Unsold Lots from Sale of 12th March 2011 will be available to purchase
for a further five working days. Please contact the office on 01833 690545.
1. AN EDWARDIAN SILVER-MOUNTED ROYAL DOULTON COFFEE SERVICE, Roberts & Belk, Sheffield, 1908, comprising six cups and saucers and six spoons (one saucer lacking), each yellow-glazed cup within a silver sleeve pierced and cast in the Art Nouveau taste, with five silver saucers and six coffee spoons (original), all in a fitted case. £250-350
5. A CLARICE CLIFF BIZARRE BOWL, the circular bowl hand painted with the "Crocus" pattern, black printed factory mark. 9.5cm by 20cm£200-300
6. A LARGE PAIR OF ROYAL DOULTON SLATERS PATENT STONEWARE VASES, of bulbous form with long tapering necks, impressed marks. 41cm
£280-350
7. A DOULTON LAMBETH STONEWARE VASE, BY FLORENCE BARLOW, of shouldered form, tubelined with stylised leaves against a blue/green mottled ground, stamped and incised marks (rim chip). 28cm£80-120
8. A PAIR OF LATE 19th CENTURY CONTINENTAL PORCELAIN FIGURES OF A FARMER'S LAD AND LASS, possibly Austrian, each painted in muted colours and standing on a rockwork base, printed mark "W&R" (possibly late 19th century importers Wittman & Roth?), and impressed letters and numerals. 34cm£150-200
10. A JAMES MACINTYRE FLORIAN WARE "CORNFLOWER" PATTERN TEAPOT, DESIGNED BY WILLIAM MOORCROFT, stylistically tubelined and handpainted, brown printed factory mark. 13cm£200-300
11. A MOORCROFT POTTERY LIMITED EDITION GINGER JAR, "THE TEMPEST", no. 36 of 250, retailed by Thornton of Stratford on Avon, boxed. 15cm£200-300
12. A MOORCROFT POTTERY LIMITED EDITION GINGER JAR, "THE WINTER'S TALE", no. 235 of 250, retailed by Thornton of Stratford on Avon. 15cm£300-400
13. A MOORCROFT POTTERY LIMITED EDITION GINGER JAR, "OPHELIA", no. 244 of 250, retailed by Thornton of Stratford on Avon. 15cm£300-400
14. A MOORCROFT POTTERY LIMITED EDITION "MAYPOLE" PATTERN VASE, designed and decorated by Wendy Mason, no. 40 of 150, boxed. 36cm£500-700
18. AN ELABORATE BOCH FRERES MARBLED CLAY EWER, mid-19th CENTURY, of tapering form, applied in high relief with trailing grapes and vines, in a grey/silver lustre glaze, the base with applied clay label "Boch Freres Medaille d'Or 1847". 35cm£120-180
21. A SET OF THREE RUSKIN POTTERY BUTTONS, each of oval form with a mottled blue/green glaze. 3.5cm
£45-65
25. A PAIR OF ROYAL WORCESTER FRUIT PAINTED PLATES, decorated by Freeman, black printed factory mark. 27cm£1200-1500
27. A SMALL PAIR OF ROYAL WORCESTER FRUIT PAINTED VASES, decorated by Roberts, the tapering bodies with undulating rims, no. G957, date code for 1951, black printed marks. 8.5cm£350-450
28. A ROYAL WORCESTER FRUIT PAINTED PLATE, decorated by Freeman, black printed factory mark. 27cm£600-700
29. A HANDSOME ROYAL WORCESTER FRUIT PAINTED VASE, decorated by English, of two-handled pedestal form, no. 1969, black printed marks. 31cm£2000-2500
30. A PAIR OF ROYAL WORCESTER FRUIT PAINTED PLATES, decorated by Freeman, black printed factory marks. 27cm£1200-1500
31. A ROYAL WORCESTER FRUIT PAINTED GINGER JAR, decorated all round by Cook, no. 2826, black printed marks. 17.5cm£1600-2200
32. A ROYAL WORCESTER FRUIT PAINTED PLATE, decorated by Skerrett, black printed factory mark. 27cm£600-700
33. A ROYAL WORCESTER FRUIT PAINTED VASE, the baluster body decorated all round by Reed, no. 2227, black printed marks. 18.5cm£600-700
34. A ROYAL WORCESTER FRUIT PAINTED PLATE, decorated by Creed, black printed factory mark. 27cm£600-700
35. A FINE ROYAL WORCESTER FRUIT PAINTED TUREEN, COVER AND UNDERPLATE, decorated by English, of oval form, black printed marks. Length across handles 38cm£5500-6500
36. A PAIR OF ROYAL WORCESTER FRUIT PAINTED PLATES, decorated by Freeman, black printed marks. 27cm£1200-1500
37. A PAIR OF ROYAL WORCESTER FRUIT PAINTED GINGER JARS, decorated by Freeman, no. 2826, black printed factory marks. 17.5cm£3800-4500
38. A ROYAL WORCESTER FRUIT PAINTED CABINET PLATE, decorated by Ayrton, of scalloped outline, black printed factory mark. 23cm£350-450
39. A ROYAL WORCESTER FRUIT PAINTED PLAQUE, decorated by Platt, framed, black printed factory mark. Overall 25cm by 32cm£1200-1500
40A. A ROYAL WORCESTER FRUIT PAINTED VASE, boxed and with certificate signed by the artist Fuller, of two-handled pedestal form, no. 1969, black printed marks. 28.5cm£1700-2000
41. A ROYAL WORCESTER FRUIT PAINTED PLATE, decorated by Smith, black printed factory mark. 27cm£600-700
42. A ROYAL WORCESTER FRUIT PAINTED POT POURRI, with lid and pierced cover, decorated all round by Winter, no. 1286, black printed factory mark. 20cm£1200-1500
44. A SMALL PAIR OF ROYAL WORCESTER FRUIT PAINTED VASES, of lobed form, one painted by Reed, the other indistinctly signed, no. 291, black printed marks. 9cm£550-650
45. A ROYAL WORCESTER FRUIT PAINTED PLATE, decorated by Ayrton, black printed factory mark. 27cm£600-700
47. A ROYAL WORCESTER FRUIT PAINTED VASE AND COVER, of slender ovoid form with twin loop handles and pedestal foot, decorated by Lewis, no. 2720, black printed marks. 25cm£900-1200
48. A ROYAL WORCESTER FRUIT PAINTED VASE AND COVER, of tall ovoid form with twin loope handles and pedestal foot, decorated all round by Reed, no. 2710, black printed marks. 32cm£1400-1800
51. A SET OF EIGHT CHINESE POTTERY FIGURES OF IMMORTALS, each decorated in shades of green, brown and yellow and standing on an incised square base, identifying hand-written paper label to each verso. 23.5cm£250-300
54. A CHINESE CELADON-GLAZED SMALL POTTERY BOWL, SUNG DYNASTY, on a later hardwood stand. Diameter 16cm£150-200
64. NO LOT
67. A PAIR OF CHINESE MOTHER-OF-PEARL INLAID GILTWOOD AND POLYCHROME PANELS OF BATTLE SCENES, possibly from a bed or other piece of furniture, each carved in high relief with mounted figures in desperate struggle, within a "frame" inlaid with mother-of-pearl in a fretwork design interspersed with floral sprays. Each 16cm by 35cm£180-250
68. A SET OF THREE CHINESE CARVED GILTWOOD AND POLYCHROME PANELS, possibly from a bed or other piece of furniture, each in high relief depicting dancers and courtly figures, each within a "frame" painted with scrolls and flowers. Each 16cm by 35cm£250-350
69. A PAIR OF CHINESE CARVED POLYCHROME DECORATIVE PANELS, in high relief, highlighted with gilding, one depicting a frieze of dancing figures, the other a battle scene, the background of each inlaid with a pattern of mother-of-pearl. Each 56cm by 15cm£120-180
79. A NORTH-EAST PRESSED GLASS VICTORIA GOLDEN JUBILEE CREAM AND SUGAR BOWL, the pedestal bowl and cylindrical jug moulded with bands of coronet pattern above an inscription. Bowl 14cm by 15cm£40-60
80. A LATE VICTORIAN ETCHED GLASS GIMMEL FLASK, of characteristic form, with applied crimped edges, engraved to one side with a swan amidst rushes and foliage, opposed by an engraved inscription, "James Durey 1893". 24.5cm£90-120
81. A VICTORIAN SATIN GLASS VASE, JOHN DERBYSHIRE, MANCHESTER, the fluted tapering body moulded with swags and pendant grapes, impressed marks and registration diamond for 1876. 15cm£40-60
83. A VICTORIAN CUT-GLASS HIP FLASK, with silver-plated top. 14cm£80-100
84. A 1930'S LEADED COLOURED GLASS PANEL OF A SHIP IN FULL SAIL, rectangular. 42cm by 82cm£80-120
85. A GEORGIAN WINE GLASS, the funnel bowl above an opaque cotton twist stem, on domed foot, (chips to foot rim). 15cm£70-100
86. A 19th CENTURY SUNDERLAND GREEN GLASS DUMP, of torpedo form, with flowerhead inclusion. 11.5cm£70-90
87. A PAIR OF MURANO GOLD-FLECKED OPAQUE GLASS TABLE LAMPS, c. 1950's, of baluster form with domed bases. Excluding fitting 14.5cm£100-150
93. A JOSEPH SANKEY & SON COPPER CHARGER, IN THE ART NOUVEAU TASTE, c. 1900-10, the rim decorated with stylised lotus and hearts, stamped marks. 36cm£60-80
94. A KESWICK SCHOOL OF INDUSTRIAL ARTS COPPER CHAMBERSTICK, with circular base, the well stamped with stylised foliage. 10cm£60-80
96. A PAIR OF WILLIAM IV BRASS CANDLESTICKS BY THOMAS ABBOTT OF BIRMINGHAM, each modelled as an heraldic crane standing on a rocky outcrop supporting foliate-cast drip pans beneath rococo revival nozzles, one stamped "Abbott" to the cast-iron weighted base. 39.5cm£1400-1800
97. A CONTINENTAL BRONZE MORTAR, probably 17th century, cast with bearded masks divided by knopped buttresses. Diameter 11.5cm£150-200
99. ARCHIBALD KNOX FOR LIBERTY & CO: A TUDRIC PEWTER AND GREEN GLASS CORDIAL SET, comprising decanter (no. 0331), six glasses with tapering bowls and tray (no. 0331), stamped marks. Decanter 18cm, tray 41cm by 14cm
£1200-1500
100. A PAIR OF LIBERTY & CO TUDRIC PEWTER VASES, the tapering shouldered bodies cast with stylised motifs, no. 02510, stamped marks. 19.5cm£300-400
103. A PAIR OF GILT-BRONZE TWO LIGHT SCONCES, each with anthemion crest above a foliate-cast backplate issuing from a half-urn with leaf-cast outscrolled arms terminating in fluted candle cups. Height 32.5cm£80-120
104. A VICTORIAN BRASS CHESTNUT ROASTER, the handle with wavy cut-outs and with loop terminal for suspension. 53cm£50-70
106. A PAIR OF 19th CENTURY BRONZE FLATBACK MODELS OF HUNTING DOGS, each on a rockwork base. 17cm £80-120
107. TWO 18th CENTURY BRASS PUSH-UP CANDLESTICKS. Taller 16cm£80-120
110. A HANDSOME PAIR OF THREE-LIGHT SILVER-PLATED CANDELABRA, each with domed foot supporting a faceted, shell-cast, baluster stem issuing a detachable triple branch with four faceted candle cups and detachable drip pans. Height 39.5cm£200-300
117. LOCAL INTEREST: BARNARD CASTLE SCHOOL, A SILVER-PLATED TROPHY, Elkington & Co. of goblet form, with part-gadrooned bowl on baluster stem, applied with the school's coat of arms and engraved with presentation inscription for 1937. 18cm£60-80
122. A FINE GEORGE II SILVER TANKARD, ISAAC COOKSON, NEWCASTLE 1741, unusually incorporating a whistle to the handle, with moulded foot and girdle to a baluster body beneath a domed cover with pierced scroll thumbpiece and applied with a scroll handle and heart-shaped terminal. 19.5cm£3500-4000
141. A SET OF TEN AMERICAN STERLING SILVER SIDE KNIVES, WEIDLICH STERLING SPOON CO., c. 1915-30, with unusually shaped blades and Jensen-inspired terminals, each stamped "sterling" and with maker's mark. 8oz£150-200
143. AN EDWARDIAN SILVER MINIATURE COAL SCUTTLE AND SHOVEL, BIRMINGHAM 1906, of helmet form, with turned handles. Length 6.5cm£15-200
146. AN EDWARDIAN SILVER VESTA CASE, BIRMINGHAM 1904, applied with the coat of arms of the City of Aberdeen in coloured enamels; together with a Victorian lady's silver vesta case, Birmingham 1890. (2) First 5cm, second 3.25cm£100-150
161. A SINGLE STONE DIAMOND RING, the old brilliant-cut diamond weighing 0.5 carats, claw-set between tapering shoulders each set with three circular-cut diamonds. £1000-1500
162. A GARNET AND PEARL RING, c. 1830, the circular mixed-cut garnet in closed back setting within a bezel of half pearls between pierced shoulders set with four circular-cut garnets in claw and collet mounts, between pierced band. £180-220
163. A LATE VICTORIAN ENAMEL AND DIAMOND PENDANT, c. 1890, the enamel flower set with an old brilliant-cut diamond to the centre within a surround of delicate pink enamels, on a tracelink gold chain. £300-400
164. A SINGLE STONE DIAMOND RING, the brilliant-cut diamond estimated to weigh 0.5 carats, claw-set between pierced shoulders. £500-700
165. A THREE-STONE DIAMOND RING, the three brilliant-cut diamonds with a total weight of approximately 1.2 carats, claw-set between shoulders, each set with three small diamonds. £2000-3000
166. A VICTORIAN GARNET, PEARL AND GOLD PENDANT, the pear-cut garnet cabochon collet-set within a ropework border, to an outer surround of fourteen half pearls each in teardrop-shaped mount, half pearl surmount, on an oblong link chain. £300-500
169. A PAIR OF JADEITE EARRINGS, the bell-shaped plaques with pierced decoration on fine link chains with seed pearl highlights. £300-400
172. A FIVE-STONE DIAMOND RING, the round brilliant-cut stones in a stepped setting on a white gold band stamped "14k". £180-250
174. AN OPAL AND DIAMOND CLUSTER RING, the oval white opal within a border of round brilliant-cut diamonds, mounted in platinum on an 18ct yellow gold band stamped "18ct Plat". £150-250
176. A DIAMOND FLOWERHEAD CLUSTER RING, the seven round brilliant-cut diamonds claw-set on an 18ct yellow gold tapering band. Total weight of diamonds approx. 1 carat£500-700
177. A DIAMOND CLUSTER RING, the three emerald-cut diamonds within a border of twelve round brilliant-cut diamonds on an 18ct yellow gold band. Total weight of diamonds approx. 1 carat£500-700
179. A RUBY AND DIAMOND RING, the central oval mixed-cut ruby flanked by two round brilliant-cut rubies spaced by round brilliant-cut diamonds, on an 18ct yellow gold band. £80-120
183. A SINGLE STONE DIAMOND RING, the fancy-cut diamond four-claw set in white gold; together with an 18ct white gold wedding band. (2)£300-400
184. A SINGLE STONE DIAMOND RING, the brilliant-cut diamond set within a two-tone gold band. £100-150
185. A SMOKEY QUARTZ AND DIAMOND RING, the circular mixed-cut smokey quartz within a square bezel set with brilliant-cut diamonds between shoulders set with eight brilliant-cut diamonds. £600-800
186. A DIAMOND PENDANT, modelled as a cross set throughout with brilliant-cut diamonds in 18ct white gold, on a tracelink chain.£400-500
187. A FOUR-STONE DIAMOND RING, the four brilliant-cut diamonds claw set, between pierced shoulders.£350-450
188. A THREE STONE DIAMOND RING, the brilliant-cut diamonds illusion set on a crossover mount with diamond-set shoulders.£300-400
189. AN AQUAMARINE AND DIAMOND RING, the square step-cut aquamarine four-claw set between pierced shoulders each set with three rows of brilliant-cut channel set diamonds. £700-900
191. A DIAMOND BRACELET, the forty princess-cut diamonds in raised box settings in 18ct white gold. £1000-1200
193. A DIAMOND SOLITAIRE RING, the round brilliant-cut stone claw-set on a yellow gold band with fluted shanks, diamond estimated to weigh approximately 0.4 carats. £800-1000
195. A YELLOW SAPPHIRE RING, the mixed-cut sapphire claw-set between two smaller stones£300-500
197. A DIAMOND CLUSTER RING, set with nineteen brilliant-cut diamonds. Total approx. 0.95 carats
£200-300
198. A FIVE STONE DIAMOND RING, the five brilliant-cut diamonds channel set in an 18ct yellow gold band.
£300-400
199. A CHARLES HORNER ART NOUVEAU SILVER AND GREEN ENAMEL PENDANT, 1908. £300-400
203. A 19th CENTURY CAMEO BROOCH, the shell carved as the bust of a Classical Goddess, within a scrolling gilt-metal frame. 5.5cm
£50-70
207. AN ORTHODOX ICON, centred by the figure of Christ surrounded by twelve panels depicting scenes from his life, the corners with panels chased with sympols of the four Apostles, mounted on a pine board. 31.5cm by 22cm£80-120
213. A NAPOLEONIC PRISONER-OF-WAR STRAW WORK CASE, c. 1800, decorated in herringbone patterns and stained in red and green, possibly for spectacles or a necessaire. 10.5cm by 5.8cm£300-400
218. A SET OF FOUR VICTORIAN AESTHETIC MOVEMENT BRASS AND EBONISED WOOD HANDLES, c. 1880, each turned wooden bar with brass ball terminals supported on twin scroll arms issuing from an engraved brass backplate. Length 25cm£120-180
219. AN EARLY 20th CENTURY BUTCHER'S TONGUE AND CORNED BEEF PATENTED SLICING MACHINE, the white-glazed pottery body printed in black, maker's name verso "Nucut Distributing Co. (Derby) Ltd". 23cm£150-250
221. A BRASS FIVE-DRAW POCKET TELESCOPE. Extended 21cm£40-60
224. TREEN: A PAIR OF SALTS, the slightly flared bowls raised on turned pedestal bases. 6cm£70-90
228. A CHOKWE FEMALE DANCE MASK, with canework hair, probably Angola. 29cm£80-120
230. A MASAI HUNTING SPEAR, with leaf-shaped blade, split socket and iron "spatula" terminal to shaft. 1.89m£80-120
233. A PAIR OF 19th CENTURY SILVER FOLDING SUNGLASSES, probably for the Indian Colonial market, the blue-tinted lenses with folding side pieces issuing arms with folding terminals, each arm with stamped marks and initials "M.H.". £280-350
235. AN ECCLES MINER'S LAMP, EAST HETTON COLLIERY, DURHAM, brass and white metal. £80-120
237. A SPERM WHALE TOOTH BOTTLE OPENER, the metal stamped "England", the tooth "Made in England". 11cm
£40-60
240. A PATINATED BRONZE MODEL OF A BULL, on a marble plinth. 32cm by 48cm£250-350
241. MRS. ROSE DEARING (BRITISH, LATE 19th/20th CENTURY), JESUS AND JOSEPH, stoneware, impressed signature and indistinct date. Height 42cm£200-300
242. A CARVED GILTWOOD AND POLYCHROME FIGURE OF CHRIST, ITALIAN, LATE 16th/17th CENTURY, in cloak and loin cloth. 42cm£600-800
243. A CONTINENTAL CARVED POLYCHROME FIGURE OF A SAINT, 17th CENTURY, standing in draped robes with arms crossed across his chest. 71cm£600-800
245. ROBERT MORDEN, AN ENGRAVED MAP OF DURHAM, sold by Abel Swale, Awnsham & John Churchill, hand-coloured, framed. 38cm by 44cm £80-120
252. AN 18th/EARLY 19th CENTURY ETCHING, "FRAGMENT OF THESEUS", mounted, unframed. Platemark 8cm by 5.5cm£30-50
255. JOHN RENNIE MACKENZIE HOUSTON, R.S.W., (fl. 1856-1932), GATHERING CORN, watercolour, signed lower left, framed. 24.5cm by 34.5cm£200-300
256. PAUL MARNY, (1829-1914), FRENCH COASTAL TOWN, signed lower left, watercolour, framed. 29.5cm by 45cm
£180-250
257. WALTER WALLOR CAFFYN (1845-1898), THATCHED COTTAGES AT HINDHEAD, signed lower right, oil on canvas, framed. 39cm by 59cm£500-700
259. THOMAS RICHARD COLMAN DIBDIN (1810-1893), "AMIENS", signed lower left and dated 1877, watercolour, framed under glass. 54cm by 37cm£500-700
278. A PAIR OF CONTINENTAL SKETCHES OF INTERIORS, 19th CENTURY, one a bedroom, the other a drawing room, pencil on paper, framed. 11cm by 18cm and 14.5cm by 18cm£60-90
283. JAMES DIGMAN WINGFIELD (1800-72), "THE TERRACE, COBHAM, KENT", oil on board, label verso, framed. 26cm by 39.5cm£1200-1800
284. WILLIAM MELLOR (1851-1931), WOODLAND WATERFALL, signed lower right, oil on canvas, in a gilt-composition frame. 44cm by 34cm£1800-2500
285. ATTRIBUTED TO JOHN JOSEPH HUGHES (fl. 1838-1867), FIGURES BY A CART ON A COUNTRY ROAD, A STEAMER IN THE DISTANCE, oil on panel, in a gilt composition frame. 32cm by 48cm£400-600
286. GEORGINA E.W. OFFORD (fl.1900-1926), A STILL LIFE OF SWEET PEAS, signed lower left, watercolour, in an oak frame. 32cm by 46cm£60-80
287. WILLIAM NOEL JOHNSON (fl. LATE 19th CENTURY), A ROCKY COVE IN SUMMERTIME, signed lower right, inscribed to old paper label verso, watercolour, in original leaf-moulded gilt frame with gilt wooden slip. 36cm by 53cm
£250-350
288. JOHN ATKINSON (1863-1924), WHITBY HARBOUR, signed lower right, watercolour, framed. 24.5cm by 34cm
£1200-1800
289. DAVID THOMAS ROBERTSON (1879-1952), COWS IN A PASTURE, signed lower left, watercolour, framed. 24.5cm by 34.5cm
£400-600
291. BRITISH SCHOOL, 20th CENTURY, A GROUP OF GIRLS, signed "Malpass", oil, framed under glass. 48cm by 38cm£500-700
292. ENGLISH SCHOOL, 20th CENTURY, "WHIPPET RESTING", signed Henry Percy lower left, oil on board, framed under glass. 19.5cm by 24cm£70-90
293. ENGLISH SCHOOL, 19th CENTURY, FIGURES IN A MOUNTAINOUS LANDSCAPE, indistinctly signed and dated (18?)60, watercolour, in a gilt gesso frame. 20cm by 28cm£150-200
294. RICHARD WEATHERILL (1844-1913), WHITBY, signed lower right, watercolour, framed. 13cm by 21cm£400-500
295. GEORGE HENRY JENKINS (1843-1914), "PLYMOUTH TRAWLERS - NEAR THE EDDYSTONE", signed lower left and inscribed to the mount, watercolour, in a gilt frame under glass. 24.5cm by 42cm£300-500
297. GRAHAM WILLIAMS (BRITISH, 1895-1950), "CRUMMOCK WATER", signed lower right, oil on canvas, paper label verso, in a gilt-composition frame. 50cm by 75cm£200-300
300. WILLIAM HARTLEY WADDINGTON (1883-1961), TWO FIGURES ON A COUNTRY BRIDGE, signed lower left and dated 1933, oil on board, framed. 50cm by 60cm£100-150
302. 20th CENTURY SCHOOL, STILL LIFE OF TULIPS IN A VASE, signed "H.P. Watson" lower left, oil on canvas, in a gilt-composition frame. 39cm by 50cm£100-150
305. MANNER OF CHARLES NAPIER HEMY (1841-1917), FISHING SMACK IN THE SWELL, oil on board, in a gilt-composition frame. 43cm by 57cm£200-300
306. ATTRIBUTED TO HENRY GASTINEAU (c.1791-1876), FIGURES ON A BRIDGE, unsigned, watercolour, framed. 19cm by 28cm£60-90
308. 19th CENTURY SCHOOL, SPINNING A YARN, watercolour, framed. 30cm by 24cm£40-60
311. FREDERICK GOODALL (1822-1904), A MIDDLE EASTERN PLOUGHING SCENE, oil on canvas, signed with a monogram and dated 1878 lower right, framed. 55cm by 150cm£3500-4500
312. CHARLES PETER NEILSON, FIGURES IN THE STREET, CAWSAND, CORNWALL, watercolour, signed lower right, framed. 29cm by 22cm £40-60
317. 17th CENTURY SCHOOL, A SAINT, oval, oil on a circular oak panel, in a period frame. 13cm by 11cm£350-450
318. FRANK WATSON WOOD (1862-1953), BATTLESHIPS, watercolour, signed and dated 1907 lower left, framed. 37cm by 62cm£350-450
320. CONTINENTAL SCHOOL, 18th/19th CENTURY, CHRIST BEING LED TO THE CROSS, oil on panel, framed. 44cm by 33cm£250-350
322. ABRAHAM HULK JUNIOR (1851-1922), "THE RUMBLING BRIDGE, NEAR STIRLING", signed lower right, inscribed verso, oil on canvas, in a gilt-composition frame. 49cm by 39cm£400-600
323. JOHN BLAKEY (BRITISH, 20th CENTURY), PORTRAIT OF FRED TRUEMAN, oil on canvas, unframed. 76cm by 60cm£500-700
324. SIR JOHN ROGERS, K.C.M.G. (EARLY 20th CENTURY), "ARAB FUNERAL IN THE FARRUM", signed lower right, watercolour, old exhibition label verso, framed under glass. 36cm by 51cm£150-200
325. GIANNI (ITALIAN, LATE 19th/EARLY 20th CENTURY), A VIEW OF VENICE ACROSS THE LAGOON, signed lower right, watercolour, framed under glass. 30cm by 48cm£300-400
327. ROBERTO RAIMONDI (1877-1961), A CARDINAL AND A GENTLEMAN PLAYING CHESS, indistinctly signed and inscribed lower right, watercolour, framed under glass. 53cm by 36cm£500-700
329. ABEL HOLD (1815-1891), STILL LIFE OF FRUIT, signed lower left and dated 1885, oil on canvas, framed. 34cm by 44cm£700-900
330. ITALIAN DIVISIONIST SCHOOL, EARLY 20th CENTURY, VILLA IN A VINEYARD, oil on canvas, framed. 49.5cm by 65cm£1600-2400
332. DONALD WOOD (20th CENTURY), SHIRE HORSE WATERING, oil on board, signed verso, in a gilt-composition frame. 29.5cm by 40cm£200-300
333. AMERICAN SCHOOL, 19th CENTURY, PINES BY MOONLIGHT, oil on canvas, in a gilt-composition frame. 49cm by 59cm£450-650
334. ITALIAN SCHOOL, LATE 19th CENTURY, THE FISH MARKET, oil on board, framed. 58cm by 79cm£800-1200
335. CONTINENTAL SCHOOL, STILL LIFE OF FLOWERS, in the Dutch 18th century manner, oil on board, with paper label verso dated 1948, in a gilt-composition frame. 60cm by 50cm£600-800
336. FREDERICK WILLIAM BOOTY (1840-1924), A VIEW OF RICHMOND CASTLE, signed lower right and dated 1912, watercolour, framed. 47cm by 70cm£400-500
337. FRENCH SCHOOL, EARLY 19th CENTURY, FIGURES ENCAMPED IN A WOODLAND CLEARING, a large decorative watercolour, on paper, in a plain giltwood frame. 87cm by 64cm£500-700
338. FRENCH SCHOOL, EARLY 19th CENTURY, AN AVENUE WITH BALUSTRADE, large decorative watercolour on paper, in a plain giltwood frame. 72cm by 58cm£600-800
340. FRENCH SCHOOL, 18th CENTURY, HARBOUR SCENES, A PAIR OF OILS, on canvas, framed. Each 48cm by 69cm£1200-1800
341. ENGLISH SCHOOL, 18th CENTURY, PORTRAIT OF A LADY IN A PEARL NECKLACE, oil on canvas, old paper label verso, "Eleanor, daughter of Sir Michael Bruce, Baronet, of Stenhouse married Thomas Brisbane of Brisbane", in a 19th century gilt-composition frame. 72cm by 60cm£700-1000
342. SALVATI (ITALIAN, 20th CENTURY), BAY OF NAPLES, CAPRI, signed lower right, oil on canvas, framed. 60cm by 90cm£350-450
344. 20th CENTURY SCHOOL, A PAIR OF STILL LIFES, oil on canvas, in gilt-composition frames. 32cm by 40cm
£300-400
346. HENRY GRAHAM (BRITISH, early 20th CENTURY), HIGHLAND CATTLE AT A MOORLAND POND, signed lower left, oil on board, in a gilt composition frame. 30cm by 45cm£80-120
347. GEORGE ANDERSON SHORT (1856-1945), STUDY OF A LURCHER, signed lower left, watercolour, framed under glass. 27cm by 36cm£100-150
355. J.A. STEWART (BRITISH, fl. LATE 19th CENTURY), "REDDING THE LINES", signed lower left, oil on canvas, inscribed with the title verso and dated 1893, framed. 44cm by 34cm£200-300
357. ENGLISH SCHOOL, 19th CENTURY, A WOODLAND WEIR, oil on canvas, in an elaborate gilt composition frame. 51cm by 59cm£200-300
358. JAMES W. FERGUSON (EARLY 20th CENTURY), A WHITEWASHED COTTAGE BY THE SEA, signed lower left, watercolour, framed. 36cm by 25cm£150-200
359. THOMAS LEESON ROWBOTHAM (1823-75), AN ALPINE LAKE, signed lower left and dated 1871, watercolour, framed. 21cm by 58cm£200-300
364. A NORTH COUNTRY HAND-STITCHED PATCHWORK QUILT/COVERLET, c. 1840-60, predominantly in brown chintzes. 2.49m by 2.15m£200-300
365. A "LOG CABIN" QUILT IN RED SQUARES, c. 1860-80. 2.23m by 2.02m£400-600
366. A PINK SATIN DURHAM QUILT, with frilled edge and ivory reverse. 2.70m by 2.15m£180-220
368. A DOUBLE-SIDED DURHAM QUILT, a floral chintz to each side, one with blue/grey ground, the other ivory. 2.26m by 2.05m £200-300
370. A FLORAL AND RED STRIPED QUILT, c. 1890, with plain white reverse. 2.48m by 2.10m£200-300
371. A PINK AND BLUE STRIPED QUILT, with dog-tooth border and plain cream reverse. 2.33m square£300-400
373. A PAIR OF LATE 19TH CENTURY SAMPLERS, each embroidered on a cartouche-shaped linen ground, alphabet and numbers, monogrammed and dated 1898. Each 25cm by 28cm£50-70
376. A BELOUCH RUG, 1.6m by 0.86m£80-120
380. A PERSIAN SAROUK RUG, 2.1m by 1.31m£100-150
382. A WESTERN ANATOLIAN SMALL CARPET, 3.45m by 2.1m£200-300
393. WILLIAM BURTON, KENDAL (c.1724-1786), A THIRTY HOUR OAK LONGCASE CLOCK, c.1725, the hood with projecting cornice above turned columns, enclosing a 10" square brass dial, the plated six pillar movement striking on a bell. 2.12m£700-900
394. ISAAC HADWEN, KENDAL (1722-1737), AN EIGHT DAY OAK LONGCASE CLOCK, c.1730, the caddied hood, carved with a blind fretwork band, enclosing a 11.75" square brass dial, the movement with anchor escapement striking on a bell, the case with long cross-banded door, raised on a plinth. 2.04m£800-1000
395. A FINE FRENCH GILT-BRONZE PORCELAIN-MOUNTED GARNITURE DE CHEMINEE, mid-19th CENTURY, the white enamel dial painted with floral swags within a case mounted with a pair of Sevres-style panels each painted with a putto against a bleu celeste ground, the surmount cast with a pair of amorous putti resting on a bed of corn husks, acorns and leaves, the base with egg and dart border and all raised on flattened bun feet, the clock flanked by a pair of candlesticks, each with leaf-cast scroll and flattened bun feet beneath a drum base mounted with a Sevres-style panel beneath a figural standard cast as a putto supporting a vine- and grape-cast drip pan surmounted by a baluster candle cup. The clock movement by Charvet, Lyon striking on a bell. Height of clock 41cm£3000-4000
400. AN ART NOUVEAU INLAID OAK SIDEBOARD, c.1900, the superstructure with central cupboard flanked by shaped and bevelled mirror plates, above a base with serpentine fronted and moulded top over a short drawer above a recess flanked by a pair of cupboard doors inlaid with stylised plantform, fitted with copper strap hinges and handles, raised on block feet. 1.92m by 1.83m by 0.66m£1200-1800
401. ROBERT "MOUSEMAN" THOMPSON: AN UNUSUAL FOUR-LEGGED MILKING STOOL, with shaped oval top, faceted splayed legs and carved mouse signature to edge of seat. 46cm
£250-350
403. A ROBERT "MOUSEMAN" THOMPSON OAK DINING ROOM SUITE, comprising a rare set of six 1930's dining chairs, each with arched top rail over twin shaped splats, raised on turned baluster legs terminating in blocks joined by stretchers, one chair with carved recessed mouse signature to rear leg; a 1950's 6' refectory dining table, the dowelled and adzed top raised on massive faceted balusters joined by an adzed stretcher, with carved mouse signature. Table 0.74m by 1.83m by 0.86m£4500-5500
407. AN ART NOUVEAU POLISHED BRASS COAL BUCKET, of navette form with swing handle, repousse with stylised plantform. Height 35cm £120-180
408. AN EDWARDIAN INLAID AND SATINWOOD CROSS-BANDED MAHOGANY WORK TABLE, the rectangular case enclosing a lift-out tray, inlaid with an urn and ribbon tied swags, raised on square section tapering legs. 0.66m by 0.56m by 0.37m£350-450
409. A 19th CENTURY MAHOGANY CRADLE, with arched canopy and spindle gallery, the urn-topped stand raised on downswept legs terminating in small bun feet. 1.12m by 0.46m by 0.99m£600-800
410. A SHAPLAND & PETTER INLAID OAK HALL WARDROBE, the two panel door, flanked by canted sections divided into three panels, above a band of Moorish blind fretwork carving, with intricate Art Nouveau and Classically inspired inlay throughout, interior with hooks and shelf, unmarked but a known design. 2.05m by 1.50m by 0.50m£1200-1800
411. A PAIR OF VICTORIAN GOLDEN OAK HALL CHAIRS, the pierced backs above a plank seat, raised on turned legs.£350-450
413. A 19th CENTURY MAHOGANY CANTERBURY, of characteristic form, with floral spray inlaid panel above a drawer, moving on brass castors. 0.60m by 0.50m by 0.35m£350-450
414. AN EDWARDIAN OAK AND BRASS FOLIO STAND, the stylised brass dividers mounted on a moulded oak board, raised on a tubular brass triform stand. 0.90m by 0.41m by 0.28m£250-300
415. AN EDWARDIAN SATINWOOD CROSS-BANDED AND LEATHER INSET MAHOGANY LADY'S DESK, the moulded rectangular top, with stationery box superstructure, above a pair of frieze drawers, raised on slender square section tapering legs, moving on castors. 0.98m by 0.92m by 0.50m£400-500
422. A 19th CENTURY MAHOGANY MUSIC STAND, the top elaborately carved with a stylised lyre within a pierced floral and foliate border, adjustable for height and inclination, raised on a foliate carved baluster standard supported on tripod legs. 1.40m£400-600
425. A 19th CENTURY WALNUT-VENEERED SIDE TABLE, the rectangular top with moulded edge above two drawers, raised on turned, tapering baluster legs. 0.76m by 0.63m by 0.45m£400-500
426. A GEORGE III MAHOGANY THREE TIER DUMB WAITER, the three graduated dished shelves joined by vasiform balusters, raised on a cabriole tripod base with pad feet. 1.1m by 0.54m (base shelf)£700-900
428. A PAIR OF 19th CENTURY CONTINENTAL GILTWOOD FAUTEUILS, each with oval padded back within a frame carved with guilloche and with ribbon-tied laurel surmount, above a bowed seat flanked by leaf-carved downswept arms and raised on tapering stop-fluted circular section legs. £1800-2200
429. A WILLIAM IV MAHOGANY WIND-OUT EXTENSION DINING TABLE, with four leaves, of rectangular form, with rounded bowed ends and raised on massive cabriole legs terminating in scroll feet, moving on castors. 0.74m by 1.36m by 3.14m (extended)£3500-4500
432. A GEORGE III CROSS-BANDED MAHOGANY CHEST OF DRAWERS, in the Sheraton style, with four cockbeaded graduated drawers, raised on splayed bracket feet. 0.89m by 0.91m by 0.49m£700-900
434. A MAHOGANY BUTLER'S TRAY ON STAND, the tray of characteristic form raised on a folding stand with canvas straps. Height 0.66m, width (extended) 0.88m£350-450
435. A GEORGE III BRASS-BOUND MAHOGANY PEAT BUCKET, the coopered bucket bound with three concentric brass bands and fitted with a pair of carrying handles, original metal liner. 0.41m by 0.38m£800-1000
436. AN EARLY VICTORIAN METAMORPHIC MAHOGANY SIDE TABLE/BUFFET, the top rising to form three shelves, raised on linear carved trestles applied with bosses, supported on flattened bun feet and joined by a turned stretcher. 0.77m (closed) by 1.21m by 0.52m£650-850
437. A GEORGE III MAHOGANY KNEEHOLE DESK, the leather-inset top with rounded corners above a long frieze drawer over an apron drawer surmounting a recess fitted with a cupboard and flanked by banks of three drawers, raised on bracket feet. 0.78m by 0.92m by 0.56m£800-1000
438. A WALNUT AND MAHOGANY LEATHER-INSET TILT-TOP TRIPOD TABLE, the scalloped circular top tilting over a baluster standard with tripod base with downswept legs terminating in pad feet. 0.73m by 0.84m£500-700
439. A SMALL GEORGE III MAHOGANY CHEST OF DRAWERS, the rectangular top with cut-off corners above two short and three long string-inlaid and cockbeaded drawers, each with an ivory escutcheon and raised on ogee bracket feet. 0.77m by 0.83m by 0.46m£700-900
440. A GOOD MID-VICTORIAN INLAID WALNUT, GILT-METAL MOUNTED CREDENZA, of bowed breakfront form, the conforming top above a frieze inlaid with scrolling foliage above a panelled door similarly decorated and flanked by bowed glazed doors enclosing velvet-lined shelves, raised on a plain plinth and applied with scroll- and foliate-cast gilt-metal mounts. 1.02m by 1.48m by 0.38m£1400-1800
441. A GEORGE III MAHOGANY CHEST ON CHEST, the upper section with moulded dentilled cornice above two short and three long cockbeaded drawers, the lower section with three long graduated cockbeaded drawers, raised on bracket feet. 1.62m by 0.99m by 0.47m£900-1100
444. A VICTORIAN CARVED OAK HANGING PLATE RACK. 0.64m by 1.17m£100-150
446. A MATCHED SET OF TEN CHIPPENDALE STYLE MAHOGANY DINING CHAIRS, 19th CENTURY, including four carvers, comprising a set of six side chairs, a pair of carvers and two further carvers en suite, all with vertically pierced waisted splats and attractively aged brown leather stuffed-over seats.£1200-1500
452. A GEORGE II WALNUT BACHELOR'S CHEST, the quarter-veneered cross-banded fold-over top over two short and three long graduated drawers, raised on bracket feet. 0.78m by 0.72m by 0.32m (closed)£1200-1800
453. A GEORGE III OAK CHEST ON STAND, the upper section with moulded cornice above two short and three long graduated drawers, the stand with an arrangement of two short drawers over a central drawer flanked by deep drawers over a scrolling apron and raised on cabriole legs terminating in pad feet. 1.72m by 1.05m by 0.56m£800-1200
454. A GEORGE II WALNUT TOILET MIRROR, the antique plate within a cushion-moulded frame swivelling between square section tapering uprights surmounted by brass urn finials, on a string inlaid rectangular base fitted with a drawer and raised on bracket feet. Height 57.5cm£400-600