Fine Art, Antiques & Jewellery Sale
on Saturday 12th March 2011


2.      A RUSKIN POTTERY BOWL, dated 1927, the circular footed body with strawberry lustre glaze, impressed marks. 6.5cm by 21cm£60-80
3.      A PAIR OF FRENCH PORCELAIN MODELS OF A COCKEREL AND HEN, PROBABLY SAMSON, c. 1900, highlighted with gilding, on oval rockwork bases. 19.25cm£100-150
4.      A MATCHED PAIR OF STAFFORDSHIRE GREYHOUNDS, 19th CENTURY, modelled standing, each with a hare in its mouth, on oval bases applied with shredded foliage. Height 19.5cm£180-250
9.      A ROYAL WORCESTER PORCELAIN FIGURE, "THE BATHER SURPRISED", the scantily draped maiden hiding by a tree stump, on a rectangular base with canted corners, in gilt and ivory, puce printed mark for 1918, model no. 486. 26.5cm£200-300
15.     SIR EDUARDO PAOLOZZI (1924-2005), FOR ROSENTHAL PORCELAIN, AN "EINSTEIN" PLATE, factory mark and facsimile signature verso (plate repaired). 31cm£100-150
16.     A PAIR OF SMALL HAND-PAINTED PORCELAIN COVERED VASES IN THE 18th CENTURY WORCESTER MANNER, late 19th/early 20th century, each decorated with floral sprays within cartouches against a blue scale ground. 16cm£100-150
17.     A ROYAL WORCESTER COBALT BLUE AND GILT DINNER SERVICE, early 20th century, each piece with blue and gilt borders against a white ground, the tureens with elephant's head and bird's foot handles, comprising: ten dinner plates, eight soup plates, twenty-four dessert plates, a pair of covered tureens, a pair of sauce tureens on stands, a further tureen stand, four small serving dishes, one medium serving dish and one large serving dish, together with ten Royal Worcester crescent salad plates of similar design. £150-250
19.     A LATE VICTORIAN SCOTTISH POTTERY MONEY BANK, possibly Seaton Pottery, with mottled brown/green glaze. 10.5cm£60-80
20.     A ROYAL DOULTON SPRIGGED STONEWARE HUNTING TANKARD, 1920's/30's, impressed marks. 12.5cm£40-60
22.     A PAIR OF 19th CENTURY STAFFORDSHIRE MODELS OF SEATED SPANIELS, white-glazed with gilt padlock, chain and highlights. 28cm£60-80
23.     A COPELAND LATE SPODE SPRIGGED JUG, the squat baluster body applied with a stag hunting scene, impressed and printed marks. 16cm£70-90
24.     A SET OF SIX ROYAL CROWN DERBY IMARI PLATES, characteristically decorated, pattern no. 1128, printed factory mark. 27cm£220-320
26.     A PAIR OF ROYAL WORCESTER FRUIT PAINTED VASES AND COVERS, decorated by Ayrton and Freeman, of two-handled pedestal form, no. 2713, registration no. for 1919, black printed marks. 20cm£1500-2000
40.     A PAIR OF ROYAL WORCESTER FRUIT PAINTED VASES, the cylindrical bodies decorated by Reed and Bowen, no. G42, black printed marks. 14cm£800-900
43.     A ROYAL WORCESTER FRUIT PAINTED POT POURRI, with pierced cover, decorated by Roberts, no. 169, date code for 1955, black printed marks. 16cm£500-700
46.     A ROYAL WORCESTER FRUIT PAINTED VASE AND COVER, of two handled pedestal form, decorated by Lynes, no. 2713, black printed marks, restoration to rim of vase). 20cm£500-700
49.     A PAIR OF CHINESE FAMILLE ROSE VASES, the large baluster form vessels enamel painted with opposing panels of figures. 45cm£100-150
50.     A PAIR OF IMARI BALUSTER VASES AND COVERS, characteristically decorated, the covers with Shishi finials. 48cm£150-200
52.     A JAPANESE KUTANI PORCELAIN PARTIAL TEA SERVICE, MEIJI PERIOD, comprising teapot and cover, bowl, plate and two cups and saucers, with characteristic decoration, each piece signed; together with another KUTANI TEAPOT AND COVER (total 10 pieces)£50-70
53.     A LATE 18th CENTURY CHINESE EXPORT FAMILLE ROSE PORCELAIN PUNCH BOWL, the well painted in iron red and gilt with a floral spray, decorated in enamels with peonies and birds. 26cm£250-350
55.     A CHINESE RIBBED OVIFORM POT, PROBABLY SUNG, decorated in a variegated black/brown glaze, with unglazed foot. 18cm£150-200
56.     A GROUP OF CHINESE PORCELAIN, comprising: an early 19th century famille rose small dish; three late 18th/early 19th century Mandarin cups painted with figures in landscapes; an 18th century blue and white small dish painted with alternating panels of figures and scrollwork; and an English blue and white tea bowl, late 18th century, painted with a pagoda in a landscape and highlighted with gilding. (6) First 16.5cm£100-150
57.     A CHINESE PORCELAIN BLUE AND WHITE COVERED BOX, of circular form, painted with an Imperial dragon, with Qianlong mark but probably c. 1900. 9.5cm
£100-150
58.     A CHINESE PORCELAIN OCTAGONAL DISH, enamel painted with butterflies, a bird and a flowering vase, with painted blue mark. 29cm£50-70
59.     A JAPANESE SATSUMA EARTHENWARE TWIN-HANDLED VASE, MEIJI PERIOD, of waisted form, painted with two panels of figures in a procession, reserved against a dark blue ground highlighted with gilding, impressed seal mark. Width across handles 16.5cm£50-70
60.     A PAIR OF CHINESE 19th CENTURY POLISHED BRONZE CENSERS, each cast as a scholar seated on a crouching crane on an integral shaped oval base raised on cabriole legs, each stamped to the underside with a stylised flowerhead/chrysanthemum mark. Height 26cm £200-300
61.     A CHINESE IVORY PUZZLE BALL ON STAND, c. 1900, the figural stand with pierced foliate base, the ball of at least five sections. Diameter of ball 7cm. Height of stand 18cm£150-250
62.     A PAIR OF JAPANESE POLISHED BRONZE VASES, late 19th century, each decorated with a chrysanthemum and scrolling leafing branch, cast with seal mark. Height 22.5cm£80-100
63.     A SINO-TIBETAN PATINATED BRONZE FIGURE OF A MULTI-ARMED HINDU DEITY, 18th/19th century, standing with eight arms holding various attributes, wearing a high crown and jewellery, on a lotus-cast plinth. 23.5cm£300-400
65.     A CHINESE PAINTED WOODEN PILLOW STRONGBOX, c. 1900, the cover shaped for the head, decorated with dragons and clouds against a black ground, with patinated metal lockplate and hinges. Length 48cm£100-150
66.     A TIBETAN/NEPALESE PRAYER LOCKET, mounted with lapis lazuli in silver and applied with coral beads. 5cm£100-150
70.     A JAPANESE SCROLL PAINTING, depicting a drunken man being propped up by a boy by a wine barrel, watercolour on silk. 91cm by 59cm (scroll overall)£80-120
71.     A CHINESE SCROLL PAINTING, figures in a mountainous landscape. 1.26m by 0.53m£70-90
72.     A JAPANESE SCROLL PAINTING, depicting a young girl carrying a basket of fish. Image 90cm by 43cm£150-200
73.     A LARGE BURMESE CARVED GILTWOOD FIGURE OF A FOLLOWER OF BUDDHA, the standing figure holding a book and in pointed headdress, applied with mirrored sequins and standing on a crown base. 92cm£150-250
74.     A JAPANESE LACQUER JEWELLERY CASKET, of bombe form, inlaid with mother-of-pearl and decorated with birds and flowers, with fitted interior. 10cm by 25cm by 17cm£60-80
75.     TWO JAPANESE LACQUERWORK BOXES, one with a jade green ground, the other black, both decorated with birds and flowering boughs.(2) First 6cm by 23.5cm by 20cm £60-80
76.     A JAPANESE IVORY NETSUKE, of naturalistic shape, carved with foliage, a single hole to the base. 5cm£30-50
77.     A SET OF SEVEN 19th CENTURY CUT-GLASS WINES, each tapering diamond-cut bowl with panelled lower section, raised on a knopped faceted baluster stem and the foot with star-cut base. 15cm£80-120
78.     A LEGRAS LANDSCAPE CAMEO VASE, c. 1900, decorated with a tree-fringed lake, carved signature. 11cm£150-200
82.     A SMALL CUT-GLASS HEART-SHAPED SCENT BOTTLE, the silver-gilt hinged cover (unmarked) opening to reveal a glass stopper, the body diamond-cut throughout. 6cm£60-80
88.     A 19th CENTURY AMETHYST GLASS RINSER, double lipped of cylindrical form. Height 8.5cm£40-60
89.     AN EDWARD MOORE, SOUTH SHIELDS BLUE PRESSED GLASS SWAN VASE, 19th CENTURY. 17cm£55-75
90.     AN EDWARDIAN CUT-GLASS AND SILVER-TOPPED SCENT BOTTLE, BIRMINGHAM 1909, the hobnail cut globular body beneath a cover chased with a winged cherub. 10cm£60-80
91.     A PAIR OF 19th CENTURY CUT-GLASS DECANTERS, each of mallet form, with triple ring neck and flattened faceted stopper. 27cm£60-80
92.     ARCHIBALD KNOX FOR LIBERTY & CO: A LIBERTY & CO. ENGLISH PEWTER CAKE TRAY, of basket form, cast with stylised honesty, no. 0357, stamped factory marks. 30.5cm by 22cm£200-300
95.     A KESWICK COPPER DISH BY WILLIAM HENRY MAWSON, the well decorated with a griffin amidst stylised foliage, with stamped mark. 22.5cm£100-150
98.     A KESWICK SCHOOL OF INDUSTRIAL ARTS BRASS FIRESCREEN, the rectangular riveted frame enclosing a planished panel repousse with a galleon in rough seas and two fish, raised on scroll-topped trestles, stamped to the carrying handle KSIA. 0.83m by 0.49m£300-400
101.    A LIBERTY & CO TUDRIC PEWTER BOWL, possibly an Oliver Baker design, the footed bowl cast with "straps", no. 01129, stamped marks. 13cm high, diameter 26cm£200-300
102.    A LIBERTY & CO ENGLISH PEWTER AND ENAMEL VASE, DESIGNED BY ARCHIBALD KNOX, the slender tapering body applied with two enamel plaques and cast with entwined foliage, no. 0820, stamped marks. 16cm£300-400
105.    A BRASS FOUR-BRANCH CEILING LIGHT, 20th CENTURY, the four arms terminating in geometric uprights with bulb fixtures below, all issuing from a square section standard. Length 42cm£90-120
108.    A 19th CENTURY BRASS COMB BOX.£60-80
109.    A PAIR OF PATINATED AND GILT-BRONZE THREE-LIGHT CANDLESTICKS IN THE EMPIRE TASTE, c. 1900, each with three foliate-cast candle cups surrounding a female Classical figure, raised on a tapering fluted leaf-cast column supported on monopodia resting on a triform marble plinth. 42cm£200-300
111.    A LATE VICTORIAN SILVER-PLATED AND CUT-GLASS TABLE CENTREPIECE, cast as a giraffe feeding in a grove of palm trees, the trees supporting a heavy cut-glass bowl, the base cast with rockwork. Height including bowl 52cm£150-250
112.    A GRADUATED SET OF FIVE SILVER-PLATED MEAT DISHES, each of oval form with boldly gadrooned rim (unmarked). Largest 51cm£70-100
113.    AN EDWARDIAN SILVER-PLATED BOX, the cover inset with a watercolour of a coaching scene. 4.5cm by 9cm by 8cm£30-50
114.    A VICTORIAN SILVER-PLATED SKIRT-LIFTER, c. 1860-80, of characteristic scissors form, stamped "Surprise" and "Patent". 9.5cm
£60-80
115.    A MID-19th CENTURY SILVER-PLATED TRAVELLING COMMUNION SET, Henry Wilkinson & Co., c. 1870, three pieces, one with presentation inscription, in a fitted case. £160-240
116.    A CHRISTOFLE SILVER-PLATED BEAKER, heavy, with stamped marks. 8cm£30-40
118.    A GEORGE V SILVER THREE PIECE TEA SERVICE, WALKER & HALL, SHEFFIELD 1915, in the Regency taste, each piece with gadrooned rim and raised on ball feet, the teapot with presentation inscription for 1916. Approx. 42 oz£300-400
119.    AN EDWARDIAN SMALL SILVER TEAPOT, SHEFFIELD 1908, raised on three scroll feet, with bead and reel rims. 9 oz£100-150
120.    A COMMEMORATIVE SILVER MEDAL, GEORGE BOWER 1678, to commemorate the mysterious death of Edmund Berry Godfrey, a Titus Oates sympathiser, one side a bust of Godfrey with a noose around his neck, the obverse his strangulation witnessed by the Pope. 4cm£200-300
121.    A WILLIAM IV SILVER TEAPOT, WILLIAM, CHARLES & HENRY ELEY, LONDON 1834, of lobed melon form. Length across handle 27cm, 21 oz.£350-400
121A.   A SUBSTANTIAL PAIR OF VICTORIAN SILVER GRAPE SCISSORS, SHEFFIELD 1885, with pierced handles in the Gothic taste. 4oz£80-120
123.    A GEORGE VI SILVER AND BONE-HANDLED EIGHT-PLACE SETTING CANTEEN OF CUTLERY, SHEFFIELD 1938, rattail pattern, comprising eight dinner knives, forks, teaspoons, soup spoons, dessert spoons, dessert forks, a pair of table spoons, sugar tongs, game and other carvers, sharpening steel, (one dinner fork replaced - silver-plate), all contained in a two drawer walnut-veneered table cabinet in the Queen Anne style, retailer's mark for Laing's of Glasgow. £1200-1500
124.    A PAIR OF GEORGE V SCOTTISH SILVER MENU STANDS, EDINBURGH 1912, each of pierced luckenbooth design surmounted by a crown. Width 5.5cm£50-70
125.    A GEORG JENSEN SILVER CADDY SPOON, the terminal of "seed and pod" pattern, stamped marks. 11cm £50-70
126.    A GEORGE V SILVER TWIN-HANDLED ROSE BOWL, BIRMINGHAM 1913, on a stepped circular foot, the serpentine rim cast with stylised foliage, applied with leaf-cast scroll handles. Width across handles 29.5cm. 20oz£300-400
127.    A PAIR OF GEORGE III STYLE SILVER CANDLESTICKS, BIRMINGHAM 1974, in the Adam manner, with oval bases supporting tapering standards beneath navette nozzles and detachable candle cups. Weighted. Height 27.5cm£200-300
128.    A GEORGE III STYLE SILVER SALVER, BIRMINGHAM 1973, of square form with cut-off corners, raised on four scroll feet. 26cm. 19.5oz£180-250
129.    A GEORGE V AND LATER ASSEMBLED THREE-PIECE SILVER TEA SERVICE, BIRMINGHAM 1921, in the Regency taste, each piece raised on ball feet with gadrooned rims, teapot and sucrier 1921, associated cream jug Sheffield 1978. Gross 33oz£300-400
130.    AN EDWARDIAN SILVER-MOUNTED MOTHER-OF-PEARL HANDLED TWELVE PIECE FISH SERVICE, Sheffield 1905, cased. £100-150
131.    A GEORGE III SILVER SOUP LADLE, c. 1800, (marks indistinct), Old English, with bright-cut decoration and engraved with a monogram and crest. 6.5oz
£80-120
132.    A SET OF TWELVE GEORGE III SILVER DESSERT SPOONS, WILLIAM ELEY, WILLIAM FEARN & WILLIAM CHAWNER, LONDON 1813, Old English, each with bright-cut decoration and engraved with a crest and a monogram. 14oz
£200-300
133.    A SET OF THIRTEEN GEORGE III SILVER TABLE SPOONS, WILLIAM ELEY, WILLIAM FEARN & WILLIAM CHAWNER, LONDON 1813, Old English, each engraved with a crest and monogram amidst bright-cut decoration. 27oz
£350-450
134.    AN ASSEMBLED SET OF TWELVE VICTORIAN SILVER DINNER FORKS, Old English pattern, comprising: a set of six, Chawner & Co., London 1875; and a further set of six, London 1865, maker's mark indistinct; all engraved with bright-cut decoration en suite. 22oz
£300-400
135.    A LATE VICTORIAN SILVER-HANDLED AND MOUNTED TOILET MIRROR, BIRMINGHAM 1900, the heart-shaped bevelled plate within a conforming frame elaborately chased with scrolls and foliage and with leather-covered back. 28.5cm£80-100
136.    A VICTORIAN HEART-SHAPED SILVER TRINKET BOX, BIRMINGHAM 1867, the cover decorated with amorous putti. Width 5cm£80-100
137.    A DUTCH SILVER CADDY SPOON, LATE 19th CENTURY, the windmill terminal with revolving sail, the bowl chased with sheep and cattle, impressed marks. 13cm£30-50
138.    A GEORGE V SILVER RULE, LONDON 1921, 4", possibly for sewing or needlework. £70-90
139.    A GEORGE V SILVER JEWELLERY BOX, CHESTER 1926, of oval form, raised on four scroll feet, the cover engraved "M". Length 13cm
£150-250
140.    A GEORGE III SILVER CREAM JUG, LONDON 1792, of helmet form, raised on a square foot. Height over handle 15cm
£60-80
142.    AN EDWARDIAN SILVER NOVELTY PEPPERETTE, BIRMINGHAM 1909, modelled as a flour shaker. 4.2cm£70-100
144.    A PAIR OF LATE VICTORIAN SILVER BON-BON DISHES, BIRMINGHAM 1894, heart-shaped, elaborately pierced and raised on ball feet. 11.5cm£130-180
145.    A GEORGE V SILVER BUD VASE, BIRMINGHAM 1924, with scalloped, flared rim, weighted. 12.5cm£60-80
147.    A VICTORIAN SILVER SCENT BOTTLE, BIRMINGHAM 1890, of cylindrical form, engraved with flowerheads and foliage, with glass stopper. 4.75cm£100-150
148.    A GEORGE III SILVER SUGAR SIFTING LADLE, WILLIAM EATON, LONDON, 1811, fiddle and thread. £50-70
149.    A GEORGE VI SILVER TEA STRAINER AND STAND, BIRMINGHAM 1944, the circular stand with scalloped rim, the strainer with twin handles. Diameter 12cm £90-120
150.    A GEORGE V SILVER SALVER, ADIE BROS., BIRMINGHAM 1935, in the Georgian taste, with gadrooned scalloped rim, raised on scroll feet. 21cm 11oz£220-300
151.    A PAIR OF VICTORIAN SILVER SHOE BUCKLES, BIRMINGHAM 1900, of oval form, bright-cut. 3.25cm£80-120
152.    A LATE VICTORIAN SILVER INKWELL ON STAND, the cut-glass well with hinged silver cover on an oval tray decorated with bold gadrooning, raised on paw feet. Length 18cm£160-240
153.    A PAIR OF VICTORIAN SILVER SALTS, CHESTER 1896, cased.£60-80
154.    A GEORGE V SILVER HOT WATER JUG, LONDON 1922, the planished baluster body raised on three ball feet. 18cm, gross 11oz£180-250
155.    A GEORGE V SILVER AND TORTOISESHELL JEWELLERY BOX, BIRMINGHAM 1913, the barrel-shaped hinged cover above a shallow conforming case with lined interior, raised on cabriole legs. 6cm by 13cm by 8.5cm£200-300
156.    A VICTORIAN SILVER PHOTOGRAPH FRAME, LONDON 1888, the pierced rectangular frame cast with scrolls, stylised leaves and fruit-filled cornucopiae; together with AN EDWARDIAN SILVER PHOTOGRAPH FRAME, BIRMINGHAM 1901, the oval aperture within a shaped rectangular frame decorated with scrolls and stylised foliage (lacking back). (2) Apertures 8.5cm by 5.5cm and 5cm by 3.5cm£80-120
157.    AN IMPRESSIVE EARLY VICTORIAN CASED SILVER TEA AND COFFEE SERVICE, CHARLES REILY & GEORGE STORER, LONDON 1839, comprising teapot, coffee pot, twin-handled sugar bowl and cream jug, with twelve (associated) King's pattern teaspoons, sugar tongs, sugar shovel and caddy spoon, (the spoons William Gallmoore & Sons, Sheffield 1892), the coffee and teapots each with floral sprig knop on a domed cover, with leaf-cast scroll handle, fluted spout and raised on scroll feet, the cream and sugar each with gilt interior, the handles and feet en suite with the tea and coffee pots, all in a handsome oak case with silk and velvet-lined interior.
Total weight of silver including spoons 86oz
£1800-2200
158.    A GEORGE V SILVER CAKE BASKET, BIRMINGHAM 1928, of circular form with a fixed handle attached to a pierced gallery, raised on a foot, makers mark D&R. 17cm by 22cm, 14oz
£180-250
159.    A GEORGE V SILVER TWIN-HANDLED BOWL, EDWARD BARNARD & SONS, LONDON 1911, the circular gadrooned bowl raised on a circular foot. 16cm by 29cm (over handles), 22.5oz
£380-450
160.    A GEORGE III SILVER SUGAR BASKET, Samuel Godbehere & Edward Wigan, London 1791, with shaped reeded swing handle above a faceted basket decorated with a band of bright-cut decoration and with oval cartouches rasied on an oval foot with integral shaped rectangular platform base. Height over handle 18cm, 7oz£200-300
167.    A DIAMOND PENDANT, the brilliant-cut diamond claw-set within a bezel of brilliant-cut diamonds on a diamond-set bale and fine link chain. Mounted in platinum.£800-1000
168.    A MOONSTONE NECKLACE, the vari-sized cabochon-cut moonstones collet-set on a circular link chain.£100-150
170.    AN 18ct TRI-COLOUR GOLD NECKLACE, composed of a triple strand of flattened links suspended from a chain en-suite. Approx. 17 grams£200-300
171.    A PAIR OF DIAMOND AND CULTURED SOUTH SEA PEARL DROP EARRINGS, each pear-shaped cultured pearl suspended from five round brilliant-cut diamonds spaced by knife-edge bars, all mounted in 18ct white gold (stamped "750). Pearl approx. 13mm, overall length 39mm£600-800
173.    A SINGLE STRAND CULTURED SOUTH SEA PEARL NECKLACE, the thirty-seven graduated cultured pearls fastened by an 18ct yellow gold ball clasp. Length 44.5cm. Pearls range from 10mm to 14mm£2000-3000
175.    A PAIR OF PERIDOT EARRINGS, the three graduated oval mixed-cut peridots claw-set in 9ct yellow gold. Length 17mm£70-90
178.    A SAPPHIRE AND PEARL RING IN THE ART DECO TASTE, the line of four square step-cut sapphires within a border of grey seed pearls, mounted in 9ct yellow gold on a yellow gold band. £80-120
180.    A DIAMOND CLUSTER PLAQUE RING, composed of geometric bands of round brilliant-cut diamonds on a 9ct yellow gold band. Total weight of diamonds approx. 0.5 carats£150-250
181.    A DIAMOND HALF-HOOP ETERNITY RING, the nine round brilliant-cut diamonds set on a 9ct white gold band. Total weight of diamonds approx. 0.9 carats£200-300
182.    A THREE-STONE DIAMOND RING, the three round brilliant-cut stones claw-set in a cross-over setting, on an 18ct yellow gold band. Total weight of diamonds approx. 0.75 carats£500-700
190.    AN AMETHYST AND DIAMOND RING, the circular mixed-cut amethyst four-claw set within a bezel of twelve brilliant-cut diamonds. £750-850
192.    A DIAMOND DRESS RING, the brilliant-cut diamond collet-set between pierced shoulders set with brilliant-cut diamond collets and smaller collet-set diamonds to the sides, the central diamond estimated to weigh 2 carats. £2500-3500
194.    A LATE VICTORIAN GARNET AND GOLD NECKLACE, c. 1890, the circular mixed-cut garnet set within a stylised half-pearl-set mount within an outer circular gold frame on a fancy oval link chain. £100-150
196.    A 9ct GOLD BANGLE, modern. Approx. 40 grams£300-400
200.    A CHARLES HORNER ART NOUVEAU SILVER AND BLUE ENAMEL PENDANT, 1912.£350-450
201.    A MURRLE BENNETT 15 CARAT GOLD AND OPAL BROOCH, the pierced and entwined gold mount centred by an oval opal, stamped.£150-200
202.    A MURRLE BENNETT OPAL BROOCH, the link-design centred by an oval opal, apparently 18 carat gold but mark indistinct. £150-200
204.    A LATE VICTORIAN DIAMOND-MOUNTED CRESCENT BROOCH, set with thirteen graduated round brilliant-cut diamond on gold-backed silver mount, with pendant fitting. £300-400
205.    A 9ct GOLD SHELL CAMEO BROOCH, c. 1900, the oval shell carved with a Classical female bust within plain gold mount with a ropework border. 5cm£70-100
206.    A LATE VICTORIAN 18ct GOLD OPAL AND DIAMOND RING, set with three graduated oval opals and four small round brilliant-cut diamonds, with carved shoulders. £120-180
208.    A DRESS D.S.O., with ribbon. £40-60
209.    A GERMAN SECOND WORLD WAR PERIOD COMMEMORATIVE MEDAL, THE ANNEXATION OF AUSTRIA 1938, in original presentation case. £80-120
210.    A GERMAN SECOND WORLD WAR PERIOD LUFTWAFFE MARKSMAN'S UNIFORM LANYARD, the medallion with oakleaves, eagle etc£100-150
211.    A RARE GERMAN SECOND WORLD WAR PERIOD GUNNER'S BADGE AWARDED FOR THE DEFENCE OF DANZIG (GDANSK), impressed "Danzig" with eagle etc and anti-aircraft guns. £100-150
212.    A BRONZE MEDAL COMMEMORATING THE OPENING OF THE MANCHESTER EXHIBITION OF ART TREASURES, by Prince Albert, May 1857, cast to one side with an image of the Exhibition buildings, the obverse with figures personifying the Arts. 4cm£40-60
214.    A COLD PAINTED BRONZE MODEL OF A SADDLED HORSE, c. 1900, possibly Bergmann. Height 19cm£500-700
215.    A RONSON "TEN-A-CASE" CIGARETTE CASE AND LIGHTER COMBINATION, of rectangular form, with "tortoiseshell" and enamel panels and engine-turned decoration, in original cardboard box with pouch. 10.5cm£80-120
216.    A VICTORIAN MOTHER-OF-PEARL AND ABALONE SHELL LADY'S CARD CASE, the case with geometrically arranged shell panels, the blue silk interior with card pouch and an ivory note pad. 10.5cm by 8cm£120-180
217.    A 19th CENTURY LADY'S TORTOISESHELL CARD CASE, the hinged cover with white metal plaque. 10cm by 7.25cm£120-180
220.    A SMALL HAND MIRROR SET WITH A PORTRAIT MINIATURE ON IVORY, c. 1920, the bevelled rectangular plate with cut-off corners in a conforming gilt-metal frame with pierced handle, the reverse mounted with a portrait miniature of a girl in 18th century costume, painted on ivory. 14.5cm
£50-70
222.    AN ASPREY CARTRIDGE PLACEFINDER, the brass and white metal cartridge-form body with twisting mechanism opening to reveal eight numbered pegs, inscribed "Asprey's Cartridge Placefinder" to the base and "Loaded by Asprey, Smokeless" to the top. 6cm closed.£700-900
223.    TREEN: A WALNUT STRING BARREL, with wooden dispenser and raised on a circular foot. Length 11.5cm£80-120
225.    TAXIDERMY: ROWLAND WARD, A POLAR BEAR CUB, seated on a wooden base inscribed "Rowland Ward, 167 Piccadilly.." etc 23cm£200-300
226.    A 1920's PIGSKIN LADY'S TRAVELLING VANITY CASE, the green watered silk interior fitted with brushes, mirror and jars decorated in the Art Deco taste, the case in it's original canvas outer liner (the interior lacking one jar).
£120-180
227.    TWO INUIT DOLLS; one with leather body, his top with beadwork collar and cuffs, wearing leather boots; the other with felt body, with fur-trimmed leather boots; together with a spare pair of fur-trimmed boots; and A SEALSKIN TOY SEAL. (4) First 36cm£70-90
229.    A NORTH AFRICAN TRIBAL SWORD AND SCABBARD, with leather-wrapped hilt, the leather scabbard with geometric decoration. Length overall 70cm£50-70
231.    TAXIDERMY: A GOLDEN EAGLE (AQUILA CHRYSAETOS), full mount with squirrel, in a square glazed case.£800-1000
232.    A RARE HARDY BROTHERS OF ALNWICK FOLDING TELESCOPIC SEAT, the leather seat with carrying handles above a brass telescopic winder on a folding tripod base, maker's mark, two "By Appointment" crests. 65.5cm£450-650
234.    A VICTORIAN ELECTRIC SHOCK MACHINE, the wooden case with paper label to cover, "First Prize Medal London 1862", and instructions, the machine with gilt foliate cast wheel. Case 12cm by 22cm by 12cm£70-90
236.    A TRIBAL PADDLE, with leaf-shaped blade. 1.14m£50-70
238.    A LATE 19th CENTURY STEEL "PEG AND WORM" CORKSCREW; together with A HORN-HANDLED CORKSCREW, of similar date. (2). First 10cm
£55-75
239.    SEWING INTEREST: A VICTORIAN GILT-METAL NEEDLE CASE FINELY-CAST AS A BUTTERFLY, registration diamond for c. 1869-94, Moore Crampton & Co., London £120-180
244.    A 1920'S/30's CARVED OAK PANEL OF KING DAVID WITH HIS HARP, the figure of David with arm uplifted, a standing figure behind and a figure at his feet. 42.5cm by 25cm£60-80
246.    JOHN SPEED, ENGRAVED MAP OF THE BISHOPRICK AND CITIE OF DURHAM, SOLD BASSETT & CHISWELL, pub. 1676, hand-coloured with inset plan of city and royal arms, framed, double-sided with text visible verso. 38cm by 50cm£200-300
247.    THOMAS ROWLANDSON (1756-1827), "IRISH JAUNTING CARR", A HAND-COLOURED ENGRAVING, pub. May 1st 1814, framed under glass. 24cm by 34cm £200-300
248.    THOMAS KITCHIN, AN 18th CENTURY HAND-COLOURED MAP OF THE COUNTY PALATINE OF DURHAM, framed. 52.5cm by 70cm£70-90
249.    A PAIR OF LATE 18th CENTURY SEPIA STIPPLE ENGRAVINGS, in the oval, of female nude groups, one with old label verso, "Psyche Going to Bathe", in period gilt and ebonised frames. Image 22cm by 18cm£80-120
250.    RODNEY HUBBUCK (BRITISH, 20th CENTURY), "FEN CHAPEL", coloured print, artist's proof 7/7, inscribed in pencil and signed and dated 1979, paper label verso. 47cm by 52cm£25-35
251.    AFTER REMBRANDT VAN RIJN, ADAM AND EVE, AN ETCHING, signed and dated 1638 in the margin, later impression, framed. Platemark 16.5cm by 11.5cm£50-70
253.    MULINARI, ETCHING AFTER PARMIGIANINO, THE SACRED FAMILY; together with AFTER GIULIO ROMANO, CLASSICAL SCENE, both unframed. (2) 32cm by 24.5cm and 18cm by 33cm£30-50
254.    AXEL HERMAN HAIG (SWEDISH, 1835-1921), "ON THE DYLE, MALINES", etching, signed and inscribed in pencil, dated 1913 in the plate with monogram, framed, paper label verso. 36cm by 54cm£50-70
258.    HERCULES BRABAZON BRABAZON (1821-1906), "THE RIALTO BRIDGE, VENICE", monogrammed lower left, watercolour, inscribed verso "March 14th 1893", framed under glass. 16cm by 21cm£400-600
260.    THOMAS BUSH HARDY (1842-97), UNLOADING THE CATCH, faintly signed lower right and indistinctly dated 187?, watercolour. 34cm by 51cm.£300-400
261.    IAN PARKER (BRITISH, 1955-), "LINE OF PEACHES", signed lower right, oil on canvas, laid on board, framed. 14cm by 44cm

Note: Parker was born in County Durham and studied art at Shoreditch College, London. He has been a frequent exhibitor at Royal Academy Summer Exhibitions. Mark Monahan, critic from the Daily Telegraph, singled out Parker's entry to the 2008 Summer Exhibition, "Amalfi Lemon" as "a near-perfect still-life...exquisitely simple, perfectly executed (it's almost photo-realist, though happily not quite), and its subject bathed in a subtly atmospheric light, it makes you feel you could reach through the canvas and pluck the fruit from the painting." His works are included in the collections of Kensington Palace (commission for T.R.H. the Prince and Princess of Wales), Lord Young of Graffham, corporate collections etc.
£400-600
262.    A REGENCY PORTRAIT MINIATURE OF A LADY WEARING A PEARL BROOCH, oval, watercolour on ivory, in a gilt and ebonised frame, partial label verso indistinctly inscribed "....wife of Rev (?)....". 6.2cm by 5cm£100-150
263.    A REGENCY PORTRAIT MINIATURE OF A CLERICAL GENTLEMAN, oval, watercolour on ivory, in a gilt and ebonised frame, inscribed verso, "Rev. Fiske". 6cm by 5cm£100-150
264.    AN EARLY 19th CENTURY PORTRAIT MINIATURE OF A YOUNG BOY, oval, watercolour on ivory, in a verre eglomise frame. 5.25cm by 4cm£80-120
265.    A REGENCY PORTRAIT MINIATURE OF A YOUNG GENTLEMAN SEATED AND HOLDING A BOOK, rectangular, watercolour on ivory, in a gilt and ebonised frame. 8.25cm by 6.25cm£120-180
266.    A REGENCY PORTRAIT MINIATURE OF A GENTLEMAN IN A YELLOW WAISTCOAT, oval, watercolour on ivory, in an ebonised frame. 6.75cm by 5.5cm£80-120
267.    A LATE 18th CENTURY PORTRAIT MINIATURE OF A LADY IN A BLUE DRESS, of particularly small size, oval, watercolour on ivory, in an ebonised frame. 3.5cm by 3cm£80-120
268.    A 19th CENTURY PORTRAIT MINIATURE OF A YOUNG BOY IN A WIDE COLLAR, oval, watercolour on ivory, in an ebonised frame. 6cm by 4.5cm£70-100
269.    A 19th CENTURY PORTRAIT MINIATURE OF A YOUNG GENTLEMAN IN A RED WAISTCOAT, mounted in a gilt-metal brooch, oval, watercolour on ivory. 4cm by 3.25cm£80-120
270.    A PORTRAIT MINIATURE OF A LADY IN AN OSTRICH COLLAR, monogrammed "W.H.G.C." and dated 1913 (Wilson H.G. Crutwell), oval, watercolour on ivory, in an ebonised frame. 7cm by 6cm£100-150
271.    A REGENCY PORTRAIT MINIATURE OF A NAVAL OFFICER, oval, watercolour on ivory, in an ebonised frame. 7cm by 5.5cm£150-250
272.    AMERICAN SCHOOL, A PAIR OF EARLY 19th CENTURY PORTRAIT MINIATURES OF A LADY AND GENTLEMAN IN THEIR LIBRARY, rectangular, watercolour on ivory, in gilt composition frames. 8.5cm by 7.5cm. £200-300
273.    SCOTTISH SCHOOL, 19th CENTURY, PORTRAIT MINIATURE OF A LADY IN A TARTAN SASH, watercolour on card, rectangular, in a brass frame. 12.5cm by 10cm£100-150
274.    DOROTHY MARGARET & ELIZABETH MARY ALDERSON (1900-92) & (1900-88), PHEASANTS & RED GROUSE, A PAIR OF WATERCOLOURS, each signed lower right and dated 1969, framed. 19cm by 29cm£300-500
275.    WILLIAM HENRY GOOSE (1816-85), "FIGURE TAKEN FROM LIFE AT BLOFOLD (nr. NORWICH) 1877", watercolour, signed lower right, framed. 34cm by 25cm£100-150
276.    FRENCH SCHOOL, 20th CENTURY, "CONTRE-JOUR, SUR LA PLAGE", signed Saulin, inscribed verso and dated 29/10/74, oil on canvas, in a limed gilt-composition frame. 44cm by 53.5cm£100-200
277.    SCOTTISH SCHOOL, mid-20th CENTURY, "OBAN SCENE", signed David Rountree, oil on board, paper label verso, framed. 40cm by 60cm£60-90
279.    GIUSEPPE GIARDIELLO (ITALIAN, 1877-1920), A NEAPOLITAN GIRL FEEDING CHICKENS AND A NEAPOLITAN FAMILY GATHERING WITH CHICKENS FEEDING, A PAIR, each signed lower left, oils on canvas, framed. 43cm by 49cm
£2500-3500
280.    LOUISA MARGARET WATTS (fl. 1880-1900), COTTAGE BY A POND, signed lower left, watercolour, framed. 24cm by 34cm

Note: Louisa Watts was married to the artist James Thomas Watts and both were members of the Newlyn Art Colony. Louisa exhibited at the Royal Institute of Painters in Watercolours in 1889.£500-700
281.    WILLIAM CRUICKSHANK (1848-1922), STILL LIFE WITH CONVOLVULUS AND A BIRD'S NEST AND EGGS, watercolour, signed lower right, framed, with Fine Art Society exhibition label verso dated 1971. 20cm by 29.5cm £800-1200
282.    ARTHUR HOPKINS R.W.S. (1848-1930), GIRL BY A COTTAGE DOOR, signed lower right and dated 1890, watercolour heightened with white, framed. 40cm by 24.5cm£1200-1800
290.    DAVID COX JUNIOR (1809-85), SHEEP BY A SOLITARY TREE, signed lower left, watercolour, framed under glass. 23cm by 19cm£150-200
296.    ROY PIERCE (AMERICAN, 20th CENTURY), DOWNHILL SKIER, signed lower right, oil on canvas, framed. 59.5cm by 90cm£80-120
298.    HENRY ECHLIN NEILL (1888-1981), IRISH LANDSCAPES, A PAIR OF OILS, each signed lower right, on board, in plain ebonised frames. 29.5cm by 44cm£100-150
299.    TERRY McGLYNN (1903-73), "CATALAN FUNERAL", signed lower right, oil on tin, paper label verso, framed. 46cm by 59cm£100-150
301.    MICK CAWSTON (b. 1959), STUDY OF A BLACK LABRADOR, signed lower right, oil on panel, unframed. 30.5cm by 40.5cm£100-150
303.    JAMES HAMILTON HAY (1874-1916), CHERTSEY BRIDGE, LONDON, signed lower left, oil on canvas, under glass, in a gilt-composition frame. 48cm by 58cm

Provenance: by descent in the family of the artist£1500-2000
304.    20th CENTURY SCHOOL, PARISIAN STREET SCENE, indistinctly signed lower right, oil on canvas, in a gilt-composition frame. 39.5cm by 29.5cm£60-80
307.    JOHN VARLEY (1778-1842), FIGURES OVERLOOKING A LAKE, watercolour, signed lower right, framed. 25cm by 35cm£150-250
309.    19th CENTURY ENGLISH SCHOOL, A COTTAGE BY THE RIVER, signed with a monogram and dated 1893 lower right, watercolour, framed. 25cm by 35cm£40-60
310.    EDWIN GALEA (MALTESE, b.1934), "THE BOATHOUSES, SPINOLA, ST.JULIANS" AND MOORED BOATS, a pair of watercolours, each signed, titled and dated 1980 and 1979 respectively, framed. 17cm by 26cm£50-70
313.    JAMES GREIG (1861-1941), ON THE NILE, gouache, signed lower right, framed. 29cm by 48cm£120-180
314.    MAUDE MAGINNISS (EARLY 20th CENTURY), ON THE NILE, watercolour, signed lower left, framed. 20cm by 34cm£50-70
315.    FREDERICK WILLIAM ELWELL (1870-1958), A PLOUGHING SCENE, probably a study for a larger work, oil on canvas, unsigned but inscribed verso, unframed. 19cm by 28cm£70-90
315A.   HENRY CHARLES JARVIS (1867-1955), MALTESE SCENE, signed and dated 1946 lower right, oil on board, framed. 44cm by 50cm£300-400
316.    19th CENTURY ENGLISH SCHOOL, FIGURES ON THE SHORE, oil on board, monogrammed lower left, framed under glass. 27cm by 44cm£150-200
319.    J. BELL, A STUDY OF A HORSE'S HEAD, signed lower right, watercolour, framed. 60cm by 50cm £40-60
321.    VAN LEDE (18th/early 19th CENTURY), A VIEW OF RIO DE JANEIRO, brown wash, pen and ink, signed lower right, in a gilt composition frame. 10cm by 15.5cm£80-120
326.    JAMES WEBB (1825-95), A VIEW OF PARIS ACROSS THE SEINE, signed lower right, watercolour, framed under glass, exhibition label verso. 40cm by 59cm£1400-1800
328.    WALTER McLAREN (BRITISH, fl. 1869-1893), "BENEATH THE FRUIT TREE BOUGHS", signed lower right, watercolour. 24.5cm by 16.5cm£400-600
331.    DUTCH SCHOOL, 19th/20th CENTURY, FIGURES ON THE ICE, oil on panel, in a gilt composition frame. 29cm by 38cm£150-250
339.    MANNER OF JEAN-HONORE FRAGONARD (1732-1806), SHEPHERD AND SHEPHERDESS IN A LANDSCAPE, oil on canvasboard, framed. 30cm by 35cm£450-650
343.    RUSSIAN SCHOOL, EARLY 20th CENTURY, HOME FROM THE HUNT, indistinctly signed lower right, oil on canvas, in a gilt-composition frame. 77cm by 99cm£900-1200
345.    GERMAN SCHOOL, 19th CENTURY, THE MONEYCHANGERS, oil on oak panel, in a gilt-composition frame. 38cm by 30cm£80-120
348.    VICTOR NOBLE RAINBIRD (1889-1936), "IN OLD ROUEN", signed lower left and inscribed with the title lower right, watercolour, framed under glass. 27cm by 20cm. £80-120
349.    VICTOR NOBLE RAINBIRD (1889-1936), "REFLECTIONS, BRUGES", signed lower left, inscribed with the title lower right, watercolour, framed under glass. 30cm by 20cm£80-120
350.    MANNER OF JEAN-BAPTISTE GREUZE, GIRL AT THE LATCH, 19th CENTURY, oil on canvas, in a gilt-composition frame. 46cm by 38cm£300-400
351.    EARLY 20th CENTURY SCHOOL, BEDOUIN RIDERS IN A SAND STORM, signed with inital "W" lower left, watercolour, framed under glass. 22cm by 14.5cm£80-120
352.    EDWARD PEEL (LATE 19th/EARLY 20th CENTURY), BARNARD CASTLE FROM THE TEES and ALNWICK CASTLE FROM THE ALN, A PAIR OF OILS, signed, on canvas, in gilt-composition frames. 51cm by 76cm£200-300
353.    MAJOR H.E. MORRITT (20th CENTURY), "DAIRY BRIDGE, ROKEBY", oil on board, inscribed verso, framed. 22.5cm by 31cm£120-180
354.    MAJOR H.E. MORRITT, (20th CENTURY), "EGGLESTON ABBEY", oil on board, inscribed verso. 22.5cm by 32cm£80-120
356.    COLIN RUSSELL (BRITISH, 20th CENTURY), BEACH BY A ROCKY HEADLAND, signed lower right, oil on board, framed. 29cm by 39cm£100-150
360.    MILTON DRINKWATER (fl. 1880-1910), "RAVEN CRAG, THIRLMERE", signed lower right, watercolour, titled on the mount, framed. 45cm by 30cm£100-150
361.    HENRY JOHN KINNAIRD (fl. 1880-1908), "A SUSSEX CORNFIELD", signed lower left and inscribed lower right, pencil, watercolour, heightened with white, framed. 26cm by 38cm£300-500
362.    JOHN FALCONAR SLATER (1857-1937), FARMYARD SCENE, signed lower right, oil on canvas, in a gilt-composition frame. 50cm by 70cm£600-800
363.    A FLORAL CHINTZ QUILT, the reverse lined in blue wool. 2.16m by 2.09m£300-400
367.    A NORTH COUNTRY HAND-STITCHED BLACK AND RED HEAVY QUILT. 2.03m by 1.96m£180-250
369.    A NORTH COUNTRY PATCHWORK QUILT, c. 1860, worked in squares of greens, browns and pinks, with plain reverse. 2.40m by 2.30m£450-650
372.    A GREEN AND PINK APPLIQUE QUILT, c. 1900, worked with a shamrock pattern against a chequered ground within a pink border, plain white reverse. 2.16m by 1.95m£200-300
374.    A 19th CENTURY WOOLLEN PAISLEY SHAWL, of rectangular form, the red ground centred by four reserves in black, white, green and red. 3.27m by 1.52m£250-350
375.    ANTIQUE SOUTH WEST PERSIAN AFSHAR RUG, 2.5m by 1.13m£80-120
377.    A KURDISH RUG, 1.6m by 1.04m£60-80
378.    A PESHAWAR RUG, 1.79m by 1.19m£60-80
379.    A NORTH WEST PERSIAN RUG, 2.57m by 1.27m£80-120
381.    A TURKISH KAZAK RUG, 2m by 1.26m£100-150
383.    A PERSIAN MAHAL CARPET, with a red ground. 2.79m by 2.06m£80-120
384.    AN EASTERN KAZAK STYLE RUG, with a central ivory reserve within terracotta borders. 2.22m by 1.69m£80-120
385.    AN HERIZ STYLE RUNNER. 3.0m by 0.79m£100-150
386.    A LADY'S BUECHE GIROD 9ct WHITE GOLD WRISTWATCH, c. 1974, the turquoise dial within a bezel set with alternating diamonds and turquoise beads, on a white gold bark-effect bracelet strap, with a Swiss 17 jewel movement, signed Bueche Girod, in original box with guarantee dated 1974 and valuation dated 1979. £350-450
387.    AN ART DECO PLATINUM AND DIAMOND-SET COCKTAIL WATCH, the silvered dial with Arabic numerals set within a bowed rectangular case mounted with round brilliant-cut diamonds, on a black fabric strap, Swiss movement. £250-350
388.    A SINGLE FUSEE WALL CLOCK IN 19th CENTURY STYLE, the bevelled glass enclosing a circular dial, signed DWR/ R.JONES & CO/ MAKERS/ LONDON. Diameter 34.5cm£140-180
389.    A ROCOCO REVIVAL GILT-BRASS MOUNTED MARBLE MANTLE CLOCK, 19th CENTURY, the waisted case applied with scrolling foliage, dolphins and surmounted by a finial with flaming torch, eight day movement striking on a bell. 0.52m£280-350
390.    GEORGE CLARKE, LONDON (LEADENHALL STREET) (1725-1766), A BRASS LANTERN CLOCK, c.1760, with Turkish market chapter ring and verge escapement, signed within a roundel to the arch. Height 36cm, dial 21cm by 21cm (8.25" by 8.25")£800-1000
391.    HENRY STOCKAR, LONDON (CHANGE ALLEY) (1708-1731), A GEORGE III EIGHT DAY CLOCK MOVEMENT, c.1710, the 12" square brass dial with wheat ear engraved border, the movement with anchor escapement striking on a bell.£400-600
392.    JOHN HOCKER, READING (1682-1729), A THIRTY HOUR SCUMBLED PINE LONGCASE CLOCK, c.1710, the plain hood enclosing a 10" square brass dial, the long trunk door fitted with a glazed aperture, the bird cage movement with anchor escapement striking on a bell. 2.03m£500-700
396.    A 19th CENTURY CONTINENTAL WALNUT CASKET, the waisted square body beneath a hinged cover carved with a foliate panel and opening to reveal a fitted interior, possibly for a caddy. 10.5cm by 31cm by 28cm£120-180
397.    A PAIR OF UNUSUAL 19th CENTURY IVORY-MOUNTED STAINED WOODEN BARREL-FORM CADDIES, each coloured purple and applied with ivory strips and bosses, the covers with turned wooden knops, lined interiors. 9.5cm£100-150
398.    A PENWORK PLAYING CARD CASE AND COVER, late 19th/early 20th century, the cover decorated with the four card suits, the front and sides with naturalistic daisies. 12cm by 8.5cm by 6.5cm£50-70
399.    AN ARTS AND CRAFTS SATINWOOD CROSSBANDED MAHOGANY OPEN ARMCHAIR, possibly Shapland & Petter, the part-upholstered back with triple spindle above a serpentine seat flanked by down scrolled arms, raised on tapering square section legs joined by stretchers, the seat rail stamped with numerals "799". £80-120
402.    AN EARLY ROBERT "MOUSEMAN" THOMPSON OAK WARDROBE, c.1920/30, the dot and halfpenny carved frieze above an adzed and panelled case with a pair of doors, fitted with an iron latch and shaped hinges, enclosing 2/3 hanging space beside three recesses above three graduated drawers, with recessed carved mouse signature. 1.67m by 1.22m by 0.59m£4000-6000
404.    AN UNUSUAL ROBERT "MOUSEMAN" THOMPSON OAK OCCASIONAL TABLE OF SMALL PROPORTIONS, first half of the 20th century, the adzed octagonal top over a cruciform column and base, with carved mouse signature. 0.30m by 0.33m£400-600
405.    A ROBERT "MOUSEMAN" THOMPSON OAK STOOL, c.1950, the adzed, dished rectangular seat raised on faceted baluster legs on blocks joined by stretchers, with carved mouse signature. 0.38m by 0.40m by 0.27m£300-400
406.    A 19th CENTURY WALNUT SMOKER'S CABINET, in the form of a two door safe, with characteristic well fitted interior. 32cm by 30.5cm by 23.5cm£200-300
412.    AN EDWARDIAN LEAD-GLAZED GOLDEN OAK BOOKCASE, each level with a pair of doors. 1.19m by 0.89m by 0.29m£300-400
416.    AN EARLY 18th CENTURY OAK COFFER, the three panel lid above a conforming carved front. 0.71m by 1.19m by 0.53m£300-400
417.    A GILT-COMPOSITION FRAMED MIRROR IN 18th CENTURY STYLE, with urn and cherub pierced crest. 1.61m by 1.04m£200-300
418.    AN EDWARDIAN INLAID RED WALNUT CAKESTAND. 1m£70-90
419.    A CHINESE MARBLE INSET HARDWOOD JARDINIERE STAND, c.1900, the beaded top above a pierced apron, with pierced shelf stretcher. Height 0.81m, diameter 0.44m£200-300
420.    AN ASSEMBLED SET OF SIX 19th CENTURY OXFORD ELM AND ASH DINING CHAIRS, each with panel seat and ring-turned splayed legs.£100-150
421.    AN ITALIAN GILTWOOD AND GESSO MIRROR IN 18th CENTURY STYLE, the arched plate beneath a shell surmount, the sides and base with pierced scrolls and foliage, the back indistinctly inscribed. 73cm£100-150
423.    A GEORGE II JAPANNED HANGING CORNER CUPBOARD, decorated with Chinoiserie figures in a landscape against a black ground, with black painted shelved interior. 93cm by 59cm by 39cm£100-150
424.    AN INLAID MAHOGANY OPEN ARMCHAIR IN THE DUTCH 18th CENTURY STYLE, c. 1900,the arched pierced crest rail above a vasiform splat inlaid with flowers and foliate scrolls above a needlework seat flanked by outswept, downscrolled arms, raised on cabriole legs, the seat rail stamped "757". £150-250
427.    A MID-VICTORIAN INLAID WALNUT LOO TABLE, the quarter-veneered oval top inlaid with scrolling cartouches, raised on four leaf-carved columns supported on a circular platform issuing four downswept legs moving on castors. 0.68m by 0.92m by 0.54m£300-500
430.    A CHINESE CHIPPENDALE REVIVAL MAHOGANY ARMCHAIR, c. 1900, the back with elaborately carved and pierced splat beneath a leaf-carved yoke crest over a drop-in seat flanked by out-scrolled arms raised on square section fluted legs, with ivorine label to the seat rail, "John Davis & Co. London". £400-600
431.    AN EARLY 19th CENTURY JAPANNED CABINET ON STAND, the cabinet decorated with figures in a landscape and exotic birds against a black ground, opening to reveal a shelved interior, the gilt stand moulded with scrolls and foliage with cabriole legs and pad feet. Overall 1.01m by 0.58m by 0.38m£500-700
433.    A GEORGE III MAHOGANY NIGHT STAND, the rectangular galleried top pierced for carrying handles, above a string-inlaid door over a pull-out lower section fitted for a chamber pot. 0.76m by 0.52m by 0.46m£550-650
442.    A 19th CENTURY ELM MILKING STOOL, the rectangular seat with cut-off corners, raised on three splayed legs. 25cm by 33cm£70-90
443.    A GOOD EDWARDIAN BRASS CLUB FENDER, the curb with beaded edge, with square section tubular uprights and baluster turned spindles. Interior 1.42m by 0.38m, exterior 1.56m by 0.45m£600-800
445.    A GEORGE III INLAID MAHOGANY SIDEBOARD, the banded top of bowed breakfront form, above a conforming case fitted with a short frieze drawer, inlaid with a butterfly within an oval and ribbon-tied pendant bell-flower swags, flanked by a pair of frieze drawers with brass lion-mask handles, further flanked by a pair of bow-fronted deep drawers, one fitted for bottles and decanters, inlaid with floral wreaths and fitted with brass lion-mask handles, raised on square section tapering legs terminating in spade feet. 0.98m by 2.17m by 0.69m£1000-1500
447.    A PAIR OF ELM WINDSOR ARMCHAIRS, early 20th century, with pierced splat, spindle back and slender arms.£80-120
448.    A CARVED OAK BOX CHAIR, 19th CENTURY, with serpent carved crest rail above a foliate carved panel over a plank seat, flanked by arms, above a fall front carved with a mask and enclosing a tin liner, raised on bun feet.£150-200
449.    A SMALL 18th CENTURY OAK GATELEG TABLE, the oval top raised on turned baluster legs joined by stretchers. 0.72m by 1.07m (open) by 0.90m£250-350
450.    A LATE GEORGE II/EARLY GEORGE III MAHOGANY CARD TABLE, the rectangular foldover top above a frieze drawer raised on capped club legs terminating in ball and claw feet. 0.74m by 0.82m by 0.40m (closed)£150-250
451.    AN 18th CENTURY OAK DOCUMENT BOX, with slant-front. 16cm by 52cm by 36.5cm£80-120
455.    AN EARLY 19th CENTURY ELM-SEAT YEW WOOD WINDSOR CHAIR, with a stick and wheelback, horseshoe centre rail, dished seat and raised on slender baluster-turned legs joined by a crinoline stretcher. £700-900