Spring Fine Art & Antiques Catalogue Sale on
Saturday 6th June 2009
1. NEWLYN COPPER CHARGER, repousse with three fish, planished, stamped NEWLYN to the front centre. 27cm
Estimate: 80-120
2. KESWICK SCHOOL OF INDUSTRIAL ART: A SMALL SILVER-PLATED DISH, the shaped rim above a well engraved with a rose motif, planished, stamped KESWICK/KSIA/ V 770. Diameter 10cm
Estimate: 50-70
3. KESWICK SCHOOL OF INDUSTRIAL ART: "STAYBRITE" STAINLESS STEEL TEA TRAY, c.1950, of elongated oval form with wired-and-rolled edge rim, stamped marks D442/FIRTH STAYBRITE/KSIA/KESWICK/260. 53cm by 27.5cm
Estimate: 40-60
4. KESWICK SCHOOL OF INDUSTRIAL ART: BRASS TRAY, c.1905, of circular form, chased with a band of strawberries against a stippled ground, enclosing a planished central roundel, stamped KSIA. Diameter 32.5cm
Estimate: 100-150
5. KESWICK SCHOOL OF INDUSTRIAL ART: A "STAYBRITE" STAINLESS STEEL BOWL, c.1950, the planished circular bowl raised on foot, stamped marks KSIA/KESWICK/FIRTH STAYBRITE/E461. Diameter 18cm
Estimate: 80-120
6. KESWICK SCHOOL OF INDUSTRIAL ART: A COPPER VASE, c.1902, possibly designed by Harold Stabler, of cylindrical form with slightly flared foot and rim, repousse with stylised flowers, planished, stamped KSIA. 16cm
Estimate: 80-120
7. LIBERTY & CO. SOLKETS TUDRIC PEWTER CIGARETTE BOX, the rectangular domed and stippled cover opening to reveal twin cedar lined compartments, no. 01234, stamped TUDRIC/SOLKETS. 5.5cm by 13cm by 8.5cm
Estimate: 50-70
8. LIBERTY & CO. SOLKETS ENGLISH PEWTER CAKE BASKET, DESIGNED BY ARCHIBALD KNOX, c.1905, the plate and fixed handle cast with stylised foliage, no. 0357, stamped ENGLISH PEWTER/SOLKETS. 30cm by 22cm
Estimate: 200-300
9. LIBERTY & CO. PEWTER JUG, the ovoid planished body with domed cover and rattan covered handle, no. 0232. 20cm
Estimate: 50-70
10. LIBERTY & CO. SOLKETS ENGLISH PEWTER JUG, DESIGNED BY ARCHIBALD KNOX, the cylindrical body chased with stylised honesty, with rattan-covered handle, no. 0280. 20cm
Estimate: 150-200
11. LIBERTY & CO. PEWTER AND ENAMEL JUG, DESIGNED BY ARCHIBALD KNOX, the tapering body set with five enamel "beans" and cast with stylised petals, with rattan-covered handle, no. 0278. 14cm
Estimate: 250-350
12. PAIR OF LIBERTY & CO. PEWTER SPILL VASES, DESIGNED BY ARCHIBALD KNOX, each of tapering form and cast with stylised foliage, one stamped Tudric, the other English Pewter, no. 0819. 15.5cm
Estimate: 300-400
13. GROUP OF SCOTTISH ART GLASS, comprising Vasart bowl and posy dish (a/f), each with etched mark, and a small Monart "Christmas" bowl with silver flecks. (3) Vasart bowl 8cm by 21cm
Estimate: 50-70
14. COPPER AND BRASS KETTLE, IN THE MANNER OF CHRISTOPHER DRESSER, late 19th century, the squat body repousse with foliage, with brass and ebonised angular handle, registration lozenge, marked to underside of cover BEST LONDON MADE. 16cm
Estimate: 80-120
15. STUDIO POTTERY VASE, the baluster body with scrolling foliage against a green ground, indistinct incised initials and dated 18/6/53. 25cm
Estimate: 50-70
16. GROUP OF THREE PIECES OF STUDIO POTTERY, comprising St.Ives ribbed bowl, Winchcombe bowl and footed dish. (3) Winchcombe bowl 10cm by 21.5cm
Estimate: 70-100
17. WMF ART NOUVEAU BRASS AND COPPER SPIRIT KETTLE ON STAND, c. 1900, cast with characteristic stylised floral motifs, stamped mark.
Estimate: 150-200
18. EARLY TROIKA THAMES WALL PLAQUE, the rectangular plaque relief moulded with a stylised curve of the river with two dimensional buildings surrounding, coloured in green/blue tones, early Trident mark. 24cm by 21cm
Estimate: 600-800
19. CROWN DUCAL "BYZANTINE" PATTERN CHARGER, DESIGNED BY CHARLOTTE RHEAD, of circular form, tubelined and hand-painted with orange and blue stylised foliage against a mottled light orange ground, AGR9 backstamp, tubelined signature and tubeliner's mark for Adams, pattern no. 2681. 30.5cm
Estimate: 150-250
20. CROWN DUCAL "BYZANTINE" PATTERN VASE, DESIGNED BY CHARLOTTE RHEAD, of baluster form, tubelined and hand-painted with stylised foliage against a mottled orange ground, AGR9 backstamp, tubelined signature and tubliner's mark for Adams, pattern no. 2681, shape no. 173. 18cm
Estimate: 150-250
21. LARGE CROWN DUCAL "BYZANTINE" PATTERN JARDINIERE, DESIGNED BY CHARLOTTE RHEAD, tubelined and hand-painted with stylised foliage against a mottled orange ground, AGR9 backstamp, tubelined signature, pattern no. 2681. 19.5cm
Estimate: 200-300
22. CARTER STABLER & ADAMS POOLE POTTERY "BLUEBIRD" PATTERN VASE, c.1930, painted by Anne Hatchard to a design by Truda Carter, shape no. 342, impressed CSA mark, painted pattern code "HE" and decorators mark. 15cm by 18cm
Estimate: 150-250
23. TROIKA POTTERY MARMALADE POT, of shouldered cube-form, decorated by Alison Brigden with characteristic incised abstract designs, painted marks to base. 9.5cm
Estimate: 80-120
24. DENNIS CHINA WORKS LIMITED EDITION COVERED JAR, DESIGNED BY SALLY TUFFIN, the ovoid body tubelined and hand-painted with lilies and a female mask, dated 2005, no. 23, painted and impressed marks. 23cm
Estimate: 200-300
25. POOLE POTTERY CHARGER, of circular form, painted with stylised green, yellow, brown and black flowers and foliage, printed factory mark and painted signature J.Rolfe. 35cm
Estimate: 60-80
26. WALTER MOORCROFT POTTERY COVERED JAR, c.1940's, the footed body tubelined and hand-painted with anemones against a dark blue ground, painted initials and facsimile marks. 16cm
Estimate: 150-250
27. MOORCROFT "IVY" PATTERN VASE, DESIGN BY WENDY MASON, the footed body tubelined and hand-painted with ivy against a cream ground, impressed and painted marks, factory paper label. 28.5cm
Estimate: 150-200
28. SET OF SIX MOORCROFT POTTERY EGG CUPS, DESIGNED BY ANJI DAVENPORT, each tubelined and hand-painted with farm animals against a rural landscape, printed and painted factory marks, in original silk-lined case.
Estimate: 350-450
29. WALTER MOORCROFT POTTERY LIDDED JAR, probably a biscuit jar, tubelined and hand-painted with wisteria against a dark blue ground, painted initials and impressed factory marks. 15cm
Estimate: 300-400
30. MOORCROFT FOR LIBERTY & CO.: "PANSY" PATTERN BOWL, the bowl with a dark blue ground, raised on a Tudric pewter foot, stamped TUDRIC/MOORCROFT/01309. 9.5cm by 19.5cm
Estimate: 300-400
31. PAIR OF CANTON FAMILLE ROSE SERVING DISHES, 19th century, each painted in enamels with a figure seated on a dais and attendants. 27cm
Estimate: 150-200
32. JAPANESE IMARI DOUBLE GOURD VASE, early 20th century, decorated in the typical palette with foliage and cranes, unmarked. 33cm
Estimate: 120-180
33. PAIR OF CHINESE BLUE AND WHITE PORCELAIN CRACKLE-GLAZED COVERED VASES, each of baluster form decorated with dragons, the domed covers with lion finials, "seal" signature to the bases. 44cm
Estimate: 200-300
34. ROYAL CROWN DERBY OVAL SERVING PLATE, 19th CENTURY, in the Imari palette, with iron red printed mark. 60cm
Estimate: 150-250
35. TWO LATE 17th CENTURY DELFT BLUE AND WHITE TILES, (one cracked), framed as one; together with three late 19th century fireplace tiles, one stamped Minton; and an Art Nouveau border tile, all framed. First overall 31.5cm by 16.5cm
Estimate: 70-100
36. ASSEMBLED PAIR OF 19th CENTURY DRESDEN PORCELAIN FIGURAL BASKETS, modelled as a girl and a boy reaching up to a basket, on an oval rococo style base, unmarked. 14.5cm
Estimate: 60-80
37. 19th CENTURY STAFFORDSHIRE FOOT BATH, of oval form applied with twin handles and decorated with a green band dotted with gilt reserves centred by painted floral sprays. (2 cracks). 51cm
Estimate: 60-80
38. DRESDEN PORCELAIN FLORAL-ENCRUSTED THREE-PIECE VASE GARNITURE, 19th century, the central vase of shaped oval form flanked by a pair of baluster vases, all heavily encrusted with carnations and roses and with twig handles. Length across handles of first 28cm
Estimate: 100-150
39. BLUE AND WHITE "VILLAGE CHURCH" PATTERN MEAT DISH, c.1820-40, printed with a rural scene within a wild rose type border, 47cm by 34cm; together with a "Wild Rose" pattern meat dish, possibly Middlesbrough, c.1830, printed with a boating scene, printed title within a foliate cartouche verso, 37.5cm by 30cm. (2)
Estimate: 120-180
40. DOULTON LAMBETH STONEWARE JARDINIERE, c.1900, moulded and painted with a band of fish and scrolling seaweed against a cobalt blue ground, the lower half of the body glazed in brown, with undulating rim, impressed marks including decorator's monogram JS. 18cm by 23cm
Estimate: 150-200
41. TWO SUNDERLAND LUSTRE PLAQUES, 19th CENTURY, each of "picture frame" type, one printed with the image of a ship above a motto, "May Peace & Plenty on our Nation Smile and Trade with Commerce bless the British Isle", the other, Masonic, with a religious motto, both with pink splash border and pierced for suspension. (2). First 21cm by 23cm
Estimate: 150-200
42. LARGE MASONIC SUNDERLAND LUSTRE JUG, mid-19th century, of "Dutch" shape, with strap handle, printed to one side with a tribute to Masonry, opposed by various Masonic images and symbols, all against a part pink splash ground. Height 18.5cm
Estimate: 180-250
43. SAMPSON SMITH STAFFORDSHIRE FIGURE GROUP, "TAM O SHANTER & SOOTER JOHNNY", DATED 1892, each modelled seated flanking a barrel and with tankards in their hands, picked out in colours, titled base, (repair to hand of O'Shanter). 33cm
Estimate: 100-150
44. PAIR OF 19th CENTURY STAFFORDSHIRE RECUMBENT GREYHOUND PEN HOLDERS, each on an oval blue base; together with a pair of 19th century Staffordshire models of seated greyhounds. Length of first 16cm
Estimate: 120-180
45. 19th CENTURY STAFFORSHIRE COW CREAMER, the cow decorated with printed Willow pattern, on a green painted oval base (loss to one horn). Length 18cm
Estimate: 70-90
46. COPELAND SPODE MODEL OF A PAIR OF PARROTS, perched on a stump, printed mark. 18cm
Estimate: 50-70
47. STAFFORDSHIRE CRIMEAN WAR GROUP, "TURKEY, ENGLAND AND FRANCE", painted in enamels. 27cm
Estimate: 80-120
48. 19th CENTURY STAFFORDSHIRE IMARI PALETTE DINNER SERVICE, ALLERTON BROS., c. 1870, comprising three oval serving plates, thirty-one dinner plates, fourteen fish or dessert plates and twelve side plates. (60 pieces)
Estimate: 150-250
49. PEARLWARE TOBY JUG, c. 1800, the handle extensively restored. 28cm
Estimate: 60-80
50. HADLEYS WORCESTER TWIN-HANDLED VASE OF "PERSIAN" SHAPE, painted to one side with a heron, opposed by iris (repair to base of neck). 30cm
Estimate: 100-150
51. PAIR OF FRENCH FAIENCE SERVING PLATES, c. 1900, each of oval form and enamel painted, one inscribed "Chateau of Chenonceaux" and decorated with a courting couple in front of the castle, the other inscribed "Bergham 1767", decorated with a dancing peasant couple, the reverse of each with painted blue mark "Lille 1767". 51cm
Estimate: 250-350
52. ROYAL WORCESTER CABINET PLATE, DECORATED BY RICHARD SEBRIGHT, the well painted with pears and grapes within an elaborately gilded border against a cobalt ground, puce mark for 1910. 22.5cm
Estimate: 200-300
53. 19th CENTURY STAFFORDSHIRE SPRIGGED SILVER-MOUNTING HUNTING TANKARD, decorated with a fox, dogs etc, the silver rim marked for Birmingham 1876; together with a stoneware sprigged tyg applied with coats of arms between dog handles. First 10cm
Estimate: 80-120
54. FRENCH FAIENCE TUREEN IN 18th CENTURY STYLE, twin-handled, of shaped oval form, enamel painted with floral sprays, the cover with artichoke finial, painted mark "VP". Height 25cm
Estimate: 80-120
55. RUSSIAN PORCELAIN EASTER EGG, POSSIBLY IMPERIAL PORCELAIN MANUFACTORY, c. 1900, decorated with a gilt cypher under a crown. 7.25cm
Estimate: 500-700
56. COLLECTION OF TEN 19th CENTURY PRATTWARE POT LIDS, various subjects including "The Village Wedding", "On Guard", "A Fix", "A Pair" and "Transplanting Rice", four with pots, two framed, some with chips to underside. (10), largest 11.5cm
Estimate: 250-350
57. ROYAL CROWN DERBY BLUE MIKADO PART DINNER SERVICE, green printed marks, comprising fourteen dinner plates, twelve fish/dessert plates, six square side plates and twelve circular side plates, thirteen cups and saucers and two sandwich plates. (59 pieces)
Estimate: 250-350
58. STAFFORDSHIRE POTTERY FIGURE GROUP, 19th CENTURY, modelled with a seated couple in Highland dress flanked by wheatsheaves, the base with bocage and slightly faded gilt band. 21cm by 21cm
Estimate: 70-100
59. GAUDY WELSH TEA SERVICE, comprising six teacups, saucers and tea plates.
Estimate: 40-60
60. ALE FLUTE, with trumpet bowl above a double-knopped stem, on a domed circular foot. 18cm
Estimate: 70-90
61. UNUSUAL CARNIVAL GLASS OYSTER DISH, possibly Fenton. 28cm
Estimate: 50-70
62. MID-19th CENTURY GREEN GLASS DUMP PAPERWEIGHT, PROBABLY SUNDERLAND, with triple flowerhead inclusion. Height 12cm
Estimate: 60-80
63. SET OF FIVE EARLY 19th CENTURY GREEN GLASS WINES, each with conical bowl above a plain stem and raised on a circular foot. 12.5cm
Estimate: 80-120
64. PAIR OF VICTORIAN CUT-GLASS LUSTRES, each with domed circular foot beneath a baluster stem, hung with prismatic drops and pendants. 23cm
Estimate: 200-300
65. 19th CENTURY BLUE GLASS FLASK, of globe form, with original blue glass stopper; together with a blue glass pedestal bowl with knopped stem and domed circular foot. (2) flask 21cm
Estimate: 100-150
66. SET OF SIX 19th CENTURY RUMMERS, each bowl engraved with wheatsheaves and vine leaves, above a waisted stem and on a circular domed foot. 15cm
Estimate: 100-150
67. PAIR OF EARLY 19th CENTURY DECANTERS, each body of mallet form with diamond and other cutting beneath a triple ring neck and fluted mushroom stopper. 27cm
Estimate: 150-200
68. LATE 19th CENTURY BOHEMIAN WHITE OVERLAY GREEN GLASS PEDESTAL VASE, the neck and foot with cut panels, the central section painted with a portrait of a lady within an oval surrounded by further cutting, gilded throughout, (repair to foot below the knop). 40cm
Estimate: 80-120
69. VENETIAN OPAQUE AND CLEAR GLASS SIX-LIGHT CHANDELIER, 20th century, the lights on twisted scrolling stems, the bowl base suspending a pendant prismatic drop and issuing rods terminating in porcelain flowerheads, with a baluster standard, knopped above and applied with porcelain bosses. 85cm
Estimate: 400-600
70. GEORGE III STYLE CUT-GLASS SIX-LIGHT CHANDELIER, with vasiform standard and issuing scrolling candlearms with double candle cups and beneath a cup canopy suspending prisms (one arm requiring repair). 75cm
Estimate: 150-250
71. VENETIAN TURQUOISE GLASS SIX-LIGHT CHANDELIER, the tapering stem above a bowl base issuing twisted scrolling candlearms and centred by foliate rods alternating with rods terminating in glass flowerheads. 95cm
Estimate: 400-600
72. LARGE 19th CENTURY COPPER PAN, with brass handle. 21cm by 27.5cm
Estimate: 50-70
73. EARLY 20th CENTURY SILVER-PLATED BREAKFAST WARMER, of characteristic oval form, with presentation inscription dated 1915. Length across handles 38cm
Estimate: 60-90
74. PAIR OF 19th CENTURY PATINATED AND GILT-BRONZE VASES, possibly French, each of flared faceted form, applied with a pair of dolphin handles on a foliate cast knop raised on a base with cut-off corners and supported on shell feet (possibly lacking covers). Height 15cm
Estimate: 80-120
75. WILLIAM IV SHEFFIELD PLATE DESK STAND, of flattened cylindrical form, the hinged cover with foliate scroll handle opening to reveal an interior with covered compartment and a pair of inkwells, the body applied with a pair of ring handles and raised on paw feet. Length 23.5cm
Estimate: 100-150
76. UNUSUAL 19th CENTURY SILVER-PLATED NOVELTY CRUET, modelled as a village pump, with milk churn, pail and central compartment engraved "cayenne", all on an oval base. Length 15.5cm
Estimate: 250-300
77. PAIR OF W.M.F. SILVER-PLATED WINE BOTTLE COASTERS, c. 1910, each chased with ribbon-tied swags, stamped marks. 8cm by 11.5cm
Estimate: 120-180
78. SILVER-PLATED TWIN-HANDLED TEA TRAY, of rectangular form, cast with vines and scrolls. Length across handles 56cm
Estimate: 50-70
79. EARLY VICTORIAN SILVER VINAIGRETTE, FREDERICK MARSON, BIRMINGHAM 1845, the body engraved with foliate scrolls, gilt interior. 4.5cm by 3.25cm
Estimate: 400-500
80. LARGE LATE VICTORIAN PIERCED SILVER CAKE BASKET, JAMES DIXON & SONS, SHEFFIELD 1899, the shaped bowl cast and pierced with flowerheads, beaded c-scrolls and foliage, raised on four splayed legs, joined by scrolling stretchers united by a sphere, terminating in shell feet. 17.5cm by 36cm by 26cm, 28oz
Estimate: 300-500
81. PAIR OF LATE VICTORIAN PIERCED SILVER CAKE BASKETS, JAMES DIXON & SONS, SHEFFIELD 1898 AND 1899, the shaped bowls cast and pierced with flowerheads, beaded c-scrolls and foliage, raised on four splayed legs, joined by scrolling stretchers united by a "ball", terminating in shell feet. 16cm by 30cm by 24cm, 42oz
Estimate: 400-600
82. DONALD BRINDLEY (CONTEMPORARY), "THOROUGHBRED", a silver model of the head of a racehorse, London 1987, on a mahogany plinth. Height overall 16cm
Estimate: 80-100
83. SET SIX GEORGE V SILVER NAPKIN RINGS, BIRMINGHAM 1913, each pierced and numbered "A-F", in a fitted case.
Estimate: 200-300
84. WORLD WAR II INTEREST: AIR MINISTRY SILVER TRAVELLING COMMUNION SET, LONDON 1943, complete with paten, chalice etc, in its original fitted carrying case stamped "AM" under a crown.
Estimate: 350-450
85. SILVER-CASED GREEN GLASS SCENT FLASK, WILLIAM COMYNS, LONDON 1896, the flask of flattened circular form with original glass stopper, entirely contained within a hinged silver case, chased with rococo scrolls and engraved with a monogram. 8.5cm
Estimate: 180-250
86. CHARLES II SILVER TREFID SPOON, 1663-79, of characteristic form (split to bowl). 18cm
Note: See Jackson, p. 125 for maker's mark
Estimate: 200-300
87. GEORGE III SILVER BASTING SPOON, HESTER BATEMAN, LONDON 1778, Old English pattern, engraved with a monogram. Length 28cm 3.5oz
Estimate: 250-350
88. LARGE SILVER TOAST RACK, SHEFFIELD 1896, with trefoil handle and "pointed arch" dividers, raised on bun feet. Length 17cm, 9.5oz
Estimate: 150-200
89. GOOD GEORGE III SILVER HOT WATER POT, LONDON 1810, maker's mark "WB", the half fluted body raised on bun feet, and the stepped domed hinged cover with oval urn finial. Height 20cm, 26oz
Estimate: 500-600
90. PAIR OF GEORGE III IRISH SILVER TABLE SPOONS, SAMUEL NEVILLE, DUBLIN 1799, Old English pattern, each engraved with a monogram under a crest. 3.5oz
Estimate: 100-150
91. GEORGE III SILVER VINAIGRETTE, JOHN SHAW, BIRMINGHAM 1795, the rectangular body with "punched" decoration and the interior with gilt hinged cover.
Estimate: 120-180
92. PAIR OF GEORGE III SILVER SALTS, DANIEL HENNELL, LONDON 1768, each of cauldron form with blue glass liner and raised on four hoof feet, with a pair of later silver spoons, London 1853, fiddle pattern, each engraved with a monogram. Length of salts 8cm.
Estimate: 150-250
93. SET OF SIX SOLID SILVER DESSERT KNIVES AND FORKS, 19th CENTURY (and later), the knives Sheffield 1844, the forks with replaced tines for London 1927, thread and shell, in an associated mahogany box. Total weight 18oz
Estimate: 150-200
94. SET OF SIX EDWARDIAN SILVER-HANDLED TEA KNIVES, SHEFFIELD 1910, in a fitted case.
Estimate: 60-80
95. EDWARDIAN SILVER VASE, BIRMINGHAM 1903, of bud vase type, the body pierced with oval trelliswork, blue glass liner. Height 20cm
Estimate: 150-200
96. SET OF SIX LATE VICTORIAN SILVER TEASPOONS, SHEFFIELD 1900, in a fitted case.
Estimate: 50-70
97. SET OF SIX VICTORIAN SILVER "APOSTLE" COFFEE SPOONS WITH MATCHING TONGS, SHEFFIELD 1891, in a fitted case.
Estimate: 70-90
98. VICTORIAN SILVER AND MOTHER OF PEARL CAKE SERVERS, GEORGE UNITE, BIRMINGHAM 1883, knife and fork, the handles mother of pearl, in a fitted case.
Estimate: 100-150
99. EDWARDIAN SILVER THREE PIECE BACHELOR'S TEA SERVICE, Birmingham 1909, in 18th century style, the sugar and cream with gilt interiors. Length of teapot across handle 24cm. Gross weight 19oz
Estimate: 200-300
100. GEORGE V SUGAR CASTER AND CREAM JUG, BIRMINGHAM 1929, cased, each with faceted body, in a fitted case.
Estimate: 80-120
101. PAIR OF LATE VICTORIAN SILVER DWARF CORINTHIAN COLUMNAR CANDLESTICKS, London 1899, each with stepped base and presentation inscription. 15cm
Estimate: 100-150
102. EDWARDIAN SILVER BON BON DISH, THOMAS LATHAM & ERNEST MORTON, CHESTER 1904, the unusually shaped body chased with scrolling foliage and flowerheads, the four pierced trellis panels interspersed with flowerheads, raised on four c-scroll legs and terminating in paw feet. 22cm by 16cm, 9oz
Estimate: 200-300
103. SILVER SAUCE BOAT AND UNDERPLATE, the sauce boat (Birmingham 1937) with angular handle and raised on a stepped octagonal foot, the underplate (Birmingham 1936) of rectangular form with canted corners. Underplate 18cm by 12.5cm, gross 12.5oz
Estimate: 120-180
104. GEORGE V SILVER BOWL, SHEFFIELD 1918, of rounded rectangular form with ribbed corners. 20cm by 17cm, 8.5oz
Estimate: 120-180
105. GOOD VICTORIAN SILVER DESK STANDISH, EDWARD AND JOHN BARNARD, LONDON 1866, the rectangular galleried stand with pen recess before twin pierced and beaded inkwells with hinged covers enclosing frosted glass liners, flanking a taper stick with detachable drip pan, the stand also with gadrooned borders and raised on leaf-capped scroll feet. 22cm by 15cm, gross 23oz
Estimate: 400-600
106. SET OF SIX SILVER FIDDLE PATTERN TABLE SPOONS, NEWCASTLE 1856, total 15oz
Estimate: 120-180
107. RUSSIAN SILVER AND ENAMEL THRONE SALT, LATE 19th CENTURY, silver-gilt interior, struck marks to the underside and the seat. 7cm
Estimate: 500-700
108. RUSSIAN SILVER AND ENAMEL SPOON, c. 1900, with twisted stem and finial in blue enamels, the underside of the bowl with a monochrome image of a cathedral with onion domes with a scrolling foliate enamel border, struck marks (loss to enamel image of cathedral). 17cm
Estimate: 250-350
109. VICTORIAN SILVER WAITER, ROBERT HENNELL, LONDON 1869, in the Rococo taste with scrolling border, raised on three hoof feet. 21cm 13oz
Estimate: 250-350
110. GEORGE VI SILVER SALVER, BIRMINGHAM 1940, in 18th century style, of square form with cut-off corners, raised on scroll feet. 30cm 26oz
Estimate: 200-300
111. A CULTURED PEARL NECKLACE, the uniform row of large cultured pearls on a barrel-shaped clasp pave set with circular cut diamonds.
Estimate: 900-1100
112. A MOONSTONE AND DIAMOND PENDANT, the cabochon-cut heart-shaped moonstone within a brilliant cut diamond bezel with brilliant cut diamond pendant hoop.
Estimate: 750-950
113. A PAIR OF CITRINE AND DIAMOND EARRINGS, of pendant design, the faceted pear-shaped citrine drops suspended from a diamond set cap and three articulated brilliant-cut diamonds.
Estimate: 400-600
114. A PAIR OF LAPIS LAZULI AND DIAMOND EARRINGS, of pendant design, the lapis drops suspended from a diamond set cap and two articulated brilliant-cut diamonds.
Estimate: 450-650
115. A PAIR OF DIAMOND EARRINGS, of pendant design, the brilliant cut diamond suspended within two graduating diamond set articulated hoops, the whole suspended from a brilliant cut diamond collet set below a delicate trefoil of circular cut diamonds.
Estimate: 900-1100
116. A RUBY AND DIAMOND PENDANT, formed as a cross, the central brilliant cut diamond collet set within a curved double diamond set frame, the points with calibre cut ruby highlights, on a fine trace-link chain.
Estimate: 1200-1400
117. A VICTORIAN HARDSTONE AND GOLD BROOCH, c. 1860, the oblong moss agate plaque within a rub-over mount with outer pierced border.
Estimate: 70-90
118. DIAMOND AND GOLD TIE PIN, c. 1890, the old brilliant cut diamond collet set within an entwined yellow gold mount. Total weight 1gm
Estimate: 70-90
119. A DIAMOND JABOT PIN, c. 1900, modelled as an arrow, the feathers and point set with sixteen rose-cut diamonds. Mounted in platinum and yellow gold. 5.5cm long. Total weight 2gms
Estimate: 200-300
120. AN EMERALD RING, the oval cabochon-cut emerald collet set above rope and bead work decoration on a broad band with molded borders. Made with Clogau Welsh gold (with relevant paperwork).
Estimate: 250-300
121. AN EMERALD AND DIAMOND PENDANT, the oval cabochon-cut emerald collet set below an oval hoop inset with a circular cut diamond.
Estimate: 200-300
122. A PAIR OF EMERALD EARRINGS, each with pear-cut emerald claw set within a delicate tapering scrolling mount.
Estimate: 100-150
123. A PAIR OF PERIDOT EARRINGS, the oval mixed-cut peridot collet set with pierced scrolling mount; and a pair of single stone peridot earrings, each oval mixed-cut peridot within collet mount.
Estimate: 100-150
124. A CULTURED PEARL NECKLACE, the graduated row of cultured pearls on a marquise-shaped clasp set with a rose-cut diamond; a blue and white sapphire cluster ring; a five stone blue stone ring; and a marcasite brooch (4)
Estimate: 100-150
125. A DIAMOND LINE BRACELET, the uniform row of brilliant cut diamonds claw set and spaced by entwined circular yellow gold links.
Estimate: 150-200
126. AN EARLY 20th CENTURY COCKTAIL WATCH, the circular dial within a bezel set with circular-cut diamonds, on a ropework strap.
Estimate: 150-250
127. AN EARLY 20th CENTURY COCKTAIL WATCH, the elongated dial signed "Hoffrers" within a bezel set with circular-cut diamonds, cabochon blue stone winder and engraved case, on woven bracelet strap, case stamped "162", movement marked "Bulova Watch Co."
Estimate: 200-300
128. A DIAMOND COCKTAIL WATCH, c. 1920, the rectangular dial within a bezel set with circular-cut diamonds with half-moon diamond set lugs, engraved case and articulated bracelet.
Estimate: 200-300
129. VICTORIAN PAPIER-MACHE TRAY, of oval form with scalloped rim (small repair), the well painted with a floral spray. 80cm
Estimate: 50-70
130. OAK MINIATURE BUREAU, 19th CENTURY, with lift-up slant top above two short and two long drawers, raised on bracket feet. 49cm by 36cm
Estimate: 200-300
131. TRIBAL: ZULU CHIEF STAFF. 1.04m
Estimate: 60-80
132. TRIBAL: STAFF, PROBABLY TSONGA OR NGURI. 0.96m
Estimate: 50-70
133. TRIBAL: ETHIOPIAN ORTHODOX WHITE-METAL CROSS. 25cm
Estimate: 30-50
134. TRIBAL: TWO-HANDLED WOODEN BOWL, PROBABLY NORTH AFRICAN. 53cm over handles
Estimate: 30-50
135. GEORGE III MAHOGANY TEA CADDY, of rectangular form with stepped lid fitted with a gilt-metal carrying handle. 16cm by 26.5cm
Estimate: 120-180
136. TREEN: A 19th CENTURY BENTWOOD MINIATURE CHEVAL MIRROR, the rectangular plate with rounded corners within a conforming frame swivelling above a folding downswept stand. 26cm
Estimate: 80-120
137. SMALL 19th CENTURY TUNBRIDGE WARE ROSEWOOD BOX, the hinged rectangular lid with perspective cube and tesserae mosaic banding, with ivory knop. 3.5cm by 8.5cm by 6cm
Estimate: 60-80
138. 19th CENTURY ROSEWOOD SARCOPHAGUS BOX, raised on bun feet. 15cm by 28cm by 19.5cm
Estimate: 50-70
139. 19th CENTURY COROMANDEL DOME-TOP TEA CADDY, fitted with original twin lidded canisters. 16cm by 24cm by 13.5cm
Estimate: 120-170
140. 19th CENTURY ROSEWOOD SARCOPHAGUS TEA CADDY, with flattened bun feet, mother-of pearl escutcheon and fitted with compartments. 15cm by 27cm
Estimate: 60-80
141. 19th CENTURY CALAMANDER WORK BOX, the cover with shield-shaped brass escutcheon engraved with a monogram, the interior now lined as a jewellery box. 15cm by 30cm
Estimate: 60-80
142. 18th CENTURY TORTOISESHELL SNUFF BOX, of oval form, with gold mounts (unmarked) and an oval plaque to the cover engraved with a monogram; together with an early 19th century tortoiseshell folding magnifying glass, of oval form, each side applied with an oval plaque engraved with a monogram. (2) First 6cm
Estimate: 150-200
143. PAIR OF GEORGIAN CUT-STEEL SHOE BUCKLES, each of rectangular form applied with cut-steel "bosses", in a fitted case. 6.5cm
Estimate: 50-70
144. ATTRACTIVE SHELL SNUFF BOX, c. 1800, the brass-mounted compartment with mother-of-pearl cover. 6.5cm
Estimate: 80-120
145. 19th CENTURY SILVER-PLATE MOUNTED OAK TANTALUS GAMES BOX, fitted with three decanters behind a games box and above a drawer fitted for cards etc. 35cm by 38cm
Estimate: 200-300
146. PAIR OF ENGLISH FLINTLOCK PISTOLS, c 1800, each with walnut stock, brass-mounted butt, brass ramrod pipes and the barrel indistinctly stamped.
Barrels 23cm
Estimate: 250-350
147. JAPANESE IVORY FIGURE OF FUKUROKUJU, c. 1900, with a monkey on his head, carrying his rustic staff and a child at his feet, the base inset with a signed wooden plaque. 21cm
Estimate: 200-300
148. 18th CENTURY FLINTLOCK BLUNDERBUSS, with brass-mounted walnut stock, ramrod, crowned "P" and "V" marks. 39cm
Estimate: 250-350
149. UNUSUAL LIMOGES ENAMEL PLAQUE OF MINERVA, c. 1900, of circular form, the helmeted goddess in profile, vividly enamelled in red, green and blue, within a chased gilt-metal frame, signed (Laurent) diameter of plaque 8cm
Estimate: 400-500
150. THREE JAPANESE IVORY NETSUKES, c. 1900, comprising a sage with rustic staff, a god with infants and a seated girl, each pierced for suspension and each with signature to base. Largest 5cm
Estimate: 300-400
151. REGENCY STRING-INLAID ROSEWOOD TEA CADDY, of bulbous sarcophagus form, raised on flattened bun feet, the interior with its original pair of hinged rosewood boxes flanking a mixing bowl. Length 30cm
Estimate: 200-300
152. LEATHER TRAVELLING CASE WITH SILVER-MOUNTED BOTTLES etc., early 20th century, most silver tops marked London 1905, further fitted with ivory-backed brushes, leather jewellery box etc, (incomplete), the case with its original canvas cover.
Estimate: 150-250
153. 19th CENTURY TREEN CENTRE BOWL, diameter 38cm
Estimate: 50-70
154. PAIR OF 19th CENTURY BRASS-MOUNTED BEECH CANDLESTICKS IN NEOCLASSICAL STYLE, now fitted as electric lamps. 33cm
Estimate: 60-80
155. GROUP OF FIFTEEN VOLUMES ON STAFFORDSHIRE AND BRITISH CERAMICS.
Estimate: 70-100
156. AFTER CHALON, "WASP, CHILD AND BILLY", EARLY 19TH CENTURY ENGRAVING OF THREE DOGS, coloured engraving, dated 1809, in an attractive period frame. 50cm by 60cm
Estimate: 200-300
157. PERCY ROBERTSON (1869-1934), PICCADILLY, signed in pencil to the margin, etching, framed. 20cm by 28cm
Estimate: 100-150
158. HENRICUS HONDIUS, 17th CENTURY HAND-COLOURED ENGRAVED MAP OF NORTHUMBERLAND, CUMBERLAND AND DURHAM, framed and glazed to each side.
Estimate: 200-300
159. AFTER HENRY ALKEN (1785-1851), SET OF SIX COLOURED AQUATINTS, "HUNTING RECOLLECTIONS", plates 1-6, in ebonised frames. 26cm by 33cm
Estimate: 120-180
160. AFTER FIELDING, SET OF SIX COCKFIGHTING ENGRAVINGS, pub. Ackermann 1853, hand-coloured, plates 1-6. 22.5cm by 27cm
Estimate: 100-150
161. SET OF FOUR FRENCH 19th CENTURY FASHION PLATES, coloured. 24cm by 18cm
Estimate: 80-100
162. AFTER POLLARD, "LIVE-BAIT FISHING FOR JACK", early 19th century coloured engraving. 30cm by 35cm
Estimate: 30-40
163. SAMUEL & NATHANIEL BUCK, THE NORTH WEST VIEW OF THE CHAPEL AND TOWER IN DOVER CASTLE AND THE NORTH VIEW OF DOVER CASTLE, IN THE COUNTY OF KENT, TWO ENGRAVINGS, c.1735, in oak frames. 20cm by 37.5cm
Estimate: 50-70
164. "A VIEW OF THE SOUTH FRONT OF BAYNARD'S CASTLE, LONDON", PROOF ENGRAVING, printed with text and a vignette to the margin, pub. Boydell & Co., London, 1818, in a birds eye maple frame. 21.5cm by 27cm
Estimate: 40-60
165. MICHAEL LYNE (1912-89), "THE COTSWOLD", chromolithograph, signed in pencil and with stamp. 20.5cm by 29.5cm
Estimate: 80-100
166. CHARLES JOHNSON PAYNE (1884-1967), CALLED "SNAFFLES", "THE HUNTSMAN", inscribed with the title, signed in pencil and with "Snaffles bit" blindstamp, printed in colours. 41cm by 36cm
Estimate: 300-500
167. CHARLES JOHNSON PAYNE (1884-1967), CALLED "SNAFFLES", "FOXCATCHERS", signed in pencil, with "Snaffles bit" blindstamp, printed in colours. Overall 42cm by 37cm
Estimate: 200-300
168. CHARLES JOHNSON PAYNE (1884-1967), CALLED " SNAFFLES", "MERRY ENGLAND", signed in pencil, with "Snaffles bit" blindstamp, printed in colours. Overall 43cm by 40cm
Estimate: 200-300
169. CHARLES JOHNSON PAYNE (1884-1967), CALLED "SNAFFLES" , "WHATEVER DE KEEP TOWD TAMBOUREEN A ROWLIN', printed in colours. 24cm by 15cm
Estimate: 60-80
170. AFTER HENRY THOMAS ALKEN (1785-1851), SET OF SIX HUNTING AQUATINTS, pub. by S. & J. Fuller, 1822, "The Right Sort Doing the Thing", "Morning, A Few of the Right Sort Going to the Thing", "The Right Sort Having Almost Done the Thing" etc. in attractive Regency style reeded ebonised frames with gilt slips. 22.5cm by 29.5cm
Estimate: 200-300
171. AFTER LIONEL D.R. EDWARDS (1878-1966), HUNTING COUNTRIES, A PAIR OF CHROMOLITHOGRAPHS, the Beaufort and the North Warwickshire Hounds, each with stamp, signed in pencil. 39cm by 52cm
Estimate: 200-300
172. AFTER LIONEL D.R. EDWARDS (18781966), "THE QUORN AT LITTLE BELVOIR", coloured reproduction; together with "Bedale", coloured reproduction (2) 39cm by 52cm
Estimate: 50-70
173. T.L.ROWBOTHAM, FIGURES BY THATCHED COTTAGES, PAIR OF LITHOGRAPHS, framed. 19cm by 48cm
Estimate: 100-150
174. CHRISTOPHER SAXTON AND WILLIAM HOLE, MONUMETHENSIS COMITATUS, QUEM OLIM INCOLUERUNT SILURES, 17th CENTURY HAND-COLOURED ENGRAVED MAP, framed. 30cm by 35cm
Estimate: 150-250
175. JOHN FULLWOOD (1854-1931), A STROLL BY THE THAMES, signed lower right, watercolour, framed. 35cm by 52cm
Estimate: 200-300
176. WILLIAM LANGLEY (1852-1922), CATTLE WATERING BY A LAKE, signed lower left, oil on canvas, framed. 40cm by 60cm
Estimate: 300-400
177. PIETER C. STEENHOUWER (1896-1972), DUTCH STREET SCENE, signed lower right, oil on canvas. 50cm by 40cm
Estimate: 300-500
178. THOMAS COLMAN DIBDIN (1810-93), VIEW OF A FRENCH CATHEDRAL, signed lower right, watercolour. 48cm by 35cm
Estimate: 400-500
179. LOUIS VAN STAATEN (1836-1909), VIEW OF ROTTERDAM, signed lower right, watercolour. 39cm by 59cm
Estimate: 400-500
180. HERMINE GARTNER (1850-1905), "A GOOD SMOKE", signed lower right, oil on panel. 20cm by 15cm
Estimate: 150-200
181. JAMES LAWRENCE ISHERWOOD F.R.S.A. F.I.A.L. (BRITISH 1917-89), "WHEELS OF TIME", signed lower left, oil on board. 51cm by 90cm
Estimate: 600-800
182. ENGLISH SCHOOL, EARLY 20th CENTURY, "BRINDLE OR RED", two lurchers in pursuit of a hare, watercolour, signed with a monogram lower right and dated 1908. 32cm by 50cm
Estimate: 200-300
183. PORTRAIT MINIATURE OF A YOUNG LADY, c. 1830, on ivory, in an elaborate gilt frame. 8.5 by 6.5cm
Estimate: 70-90
184. PORTRAIT MINIATURE OF A YOUNG GIRL IN A CORAL NECKLACE,c. 1830, on ivory. 5cm by 4cm
Estimate: 50-70
185. PORTRAIT MINIATURE OF A REGENCY GENTLEMAN, in profile, possibly on ivory (not removed from frame). 7cm by 5cm
Estimate: 70-90
186. ENGLISH SCHOOL, 19th CENTURY, DERWENTWATER, inscribed verso with a description of the location, signed indistinctly and dated 1876, oil on canvas. 58cm by 93cm
Estimate: 80-120
187. RALPH MELLOR (19th/20th CENTURY), WATERFALL, signed lower left, oil on panel, framed. 29cm by 21.5cm
Estimate: 50-70
188. JAN VAN STEENSEL (BELGIAN, 20th CENTURY), STILL LIFE OF CHRYSANTHEMUMS, signed lower right, oil on canvas. 59cm by 89cm
Estimate: 600-800
189. ENGLISH SCHOOL, 19th CENTURY, COACHING SCENE, watercolour. 35cm by 50cm
Estimate: 50-70
190. ENGLISH SCHOOL (19th CENTURY), SHIPPING IN STORMY SEAS, watercolour. 31cm by 47cm
Estimate: 80-100
191. EDGAR ROWLEY SMART (1887-1934), PARISIAN STREET SCENE, inscribed and signed lower left, watercolour. 34cm by 29cm
Note: Studied at the Manchester and Liverpool Schools of Art and at the Ecole des Beaux Arts in Paris. Lived in France for some time after the First World War. Exhibited at the Royal Academy.
Estimate: 150-250
192. WITHDRAWN
193. J.H.POWELL (fl.1920), "SANDSEND, YORKSHIRE", signed lower right, titled to the mount, pencil and watercolour, framed. 13.5cm by 18.5cm
Estimate: 50-70
194. GEORGE GORDON BYRON COOPER (1850-1933), ST.ANDREWS BAY, signed lower right, watercolour, in an oak frame. 29cm by 90cm
Estimate: 150-200
195. WILLIAM CRAMPTON GORE (BRITISH 1877-1946), DEATH MASK OF BEETHOVEN, oil on board. 33cm by 25cm
Estimate: 100-200
196. MARTIN HARDIE (1875-1952), DOWNLAND LANDSCAPE, signed lower left, watercolour, framed. 21.5cm by 37cm
Estimate: 40-60
197. ROBERT CHAILLOUX (FRENCH 1913-2006), STILL LIFE OF GRAPES, PEARS AND CHESTNUTS WITH A PLATE AND A JUG ON A LEDGE, signed lower left, oil on canvas, in a limed gilt-composition frame. 43cm by 52cm
Estimate: 2000-3000
198. JOHN UZZELL EDWARDS (b.1937), COLLIERY PITHEAD, signed "John" lower right, watercolour sketch, framed. 58cm by 38cm
Note: This lot may be subject to Droit de Suite (See Auctioneer's Notes and Condition).
Estimate: 200-300
199. STUART BROCKLEHURST (BRITISH, CONTEMPORARY), "LITTONDALE LADY", STUDY OF A PEREGRINE FALCON WITH PREY AT FOOT, signed lower right, watercolour, framed. 21cm by 31cm
Estimate: 60-80
200. E. CHARLES SIMPSON (1915-2007), STILL LIFE OF FLOWERS IN A VASE, signed lower left, watercolour, framed. 26.5cm by 33cm
Estimate: 50-70
201. C.AGNES BOYD (BRITISH, 20th CENTURY), "TOP OF CARMEL", signed lower left, inscribed to the canvas verso and dated 1912, oil on canvas, in an oak frame under glass. 29cm by 37cm
Estimate: 100-150
202. MANNER OF STANHOPE ALEXANDER FORBES (1857-1947), GRANDFATHER TRIGG, unsigned, pen inscription verso "Grandfather Trigg/Arthur Richards of Mousehole (his grandfather)/Painted by Stanhope Forbes (Newlyn 1900?)", watercolour, framed. 29cm by 23cm
Estimate: 100-200
203. ENGLISH SCHOOL (19th CENTURY), FISHERGIRL, POSSIBLY STAITHES, indistinctly signed lower right, oil on canvas, framed under glass. 19cm by 14cm
Estimate: 150-200
204. A.TURNER (BRITISH 19th/20th CENTURY), COASTAL SHIPPING, A PAIR, each signed and one titled "Becalmed", watercolurs, framed. 10.5cm by 36cm
Estimate: 60-80
205. CONTINENTAL SCHOOL (19th CENTURY), MOORED BOAT, signed lower right "Jalon", oil on canvas, framed. 31cm by 38.5cm
Estimate: 70-100
206. LUIGI BERNIERI (ITALIAN, 20th CENTURY), PAIR OF PORTRAITS OF A LADY AND GENTLEMAN, signed and dated 1919, oil on canvas. 75cm by 63cm
Estimate: 100-150
207. ENGLISH SCHOOL, 19th CENTURY, PORTRAIT OF A GENTLEMAN, seated in a giltwood chair with an open book in his hand, oil on canvas. 66cm by 54cm
Estimate: 120-180
208. WILLIAM MILNE (19th/20th CENTURY), THE BOATYARD, signed lower left, watercolour, framed. 26cm by 37cm
Estimate: 40-60
209. F.CROSBY (19th/20th CENTURY), KING CHARLES SPANIELS, signed and dated lower right 1921, oil on panel, framed. 34cm by 50cm
Estimate: 300-400
210. WILL ROBSON (20th CENTURY), ANGLING CARTOON, signed and dated lower left (19)22, pen and ink, framed. 27cm by 19cm
Estimate: 30-50
211. ATTRIBUTED TO JAMES BURRELL SMITH (1822-1897), NEAR AMBLESIDE, unsigned, watercolour, framed. 22cm by 30cm
Estimate: 60-80
212. GARMAN MORRIS (19th/20th CENTURY), OFF THE EAST COAST, signed lower right, watercolour, framed. 27cm by 69cm
Estimate: 200-300
213. WILLIAM SIDNEY COOPER (1854-1927), GATHERING SEAWEED, signed and dated lower right (18)82, oil on canvas, framed. 44cm by 75cm
Estimate: 250-350
214. JACOPE (19th/20th CENTURY), NORTH AFRICAN VILLAGE, signed lower left, watercolour, framed. 16.5cm by 29cm
Estimate: 50-70
215. ROBERT BRIDGEHOUSE (fl.1844-1875), HERDING SHEEP ON A LAKELAND PATH, signed lower right, inscribed to old paper label verso, oil on canvas, framed. 26.5cm by 50cm
Estimate: 150-200
216. BERTRAM PRIESTMAN (1868-1951), CANAL SCENE AT TWILIGHT, signed lower left, oil on panel, framed. 24cm by 33cm
Estimate: 150-250
217. THOMAS SWIFT HUTTON (1865-1935), FIGURES ON THE BEACH, signed lower left, watercolour, framed. 21cm by 33cm
Estimate: 300-400
218. HENRY B. WIMBUSH (1859-1910), "BARNARD CASTLE, 1918", signed lower left, titled to the gilt slip, watercolour and pencil, framed. 41cm by 54cm
Estimate: 500-700
219. CONTINENTAL SCHOOL (19th CENTURY), MOONLIT VALLEY, unsigned, oil on panel, framed. 61cm by 74cm
Estimate: 500-700
220. ENGLISH SCHOOL (19th CENTURY), COASTAL COTTAGE, unsigned, watercolour and pencil, framed. 37cm by 53cm
Estimate: 60-80
221. DOROTHY MARGARET AND ELIZABETH MARY ALDERSON (1900-1992) (1900-1988), STUDY OF THE HORSE "MAYFLY" IN A LANDSCAPE, signed and dated lower right 1945, titled lower centre, watercolour, framed. 17.5cm by 25cm
Estimate: 150-250
222. DOROTHY MARGARET AND ELIZABETH MARY ALDERSON (1900-1992) (1900-1988), STUDY OF THE HORSE "DINAH" IN A LANDSCAPE, signed lower right, watercolour, titled lower centre, framed. 17cm by 22.5cm
Estimate: 150-250
223. DOROTHY MARGARET AND ELIZABETH MARY ALDERSON (1900-1992) (1900-1988), STUDY OF THE HORSE "WILD HUNTSMAN" IN A LOOSE BOX, signed and dated lower right 1940, titled lower centre, watercolour, framed. 35cm by 45cm
Estimate: 300-500
224. DOROTHY MARGARET AND ELIZABETH MARY ALDERSON (1900-1992) (1900-1988), STUDY OF THE HORSE "GOLF BALL" IN A LOOSE BOX, signed and dated lower right 1940, titled and inscribed lower centre "GOLF BALL/TENNIS BALL-LIVERTON LODGE", watercolour, framed. 34.5cm by 44.5cm
Estimate: 300-500
225. DOROTHY MARGARET AND ELIZABETH MARY ALDERSON (1900-1992) (1900-1988), STUDY OF THE HORSE "DE RESKE" IN A LOOSE BOX, signed and dated lower right 1948, titled and inscribed lower centre "DE.RESKE, 1941/MERELY.A.MINOR-POLKA", watercolour, framed. 34cm by 46cm
Estimate: 300-500
226. DOROTHY MARGARET AND ELIZABETH MARY ALDERSON (1900-1992) (1900-1988), STUDY OF THE HORSE "MICK M'QUAID" IN A LOOSE BOX, signed and dated lower left 1934, titled and inscribed lower centre "Mick M'quaid/Meleager-Gra-ma-cree", watercolour, framed. 32cm by 43.5cm
Estimate: 300-500
227. DOROTHY MARGARET AND ELIZABETH MARY ALDERSON (1900-1992) (1900-1988), STUDY OF THE HORSE "WENDY" IN A LANDSCAPE, signed and dated lower right 1941, titled lower centre, watercolour, framed. 31.5cm by 45cm
Estimate: 300-500
228. DOROTHY MARGARET AND ELIZABETH MARY ALDERSON (1900-1992) (1900-1988), STUDY OF THE HORSE "LOO" IN A LANDSCAPE, signed and dated lower right 1945, titled lower centre, watercolour, framed. 35cm by 50cm
Estimate: 300-500
229. DOROTHY MARGARET AND ELIZABETH MARY ALDERSON (1900-1992) (1900-1988), STUDY OF THE HORSE "SNOWHITE" IN A LANDSCAPE, signed and dated lower right 1940, titled lower centre, watercolour, framed. 32cm by 43.5cm
Estimate: 300-400
230. DAVID WARD, STUDY OF THE WIRE HAIRED FOX TERRIER "JIMMY", signed and dated lower right "David Ward/May.5th.1928", titled lower centre, chalk and watercolour on buff paper, framed. 22.5cm by 29.5cm
Estimate: 70-90
231. BERNARD COLLS (fl. 1928-40), "SKIPPER", study of a collie, watercolour, signed. 27cm by 22cm
Estimate: 70-90
232. BERNARD COLLS (fl. 1928-40), "DUNCAN", study of a terrier, watercolour, signed and dated 1940. 29.5cm by 22cm
Estimate: 60-80
233. MICHAEL ROSS (BRITISH, 20th CENTURY), LAKELAND LANDSCAPE, signed lower right, oil on board, framed. 29cm by 39cm
Estimate: 150-250
234. D. WRIGHT, (BRITISH, 20th CENTURY), STUDY OF A HUNTER, signed lower right, oil on board. 39cm by 49cm
Estimate: 120-180
235. ALFRED HENRY TAYLOR (BRITISH, ?-1868), STILL LIFE OF PARTRIDGES, watercolour, signed and dated 1834 in pencil, framed. 16.5cm by 11cm
Estimate: 500-700
236. PORTRAIT MINIATURE OF A LADY IN ELIZABETHAN COSTUME, the reverse of the frame inscribed "Mrs. Patrick Campbell", watercolour on ivory. 10cm by 7cm
Estimate: 150-200
237. PAIR OF PORTRAIT MINIATURES OF A LADY AND GENTLEMAN, in 18th century style, late 19th/early 20th century each within a painted floral border. Diameter 7cm
Estimate: 100-150
238. PAIR OF FRENCH PORTRAIT MINIATURES, c. 1900, probably of Louis XIV and a lady of his court, each signed "Marchand", watercolour on ivory, in oval gilt-metal frames. 8cm by 6.5cm
Estimate: 100-150
239. STAITHES GROUP (19th/20th CENTURY), "THE FISHERMAN'S HOUSE", with scratched-out initials SD lower left, typed paper label to frame verso "...attributed to Francis Reed of the Whitby/Staithes School...", faintly inscribed in pencil to the stretcher with the title and further indistinct annotation, oil on canvas, framed. 49cm by 75cm
Estimate: 700-1000
240. PORTRAIT MINIATURE OF A LADY AS A MUSICAL MUSE, 18th CENTURY, holding a sheet of music in her right hand, the left on a keyboard, watercolour on ivory. Diameter 6cm
Estimate: 70-90
241. PORTRAIT MINIATURE OF A YOUNG MAN, EARLY 19th CENTURY, indistinctly inscribed verso and dated 1827, watercolour and pencil on paper. 8cm by 6.5cm
Estimate: 80-120
242. PAIR OF 19th CENTURY PORTRAIT MINIATURES OF YOUNG LADIES, watercolour on ivory, one in a lace cap, the other with a pink bow in her hair, one indistinctly signed. Each 11cm by 8.5cm
Estimate: 400-600
243. CIRCLE OF SIR WILLIAM CHARLES ROSS R.A. (1795-1860), PORTRAIT MINIATURE OF A LADY IN A LACE CAP, c. 1850, oil, with paper label verso attributing it to Ross and stating that it is a portrait of Viscountess Hardinge (widow of the first Viscount Hardinge). 9.5cm by 6.5cm
Estimate: 150-200
244. PORTRAIT MINIATURE OF NAPOLEON I, 19th CENTURY, watercolour on ivory, in a circular gilt-metal frame. Diameter 4.75cm
Estimate: 80-120
245. REGENCY PORTRAIT MINIATURE OF A GENTLEMAN IN A VELVET COAT, watercolour on ivory, in an oval gilt-metal frame. 8.5cm by 7.5cm
Estimate: 180-250
246. THREE MINIATURES, after Botticelli, watercolour in ivory; a reclining nude with putti, watercolour on ivory; two girls in Renaissance costume, watercolour in ivory. (3) First 9.5cm by 7cm
Estimate: 100-150
247. PORTRAIT MINIATURE OF A LADY, c. 1830, mounted in gilt-metal as a locket, watercolour on ivory with a lock of hair bound with seed pearls verso, centred by a monogrammed plaque all against an opalescent glass ground. 6cm by 4.5cm
Estimate: 150-200
248. PORTRAIT MINIATURE OF A LADY IN 18th CENTURY COSTUME, c. 1900, watercolour on ivory, in a wirework easel frame decorated with turqouise beads. Overall 7cm
Estimate: 50-70
249. GEORGE TREVOR (EARLY 20th CENTURY), "LOCH AND BEN STACK", signed lower left, old gallery label dated 1957 verso, watercolour, framed. 38cm by 54cm
Estimate: 100-150
250. WITHDRAWN
ENGLISH SCHOOL, 19th CENTURY, FIGURES BY A STEAM LAUNCH, oil on canvas. 34cm by 29cm
Estimate: 150-200
251. MATHURIN MOREAU (1822-1912), "THE FISHERWOMAN", PATINATED BRONZE GROUP, the mother with her two children, signed and inscribed "Hors Concours", stamped "Godeau Paris", on a brass base. 50cm
Estimate: 2000-3000
252. PAIR OF BRONZE MODELS OF STANDING ANTELOPE, 20th CENTURY. Taller 24cm
Estimate: 60-80
253. PAIR OF MEIJI BRONZE FIGURES OF ENTERTAINERS, the faces, hands and feet with copper patina, each on integral square plinth. Taller 24cm
Estimate: 120-180
254. 19th CENTURY BRONZE MODEL OF A SEATED SPHINX, in the Empire taste, the head cast as a bearded man with elaborate headdress, greenish-brown patina. 39cm
Estimate: 200-300
255. CHINESE CARPET, with beige ground. 3.95m by 2.75m
Estimate: 200-300
256. ANTIQUE KURDISH RUG, c.1900. 1.62m by 1.07m
Estimate: 40-60
257. A SUBSTANTIAL 20th CENTURY OAK CLOCKING-IN MACHINE, with timepiece movement, circular painted dial and brass pendulum, signed to an ivorine plaque, "North-East Time Recorders Ltd., Westgate Rd, Newcastle-on-Tyne. Overall 93cm
Estimate: 70-90
258. G.TOOMS & SON, LINCOLN, LATE 19th CENTURY MAHOGANY DROP DIAL WALL CLOCK , with 30cm circular painted dial, signed, moulded bezel and pendulum aperture latch, four pillar eight day single fusee timepiece movement with anchor escapement. 54cm
Estimate: 250-350
259. CONTINENTAL GARNITURE DE CHEMINEE IN THE ART DECO TASTE, the clock with cream chapter, embossed numerals and spring driven timepiece movement, with matching side pieces, all in cubic style, burnt sienna veined marble finish. 20.5cm
Estimate: 60-90
260. J.W. RICHARDSON, DARLINGTON, AN ATTRACTIVE MAHOGANY LONGCASE CLOCK IN 18th CENTURY STYLE, the case inlaid in the Sheraton taste, with long trunk door, the hood with swan neck pediment and brass-capped reeded columns, eight day four pillar two train weight driven striking movement complete with subsidiary seconds, date pointer and 33cm arched brass dial, the case and movement, c. 1875. 2.31m
Estimate: 2500-3500
261. LATE 19th CENTURY WALNUT CASED DROP DIAL WALL CLOCK WITH TUNBRIDGE TYPE BANDING, 30cm circular painted dial and pendulum aperture to lower case, train spring driven striking movement. 68cm
Estimate: 150-250
262. EDWARDIAN SHERATON STYLE MAHOGANY BALLOON CLOCK, the circular white enamelled dial signed MAPPIN & WEBB, LONDON, the spring driven French timepiece movement with platform cylinder escapement. 24cm
Estimate: 100-150
263. GOOD 19th CENTURY MAHOGANY BAROMETER, the figured case with boxwood banded edge and swan neck pediment, with hygrometer, long thermometer, 20cm circular engraved register and level, signed "Charles Tarelli, Newcastle" (working London 1810-30 and subsequently Newcastle), mercury tube complete. 98cm overall
Estimate: 200-300
264. LATE 19th CENTURY SILVER OPEN FACE "CHRONOGRAPH" POCKET WATCH, with centre sweep seconds, 3/4 plate, spring driven movement with cylinder escapement. 58mm
Estimate: 50-70
265. THOMAS METCALFE, STOCKTON (1827-1851), LONGCASE CLOCK, the faded oak and mahogany case with short trunk door, the hood with swan neck pediment, 30 hour pull-up weight driven movement, the painted arched dial with dummy winding holes, date pointer and subsidiary seconds. 2.19m
Estimate: 300-500
266. LATE 19th CENTURY MAHOGANY MANTLE CLOCK, the arched case with string inlay, circular convex white enamelled dial, two train spring driven movement striking the hours and half hours on a gong. 33cm
Estimate: 100-150
267. 17th CENTURY AND LATER OAK THRONE CHAIR, the panelled back surmounted by a leaf-carved crest, above a plank seat, flanked by downswept arms, raised on baluster legs joined by stretchers.
Estimate: 120-180
268. EDWARDIAN INLAID MAHOGANY PLANTSTAND, the three tier centre section issuing three further stands. 1.09m
Estimate: 100-150
269. EARLY 20th CENTURY PAINTED WOODEN ROCKING HORSE, with original leather saddle, (lacking mane and tail). 0.98m by 1.23m
Estimate: 120-180
270. MID VICTORIAN MAHOGANY BREAKFAST TABLE, the richly coloured and figured square top raised on a massive faceted baluster standard, supported on a shaped square plinth, resting on flattened bun feet. 0.75m by 1.22m
Estimate: 300-500
271. EDWARDIAN INLAID MAHOGANY VITRINE CABINET, the arched galleried top inlaid in stained boxwood with a stylised Art Nouveau floral design, above a string-inlaid case, fitted with a pair of glazed doors, raised on cabriole legs. 1.65m by 1.03m by 0.38m
Estimate: 150-250
272. SET OF FIVE WILLIAM IV SIMULATED ROSEWOOD CANE-SEATED CHAIRS, each with curved scroll carved crest rail above a series of unusual twisted splats, over a bowed seat, raised on turned legs joined by stretchers.
Estimate: 150-250
273. PAIR OF EDWARDIAN OAK BEDROOM CHAIRS, each with arched ribbon-tied crest above fluted columnar splats, over a bowed canework seat, raised on fluted tapering legs.
Estimate: 80-120
274. GEORGE III STYLE INLAID MAHOGANY DEMILUNE FOLDOVER CARD TABLE, c.1910, raised on square-section legs terminating in short spade feet. Open 0.68m by 0.83m by 0.82m
Estimate: 120-180
275. 19th CENTURY WALNUT DESK, the breakfront leather-inset writing surface above two banks of four graduated drawers, with brass pulls, flanking a central drawer above a cupboard door, all on a plinth base. 0.80m by 1.14m by 0.56m
Estimate: 250-350
276. LATE 17th/EARLY 18th CENTURY OAK COFFER, with three panel front between stiles continuing to legs. 0.83m by 1.23m by 0.50m
Estimate: 200-300
277. VICTORIAN "AESTHETIC" OVERMANTEL MIRROR, the central plate flanked by smaller plates, each fitted with a shelf, with characteristic linear gilt incised decoration and two gilt ground floral panels, all against an ebonised ground. 0.96m by 1.35m
Estimate: 150-250
278. CHINESE CHIPPENDALE REVIVAL MAHOGANY BUREAU BOOKCASE, early 20th century, with pierced broken swan-neck pediment above a pair of astragal glazed doors, surrounded by characteristic blind fretwork carving, the slant front similarly decorated and opening to reveal a fitted interior, above two short drawers over a pair of panelled cupboard doors. 2.26m by 1.00m by 0.43m
Estimate: 300-500
279. VICTORIAN WALNUT NURSING CHAIR, c.1860, with original needlework upholstery, flowerhead crest rail and short cabriole legs.
Estimate: 100-150
280. MID VICTORIAN WALNUT AND BEADWORK NURSING CHAIR, the oval back above a stuffed over seat, raised on fluted legs, upholstered in beadwork with floral sprays.
Estimate: 150-250
281. 19th CENTURY GILTWOOD AND NEEDLEWORK POLESCREEN, the square leaf-moulded banner enclosing a needlework panel depicting a bird and a basket of flowers, raised on a standard decorated with foliage, on a tripod base with further decorative carving. 1.45m
Estimate: 300-400
282. 19th CENTURY MAHOGANY SUTHERLAND TABLE, of characteristic form with leaf-carved trestles. 0.71m by 1.22m (open) by 0.76m
Estimate: 120-180
283. EARLY 19th CENTURY LOW HOOPBACK WINDSOR ARMCHAIR, with pierced central splat and raised on baluster legs joined by stretchers.
Estimate: 120-180
284. SCOTTISH LATE 17th CENTURY HIGH-BACK CHAIR, with cane back and seat, baluster turning, characteristic thistle carving, raised on block and baluster legs joined by a scroll and thistle carved stretcher.
Estimate: 150-200
285. MID-19th CENTURY MAHOGANY CHILD'S ARMCHAIR, with tablet back and baluster legs.
Estimate: 70-100
286. 18th CENTURY GATELEG DINING TABLE, the oval top raised on turned legs joined by stretchers. 0.71m by 0.88m by 1.18m (open)
Estimate: 100-150
287. LARGE MAHOGANY VENEERED TOILET MIRROR, c.1860, the arched mirror plate within a cushion moulded conforming frame, swivelling between urn-topped tapering cylindrical columns, above a platform base fitted with two drawers, each with glass knob. 0.85m
Estimate: 100-150
288. 19th CENTURY MAHOGANY TOILET MIRROR, the arched mirror plate within a conforming cushion-moulded frame with carved crest, swivelling on a trestle stand. 0.80m
Estimate: 100-150
289. ROCOCO REVIVAL GILTWOOD AND COMPOSITION OVERMANTEL MIRROR, the cartouche shaped plate within a conforming frame, carved with scrolls, shells and foliage. 0.76m by 1.02m
Estimate: 150-200
290. LOUIS XV STYLE MARBLE-TOPPED TWO-TIER ETAGERE TABLE, the upper tier of cartouche shape inset with marble, raised on gilt-metal mounted incurved supports continuing to outswept legs, enclosing a second tier fitted with gilt-metal carrying handles. 0.90m by 0.83m by 0.48m
Estimate: 300-400
291. MID 18th CENTURY WALNUT VENEERED CHEST OF DRAWERS, the rectangular moulded top above two short and three long graduated drawers, with original bail handles, with double panelled sides and raised on bracket feet. 0.95m by 0.98m by 0.60m
Estimate: 300-500
292. SET OF EIGHT HEPPLEWHITE REVIVAL MAHOGANY SHIELD-BACK DINING CHAIRS, EDWARDS & ROBERTS, c.1900, each back with pierced waisted splat centred by an inlaid satinwood oval patera, above a bowed stuffed-over seat, raised on tapering square section legs, decorated throughout with string inlay, two chairs with remnants of original Edwards & Roberts paper label to the seat rail.
Note: Edwards & Roberts was founded in 1845, and had premises at 21 Wardour Street, London. By 1892 they occupied more than a dozen buildings in Wardour Street, where they continued to trade until the end of the century. They became one of the leading London cabinet makers and retailers working in a variety of styles, both modern and revivalist.
Estimate: 700-1000
293. OAK TRIPOD TABLE, c.1800, (originally a tilt-top), the circular top raised on a vasiform standard, issuing three hipped downswept legs. 0.72m by 0.89m
Estimate: 100-150
294. MID VICTORIAN OAK BREAKFAST TABLE, the oval top pulling out for one leaf, with lunette carved border, raised on a massive baluster standard, carved with flowerhead panels and supported on four scrolling legs terminating in castors. 0.71m by 2.05 (extended) by 1.30m
Estimate: 300-400
295. PAIR OF 19th CENTURY COALBROOKDALE "FERN AND BLACKBERRY" PATTERN CAST IRON BENCHES, the white painted frames profusely cast with foliage, fitted with new unfinished slats, each stamped RHB26. 1.12m
Note: See the 1875 Coalbrookdale Catalogue, section III, page 254, number 29.
Estimate: 1000-1500
296. PAIR OF VICTORIAN CAST IRON TABLES, the circular tops pierced with scrolls, raised on scrolling tri-form bases. 0.69m by 0.59m
Estimate: 100-200
297. GEORGE III STRING-INLAID MAHOGANY TOILET MIRROR, the base with three drawers. 49cm
Estimate: 80-120
298. EDWARDIAN EBONISED ENVELOPE CARD TABLE, the square top opening to reveal a green baize lined playing surface and chip wells, above a frieze drawer, raised on tapering square section legs, joined by a shelf stretcher, terminating in castors. 0.73m by 0.55m by 0.55m
Estimate: 150-200
299. LATE 19th CENTURY STAINED BEECH DAVENPORT, with stationery box superstructure above a gilt-tooled leather-inset writing surface, the base with cupboard door and turned legs, terminating in castors. 0.92m by 0.55m by 0.55m
Estimate: 150-200
300. EDWARDIAN MAHOGANY SIDE CABINET, IN EARLY 19th CENTURY STYLE, the breakfront top above a long cross-banded drawer, over a pair of panelled doors, flanked by fluted panels. 0.97m by 1.05m by 0.38m
Estimate: 150-250
301. 20th CENTURY MAHOGANY "CAMPAIGN" PEDESTAL DESK, the leather-inset top with brass corner mounts over an arrangement of three drawers, each pedestal fitted with three graduated drawers, with "campaign" brass handles throughout. 0.78m by 1.52m by 0.91m
Estimate: 250-350
302. EDWARDIAN MAHOGANY SIDE CABINET, IN EARLY 19th CENTURY STYLE, the rectangular breakfront top above a frieze drawer over a panelled door, flanked by fluted panels. 0.98m by 0.89m by 0.37m
Estimate: 150-250
303. GEORGE IV MAHOGANY PEDESTAL SIDEBOARD, the bowed top with arched backboard above a central drawer flanked by two short drawers and a deep drawer simulating two, over two cupboard doors, all between fluted columnar panels fitted to one side with a cupboard door, decorated throughout with ebonised stringing and fleurs-de-lys and with later lion mask ring handles. 1.16m by 1.75m by 0.73m
Estimate: 300-400
304. 19th CENTURY MAHOGANY BOOKCASE CABINET, the upper section with moulded cornice above a pair of glazed doors enclosing a shelved interior, the lower section with a pair of panelled doors, on a plinth base. 2.15m by 1.05m by 0.44m
Estimate: 150-200
305. VICTORIAN GENTLEMAN'S SPOON-BACK ARMCHAIR TOGETHER WITH A LADY'S SPOON-BACK ARMCHAIR. (2)
Estimate: 150-250
306. CONTINENTAL WALNUT ROCKING CRADLE, 18th CENTURY, the splayed sides each applied with bosses and inlaid with a stylised flowerhead, one end inlaid with a smiling sun, the other with initials, with heart-shaped carrying handles and overall attractive patina. 0.51m by 0.91m by 0.50m
Estimate: 300-500
307. GEORGE III MAHOGANY BUREAU CYLINDRE, IN SHERATON STYLE, the attractively figured roll-top with string-inlay opening to reveal a fully fitted interior with pull-out writing slide, above an arrangement of five drawers over two banks of three drawers flanking an arched recess, the finished reverse with a pair of fielded panels above an arrangement of dummy drawers and two further fielded panels, raised on ogee bracket feet, locks stamped Hobbs & Co. Cheapside. 1.19 by 1.41 by 0.73m
Estimate: 1200-1800
308. PAIR OF ROCOCO REVIVAL GILTWOOD SIDE CHAIRS, c.1900, each with cartouche shaped padded back above a bowed seat, raised on cabriole legs.
Estimate: 180-250
309. CHINESE 19th CENTURY BLACK LACQUER AND PAINTED SIDEBOARD, c.1850, the moulded rectangular top above two pairs of cupboard doors, fitted with characteristic latches, raised on three stiles continuing to feet, painted throughout with figures in landscapes, fretwork and flowers. 0.86m by 1.35m by 0.45m
Estimate: 250-350
310. 19th CENTURY OAK GATELEG TABLE, in late 17th century style, of small proportions, the oval top raised on a trestle base with turned baluster uprights. 0.65 by 1.04 by 0.84m
Estimate: 150-200
311. EARLY 19th CENTURY MAHOGANY GATELEG DINING TABLE, of rectangular form, raised on ring-turned tapering circular legs. 0.74 by 1.60 (open) by 1.11m
Estimate: 250-350
312. PAIR OF ROCOCO REVIVAL GILTWOOD GIRANDOLE MIRRORS, probably early 20th century, each plate of cartouche form within an elaborate frame carved with flowerheads and c-scrolls and issuing a single candle arm, (repairs) 43cm
Estimate: 150-250
313. EDWARDIAN INLAID MAHOGANY NIGHTSTAND, the square galleried top above a frieze fitted with a slide, raised on splayed square section legs. 0.69m
Estimate: 100-150
314. 19th CENTURY WING CHAIR, in 18th century style, the high narrow back above a loose cushioned seat between out- and downswept arms, raised on short baluster legs.
Estimate: 150-250
315. PAIR OF LATE 19th/EARLY 20th CENTURY COPPER-BOUND COOPERED OAK PAIL-FORM JARDINIERES, each applied with three copper bands and with suspension holes. Height 31cm
Estimate: 200-250
316. MID 19th CENTURY MAHOGANY TRIPOD TABLE, the dished circular top raised on a barleytwist standard terminating in hipped downswept legs. 0.70m by 0.49m
Estimate: 200-300
317. MID 19th CENTURY WALNUT POLESCREEN, the oval banner centred by a beadwork panel of an angel and child, moving on a brass urn-topped standard and raised on three hipped leaf-carved downswept legs. 1.50m
Estimate: 200-300
318. ATTRACTIVE SMALL OAK COFFER, in 18th century style, probably 1900, the hinged moulded top above a central panel flanked by larger ogee fielded panels, above two short drawers, raised on bracket feet, fitted with good brass lock plate and bail handles. 0.49m by 0.70m by 0.35m
Estimate: 300-400
319. GEORGE IV MAHOGANY LIBRARY TABLE, the moulded leather-inset rectangular top raised on rectangular columnar balusters joined by a baluster stretcher and supported on scroll feet. 1.69m by 1.22m by 0.60m
Estimate: 500-700
320. EDWARDIAN INLAID MAHOGANY LADY'S WRITING TABLE, the rectangular top with leather-inset panel and slant-front superstructure fitted with a pair of doors enclosing an interior fitted for stationery and pens, above a long drawer, raised on square tapering legs, decorated throughout with satinwood bands. 0.96m by 0.76m by 0.48m
Estimate: 300-400
321. LATE VICTORIAN MAHOGANY "HANDKERCHIEF" TABLE, the triangular top with three c-scroll and foliate carved drop leaves, raised on acanthus carved cabriole legs, joined by a moulded shelf stretcher. 0.73m by 0.55 (closed)
Estimate: 250-300
322. LATE 19th CENTURY "AMERICAN" CHILDS ROCKER, the back and seat with baluster carving, raised on trestles and with characteristic spring movement.
Estimate: 80-120
323. BURR WALNUT VENEERED FOLDOVER CARD TABLE, c.1870, the serpentine moulded top above a plain frieze, raised on a leaf-carved baluster standard continuing to four similarly carved hipped downswept legs terminating in castors. Open 0.69m by 0.92m by 0.92m
Estimate: 400-600
323A. FRENCH OAK MIRRORED ARMOIRE, LATE 19th CENTURY, the arched crest centred by a c-scroll above arched doors with conforming bevelled mirror panel, over two short drawers and raised on scroll feet; the bed with crest matching the armoire, the headboard and footboard centred by a quarter veneered panel. Armoire 2.50m by 1.57m by 0.60m
Estimate: 400-600
324. BURR WALNUT VENEERED TRIPOD TABLE, c.1870, the inlaid quarter veneered circular top carved with a band of foliage, raised on a similarly carved baluster standard continuing to leaf-capped downswept legs terminating in scroll feet. 0.72m by 0.50m
Estimate: 150-250
325. SET OF STAINED BEECH LIBRARY STEPS IN 19th CENTURY STYLE.
Estimate: 70-100
326. VICTORIAN WALNUT NURSING CHAIR, the cartouche shaped back with foliate carved crest, raised on cabriole legs terminating in scrolls.
Estimate: 60-90
327. 19th CENTURY WALNUT OCCASIONAL TABLE WITH INLAID CHEQUER BOARD, the cartouche shaped top raised on double baluster column trestles, joined by a stretcher. 0.67m by 0.87m by 0.47m
Estimate: 100-150
328. WILLIAM IV ROSEWOOD FOLDOVER TEA TABLE, the swivelling top with rounded corners above a plain frieze, raised on a tapering cylindrical standard carved with a band of leaves, raised on a platform base terminating in scroll feet. Open 0.71m by 0.90m by 0.90m
Estimate: 250-350
329. 19th CENTURY MARBLE-TOPPED MAHOGANY VENEERED SIDE TABLE, the shaped top with backboard, above a frieze centred by a fretwork carved tablet, raised on cabriole legs terminating in scrolls continuing to a platform base resting on bun feet. 0.85m by 1.23m by 0.53m
Estimate: 200-300
330. 19th CENTURY MARBLE-TOPPED MAHOGANY VENEERED SIDE TABLE, the shaped top with backboard bracketed shelf, above a frieze centred by a fretwork carved tablet, raised on cabriole legs terminating in scrolls continuing to a platform base resting on bun feet. 0.95m by 1.23m by 0.53m
Estimate: 200-300
331. FRENCH OAK DRESSING TABLE, c.1900, the moulded rectangular top with mirrored superstructure, above a frieze drawer flanked by two banks of two drawers, raised on cabriole legs terminating in scrolls. 1.27m by 1.24m by 0.47m
Estimate: 120-180
332. EARLY 20th CENTURY OAK LOWBOY IN LATE 17th CENTURY STYLE, the rectangular top hinged to reveal a shallow compartment, above a cockbeaded drawer, raised on baluster legs joined by a scrolling x-form stretcher and with bun feet. 0.77m by 0.76m by 0.50m
Estimate: 150-200
333. FRENCH MIRROR-FRONTED ARMOIRE WITH DOUBLE BED EN SUITE, c.1900, the armoire with arched crest above three mirrored doors, over three drawers, raised on scroll feet; the bed with arched headboard and footboard, each enclosing walnut veneered panels. 2.27m by 1.67m by 0.58m
Estimate: 300-500
334. EARLY VICTORIAN MAHOGANY PEDESTAL SIDEBOARD, with ornately carved scrolling backboard, each pedestal with scroll and shell carved fielded panel door, enclosing slides and drawers, flanking a scrolling shell carved central drawer. 1.54m by 1.97m by 0.65m
Estimate: 300-500
335. PAIR OF GILTWOOD MIRRORS, IN NEOCLASSICAL STYLE, early 20th century, each with laurel carved crest above a fluted ribbon-tied frame, all enclosing an arched plate. 0.72m by 0.42m
Estimate: 200-300
336. LARGE VICTORIAN OAK EXTENSION DINING TABLE, the moulded top with rounded corners and bowed ends and with five leaves, raised on five tapering baluster fluted legs, decorated with ebonised bands, the feet with beaded gilt-metal bands and moving on castors. 0.73m by 4.53m (extended) by 1.45m
Estimate: 1500-2500
337. LATE 17th CENTURY OAK COFFER, the moulded top opening to reveal an interior with a candle box, above a three fielded panelled front, the stiles continuing to legs, (and what appear to be the original iron lock and hinges). 0.64m by 1.12m by 0.51,
Estimate: 300-400
338. PAIR OF THOMAS "GNOMEMAN" WHITTAKER OAK LOW-BACK CHAIRS, the tapering panelled backs above conforming seats, raised on square section legs joined by stretchers, adzed throughout, each with recessed carved gnome signature.
Estimate: 150-250
339. ROBERT "MOUSEMAN" THOMPSON OAK TEA TROLLEY, the two tiers raised on square section legs, with carved mouse signature, (lacking castors). 0.66m by 0.85m by 0.38m
Estimate: 300-400
340. ALAN "ACORNMAN" GRAINGER OAK COFFEE TABLE, the rectangular top raised on a trestle base, with recessed carved gnome signature, adzed. 0.38m by 0.60m by 0.34m
Estimate: 120-180
341. ARTS AND CRAFTS BRASS MIRROR, early 20th century, of oval form, with hammered finish and decorated with four floral plaques. 85cm by 60cm
Estimate: 40-60
342. PAIR OF ARTS & CRAFTS OAK WARDROBES, c.1900, each with two quarter-sawn panelled doors, fitted with copper backplate and drop handles chased with stylised honesty, on a plinth base. 2.22m by 0.59m by 0.89m
Estimate: 400-600
343. ROBERT "MOUSEMAN" THOMPSON OAK ASHTRAY, of characteristic form, with carved mouse signature, good colour. 10cm by 7cm
Estimate: 40-60
344. SET OF FOUR ROBERT "MOUSEMAN" THOMPSON OAK NAPKIN RINGS, each octagonal ring with carved mouse signature.
Estimate: 120-180
345. GOOD PAIR OF ROBERT "MOUSEMAN" THOMPSON OAK BOOKENDS, c.1940's, each concave face carved with a large mouse signature, adzed, excellent rich colour. Height 15.5cm
Estimate: 300-400
346. 1930's ROBERT "MOUSEMAN" THOMPSON OAK COFFEE TABLE, the boldly figured octagonal top raised on a cruciform standard and conforming base, adzed, with carved mouse signature, excellent rich colour. 0.48m by 0.58m
Estimate: 700-900
347. ROBERT "MOUSEMAN" THOMPSON OAK STOOL, the dished rectangular top raised on four faceted baluster legs terminating in blocks joined by stretchers, with carved mouse signature, c.1980.
Estimate: 400-600
348. ROBERT "MOUSEMAN" THOMPSON OAK X-FORM STOOL, c.1970, the slung leather seat suspended by stretchers joining opposing x-shaped frames, with carved mouse signature.
Estimate: 600-800
349. GOOD ROBERT "MOUSEMAN" THOMPSON OAK REFECTORY DINING TABLE AND SIX CHAIRS, c.1960, the table with a four plank adzed rectangular top raised on a trestle base with faceted baluster uprights continuing to sledge feet joined by a chamfered and adzed stretcher, with carved mouse signature; the chairs, including two carvers, with lattice backs above brown leather seats, raised on faceted baluster legs terminating in blocks joined by stretchers, each with carved mouse signature. Table 0.73m by 1.83m by 0.87m
Estimate: 6000-8000
350. SET OF THREE THOMAS "GNOMEMAN" WHITTAKER OAK NESTING TABLES, c.1950/60, each with rectangular top raised on trestle ends, the larger with recessed carved gnome signature. 0.44m by 0.56m by 0.37m
Estimate: 300-400
351. THOMAS "GNOMEMAN" WHITTAKER OAK HALL TABLE, the rectangular top raised on a trestle base with shelf stretcher, with recessed carved gnome signature, adzed. 0.72m by 0.76m by 0.37m
Estimate: 250-350
352. PAIR OF ROBERT "MOUSEMAN" THOMPSON OAK NAPKIN RINGS, each of faceted form, with carved mouse signature.
Estimate: 70-90
353. ALBERT "EAGLEMAN" JEFFRAY OF SESSAY OAK GATELEG DINING TABLE, the adzed circular top raised on six faceted baluster legs terminating in blocks joined by stretchers, with recessed carved eagle signature. Open 0.76m by 1.06m
Estimate: 300-500
354. PAIR OF OAK CANDLESTANDS, IN THE MANNER OF THOMPSON OF KILBURN, the circular tops raised on quad-form standards continuing to conforming bases. 0.66m
Estimate: 60-80
355. ROBERT "MOUSEMAN" THOMPSON OAK FRUIT BOWL, c.1950, of circular form, with carved mouse signature to the centre, adzed throughout, diameter 30cm, together with a Robert "Mouseman" Thompson oak pin or ashtray, of characteristic form, adzed and with carved mouse signature, 10cm by 7.5cm. (2)
Estimate: 150-250
356. 1930's ROBERT "MOUSEMAN" THOMPSON OAK FRUIT BOWL, the deep circular bowl adzed throughout and with rich colour, with carved mouse signature to the exterior. Diameter 20cm
Estimate: 300-400
357. OAK BUREAU BOOKCASE, c.1910, probably Harris Lebus, the projecting cornice above a pair of lead-glazed doors, the lower section fitted with a roll-top enclosing a fitted interior over three short drawers and a cupboard door. 2.17cm by 0.85m by 0.51m
Estimate: 200-300
358. ROBERT "MOUSEMAN" THOMPSON OAK STANDARD LAMP, c.1960's, the faceted tapering standard continuing to a conforming stepped base, adzed, with carved mouse signature. Height including fitting 1.44m
Estimate: 500-700
359. ROBERT "MOUSEMAN" THOMPSON OAK COFFEE TABLE, the rectangular top raised on a trestle base with faceted baluster uprights continuing to sledge feet joined by a chamfered stretcher, with carved mouse signature, excellent rich patina. 0.45m by 0.91m by 0.37m
Estimate: 500-700
360. 1930's ROBERT "MOUSEMAN" THOMPSON OAK STOOL, the rectangular lattice-work leather seat raised on four faceted baluster legs, terminating in blocks joined by stretchers, with carved mouse signature, excellent colour.
Estimate: 300-400