE LACQUERED TORTOISESHELL CIGAR CASE, c. 1900, the case gold lacquered with a crane beside bamboo. 12cm£50-70
213. A JAPANESE CLOISONNE VASE, c. 1900, of baluster form, decorated with ho-ho birds and dragons with cartouches. 15cm£100-150
214. A 19th CENTURY CINNABAR LACQUER BOX AND COVER, of lobed form, the cover carved in relief with a figure of Shou Lao with deer in a rocky landscape. Diameter 13cm£70-90
215. A JAPANESE NOVELTY WALKING STICK/FISHING ROD, Meiji period, the stick carved with an eel and monkeys against an ebonised ground, the brass ferrule opening to reveal a bamboo telescopic fishing rod with ivory tip. 88cm (2.12m extended)£70-100
216. LATE 19th CENTURY COMPLETE TORTOISE SHELL. 32cm£150-250
217. CONTINENTAL EARLY 20th CENTURY BISQUE HEADED DOLL, blue rolling eyes, teeth showing, composition body, brown wig with lilac bow, impressed no. 55. 53cm£40-60
218. ARMAND MARSEILLE BISQUE HEADED DOLL, sleeping eyes, teeth showing, brown wig, composition body, impressed Armand Marseille, no. 390, A7M. 60cm£70-100
219. ARMAND MARSEILLE BISQUE HEADED DOLL, sleeping eyes, teeth showing, brown wig, leather body with bisque lower limbs, no. 3700, impressed AM 5. 59cm£70-100
220. AN ARMAND MARSEILLE BISQUE HEADED "MY DREAM BABY" DOLL, 351/10K, with moulded hair, blue sleeping eyes and two lower teeth visible, composition body. £120-180
221. CONTINENTAL EARLY 20th CENTURY BISQUE HEADED DOLL, fixed blue eyes, teeth showing, composition body, blonde wig, impressed no. 10. 62cm£60-80
222. A PAIR OF LATE 18th/EARLY 19th CENTURY CUT-STEEL SHOE BUCKLES, of rounded rectangular form; together with A PAIR OF CUT-STEEL BREECHES BUCKLES, of similar date. £100-150
223. A 19th CENTURY WHALEBONE AND LEAD-WEIGHTED DOUBLE-ENDED "SAILOR'S" COSH. 47cm£150-200
224. A 19th CENTURY TORTOISESHELL CARD CASE, the hinged cover mounted with a gilt plaque engraved with a monogram. 11cm by 8.5cm£100-150
225. TWO TARTANWARE MINIATURE BOOKS, "Mary Queen of Scots" and "The Story of Robert Burns and His Land", with Fraser and Stuart bindings respectively. 8.5cm by 6cm£80-120
226. PAIR OF LATE 19th CENTURY BRASS AND ABALONE NOVELTY SALTS, modelled as donkeys with panniers, on shell bases. 11cm£70-90
227. 19th CENTURY BRASS AND TEAK CHURCH CANDLE LIGHTER AND SNUFFER, in two pieces. 96cm£70-90
228. TWO IVORY PAGE TURNERS, 19th century. Longer 35cm£80-120
229. EDWARDIAN SILVER-MOUNTED OTTER'S FOOT LETTER OPENER, BIRMINGHAM 1907, with inscription Found at Brettanby/60 Minutes/Dec. 5th 1907. 29cm£50-70
230. VICTORIAN TOP HAT, of larger size, in a period fitted leather hat box.£120-180
231. 19th CENTURY LADY'S TORTOISESHELL CALLING CARD CASE, with lozenge panels separated by ivory stringing. 9cm by 5.5cm£60-80
232. THOMAS TWYFORD BLUE TRANSFER PRINTED LAVATORY BOWL, LATE 19th CENTURY.£250-350
233. A 19th CENTURY SPELTER BUST OF MARS, cast in profile, inscribed and raised on an ebonised wooden socle. 28cm£30-50
234. A 19th CENTURY PATINATED METAL FIGURE OF A CLASSICAL FEMALE FIGURE, cast with flowing draperies, her left arm upraised holding a ewer, the right a paintbrush, raised on a circular waisted socle cast with gadrooning and bands of Greek Key. (Originally a light fixture). 94.5cm£80-120
235. MILTON, JOHN "PARADISE LOST", ILL. WILLIAM BLAKE, PRINTED AT THE LYCEUM PRESS, LIVERPOOL, pub. The Liverpool Bookseller's Company 1906, hand-cut papers. £30-50
236. THREE VOLUMES ON LEEDS POTTERY AND CREAMWARE, comprising: Kidson, Joseph R. & Frank, "Historical Notices of the Leeds Old Pottery", limited edition 10/250, pub. Leeds 1892; Towner, Donald "The Leeds Pottery" pub. London 1963; and Walton, Peter "Creamware and Other English Pottery at Temple Newsam House Leeds, a Catalogue of the Leeds Collection", pub. 1976. (3)£60-80
237. HUXLEY, ALDOUS "THOSE BARREN LEAVES", first edition, original cloth, spine a little soiled and small tear, no dust jacket, 8vo., 1925.£30-40
238. CHESHIRE, LEONARD, "BOMBER PILOT", first edition, cloth cover, autographed and inscribed January 1943; together with MORRIS, RICHARD, "CHESHIRE, THE BIOGRAPHY OF LEONARD CHESHIRE VC OM", first edition pub. 2000. (2)£40-60
239. PICKERAL, TAMSIN, "THE DOG, 5000 YEARS OF THE DOG IN ART", pub. 2008. £15-25
240. HARDIE, MARTIN, "WATER-COLOUR PAINTING IN BRITAIN", THREE VOLUMES, Vol. I pub. 1969; Vol II pub. 1970; Vol III pub. 1971, cloth covers, dust wrappers. (3) £30-40
241. AFTER FRAGONARD, "LE BAISER A LA DEROBEE", 19th century engraving,framed. 39cm by 45cm£30-40
242. FRANCESCO BARTOLOZZI (1727-1815), A SEPIA ENGRAVING ON SILK, oval, of children at play in a gilt and ebonised frame. Image 20cm by 15.5cm£60-80
243. AN ARCHITECTURAL PRINT OF A LIGHTHOUSE, framed. 67cm by 43cm£50-70
244. A PAIR OF ARCHITECTURAL ENGRAVINGS OF CEILING DESIGNS BY ANTOINE LE PAUTRE, late 17th century, each inscribed. 24cm by 19.5cm and 20cm by 23.5cm £70-90
245. WILLIAM HEATH (PAUL PRY) (1795-1840), "ONE OF THE AUDIENCE - GOING INTO THE THEATRE", hand-coloured engraving, pub. J.McLean, 26 Haymarket, Oct. 29 1829, framed, 36cm by 25cm; together with another 19th century hand-coloured engraving, "Three Friends Going on a Visit", framed, 24cm by 32.5cm. (2) £40-60
246. A PAIR OF FRENCH 18th CENTURY ARCHITECTURAL ENGRAVINGS. 34cm by 43cm£40-60
247. FOUR ENGRAVINGS FROM THOMAS ROBERT WAY, "MEMORIES OF JAMES McNEILL WHISTLER, THE ARTIST", pub. 1912, framed as one. Each 17cm by 12.5cm£40-60
248. A 19th CENTURY OILOGRAPH OF A CONTINENTAL CANAL SCENE, signed, in a gilt-composition frame. 29cm by 39cm£60-90
249. NORMA HAUCK, STUDIES OF FOLIAGE, etching, no. 153/180, signed in pencil, framed. 38cm by 32cm£40-60
250. TOM MCGUINNESS (1926-2006), "NIGHT SHIFT", lithograph, limited edition no. 3/20, signed, numbered, titled and dated (19)76 in pencil, framed. 22cm by 30cm £100-200
251. BARON SCOTFORD, A SILHOUETTE PORTRAIT MINIATURE OF A YOUNG LADY, c. 1910/20, signed in ink, in an ebonised frame. Inc. frame 13.5cm by 14cm£30-50
252. LOUIS WHIRTER (1873-1932), HOLYROOD PALACE, EDINBURGH; AND EDINBURGH CASTLE, A PAIR, etchings, signed and titled in pencil, framed. 22cm by 31cm£60-80
253. WILLIAM LIONEL WYLLIE (1851-1931), FISHING LUGGERS OFF DOVER CASTLE, etching, signed in pencil to the margin, pub. London 1905. (a/f) 31.5cm by 46.5cm£200-400
254. A 19th CENTURY FRENCH FASHION PLATE FROM "LA MODE ILLUSTREE", the steel plate engraving depicting two fashionable figures applied with silk dresses in relief, dated 1877. 33cm by 22cm£100-150
255. A PAIR OF 19th CENTURY GERMAN BLACK AND WHITE ENGRAVINGS OF MILITARY SCENES. 30cm by 50cm£30-50
256. GROUP OF SIX 19th CENTURY TOPOGRAPHICAL ENGRAVINGS, North Eastern subjects, framed. (6)£30-40
257. A GROUP OF FOUR BAXTER PRINTS, the first with mount inscribed "Ben Lomond"; the second "Lake Lugano Italy"; the third "Head of Derwentwater"; and the fourth, oval, in a gilt mount depicting figures outside a tavern. (4) First 6cm by 9.5cm£30-50
258. AUGUSTE RODIN (1840-1917), "POLYPHEME", BRONZE WITH DARK BROWN PATINA, signed "A. Rodin" and inscribed with foundry mark "Alexis Rudier Fondeur Paris" to reverse, with raised signature "A. Rodin" to the underside ("R.B.D paper label taped to underside). Height 24.5cm
Exhibited: Moot Hall, Aldeburgh, 19th-28th June 1959.
Provenance: Acquired from Roland, Browse & Delbanco, Cork Street, London, October 1959 and descended in the same family to the present day (original receipt sold with bronze).£12000-18000
259. ERNEST F. HILL (BRITISH, exh. 1897-1940), LOCH LONG AND LOCH ARD, A LARGE PAIR OF OILS, signed and dated verso 1919, on canvas, in gilt composition frames. Each 0.86m by 1.11m£800-1200
260. SAMUEL JOHN STUMP (1778-1863), PORTRAIT MINIATURE OF A YOUNG LADY, c. 1820, the name of the sitter inscribed verso, "Jemima Beck", on ivory, signed, in a period ebonised frame with original framer's label. 7.5cm by 6.0cm£150-250
261. AN EARLY 19th CENTURY PORTRAIT MINIATURE OF A YOUNG LADY, wearing a turban and a muslin dress, in a gilt-metal frame with suspension loop, "locket" reverse with blue glass slip, watercolour on ivory. 7.25cm by 6.0cm£100-150
262. A LATE 18th/EARLY 19th CENTURY PORTRAIT MINIATURE OF A YOUNG BOY, monogrammed "TF", in a gilt metal oval frame set with blue glass (cracked) and hair locket reverse, watercolour on ivory. 3cm by 2.75cm£80-120
263. CHINESE SCHOOL, 19th CENTURY, A SET OF FIVE STUDIES OF FLOWERS AND INSECTS, watercolour on rice paper, in gilt frames (glass of one cracked); together with a set of three Chinese watercolours on rice paper of butterflies and floral sprays. First set 15cm by 23cm£80-120
264. CHINESE SCHOOL, 19th CENTURY, A PAIR OF STUDIES OF EXOTIC BIRDS, watercolour on rice paper, each within a woven silk border, in gilt frames. 7.5cm by 11.5cm£40-60
265. ATTRIBUTED TO HENRY BRIGHT (1814-1873), "LANGDALE", signed Hy Bright, dated 1863 and titled lower right, oil on canvas, framed. 34cm by 44cm£300-500
266. 19th CENTURY SCHOOL, PORTRAIT OF MARY QUEEN OF SCOTS, unsigned, two old paper labels verso with the sitters name and one further inscribed From an original in Holyrood Palace 1878, oil on panel. 40cm by 28.5cm£100-200
267. FRANK V. NORIE (BRITISH, 19th CENTURY), SHIPPING BY MOONLIGHT, A PAIR OF WATERCOLOURS, each signed lower left, with paper label verso. 9.5cm by 16.5cm£70-100
268. ANDA PATERSON (SCOTTISH b. 1935) R.S.W, R.G.I, WOMEN PROTESTING, gouache and watercolour, signed and dated 1977. 30cm by 46cm£100-150
269. TOM HOVELL SHANKS (SCOTTISH b. 1921) R.S.W, R.G.I, "LOCH NEVIS", watercolour, signed, with paper label verso. 25cm by 50cm£100-200
270. THOMAS SIDNEY (EARLY 20th CENTURY), "ROBIN HOOD BAY", signed and titled lower left, watercolour, framed. 24cm by 68cm£150-250
271. THOMAS SIDNEY (EARLY 20th CENTURY), "THE LION ROCK KYNANCE", signed and titled lower left, watercolour, framed. 24cm by 68cm£150-250
272. SHELDON WILLIAMS (Exh. 1902-1939), TRAVELLERS IN A RAINSTORM, signed and indistinctly dated lower left, watercolour, framed. 46cm by 62cm£150-250
273. PETER STEPHEN (20th CENTURY), ABSTRACT IN BLUES AND GREENS, on panel, signed lower right, framed. 25cm by 48cm£30-50
274. ALFRED ELSWORTH (BRITISH, late 19th/early 20th CENTURY), TWO MOORLAND LANDSCAPES, signed, oil on board. 26.5cm by 33.5cm and 19cm by 28.5cm£150-250
275. ENGLISH SCHOOL (20th CENTURY), COASTAL TOWN, indistinctly inscribed and dated 1945 lower right, watercolour, framed. 30cm by 45cm£40-60
276. J.A. HENDERSON TARBET (SCOTTISH, c.1865-1938), EVENING AT ARDGOUR, signed lower left, Royal Scottish Society of Painters in Watercolours exhibition label verso, watercolour, framed. 39cm by 55cm£60-80
277. ENGLISH SCHOOL (20th CENTURY), PORTRAIT OF A BOY AND GIRL, indistinctly signed lower right Phyllis ..., oil on canvas, in a limed composition frame. 62cm by 60cm£100-150
278. R.T. MINSHULL (19th CENTURY), YOUNG GIRL STANDING BESIDE A STILE, signed lower right, watercolour, framed. 44cm by 33cm£50-70
279. ENGLISH SCHOOL (c.1900), PORTRAIT OF A GENTLEMAN, unsigned, watercolour, framed. 49cm by 34cm£50-70
280. ENGLISH SCHOOL (EARLY 20th CENTURY), PORTRAIT OF A CHILD, with inscriptions upper right and lower right relating to Bamburgh Castle, oil on canvas, framed. 43cm by 33cm£80-120
281. ARTHUR NETHERWOOD (1864-1930), COASTAL SCENE WITH A MAN, HORSE AND CART NEAR SAND DUNES, signed lower left, oil on canvas, framed. 58.5cm by 89cm£300-500
282. ENGLISH SCHOOL, PORTRAIT OF A YOUNG WOMAN, c.1830/40, unsigned, oil on canvas, in a gilt-composition frame. 75cm by 61cm£250-350
283. WILLIAM BRADLEY LAMOND (1857-1924), CATTLE WATERING BY A COPSE, signed lower left, oil on canvas, framed. 34cm by 52cm£500-700
284. ENGLISH SCHOOL, 20th CENTURY, BOATS IN AN ESTUARY, indistinctly signed "Hugh..." and dated 1936, watercolour heightened with white. 25.5cm by 36cm£40-60
285. HELEN KAPP (1901-78), RIVER SCENE, watercolour, signed and inscribed. 37cm by 51cm£80-120
286. ARTHUR BENJAMIN BATEMAN (1883-1970), "HARD WEATHER", (GALGATE, BARNARD CASTLE IN THE SNOW), signed lower left, oil on canvas, in a limed composition frame. 34cm by 59cm (also part illustrated on front cover)
Note: Sold with a letter from the Royal Academy confirming it's showing in 1949, catalogue no. 547; and a letter from the artist dated 1965. £500-700
287. DONALD SOUTHERN (EARLY 20th CENTURY), "ENNERDALE LAKE, SHOWING PILLAR ROCK, BOWNES KNOTT, ANGLERS CRAG AND IRON CRAGS" AND "RYDAL WATER AND NAB SCAR", A PAIR OF WATERCOLOURS, each signed and with paper label verso. 25cm by 34cm£150-250
288. DONALD SOUTHERN (EARLY 20th CENTURY), LAKE DISTRICT IN SPRING TIME, signed lower right, watercolour, framed. 24.5cm by 34cm£60-90
289. J. DOUGLAS (EARLY 20th CENTURY), BARNARD CASTLE FROM THE RIVER AND PRUDHOE CASTLE, COUNTY DURHAM, A PAIR, signed, watercolours, framed. 25cm by 37cm£150-250
290. ALAN BENGALL CHARLTON (1913-1981), CHOLLERFORD BRIDGE, SOUTH TYNE, signed and dated 1972 lower right, watercolour, framed. 25.5cm by 36cm£50-70
291. 19th CENTURY SCHOOL, PORTRAIT OF A MAN AND WOMAN IN ROBES, black chalk and pencil heightened with white, framed. 39cm by 29cm£40-60
292. WILLIAM HENRY GOOSE (1816-1885), FIGURE TAKEN FROM LIFE AT BLOFOLD (nr NORWICH) 1877, signed, watercolour, framed. 34cm by 25cm£120-180
293. HERBERT TOMLINSON (EARLY 20th CENTURY), BEDOUIN RIDERS ON THE BANKS OF THE NILE, signed lower left, watercolour, framed. 25cm by 38cm£80-120
294. M.R. McLENNAN, STILL LIFE OF FRUIT, signed and dated 1903 lower left, oil on canvas board, framed. 30cm by 40cm£40-60
295. DENNIS CAMPBELL KIRTLEY (20th CENTURY), A PORTRAIT OF THE RACEHORSE DANTE, WINNER OF THE DERBY 1945, signed and dated 1995 lower right and further inscribed lower centre, watercolour, pen and ink, framed. 28.5cm by 33.5cm£80-120
296. RACING AT FULL GALLOP, signed with a monogram and dated 2002 lower right, pastel drawing, framed. 30cm by 45cm£40-60
297. GEORGE MURIS (20th CENTURY), IMPRESSIONS IN THE SNOW, signed and dated 1942 lower right, watercolour, framed. 29cm by 44cm£40-60
298. LADY IN 18th CENTURY COSTUME, oil on glass, in an oval frame. 16cm by 11cm£50-70
299. FREDERICK A. SIMMONDS, SCOTTISH COASTAL TOWN, signed lower right, watercolour, framed. 15.5cm by 37cm£40-60
300. SCOTTISH SCHOOL (19th CENTURY), HIGHLAND CATTLE, unsigned, oil on canvas, framed. 49cm by 75cm£250-350
301. JOHN HODGSON CAMPBELL (1855-1927), COTTAGE GARDEN, signed lower and dated 1917 lower left, watercolour, framed. 56cm by 43cm£100-150
302. ENGLISH SCHOOL (EARLY 20th CENTURY), STILL LIFE OF PEACHES, FOLIAGE AND A BASKET, unsigned, oil on canvas, framed. 24cm by 34.5cm£50-70
303. COASTAL SHIPPING, A PAIR, unsigned, oils on board, framed. 16.5cm by 21cm£250-350
304. ENGLISH SCHOOL, STILL LIFES OF FRUIT, A PAIR, each initialled E.G., oil on canvas, unframed. 25cm by 36cm£60-80
305. TOM PARKINSON (BRITISH, 20th CENTURY), DEERBOLT, BARNARD CASTLE, signed verso and dated 1936, oil on panel in an oak frame. 34cm by 24cm£40-60
306. COLIN RUSSELL (20th CENTURY), SHEEP AT TAN HILL, signed lower right, oil on panel, framed. 14cm by 18.5cm£80-120
306A. HEINRICH LEINWEBER (GERMAN, 1836-1908), THE TRAVELLING MUSICIAN, the bearded male figure in 17th century costume standing with his pipes over his right shoulder, signed lower right, oil on canvas laid on board, in a gilt-composition frame. 59cm by 43cm£800-1200
307. WANDLESS (LATE 19th/EARLY 20th CENTURY), THE WOOD NYMPH, signed lower right WANDLESS, oil on canvas, framed. 73cm by 52cm£100-150
308. AN EARLY 20th CENTURY PORTRAIT MINIATURE OF A LADY IN 16th CENTURY COSTUME, inscribed "Mary", oval, in a shaped velvet and gilt-metal frame. 8.5cm by 6cm£80-100
309. AFGHAN BOKHARA RUG. 1.50m by 1.02m£60-80
310. AFGHAN RUG. 1.03m by 0.96m£40-60
311. SOUTH WEST PERSIAN SMALL CARPET. 2.12m by 3.15m£100-150
312. TURKEMAN DESIGN CARPET. 3.15m by 2.20m£80-120
313. CAUCASIAN CLOUD BAND RUG. 1.75m by 0.98m£30-50
314. CAUCASIAN CHONDORESK CLOUD BAND RUG, c.1900. 1.40m by 2.25m£150-200
315. ANATOLIAN RUG. 1.30m by 0.70m£30-50
316. LARGE PERSIAN SHIRAZ RUG. 1.56m by 2.34m£150-200
317. MORI BOKHARA RUG. 1.75m by 1.25m£80-120
318. PERSIAN FARAGHAN RUG. 2.00m by 1.44m£180-250
319. HAMADAN RUG. 1.31m by 1.97m£120-180
320. CAUCASIAN RUNNER. 1.07m by 2.20m£100-150
321. SMALL KASHAN CARPET. 1.57m by 2.92m£150-200
322. TURKISH ANATOLIAN RUG. 2.46m by 1.17m£100-150
323. CAUCASIAN RUNNER. 1.00m by 2.60m£80-120
324. KASHMIR SILK FINISH RUG. 1.50m by 2.38m£100-150
325. PERSIAN MAHAL RUG. 1.52m by 3.20m£120-180
326. SOUTH EAST PERSIAN KIRMAN PICTORIAL CARPET. 2.85m by 2.00m£200-300
327. PERSIAN STYLE CARPET. 3.65m by 2.55m£200-300
328. PERSIAN KASHAN PRAYER RUG. 1.36m by 2.01m£120-180
329. AFGHAN ENSI RUG. 1.60m by 1.29m£30-50
330. AFGHAN FLATWEAVE RUG. 2.60m by 1.34m£40-60
331. ROGER OATES (20th CENTURY) FLATWEAVE RUG. 1.39m by 1.96m£100-150
332. CAUCASIAN RUNNER. 3.08m by 0.95m£60-80
333. AFGHAN FLATWEAVE RUG. 1.94m by 1.40m£40-60
334. WOOLWORK PICTURE OF A BIBLICAL SCENE, FLIGHT INTO EGYPT, c.1830-50, depicting a gleaning Ruth being addressed by Boaz with reapers in a cornfield in the background, framed. 42cm by 55cm £180-250
335. AFRICAN WALL HANGING, with a black ground. 1.60m by 2.76m£120-180
336. EARLY 20th CENTURY FLORAL QUILT, c.1920, decorated with birds amidst foliage, mauve reverse. 1.98m by 2.44m£150-200
337. EARLY VICTORIAN "FRAMED" PATCHWORK QUILT. 2.22m by 2.58m£300-400
338. VICTORIAN PAISLEY SHAWL, c.1860. 3.18m by 1.55m£200-300
339. VICTORIAN PATCHWORK QUILT, c.1880, with hexagonal panels, yellow reverse. 2.00m by 2.34m£300-400
340. VICTORIAN QUILT, worked with blue, pink and sprigged panels. 2.30m by 1.90m£180-250
341. 20th CENTURY NEEDLEWORK PANEL, COTTAGE IN A VALLEY, framed. 38cm by 52cm£50-70
342. TWO 19th CENTURY ALPHABET SAMPLERS, the first dated 1864, the second 1886. 50cm by 39.5cm and 35cm by 37cm£100-150
343. ROLEX PRE-OWNED GENTLEMAN'S OYSTER PERPETUAL DATEJUST WRIST WATCH, with centre sweep seconds, the case with circular ribbed bezel, gilded dial and baton numerals, case and flexible bracelet in gilt-metal and stainless steel, complete with leather pouch and Rolex International Service Guarantee dated 18/10/2009.£1000-1500
343A. A CONTINENTAL SILVER POCKET WATCH, late 19th century, the case with engine-turned decoration marked "800", white enamel dial with subsidiary seconds dial and Roman numerals, three quarter plate movement, on a silver chain with t-bar, marked for 1896. £40-60
344. A MID 19th CENTURY OAK AND MAHOGANY LONGCASE CLOCK, with short trunk door, the hood with swan neck pediment, 33cm arched white dial, unsigned, with subsidiary seconds and date pointer, 8 day 4 pillar rack striking movement. 2.27m£300-500
345. A SUBSTANTIAL AND IMPOSING LATE VICTORIAN MAHOGANY BRACKET CLOCK, IN THE 18th CENTURY MANNER, the case elaborately enriched with gilt brass caryatids and with a flame finial, 16cm arched brass dial, the silvered Roman chapter signed G.S.BELFIELD, EDINBURGH, with pendulum adjustment pointer, substantial three train spring barrel movement, stamped W&H, quarter striking on wire gongs, complete with matching bracket. The clock 54cm, bracket 23cm£1200-1800
346. AN ATTRACTIVE 18th CENTURY MAHOGANY CROSS-BANDED OAK LONGCASE CLOCK, of small proportions, the trunk with quarter reeded pillars, the hood with free standing reed pillars below a blind fretwork frieze and key pattern moulded top, the 8 day weight driven movement with 31cm square brass dial, signed on a plaque FODEN, LEEK, with calendar crescent. 1.99m
Note: A Thomas Foden is recorded as working in nearby Congleton, 1753-1785.£700-900
347. AN EARLY 19th CENTURY STYLE MAHOGANY MANTLE CLOCK, with convex enamelled circular dial, the case enriched with brass fish scales and top mounted carrying handle, complete with 8 day spring driven drum pattern movement striking the hours and half hours on a gong. 28cm£150-200
348. BRASS-CASED CARRIAGE CLOCK, c.1900, RETAILED BY MAPPIN & WEBB, the white enamel dial with Roman numerals, within a four-pillar case. 15cm with handle up£100-150
349. JOHN WEBSTER, WHITBY (circa 1820), AN ATTRACTIVE EARLY 19th CENTURY FIGURED AND FLAME MAHOGANY LONGCASE CLOCK, with long trunk door, the hood with brass capped pillars and swan neck pediment, 33cm arched white dial, signed, with subsidiary seconds and date pointer (connected), 8 day 4 pillar weight driven striking movement with original falseplate attachment. 2.22m£800-1200
350. A FRENCH LATE 19th CENTURY FIGURAL GILT-METAL MANTEL CLOCK, cast with the figure of a lady gardener in 18th century costume, eight day Samuel Martie & Cie. drum movement striking on a bell, on an ebonised plinth under a glass dome. £180-250
351. A GEORGIAN STYLE MAHOGANY AND STRING-INLAID BRACKET CLOCK, the sheet brass arched dial with Arabic engraved chapter, chime/silent and fast/slow pointers, the case with fish scale frets and lion mask ring handles, Continental three train spring barrel movement striking on rod gong. 41cm£250-350
352. A LATE 19th CENTURY SCHOOLROOM CLOCK, of small proportions, the mahogany case with 24cm circular cream painted dial, single train spring driven single fusee timepiece movement. Diameter 32cm£300-400
353. A FRENCH PINK AND RED MOTTLED MARBLE MANTLE CLOCK, IN THE ART DECO TASTE, the pointed arch case with circular white enamelled dial, signed DESTREZ-HARANGER, VERSAILLES, the two train spring driven drum pattern movement countwheel striking the hours and half hours on a rear mounted bell. Width 44cm£150-200
354. A MID 19th CENTURY NICOLE FRERES KEY WIND CYLINDER MUSIC BOX, stamped to the comb Nicole Freres and Nicole Freres a Geneve to the brass block, number 34353, the drop end hinged side with key wind spring barrel and three adjustment levers for differing airs, probably six airs in all, 33.2cm (13") cylinder with some but few pins absent, steel comb complete and original, string inlaid rosewood case with floral marquetry reserve to the lid.£700-900
355. A LADY'S ZENITH 18ct WHITE GOLD WRISTWATCH, the square dial with baton numerals within a textured bezel and on an 18ct white gold "woven" bracelet strap. £150-250
356. A DIAMOND COCKTAIL WATCH, c. 1930, the oblong dial with diamond-set arched lugs on a twinned snake link strap, the clasp stamped "9ct", the reverse of the case engraved "JPR to MMR 22-1-44".£350-450
357. AN UNUSUALLY LARGE LATE VICTORIAN 400 DAY CLOCK, the Classical portico brass case with six reeded columns and circular moulded spreading base, the single train spring driven movement with torsion pendulum, the lock plate with stamped mark, with glass dome. 41cm £100-150
358. LATE 19th CENTURY VIENNA PATTERN WALL CLOCK, the case with horse crest above a glazed door flanked by ring-turned balusters, 8 day movement, gilt-metal and enamel dial with Roman numerals. 1.11m£80-120
359. A LATE 19th CENTURY BRASS MONOCULAR MICROSCOPE, with coarse and fine focusing, substage condenser and concave mirror, on a trefoil base, accessories and case lacking. 41cm£150-250
360. JAMES PURVES, MIDDLETON (IN TEESDALE) (circa 1856), A MID 19th CENTURY MAHOGANY AND OAK LONGCASE CLOCK, with short trunk door, the hood with swan neck pediment, 33cm arched white dial, signed, with date crescent, 30 hour pull-up 4 pillar movement with inside countwheel strike on a bell. 2.31m£300-500
361. A MID-19th CENTURY BRASS-INLAID ROSEWOOD TOILET BOX, with velvet fitted interior, maker's label, Allen 18 & 22 Strand London. 17.5cm by 31cm£150-200
362. A PAIR OF ROCOCO REVIVAL GILTWOOD GIRANDOLE MIRRORS, 20th CENTURY, each cartouche mirror plate within a frame carved with roses and scrolls and issuing a pair of candlearms. 90cm£120-180
363. A HANDSOME MID-19th CENTURY MAHOGANY CHEVAL MIRROR, the rectangular plate within a cushion-moulded frame swivelling between baluster-turned uprights raised on scroll-carved trestles joined by paired stretchers. 1.73m by 0.87m£450-650
364. AN 18th CENTURY OAK COFFER, the hinged moulded top above a case with three fielded panels, each centred by later Art Nouveau ebonised stylised foliate inlay and supported on a scroll-carved stand of similar date to the inlay (c. 1910). 0.73m by 1.40m by 0.50m£400-600
365. A 19th CENTURY ELM WINDSOR ARMCHAIR, with pierced scroll-carved splat above a dished seat, raised on splayed ring-turned legs joined by stretchers. £200-250
366. A CHILD'S OAK ROCKING ARMCHAIR, LATE 18th/EARLY 19th CENTURY, the arched back pierced for carrying and flanked by wings above a hinged box seat and fitted with a detachable table. 66cm by 38cm by 38cm£180-250
367. A GEORGE III STYLE WING CHAIR, with yoke crest above a stuffed-over seat flanked by outsrcolled arms, raised on shell-carved cabriole legs terminating in ball and claw feet. £400-500
368. AN OAK SERVING TABLE IN 17th CENTURY STYLE, the overhanging rectangular top above an arcade-carved frieze fitted with a drawer, raised on turned columnar legs terminating in blocks and joined by stretchers. 0.76m by 1.54m by 0.45m£400-500
369. A GEORGE III MAHOGANY SHAVING STAND, the shield-form mirror moving on a brass standard above a rectangular top over a frieze drawer raised on square section legs joined by a shelf stretcher, crossbanded in satinwood and string-inlaid throughout. 1.56m by 0.44m by 0.31m£400-500
370. A CHINESE MARBLE-INSET HARDWOOD TABLE, the circular top with beaded rim above a foliate-carved apron raised on tapering square section splayed legs joined by a shelf stretcher and terminating in ball and claw feet. 68cm by 38cm£350-450
371. A PINE-FRAMED ORKNEY ARMCHAIR, the woven (lacking top layers) curved back above a box seat fitted with a drawer. £300-400
372. A GEORGE III STYLE LEATHER-UPHOLSTERED WING CHAIR, with buttoned back above a loose-cushioned seat flanked by scrolled arms, raised on foliate-carved cabriole legs terminating in ball and claw feet. £400-500
373. A PAIR OF EBONISED AND GILTWOOD BLACKAMOOR STANDS, each with rectangular top carved with a swagged apron supported by a turbanned boy holding grapes and a goblet, raised on a leaf and scroll-carved tripod. 0.93m£300-400
374. AN OAK CHEST ON CHEST IN CAROLEAN STYLE, the upper section with two long graduated drawers, the lower with three, raised on massive bun feet. 1.14m by 0.95m by 0.49m£550-750
375. AN EDWARDIAN GLAZED MAHOGANY HANGING CORNER CABINET, with broken arch pediment centred by an urn, above an astragal-glazed door with string inlay. 1.32m by 0.65m by 0.40m£250-350
376. A MAHOGANY EASEL, THIRD QUARTER OF THE 19th CENTURY, with broken arch crest above a pierced balustrade raised on fluted uprights with adjustable shelf. 1.82m£200-300
377. A FRENCH GILT-BRONZE SIX-LIGHT CHANDELIER IN 18th CENTURY STYLE, late 19th century, cast with scrolls and stylised shells, issuing six leaf-cast scrolling arms and candle cups, applied throughout with foliate swags and fitted with fluted glass shades and with leaf-cast gilt-bronze ceiling cap with suspension hook. Electrified. Exc. original silk cord 78cm£400-600
378. A GOOD GEORGE III STYLE CUT-GLASS TWELVE-LIGHT CHANDELIER, the scrolling candlearms issuing from a baluster standard, elaborately cut throughout and hung with prismatic drops, with brass ceiling suspension cap and brass chain. 0.97m (exc. chain)£600-800
379. A SET OF THREE TWO-LIGHT GILT-METAL WALL LIGHTS, each with ribbon-tied backplate issuing fluted scrolling arms terminating in leaf-cast cups. 40cm£120-180
380. A PAIR OF REGENCE STYLE GILT-BRONZE THREE-LIGHT GIRANDOLES, each with mask amidst rays surmount above a cartouche-shaped mirror plate issuing fluted leaf-cast scrolling candlearms terminating in baluster candle cups, and with (probably associated) fluted glass shades. 48cm£250-350
381. A PAIR OF GEORGE III STYLE CUT-GLASS TWO-LIGHT WALL LIGHTS, each with leaf-cut baluster standard issuing scrolling candlearms hung with prismatic drops and with a pointed finial surmount. 57cm£300-400
382. GILT-BRASS AND CUT-GLASS BASKET-FORM CHANDELIER, the frame suspending bands of graduated faceted drops, suspended from a gilt chain with leaf-cast hook-mounted ceiling plate. Excluding fitting 0.49m£100-150
383. AN EARLY 19th CENTURY CRADLE, with scroll-carved rockers and arched hood. 92cm£80-120
384. EDWARDIAN BRASS AND CAST IRON MUSIC STAND, the adjustable easel bearing maker's label Carters Ltd London, moving on a brass standard, raised on a cast iron base. £100-150
385. VICTORIAN AESTHETIC PERIOD MAHOGANY VELVET UPHOLSTERED SOFA, with baluster turned urn-topped and arched crest rail above an upholstered back and seat, flanked by down-scrolled arms and raised on baluster turned legs, with original stamped velvet, tassled and bullion fringed upholstery. Length 1.48m£250-350
386. ART NOUVEAU INLAID MAHOGANY AND STAINED GLASS VITRINE CABINET, the rectangular top with pierced shaped gallery inlaid with stylised floral scrolling motifs, above a pair of moulded and stained glass leaded doors, within a case further enriched with Art Nouveau whiplash foliage, raised on square-section legs terminating in square stepped feet. 1.66m by 1.06m by 0.34m£300-400
387. MAPLE & CO INLAID OAK MIRROR-FRONTED WARDROBE, c.1910, the plain rectangular door flanked by arched panels each inlaid with an Art Nouveau flower, raised on a plain plinth. 2.01m by 1.05m by 0.48m £200-300
388. 19th CENTURY GILTWOOD PIER GLASS, with ball cavetto pediment, the plate flanked by columns. 56cm by 45cm£50-70
389. GEORGE III MAHOGANY FRETWORK MIRROR, the plate within a cushion-moulded slip. 88cm by 49cm £60-80
390. EARLY 19th CENTURY SCOTTISH PITCH PINE DOME-TOPPED KIST, with single panel front, stiles continuing to block feet, with incised geometric decoration. 0.94 by 1.18m by 0.74£300-500
391. A GEORGE III STYLE MAHOGANY CORNER CHAIR, with a pair of pierced leaf-carved splats above a drop-in seat, raised on cabriole legs terminating in ball and claw feet. £150-200
392. A MID-19th CENTURY INLAID BURR WALNUT MUSIC CABINET, the rectangular top with cut-off corners mounted with a pierced brass gallery and decorated with geometric string inlay, above a glazed door flanked by canted corners, raised on bracket feet moving on castors. 1.02m by 0.56m by 0.38m£200-300
393. GEORGE III STYLE MAHOGANY SILVER TABLE, the moulded rectangular top above a frieze carved with blind fretwork, raised on square-section channelled legs, joined by a pierced x-form stretcher. 0.72m by 0.76m by 0.53m£150-250
394. LARGE GEORGE III STYLE LEATHER-INSET MAHOGANY WRITING TABLE, early 20th century, the shaped rectangular top with central bowed drawer flanked by deep drawers, raised on shell-carved cabriole legs terminating in ball and claw feet. 0.78m by 1.28m by 0.66m£500-700
395. GOLDEN OAK BOX SETTLE, EARLY 20th CENTURY, the twin-panelled back with scroll-carved crest above a hinged plank seat flanked by down-scrolled arms terminating in lion masks, carved throughout with stylised foliage and lunettes. 1.04m by 1.22m by 0.62m£400-600
396. A LATE 17th/EARLY 18th CENTURY OAK REFECTORY TABLE, of narrow proportions, the plank top raised on columnar legs terminating in blocks joined by an H-form stretcher. 0.77m by 1.88m by 0.60m£500-700
397. LATE 17th CENTURY OAK HIGH-BACK CHAIR, the slatted back with scoll-carved crest rail between baluster uprights over a plank seat, raised on baluster and block legs joined by a shaped stretcher.£120-180
398. LATE 17th CENTURY OAK AND CANEWORK HIGH-BACK CHAIR, the canework splat beneath a scroll-carved crest flanked by urn-topped block and baluster uprights over a canework seat, raised on turned baluster and block legs joined by a scroll-carved stretcher.£120-180
399. 18th CENTURY OAK LANCASHIRE SPINDLE BACK OPEN ARMCHAIR, the back composed of three rows of baluster spindles between circular section uprights, over a rush seat flanked by outswept arms, raised on circular section legs joined by a turned stretcher terminating in pad feet.£120-180
400. 18th CENTURY OAK MULE CHEST, the hinged lid above a four ogee arch panelled front, over a pair of drawers flanking a short drawer, with panelled sides and back and brass escutcheon. 0.91m by 1.51m by 0.55m£300-400
401. A PAIR OF 19th CENTURY GILT COMPOSITION MIRRORS IN THE ROCOCO TASTE, each bevelled rectangular mirror plate within a frame moulded with foliage and c-scrolls, with pierced rocaille surmount and pendant. 69cm by 36cm£400-600
402. A GEORGE III MAHOGANY DINING CHAIR, OF "CHIPPENDALE" DESIGN, with scroll-carved cabriole legs terminating in faceted pad feet. £100-150
403. A GEORGE I "RED WALNUT"/MAHOGANY DINING CHAIR, with yoke crest rail above a pierced waisted splat and drop-in seat, raised on cabriole legs terminating in trifurcated pad feet. £100-150
404. TWO EARLY 18th CENTURY WALNUT DINING CHAIRS, the first with vasiform splat above a drop-in seat, raised on scroll-carved cabriole legs terminating in pad feet; the second also with vasiform splat above a drop-in seat raised on shell-carved cabriole legs joined by turned and block stretchers, terminating in pad feet. (2)£100-150
405. A LATE 18th CENTURY MAHOGANY FAN-BACK DINING CHAIR, ATTRIBUTED TO GILLOWS OF LANCASTER, with arched top and waisted four-pierced splat with distinctive chamfered rear legs and channelled/fluted front legs, joined by stretchers.
Note: For discussion and illustrations of distinctive chamfering to back legs and plain fan back, see Susan E. Stuart, "Gillows of Lancaster and London 1730-1840", Vol. 1, pp 152-153, pub. Antique Collectors Club 2008
£100-150
406. GEORGE III MAHOGANY WRITING/SIDE TABLE, the moulded rectangular top above a long frieze drawer over a recess flanked by two short drawers, raised on square-section tapering legs, 0.74m by 0.91m by 0.54m£250-350
407. VICTORIAN AESTHETIC PERIOD EBONISED WRITING TABLE, the rectangular leather-inset top above two frieze drawers, raised on trestles formed by paired turned legs on arched supports joined by a turned stretcher, with characteristic incised decoration throughout, bears maker's label Blyth & Sons, Chiswell Street, London. 0.76m by 1.06m by 0.56m£250-350
408. A 19th CENTURY MAHOGANY OCCASIONAL TABLE, the circular top raised on a spirally turned standard supported on a stepped circular base. 62cm by 38cm£60-90
409. EARLY 19th CENTURY OAK COUNTRY OPEN ARMCHAIR, with turned splat above a plank seat flanked by down-scrolled arms, raised on block legs joined by stretchers. £70-90
410. MAHOGANY BERGERE SUITE, c.1930, with canework backs and sides, each piece of scrolling outline and raised on castors. Length of sofa 1.44m£200-300
411. CARVED OAK DRESSER BASE, composed of 18th century and later elements, the inverted breakfront top with attractive rich colour above guilloche-carved drawer over a panelled door carved with a serpent, flanked by three graduated drawers, each centred by a foliate roundel and raised on massive bun feet. 0.92m by 1.91m by 0.55m£300-500
412. A PAIR OF GILT-BRONZE SINGLE SCONCES, each with gadrooned candle cup supported on a scrolling arm cast with grapes and vines and issuing from a stylised leaf-cast backplate. Length 28cm£50-70
413. A PAIR OF TWO-LIGHT GILT-BRONZE WALL LIGHTS, each scrolling arm cast with a female bust and issuing from an arrow backplate. Height 30cm£50-70
414. A LARGE 19th CENTURY MAHOGANY STOOL, the stuffed over seat raised on knopped baluster legs. 0.42m by 0.91m by 0.57m£100-150
415. WARING & GILLOW LEATHER-INSET OAK DESK, early 20th century, the rectangular top above a central drawer flanked by two drawers to each side, raised on turned and block legs joined by stretchers, terminating in pad feet, with maker's label and lock also stamped Waring & Gillow. 0.75m by 1.22m by 0.69m£350-450
416. NEWLYN COPPER SLANT-FRONT COAL BOX, IN THE MANNER OF JOHN PEARSON, the hinged flap repousse with a Viking longboat, apparently unmarked.£80-120
417. EDWARDIAN SATINWOOD CROSS-BANDED MAHOGANY TOILET MIRROR, the oval plate above a serpentine-fronted platform fitted with three drawers, raised on ogee bracket feet. 58cm by 46cm£80-120
418. ARTS & CRAFTS GOLDEN OAK LIVERY CUPBOARD, c.1910, possibly Harris Lebus, with moulded rectangular top above four long fielded panelled drawers with wrought iron pulls and escutcheons, above a pair of panelled doors with wrought iron strap hinges, the sides similarly panelled and raised on a moulded plinth. 1.47m by 1.07m by 0.50m£350-450
419. EDWARDIAN OAK REVOLVING BOOKCASE, with moulded top above slatted sides enclosing two shelves applied with ivorine numbered labels, mounted with an adjustable reading slide, moving on castors, (lacking divisions). 0.90m by 0.56m£200-300
420. 19th CENTURY MAHOGANY SCROLL-BACK NURSING CHAIR, with bowed seat, raised on cabriole legs.£80-120
421. A MID-19th CENTURY OAK SECRETAIRE CHEST, the fall front opening to reveal a fitted interior with turned ebonised handles, above three long drawers, raised on turned feet. 1.17m by 1.13m by 0.42m£200-300
422. A GEORGE III OAK CHEST OF DRAWERS, the moulded rectangular top above two short and three long cockbeaded, graduated drawers, raised on bracket feet. 0.95m by 0.98m by 0.52m£200-300
423. A LATE 18th CENTURY OAK MULE CHEST, the hinged rectangular top above two short and one long dummy drawers over two long drawers, raised on ogee bracket feet. 1.05m by 1.06m by 0.51m£200-300
424. GEORGE III MAHOGANY CHEST OF DRAWERS, the moulded rectangular top above two short and three long cockbeaded graduated drawers, raised on bracket feet. 0.92m by 1.05m by 0.56m£200-300
425. MID VICTORIAN MAHOGANY SIDEBOARD, the quarter veneered scrolling backboard centred by a foliate crest, the inverted breakfront serpentine top fitted with a frieze drawer above a pair of panelled doors flanked by further doors, one enclosing slides, the other a deep drawer. 1.55m by 1.80m by 0.60m£300-500
426. EDWARDIAN INLAID MAHOGANY STANDING CORNER CUPBOARD, with swan-neck pediment above an astragal glazed door, over a panelled door inlaid with a patera, raised on bracket feet. 2.06m by 0.69m by 0.41m£200-300
427. MAHOGANY CASED WALKER & HALL CANTEEN OF BONE-HANDLED CUTLERY, twelve place settings, the tray above two drawers, virtually complete, the case in 18th century style, with 1925 presentation inscription.£120-180
428. GEORGE III STYLE ROSEWOOD CROSS-BANDED MAHOGANY DINING SUITE, COMPRISING TWIN-PEDESTAL TABLE, TEN CHAIRS AND SIDEBOARD, the table with rounded ends and one leaf, raised on twin pedestals, each with fluted standard and wheatsheaf and pendant bellflower carved tripod legs terminating in brass paw feet moving on castors; the ten chairs (including two carvers) of Hepplewhite shield-back design, the backs centred by a swagged urn issuing wheatsheaf above a bowed seat, upholstered in watered silk, raised on on square section tapering fluted legs terminating in spade feet; the sideboard of serpentine form, centred by a bowed drawer above a serpentine frieze drawer carved with fluting, ribbon-tied wheatsheaf and acanthus, flanked by concave cupboard doors, one enclosing a bottle slide, all raised on tapering fluted legs terminating in spade feet. Table (extended) 2.63m, sideboard 0.91m by 1.91m by 0.65m£3000-4000
429. EDWARDIAN STEEL FENDER, of serpentine form, decorated with bands of beading, bosses and pierced panels. Length 1.61m, depth 0.50m£100-150
430. LATE 19th CENTURY BRASS FENDER, with twin reeded bands. Length 1.29m, depth 0.25m£70-90
431. VICTORIAN BURR WALNUT AND BRASS INLAID VANITY CASE, c.1860, the hinged rectangular lid opening to reveal a blue velvet lined interior with engraved brass hinges and lockplates. 14cm by 27.5cm by 20cm£60-80
432. A GEORGE III OAK TILT-TOP TRIPOD TABLE, early 19th century, the square top with rounded corners above a baluster standard raised on downturned legs. 74cm by 84cm square£200-300
433. PAIR OF LOUIS XV STYLE BEECHWOOD FAUTEUILS, EARLY 20th CENTURY, each with arched upholstered back above a bowed loose cushion seat flanked by down-scrolled arms, raised on short cabriole legs.£100-200
434. FLEMISH BAROQUE STYLE MIRROR, LATE 19th CENTURY, the central bevelled rectangular plate within a mirrored frame with elaborately cast brass mounts. 18cm by 32cm£100-150
435. AESTHETIC BRASS TWO-LIGHT WALL SCONCE, c.1880, the rectangular backplate chased with sunflowers and fruiting vine, issuing a pair of branches. 36cm by 20cm£80-120
436. 19th CENTURY PATINATED BRASS MIRROR, the oval plate within a frame cast with scrolling foliage, masks and a putto. 59cm£80-120
437. A VICTORIAN SPOON BACK NURSING CHAIR, with original needlework upholstery, raised on turned legs moving on castors. £80-100
438. A VINTAGE LEATHER TRUNK, fitted with copper rivets and with original retailer's label to interior, "Hope Bros. Ludgate Hill, London". 93cm by 49cm£100-120
439. A 19th CENTURY BRASS-MOUNTED STAINED GLASS HALL LANTERN, of oblong form, the four leaded multi-coloured panels each centred by a star-cut clear glass panel, suspended from scrolling arms. 77cm£250-350
440. AN EDWARDIAN BRASS THREE-LIGHT CHANDELIER, cast with foliage and with three downscrolled arms terminating in frosted shades. 66cm£180-250
441. A LATE VICTORIAN BRASS THREE-LIGHT CHANDELIER, with ribbon-tied ceiling plate above a spirally turned standard with arrow band issuing leaf-capped downscrolled arms terminating in frosted moulded shades. 71cm£200-300
442. AN EARLY 20th CENTURY OAK SETTEE, possibly American, with spindle back above an upholstered seat flanked by scrolling arms, raised on turned tapering legs joined by stretchers. 1.00m£100-150
443. 19th CENTURY WALNUT AND NEEDLEWORK FOOTSTOOL, raised on three flattened and gadrooned bun feet. Diameter 30cm£40-60
444. SMALL EDWARDIAN UPHOLSTERED SETTEE, deep-buttoned, raised on string-inlaid square-section tapering legs terminating in spade feet. 1.48m£200-300
445. A VICTORIAN SPOON-BACK NURSING CHAIR, raised on turned legs moving on castors. £60-90
446. A LATE 19th CENTURY OAK HALL CHAIR OF SGABELLO TYPE, with mask-carved crest above a scroll-carved back centred by an armorial, the seat raised on similarly carved trestles. £80-100
447. SET OF SIX VICTORIAN OAK DINING CHAIRS, each with arched crest above a carved back over a plank seat raised on turned legs joined by stretchers. £120-180
448. A LATE 17th CENTURY OAK SIDE CUPBOARD, with rectangular top (fitted with a later plate stand), above a frieze drawer over a pair of fielded panelled doors, raised on block feet. 0.90m by 1.01m by 0.50m£300-400
449. GEORGE III OAK SIDE TABLE, the moulded rectangular top over a single drawer above an apron, raised on tapering legs terminating in pad feet. 0.71m by 0.74 by 0.49m£250-350
450. REGENCY MAHOGANY CHEST OF DRAWERS, the rectangular top above two short and three long cockbeaded graduated drawers, raised on bracket feet. 0.98m by 0.96m by 0.50m£250-350
451. LOUIS XV STYLE NEEDLEWORK UPHOLSTERED FAUTEUIL, 20th century, with cartouche back above a bowed seat, raised on cabriole legs.£80-120
452. 19th CENTURY EBONISED BENTWOOD CHILDS ROCKER.£50-70
453. A 19th CENTURY ASH AND ELM LATH-BACK WINDSOR ARMCHAIR, of characteristic form, with ring-turned splayed legs joined by stretchers. £100-150
454. AN EARLY 19th CENTURY OAK TRIPOD TABLE, the circular top above a ring-turned standard, raised on downturned legs. 75cm by 46cm£80-120
455. 19th CENTURY MAHOGANY WRITING SLOPE, with galleried top above a hinged slant front, opening to reveal an interior fitted with drawers and compartments. 0.15m by 0.57m by 0.45m£80-120
456. PAIR OF WILLIAM IV ROSEWOOD LIBRARY CHAIRS, each with spoon-back above pierced vasiform splats, with stuffed over seat flanked by boldly down-scrolled arms, raised on baluster turned legs, (possibly reduced in height, probably lacking castors).£150-200
457. LARGE 18th CENTURY OAK COFFER, the moulded hinged rectangular top above a four-panelled case, over two frieze drawers, with stiles continuing to block feet. 0.73m by 1.72m by 0.54m£150-250
458. EDWARDIAN INLAID MAHOGANY DRAWING ROOM SUITE, comprising sofa and a pair of bergere armchairs, each piece decorated with boxwood stringing and raised on tapering square-section legs. Length of sofa 1.13m£250-350
459. 19th CENTURY INLAID AND PART EBONISED LOO TABLE, the oval top centred by a foliate inlaid cartouche and with ebonised rim, raised on a baluster standard issuing four hipped leaf-carved downswept legs terminating in castors. 0.70m by 1.17m by 0.92m£100-150
460. GEORGE III STRING-INLAID MAHOGANY DEMILUNE FOLDOVER TEA TABLE, c.1800, with plain frieze, raised on square-section tapering legs terminating in pad feet. 0.74m by 0.46m (closed)£300-400
461. EDWARDIAN INLAID MAHOGANY VITRINE CABINET, the top with a trellised brass gallery above an astragal glazed door flanked by canted glazed side, raised on turned legs over blocks joined by a shelf stretcher and raised on block feet. 1.42m by 0.98m by 0.35£200-300
462. MID-VICTORIAN MAHOGANY CHIFFONIER, the moulded boldly projecting top above two frieze drawers (one with maker's stamp R.Robson Newcastle), above three fielded panelled doors enclosing a shelved interior and raised on a plinth base. 0.99m by 1.38m by 0.48m£250-350
463. ROBERT "MOUSEMAN" THOMPSON OAK ASHTRAY, with carved mouse signature. 10.5cm by 7.5cm£40-50
464. ROBERT "MOUSEMAN" THOMPSON OAK FRUIT BOWL, hand-tooled inside and out, with carved mouse signature to the well, c.1980, good colour. Diameter 29cm£180-250
465. PAIR OF YORKSHIRE OAK THREE-LIGHT CEILING FIXTURES, BY ALAN GRAINGER OF ACORN INDUSTRIES, each with wrought iron hanging chain and carved recessed acorn signature.£180-250
466. ARTS & CRAFTS OAK BUREAU BOOKCASE, the flat cornice above a pair of lead-glazed coloured panelled doors over a recess, above a fall-front, enclosing an arrangement of pigeon holes, over two open shelves, raised on trestle feet. 1.83m by 0.65m by 0.36m (at the feet)£180-250
467. ROBERT "MOUSEMAN" THOMPSON OAK 6' DINING TABLE AND EIGHT CHAIRS, c.1970, the table with a three plank adzed top raised on a trestle base with faceted baluster uprights joined by an adzed stretcher, with carved mouse signature; the chairs with lattice backs and raised upon faceted baluster legs terminating in blocks joined by stretchers, each with carved mouse signature. Table 0.73m by 1.82m by 0.87m
£6000-8000
468. ARTS & CRAFTS LIBERTY STYLE OAK AND TILE-TOPPED OCCASIONAL TABLE, the square top enclosing a grid of twenty-five green-glazed tiles above a stylistically pierced apron, raised on square-section tapering legs terminating in square pads. 0.75m by 0.50m by 0.50m£120-180
469. ARTS & CRAFTS OAK OCCASIONAL TABLE, the square moulded top above a frieze with stylised cut-outs, raised on chamfered tapering legs joined by a shelf stretcher. 0.96m by 0.44m by 0.44m£120-180
470. ROBERT "MOUSEMAN" THOMPSON OAK MONK'S CHAIR, c.1970/80, the shaped arms and curved back rail enclosing three lattice panels interspersed by faceted balusters, above a square tacked leather seat, raised on faceted baluster legs joined by an x-form stretcher, with carved mouse signature.
Provenance: Originally made for Austin Reed.£1000-1500
471. ROBERT "MOUSEMAN" THOMPSON OAK STANDARD LAMP, the faceted tapering standard continuing to an octagonal stepped base, with carved mouse signature. Including fitting 1.45m£450-550
472. COLIN "BEAVERMAN" ALMACK OAK COFFEE TABLE, the octagonal top above a cruciform standard continuing to a platform base, with carved beaver signature. 0.43m by 0.51m by 0.51m£250-350
473. ARTS & CRAFTS OAK FENDER, with copper back and of pegged construction. External 1.29m by 0.37m, internal 1.12m by 0.28m£60-80
474. EARLY ROBERT "MOUSEMAN" THOMPSON OAK FENDER, c.1925, adzed and with superb patina, with carved mouse signature. External 1.30m by 0.30m, internal 1.17m by 0.23m£300-400
475. ROBERT "MOUSEMAN" THOMPSON OAK TEA TRAY, c.1940/50, of rectangular form with low gallery, adzed, twin carved mouse signatures forming carrying handles. 55.5cm (over handles) by 35cm£200-300
476. YORKSHIRE OAK 6'6" DINING TABLE, the fox tongue jointed three plank top raised on a trestle base with faceted balusters joined by a stretcher, adzed throughout. 0.80m by 1.98m by 0.77m£300-500
477. SET OF SIX YORKSHIRE OAK DINING CHAIRS, each with slat-back above a leather upholstered seat, raised on faceted turned and block legs joined by stretchers.£200-300
478. YORKSHIRE OAK SINGLE BEDSTEAD, the three-planked headboard decorated with wrought iron "nail heads" between block uprights, the simple footboard of block design, joined by cast iron rails. Headboard 1.04m by 0.91£80-120
479. YORKSHIRE OAK DRESSER AND RACK, the rack with planked back and stepped cornice with scroll-carved apron, the base with rectangular top over two drawers above an apron carved with Yorkshire roses, raised on faceted balusters terminating in blocks joined by a scroll-carved shelf stretcher. 1.86m by 1.10m by 0.48m£300-400
480. ROBERT "MOUSEMAN" THOMPSON OAK ASHTRAY, c.1970's, of characteristic form, with carved mouse signature. 10cm£30-50
481. PAIR OF ROBERT "MOUSEMAN" THOMPSON OAK BOOKENDS, c.1970's, each of characteristic concave form, with carved mouse signature, adzed. Height 14.5cm£120-180
482. ROBERT "MOUSEMAN" THOMPSON OAK BOOK TROUGH, c.1970's, of characteristic form, with carved mouse signature, adzed. Length 45.5cm£100-150
483. ROBERT "MOUSEMAN" THOMPSON OAK 4'6" BREAKFAST TABLE, c.1960's, the fox-tongue jointed four plank rectangular top raised on a trestle base with faceted baluster legs joined by a stretcher, table top and stretcher adzed, with carved mouse signature. 0.72m by 1.36m by 0.86m £800-1200
484. SET OF FOUR ROBERT "MOUSEMAN" THOMPSON OAK DINING CHAIRS INCLUDING TWO CARVERS, c.1960/70, each with lattice back panels over an upholstered seat, raised on faceted baluster legs joined by stretchers, terminating in blocks, each with carved mouse signature.£800-1200
485. ROBERT "MOUSEMAN" THOMPSON OAK DINNER WAGON, c.1970's, with twin shelves supported by square section uprights continuing to castors, with carved mouse signature. 0.73m by 0.85m by 0.39m£200-400
486. ROBERT "MOUSEMAN" THOMPSON OAK OCTAGONAL OCCASIONAL TABLE, third quarter of the 20th century, the adzed top raised on a quad-form standard and conforming platform base, with carved mouse signature. 0.47m by 0.51m by 0.51m£200-300
487. ROBERT "MOUSEMAN" THOMPSON OAK 5' SIDEBOARD, c.1960/70, the rectangular top with canted corners above three graduated drawers fitted with turned pulls, flanked by a pair of four-panelled doors fitted with Arts & Crafts style iron latches and hinges, with panelled sides and back, raised on faceted blocks, adzed, with carved mouse signature. 0.82m by 1.52m by 0.37m£1500-2000
488. NEST OF THREE ROBERT "MOUSEMAN" THOMPSON OAK OCCASIONAL TABLES, c.1970, the rectangular tops raised on faceted legs terminating in blocks joined by stretchers, each with a carved small mouse signature. Largest 0.50m by 0.45m by 0.35m£400-600
489. ROBERT "MOUSEMAN" THOMPSON OAK TELEPHONE SEAT, c.1970's, the three plank seat raised on stile ends, with carved mouse signature, adzed to all visible surfaces. 1.00m by 0.34m£500-700
490. ROBERT "MOUSEMAN" THOMPSON OAK OPEN BOOKCASE, c.1960/70, the adzed frame enclosing four adjustable shelves, with carved mouse signature. 1.22m by 0.84m by 0.25m£600-900