Autumn Fine Art & Antiques Catalogue Sale
on Saturday 5th December 2009
1. MOORCROFT POTTERY BOWL, c.1957, tubelined and hand-painted with columbine against a green ground, Potters to the Late Queen Mary paper label to the base. Diameter 11cm
Estimate: 50-70
2. WILLIAM MOORCROFT POTTERY VASE, 1915, of shouldered ovoid form, tubelined and hand-painted with panels of forget-me-nots within a powder blue glaze, green painted signature and date, impressed Moorcroft/Burslem/England/M30. 18cm
Estimate: 300-500
3. WALTER MOORCROFT POTTERY CACHEPOT, the tapering body tubelined and hand-painted with clematis against a cobalt blue ground, impressed Moorcroft/Made in England. 12.5cm
Estimate: 60-80
4. SMALL MOORCROFT POTTERY BOWL, tubelined and hand-painted with an anemone against a cobalt blue ground, impressed Moorcroft/Made in England, diameter 11.5cm; together with a modern small Moorcroft pottery trial vase, of shouldered baluster form, with a blue glaze, impressed and painted marks, 9cm. (2)
Estimate: 60-80
5. SMALL MOORCROFT POTTERY VASE, of squat baluster form, tubelined and hand-painted with anemone against a cobalt blue ground, impressed Made in England/Moorcroft, 7.5cm; together with a miniature Moorcroft pottery vase, of baluster form, tubelined and hand-painted with anemone against a green shaded ground, blue printed circular factory mark Moorcroft/Made in England, 5.5cm. (2)
Estimate: 50-70
6. PAIR OF MOORCROFT POTTERY "POWDER BLUE" VASES, of ovoid form, impressed factory marks and no. M18; together with a trinket dish in the same pattern. Height of vases 21cm
Estimate: 80-120
7. MOORCROFT POTTERY POWDER BOWL, c.1955, tubelined and hand-painted with African lilies against a cobalt blue ground, impressed facsimile signature and Potter to H.M. The Queen. Diameter 15cm
Estimate: 150-200
8. JAMES MACINTYRE & CO. "18th CENTURY" PATTERN VASE, DESIGNED BY WILLIAM MOORCROFT, c.1908, the trumpet shaped body tubelined and hand-painted with swags of roses and forget-me-nots against a white ground with gilt-highlighted rim and foot, brown printed factory mark and green painted signature. 28cm
Estimate: 700-900
9. WALTER MOORCROFT FLAMBE POTTERY VASE, mid 20th century, the ovoid body tubelined and hand-painted with hibiscus, impressed facsimile factory mark and green painted initials. 25cm
Estimate: 500-700
10. MOORCROFT ENAMELS LIMITED EDITION VASE, the ovoid body free-hand painted inside and out with peregrines by Terry Halloran, no. 37 of 75, boxed with signed certificate. 7cm
Estimate: 700-900
11. JAMES MACINTYRE & CO. CHOCOLATE POT, glazed in white, brown printed factory marks, registration no. for 1897, 18.5cm; together with a James Macintyre & Co. "Gesso Faience" hot water jug, tubelined with scrolling foliage against a pink ground, brown printed and impressed factory marks, 15.5cm. (2)
Estimate: 100-150
12. WILLIAM MOORCROFT "NATURAL POTTERY" BOTTLE VASE, the ribbed body with cream glaze, c.1930's, impressed factory marks. 27cm
Estimate: 120-180
13. LIBERTY & CO. SOLKETS ENGLISH PEWTER CAKE BASKET, DESIGNED BY ARCHIBALD KNOX, c. 1905, of shaped rectangular form, the plate and handle cast with stylised foliage, stamped no. 0357, ENGLISH PEWTER/SOLKETS. 30cm
Estimate: 200-300
14. LIBERTY & CO. TUDRIC PEWTER CANDLESTICK, DESIGNED BY ARCHIBALD KNOX, c.1905, the circular sconce raised by three shaped supports, the circular base with cast foliate decoration, no. 0223, stamped marks. 22.5cm
Estimate: 600-800
15. LIBERTY & CO. TUDRIC PEWTER TAZZA, DESIGNED BY ARCHIBALD KNOX, the circular domed foot supporting a tripartite standard beneath a shallow bowl, the rim cast with stylised honesty, no. 01161, stamped marks. 26cm
Estimate: 700-900
16. GOOD PAIR OF LIBERTY & CO. TUDRIC PEWTER VASES, each cast with the tree of life, no. 0763, stamped marks. 20.5cm
Estimate: 600-800
17. LARGE PAIR OF ROYAL DOULTON SLATER'S PATENT STONEWARE VASES, the tall ovoid bodies with a wide textured buff ground band enriched with enamel painted flowers between moulded bands of acanthus to the necks and feet, impressed lion, crown and wheel mark and various other impressed and incised marks. 44cm
Estimate: 250-350
18. PAIR OF ROYAL DOULTON STONEWARE JUGS, EARLY 20th CENTURY, the baluster bodies with folded rims, with gilt-scroll and white panels enclosed by beaded borders flanked by green and blue glazed areas, impressed lion, crown and wheel mark, no. 8295, incised decorator's marks. 21.5cm
Estimate: 120-180
19. PAIR OF VILLEROY & BOCH METTLACH STONEWARE VASES, c.1900, of shouldered ovoid form, stylistically moulded and painted with "beaded" panels, foliate scrolls and roundels below a brown moulded collar, impressed no. 1829 and factory mark. 22.5cm
Estimate: 200-300
20. SHELLEY MABEL LUCIE ATWELL NURSERY TEAPOT, the spout and handle painted in orange, decorated with a pixie, printed mark and registration no. 724421, (crack and chip to lid).
Estimate: 60-80
21. CROWN DUCAL "RHODIAN" PATTERN CHARGER, DESIGNED BY CHARLOTTE RHEAD, tubelined and painted with stylised floral and leaf motifs, blue printed factory mark and tubelined designer's signature, pattern no. 3272. 44cm
Estimate: 60-80
22. A.G. HARLEY JONES WILTON WARE LUSTRE-GLAZED VASE, c.1935, the baluster body gilded and printed with exotic birds amidst blossoming boughs against a mottled ground, shape no. 1504, pattern no. 5111. 31cm
Estimate: 30-50
23. BERNARD ROOKE 1960's STUDIO POTTERY LAMP BASE, OF TOTEM POLE DESIGN, sectioned and moulded in relief with various stylised geometric shapes and abstract patterns on a square section base. 73cm
Estimate: 70-90
24. EARLY TROIKA ST.IVES CHARGER, of circular galleried form, with incised decoration of stylised flowerheads, centred by a similarly incised blue enamel roundel, early impressed mark. Diameter 23.5cm
Estimate: 200-300
25. PAIR OF ARTS & CRAFTS GOBERG WROUGHT IRON FIVE-LIGHT CANDELABRA, the staggered candle cups issuing from scroll-ended bars, centred by a pierced panel depicting a stylised flower, raised on a lightly fluted domed foot, stamped to the base GOBERG, and the the frame RASPER/AUSTRIA. 34cm
Estimate: 250-350
26. SET OF FOUR MIXED METAL CANDLESTICKS, c.1960's, each with silvered candle cup and drip pan above a gilt-metal splayed quad-form base. 38cm
Estimate: 80-120
27. ARTS & CRAFTS SILVERED METAL TANKARD, IN MEDIEVAL STYLE, the waisted body with castellated rim and hammered wide central band, with riveted handle, unmarked. 17cm
Estimate: 50-70
28. TIFFANY STYLE LEADED GLASS DRAGONFLY LAMP, with conforming base. 22cm
Estimate: 70-90
29. MURANO STUDIO GLASS BOWL, with multi-coloured trailed decoration, etched mark, diameter 20cm; together with a Kosta Boda studio glass bowl, etched mark Kosta AW 235, diameter 22cm. (2)
Estimate: 80-120
30. GILLIES JONES STUDIO GLASS BOWL, the red opaque body with yellow lip wrap, signed Gillies Jones Rosedale, diameter 14cm; together with an studio glass vase, the pocket-shaped body with an enamel design, signed, height 27cm. (2)
Estimate: 40-60
31. TWO STUDIO POTTERY BLUE-GLAZED CANISTER VASES, stoneware, each bearing impressed monogram. Taller 35cm
Estimate: 30-50
32. NEAR PAIR OF CAMEO GLASS VASES, each flared cylindrical body overlaid with naturalistic foliage, raised on a squat base with a band of slice-cut panels, post War. 13cm
Estimate: 40-60
33. GLASGOW SCHOOL BRASS TRAY, of galleried rectangular form with rolled rim and twin pierced carrying handles, enclosing a panel repousse with stylised foliage against a stippled ground, raised on ball feet. 60cm (over handles) by 25cm
Estimate: 100-150
34. KAYSERZINN PEWTER BUD VASE, the waisted body chased with stylised clover, cast mark. 12.5cm
Estimate: 70-90
35. ART DECO PLASTER FIGURE OF A FEMALE NUDE, c. 1930, her outstretched arms holding a gilded drapery, impressed registration mark and "Made in England" verso. 45cm
Estimate: 80-120
36. NEWLYN COPPER CADDY, the oval cover repousse with a shell above a body decorated with fish, slightly planished, stamped NEWLYN. 9.5cm high
Estimate: 200-300
37. ARTS & CRAFTS COPPER BOX, the hinged rectangular lid repousse with acorns and oak leaves and with a central raised oval panel, above a conforming case, unmarked.
Estimate: 80-120
38. PILKINGTONS ROYAL LANCASTRIAN VASE, the trumpet shaped body with spreading foot and blue mottled glaze, no. 2778, impressed factory mark. 17cm
Estimate: 60-80
39. POOLE POTTERY BOWL, hand painted with foliate sprigs, black printed factory mark. Diameter 24cm
Estimate: 30-40
40. ARTS & CRAFTS COPPER THREE-HANDLED VASE, the tapering cylindrical body repousse with stylised foliage against a textured ground, applied with three riveted scroll handles, unmarked. 33cm
Estimate: 120-180
41. KESWICK SCHOOL OF INDUSTRIAL ART: A "STAYBRITE" STAINLESS STEEL BOWL, c. 1950, the circular bowl repousse with a rose, marks inc. Firth Staybrite, D591; together with a "Staybrite" stainless steel trinket dish with scalloped rim, marks including Firth Staybrite Z745. Diameter of first 20cm
Estimate: 80-100
42. MINTON TILE PLANTER, DESIGNED BY JOHN MOYR SMITH (1834-1912), of square form, each of the four tiles depicting scenes from Shakespeare, and signed with initials JMS, impressed factory marks to base. 18cm by 15.5cm by 15.5cm
Estimate: 100-150
43. CAITHNESS GLASS LIMITED EDITION PAPERWEIGHT, "STORMY PETREL", no. 383 of 500, boxed with certificate, c.1978.
Estimate: 30-50
44. CAITHNESS GLASS LIMITED EDITION PAPERWEIGHT, "ARK ROYAL", no. 245 of 500, boxed with certificate, c.1978.
Estimate: 30-50
45. SUSIE COOPER FOR WEDGWOOD, A "CORN POPPY" PATTERN COFFEE SERVICE, six place settings, comprising coffee pot, cream, sugar, six coffee cans and saucers. (15)
Estimate: 60-80
46. EDWARDIAN BRASS-FRAMED, LEADED AND STAINED GLASS HALL LANTERN, of square-section form, each panel with central "bullseye". 37cm by 21.5cm by 21.5cm
Estimate: 300-400
47. ARDIZZONE PLATE, "BATHING - COUNTRY PLEASURES", printed in black and white, Royal Chelsea.
Estimate: 40-50
48. LINTHORPE POTTERY VASE, the ovoid body glazed in shades of brown, raised on a pedestal foot and with undulating rim, shape no. 2010, impressed factory mark. 24cm
Estimate: 120-180
49. LINTHORPE POTTERY VASE, the ovoid body painted with daisies and glazed in shades of brown, with undulating rim and spreading foot, shape no. 1619, impressed factory mark and painted decorator's marks. 16cm
Estimate: 120-180
50. MATCHED PAIR OF LINTHORPE POTTERY VASES, each slender ovoid body painted with flowers and foliage and glazed in shades of brown, raised on pedestal feet and with undulating rims, shape no. 1636, painters decorator's marks CP 909 and CP 976. 23cm
Estimate: 180-250
51. TWO LINTHORPE POTTERY VASES, the first of shouldered ovoid form and with a green and brown mottled glaze, shape no. 877, impressed factory mark, (restored), 18cm; the second of slander tapering form and with similar glaze, unmarked, 23cm. (2)
Estimate: 80-120
52. PAIR OF LINTHORPE POTTERY PLATES, each with mottled green, brown and yellow glaze, shape no. 940, impressed factory mark. 18cm
Estimate: 100-150
53. LINTHORPE POTTERY VASE, of bottle-form, painted and moulded with foliage in light relief against a brown ground, shape no. 848, impressed factory mark and decorator's initials WL. 12.5cm
Estimate: 50-70
54. LINTHORPE POTTERY PEPPER SHAKER, of bottle-form with silver-plated cover and glazed in shades of green, white and brown, shape no. 541, impressed factory mark. 9cm
Estimate: 30-50
55. LINTHORPE POTTERY TWO-HANDLED VASE, the slender shouldered ovoid body raised on a circular spreading foot, glazed in shades of green and brown, shape no. 895, impressed factory mark. 21.5cm
Estimate: 120-180
56. LINTHORPE POTTERY JARDINIERE, DESIGNED BY CHRISTOPHER DRESSER, of tapering cylindrical form and raised on a foot, with green and brown drip glaze, impressed factory mark, impressed Henry Tooth monogram and designer signature, no. 860. (a/f) 21.5cm
Estimate: 100-150
57. PAIR OF LINTHORPE POTTERY VASES, the baluster bodies moulded in light relief and painted with foliage against a brown ground, impressed factory mark, one with decorator's monogram RS the other WLN 87, no. 1108. (one a/f) 16cm
Estimate: 60-80
58. GROUP OF FOUR PIECES OF LINTHORPE POTTERY, comprising teapot moulded in light relief and painted with foliage against a brown ground, impressed factory mark, decorators monogram and no. 1246, (a/f); bowl with undulating rim and glazed in turquoise upon yellow, impressed factory mark and no. 1380, (a/); bottle-shaped vase with a red glaze, impressed factory mark and no. 84; underplate designed by Christopher Dresser, impressed factory mark, impressed Henry Tooth monogram and designer signature. (4) Vase 12.5cm
Estimate: 120-180
59. LINTHORPE POTTERY TRAY, DESIGNED BY CHRISTOPHER DRESSER, the shaped oval tray with up-turned wavy rim, moulded and incised with crabs and frogs, glazed in turquoise upon brown, impressed factory mark, impressed Henry Tooth monogram and designer signature, no. 457. (a/f) 28cm by 23.5cm
Estimate: 180-250
60. LINTHORPE POTTERY PLAQUE, DESIGNED BY CHRISTOPHER DRESSER, moulded in light relief and painted with white chrysanthemums and foliage, impressed factory mark, impressed Henry Tooth monogram and designer signature, painted decorator's mark, no. 299. 29cm
Estimate: 180-250
61. IMARI VASE, c.1900, of flask-form, the body characteristically decorated and applied with an entwined dragon glazed in blue. 18cm
Estimate: 40-60
62. LARGE PAIR OF JAPANESE POTTERY VASES, in Satsuma style, characteristically painted with figures, 20th century. 47cm
Estimate: 60-80
63. GOOD PAIR OF SMALL SATSUMA FLASK VASES, possibly Kinkozan, each of flattened oval form, finely painted with figures in interiors or landscapes within cartouches against densely stippled grounds further painted with flowers and foliage, each with gold seal mark, one with small chip to neck rim. 9.5cm
Estimate: 300-500
64. CHINESE BLUE AND WHITE PRUNUS VASE, mounted as a lamp; together with a 19th century blue and white printed vase, also mounted as a lamp. (2).
Estimate: 50-70
65. JAPANESE SATSUMA LAMP BASE, c.1930, modelled as an elephant with calf upon its back, on a wooden stand. Length 21cm
Estimate: 30-50
66. SMALL CHINESE WHITE-GLAZED PORCELAIN BOWL, possibly Sung; together with a Chinese blue and white porcelain dish. (2). First 13cm
Estimate: 60-80
67. CHINESE GREEN-GLAZED STONEWARE BOWL. 19.5cm
Estimate: 40-60
68. GROUP OF SIX CHINESE EXPORT PORCELAIN TEA BOWLS, together with a saucer. (7)
Estimate: 30-40
69. CHINESE BLUE AND WHITE PORCELAIN TEA BOWL AND SAUCER, 19th century, decorated in the Willow pattern, highlighted with gilding.
Estimate: 30-40
70. ORIENTAL STONEWARE LAMP OR INKHOLDER, the cover decorated with a dragon, the handle a bird and feathers. 16.5cm
Estimate: 40-60
71. TWO ROYAL CROWN DERBY OLD IMARI PATTERN MEAT PLATES, oval and graduated, pattern no. 1128, printed factory marks. Larger 41cm
Estimate: 300-400
72. SET OF SIX ROYAL CROWN DERBY OLD IMARI PATTERN DINNER PLATES, pattern no. 1128, printed factory marks. 26cm
Estimate: 350-450
73. ROYAL CROWN DERBY OLD IMARI PATTERN VEGETABLE DISH, oval, pattern no. 1128, printed factory marks. 26cm by 19.5cm
Estimate: 70-90
74. GROUP OF ROYAL CROWN DERBY OLD IMARI PATTERN WARES, comprising cream jug, soup plate and bread plate, pattern no. 1128, printed factory mark. (3)
Estimate: 150-250
75. SET OF THREE ROYAL CROWN DERBY OLD IMARI PATTERN PLATES, pattern no. 1128, printed factory mark. 21cm
Estimate: 120-180
76. SET OF THREE ROYAL CROWN DERBY OLD IMARI PATTERN DINNER PLATES, pattern no. 1128, printed factory marks. 26cm
Estimate: 150-250
77. ROYAL CROWN DERBY OLD IMARI PATTERN THREE-PIECE TEA SERVICE, comprising teapot, cream jug and sugar bowl, pattern no. 1128, printed factory marks. Teapot 17cm
Estimate: 400-600
78. SET OF SIX ROYAL CROWN DERBY OLD IMARI PATTERN BREAKFAST CUPS AND SAUCERS, pattern no. 1128, printed factory marks.
Estimate: 350-450
79. AN EXTENSIVE MINTONS DINNER SERVICE, printed and painted with floral sprays within blue scroll and leaf borders, comprising 29 dinner plates, 12 soup plates, 19 dessert plates, 3 side plates, pair of vegetable tureens, sauce tureen and 8 serving plates of various shapes and sizes, printed marks and date mark for 1927.
Estimate: 200-300
80. 19th CENTURY COW CREAMER, small chips to base. 16.5cm
Estimate: 100-150
81. BESWICK FIRESIDE MODEL OF A SEATED FOX, designed by Graham Tongue, model no. 2348. 31.5cm
Estimate: 100-150
82. GROUP OF 19th CENTURY "STONE CHINA" WARES, comprising a pair of serving dishes, soup plate and four dessert bowls, all enamel painted and printed with an Oriental influenced scene of a parrot upon a bough surrounded by flowering foliage, blue printed Stone China mark. (7) Length of serving dishes 37cm
Estimate: 60-90
83. BESWICK MODEL OF AN APPALOOSA STALLION, designed by Arthur Gredington, model no. 1772A, colourway no.2. 20.5cm
Estimate: 60-80
84. LARGE BESWICK MODEL OF A PALOMINO HUNTER, designed by Arthur Gredington, model no. 1734, second version. 30cm
Estimate: 150-200
85. ROYAL BONN EWER, c.1900, the ovoid body raised on a pedestal foot, painted with chrysanthemums and highlighted with raised gilding, impressed and printed factory marks. 29.5cm
Estimate: 60-80
86. ROYAL DOULTON FIGURE, "PAISLEY SHAWL", HN 1988, green printed lion, crown and wheel mark. 16cm
Estimate: 30-50
87. BESWICK MODEL OF A PALOMINO SHIRE FOAL (LARGE), designed by Arthur Gredington. 16cm
Estimate: 60-80
88. PAIR OF DOULTON BURSLEM "FAIENCE" EWERS, c.1901, each painted and moulded with opposing foliate panels beneath a "beaded" collar, with scroll handle, brown printed factory mark and incised no. 356. 15.5cm
Estimate: 50-70
89. CARLTON WARE "MIKADO" PATTERN BOWL, c.1927, decorated with chinoiserie against a blue ground, heightened with gilt, pattern no 2929, black printed Wiltshaw & Robinson mark. Diameter 23cm
Estimate: 40-60
90. GRAINGER & CO., ROYAL CHINA WORKS, WORCESTER, A LEAF-MOULDED GLOBULAR VASE, c.1890-1900, no.757/G6021, green printed factory mark. 7.5cm
Estimate: 50-70
91. BING & GRONDAHL COPENHAGEN PORCELAIN TEA SERVICE, comprising ten cups, saucers and tea plates, decorated with sea gulls against a blue/white ground, printed factory marks. (30)
Estimate: 70-90
92. DERBY IMARI PALETTE SUPPER SERVICE, c. 1800, comprising a set of four quadrant tureens, domed pedestal tureen, eleven plates, three saucers and a coffee can, iron red marks and pattern nos. (various losses/damage).
Estimate: 500-700
93. SUNDERLAND POTTERY JUG, 19th CENTURY, of Dutch shape with strap handle, printed with a "...View of the Cast Iron Bridge..." within a splashed pink border. 8.5cm
Estimate: 40-60
94. PAIR OF SPODE "GOTHIC CASTLE" PATTERN SERVING DISHES, c.1810-20, transfer-printed with chinoiserie-style scene and usual geometric and vignette border, each with impressed no. 21, no factory mark. 26cm
Estimate: 100-150
95. NEAR PAIR OF DUTCH DELFT CHARGERS, each painted in blue with floral sprays and with yellow rim. 34cm
Estimate: 100-150
96. PAIR OF STAFFORDSHIRE MODELS OF GREYHOUNDS, 19th CENTURY, each modelled standing with a hare in its mouth and upon a naturalistically moulded base sprigged with bocage and with a gilt line. 28.5cm
Estimate: 200-300
97. LOCKE & CO., WORCESTER, BLUSH IVORY JARDINIERE, c.1895-1900, moulded throughout with leaves beneath a gilded rim, black printed factory mark. 14cm by 23cm
Estimate: 60-80
98. PAIR OF ROYAL WORCESTER BLUSH IVORY VASES, each quatrelobed body painted with a floral spray and highlighted with gilding beneath a coral-moulded rim, date code for 1897, puce printed factory mark. 11.5cm
Estimate: 120-180
99. LARGE ROYAL DUX FIGURE OF A GOATHERD, modelled as a young man wearing a bear skin, standing wearing sandals, a goat at his side, on a rustic canted square integral plinth moulded with flowers picked out in soft colours, applied and impressed pink triangle pad mark, impressed shape no. 1060. 80cm
Estimate: 300-500
100. PAIR OF ROYAL BONN EWERS, c.1900, each painted with flowering foliage and highlighted with raised gilding, printed factory mark and puce painted marks. 22cm
Estimate: 70-90
101. MINTON MAJOLICA RABBIT AND LEAF COMPORT, glazed in white, the foliage in green and yellow and with a mottled brown base, impressed marks, pattern no. 1451. Length 24cm
Estimate: 200-400
102. TWO ROGERS BLUE AND WHITE POTTERY PICKLE DISHES, c.1820, each of lozenge form with scroll knop and transfer printed with foliage, impressed ROGERS. Length 12cm
Estimate: 60-80
103. PAIR OF NEW HALL PORCELAIN TEA BOWLS AND SAUCERS, c.1800, each piece painted with floral sprigs within a pink wavy line and dot border, three pieces with pattern no. 356.
Estimate: 70-100
104. MEISSEN PEAR-SHAPED COFFEE POT AND COVER, c. 1740, with a puce scroll handle, painted with Deutsche Blumen, the cover with a flower finial (cover chipped), blue crossed swords mark. 24cm
Sold Christie's Raby Castle Sale, 10th/11th October 1994, lot 648 (part).
Estimate: 250-350
105. CHELSEA WHITE CIRCULAR MAYFLOWER BOWL, COVER AND STAND, c. 1760, applied with rows of flowerheads and with a large flower finial (chips to finial and parts of petal lacking, stand chipped and cracked, small chips to petals, cracks to footrim of bowl). Diameter of bowl 15cm
Sold Christie's Raby Castle Sale, 10th/11th October 1994, lot 581.
Estimate: 350-450
106. MEISSEN SHALLOW CIRCULAR BOWL, moulded and painted with exotic birds and floral sprays, blue crossed swords mark; together with a Meissen oval bowl, painted with floral sprays and butterflies (riveted), blue crossed swords mark; and a Continental porcelain plate, moulded and painted with floral sprays (restoration). (3). First 17cm
Estimate: 80-120
107. PAIR OF AGATEWARE CARPET BOWLS, 19th century.
Estimate: 50-70
108. PAIR OF GIEN FAIENCE TAZZAS, late 19th CENTURY, each printed in blue and yellow, with brown printed marks. Diameter 22cm
Estimate: 30-40
109. THREE ENGLISH 19th CENTURY DESSERT PLATES, including Spode.
Estimate: 20-30
110. PAIR OF WORCESTER KERR & BINNS ARMORIAL PLATES, c. 1850, each centred by a monogram under a coronet within a green and gilt border highlighted with pink rosebuds. 26cm
Estimate: 30-50
111. 19th CENTURY STONEWARE TEAPOT, J. DUDSON, of globular form, with pewter cover, impressed marks. Length across handle 23cm
Estimate: 30-40
112. DOULTON LAMBETH SILVER-MOUNTED SPRIGGED STONEWARE BEAKER, decorated with tavern figures and hunting scene, London 1890. 12cm
Estimate: 30-50
113. PAIR OF DERBY COFFEE CANS AND SAUCERS, c. 1800, each decorated in blue and gilt with vine leaves and grapes, iron red marks; together with an early 19th century teacup and saucer with striped banded decoration.
Estimate: 20-40
114. MINIATURE EARTHENWARE SPLATTER-GLAZED CUP AND SAUCER, 19th CENTURY, possibly American.
Estimate: 25-35
115. ROYAL WORCESTER PORCELAIN CABINET PLATE, the moulded and gilt-highlighted plate painted by James Stinton with pheasants in a clearing, date code for 1906, puce printed factory mark. Diameter 22cm
Estimate: 100-150
116. WITHDRAWN
Estimate: 350-450
117. SMALL PAIR OF ROYAL WORCESTER FRUIT PAINTED POT POURRI VASES, with covers and liners, painted by Roberts, no. H162, black printed factory mark. 11cm
Estimate: 800-1000
118. SET OF SIX ROYAL WORCESTER FRUIT PAINTED COFFEE CANS AND SAUCERS, 1930's, painted by various hands comprising Hale, Moseley and Price, puce and blue printed factory marks. (12)
Estimate: 1000-1500
119. ROYAL WORCESTER FRUIT PAINTED POT POURRI VASE, cover and liner, painted in the round by Freeman above a basket-weave moulded lower body, no. 1286, black printed factory mark. 25cm
Estimate: 2000-3000
120. FINE PAIR OF ROYAL WORCESTER FRUIT PAINTED POT POURRI VASES, covers and liners, painted by Freeman above a basket-weave moulded lower body, no. 1286, black printed factory mark. 25cm
Estimate: 3000-4000
121. A PAIR OF EARLY 19th CENTURY CUT-GLASS DOUBLE-LIPPED RINSERS; together with a pair of bowl-form rinsers of similar date and a smaller rinser of very similar design (5).
Estimate: 50-70
122. GEORGE V SILVER-MOUNTED CUT-GLASS COCKTAIL SHAKER, BIRMINGHAM 1927, of cylindrical form with circular foot. 27cm
Estimate: 50-70
123. SET OF ELEVEN CUT-GLASS CRESCENT DISHES, early 20th century, each with star-cut base.
Estimate: 50-70
124. SET OF TWENTY-TWO 19th CENTURY CUT AND ETCHED DRINKING GLASSES, comprising eleven rummers or water glasses, eight wines and three liqueurs, each of tapering bowl form, elaborately cut and etched with a band of grapes and vines.
Estimate: 70-100
125. 18th CENTURY GREEN GLASS WINE BOTTLE. 17cm
Estimate: 120-180
126. PAIR OF JAPANESE PAINTED OPAQUE GLASS BALUSTER VASES, c. 1900, each painted in iron red, pinks, blues and gold with birds amidst foliage. 18.5cm
Estimate: 60-80
127. PAIR OF 19th CENTURY PRESSED GLASS CIDER MUGS, decorated with stylised flowerheads. 10cm
Estimate: 20-30
128. 19th CENTURY BLUE GLASS BULB VASE, 19.5cm
Estimate: 30-50
129. PETER DREISER ETCHED GLASS RUMMER OR ALE, the bowl decorated with birds in a wooded landscape, signed and dated (19)63. 14cm
Estimate: 40-60
130. PAIR OF HEAVY CUT-GLASS STANDS OR PLATES, late 19th century, each panel and star-cut. 20cm
Estimate: 20-40
131. TWO 19th CENTURY CUT-GLASS CLARET JUGS, each of flattened flask form, with star-cut decoration (stoppers associated). 27cm
Estimate: 50-70
132. DUNHILL CHROME PLATED CIGARETTE LIGHTER IN THE FORM OF AN AEROPLANE. 16cm
Estimate: 80-120
133. BARBARA TRIBE (AUSTRALIAN 1913-2000), CHURCHILL, resin bust, inscribed Barbara Tribe. 15.5cm
Estimate: 100-150
134. CHINESE PALE JADE CARVING OF A PEACH, PROBABLY 18th CENTURY, with well carved beetle and a leafing branch. 6.5cm
Estimate: 400-600
135. CHINESE PALE JADE CARVING OF FRUIT, 19th CENTURY, decorated with a leafing branch. 10cm
Estimate: 150-250
136. CENTRAL AMERICAN CEREMONIAL FEATHERED COLLAR, framed. 97cm by 80cm
Estimate: 40-60
137. 19th CENTURY PLAYFAIR DOUBLE-BARRELLED 16-BORE SHOTGUN, with 30" damascus barrels, side percussion locks and chequered walnut half stock, c. 1840-60.
Estimate: 200-300
138. MID-19th CENTURY SINGLE BARREL 10-BORE PERCUSSION LOCK SHOTGUN, with 30" iron barrel, back action lock and chequered walnut stock.
Estimate: 200-300
139. 19th CENTURY "LEG OF MUTTON" LEATHER GUN CASE, for 30" barrel.
Estimate: 50-70
140. WALTER AWLSON (SCOTTISH, 20th CENTURY), THE GIRL VIOLINIST, stoneware with bronzed patina, limited edition 24/50. 69cm
Estimate: 180-250
141. CONTINENTAL SCHOOL, WHITE MARBLE FIGURE OF A RECLINING FEMALE NUDE, indistinctly signed, dated 2001. Length 67cm
Estimate: 120-180
142. VINTAGE LEATHER COLLAR BOX
Estimate: 20-40
143. LATE 19th CENTURY CHINESE CINNABAR LACQUER BRUSHWASHER, decorated with figures in a landscape. Diameter 10cm
Estimate: 30-50
144. UNUSUALLY DECORATED RUSSIAN PAPIER MACHE BOX, painted with a a boy and a peacock watching a Sputnik ascending into the night sky, signed and dated 1979 to the cover. 11cm by 5cm
Estimate: 40-60
145. 19th CENTURY "LEG OF MUTTON" LEATHER GUN CASE. 77cm
Estimate: 40-60
146. 19th CENTURY LEATHER HAT BOX, with remnants of Southern Railway luggage label. 26cm by 35cm by 30cm
Estimate: 40-60
147. HEUBACH KOPPELSDORF BISQUE HEADED DOLL, with brown wig, sleeping blue eyes, open mouth with upper four front teeth, on a jointed composition body, impressed Heubach Koppelsdorf/250.3/Germany. 60CM
Estimate: 100-150
148. FRENCH S.F.B.J. BISQUE HEADED DOLL, with long brown wig, open mouth displaying upper four front teeth and painted eyebrows, with a jointed composition body, impressed D/SFBJ/60/PARIS/5. 55cm
Estimate: 100-150
149. SIMON & HALBIG BISQUE HEADED DOLL, with blonde wig, sleeping brown eyes, open mouth displaying upper four front teeth, painted eyebrows, on a jointed composition body, impressed 1079/Germany/Halbig/S&H. 54cm
Estimate: 100-150
150. VICTORIAN MAHOGANY KNITTING STICK, with incised decoration and monogram, "MW". 26cm
Estimate: 60-90
151. 19th CENTURY MAUCHLINE WARE BOX, characteristically printed to the lid and front with scenes of Derwentwater. 13cm by 17cm by 12cm
Estimate: 40-60
152. ASHANTI BRONZE GOLD WEIGHT
Estimate: 30-50
153. AFTER RICHARD KISSLING, A BRONZED PLASTER GROUP OF WILLIAM TELL AND HIS SON. 61cm
Estimate: 100-150
154. PATINATED BRONZE MODEL OF A CARP IN JAPANESE STYLE. 61cm
Estimate: 100-150
155. CHINESE PATINATED BRONZE MASK PAPERWEIGHT, cast with four differing expressions. 18cm
Estimate: 60-80
156. ART DECO STYLE BRONZE FIGURE OF A DANCER, raised on a rouge marble plinth. Overall 43cm
Estimate: 100-150
157. AFTER HOUDON, PATINATED BRONZE BUST OF THE COMPOSER CHRISTOPH WILLIBARD GLUCK, on a turned bronze socle. 24cm
Estimate: 80-120
158. AFTER CARPEAUX, FIGURE GROUP PERSONIFYING WAR, SPELTER, on a wooden plinth. Height exc. base 46cm
Estimate: 100-150
159. BRONZE GROUP OF A GIRL EMERGING FROM AN EGG, AFTER AN ART DECO ORIGINAL, mid-brown and green patina. Height 41cm
Estimate: 250-350
160. AFTER PIERRE-JULES MENE, L'ACCOLADE, 20th century, bronze, on a marble plinth. Length overall 39cm
Estimate: 250-350
161. COLD-PAINTED BRONZE MODEL OF AN AIREDALE TERRIER, modelled standing. 11cm
Estimate: 100-150
162. ROBERT LESLIE HOWEY (1900-1981), "DAWN" AND "WHITBY HARBOUR", two limited edition prints, each signed in pencil by the artist's son and numbered 87/250, framed. 23.5cm by 29cm
Estimate: 100-150
163. ROBERT LESLIE HOWEY (1900-1981), "THE HUNT" AND "HUNTSMEN AND HOUNDS", two limited edition prints, each signed in pencil by the artist's son and numbered 63/250 and 73/250 respectively, framed. 23.5cm by 29cm
Estimate: 100-150
164. PAIR OF HUNTING PRINTS, "FIRST IN" AND "A GOOD START", from the paintings by John Charlton, pub. Raphael Tuck & Sons, framed. 41cm by 31cm
Estimate: 80-120
165. SAMUEL PALMER (1805-81), CHRISTMAS - FOLDING THE LAST SHEEP, ETCHING ON LAID PAPER. 12cm by 10cm
Estimate: 1000-1500
166. SAMUEL PALMER (1805-81), OPENING THE FOLD - AND FOLDED FLOCKS WERE LOOSE TO BROWSE, ETCHING ON LAID PAPER. 15.2cm by 21cm
Estimate: 400-600
167. JAMES ABBOTT MCNEILL WHISTLER (1834-1903), BILLINGSGATE, ETCHING ON LAID PAPER, 1859. 15.2cm by 22.4cm
Estimate: 400-600
168. ERIC GILL (1882-1940), EVE, WOOD ENGRAVING, 23.9cm by 11.4cm
Estimate: 400-600
169. J. HARRIS AFTER J.F. WALKER, "THE CRACK TEAM OF 1858, THE PROPERTY OF MAJ. T. C. CONSTABLE OF BURTON CONSTABLE", BLACK AND WHITE ENGRAVING, in a highly unusual "wrigglework" leather frame. 56cm by 99cm
Estimate: 80-120
170. MICHAEL FELL (20th CENTURY), "CANTERBURY TALES - THE PROLOGUE", etching, signed and inscribed in pencil, ed. 100/100. Overall 55cm by 73cm
Estimate: 70-90
171. LUIS GARCIA GUERRERO (1921-1996), "LUCIERNAGAS", aquatint, signed, dated and numbered in pencil, framed. 20cm by 14cm
Estimate: 80-120
172. RICHARD BAWDEN (b.1936), "THE MACKEREL", etching, signed, titled and numbered 49/85 in pencil, framed. 57cm by 79cm
Estimate: 80-120
173. DAVID LINTINE (b.1957), "ROOM WITH A VIEW OVER BAY", print, signed and dated 1988, titled and numbered 11/15 in pencil, framed. 34cm by 25cm
Estimate: 40-60
174. ALAN MARKS, FOLIO OF ETCHINGS FOR "THE RAGGED TROUSERED PHILANTHROPISTS", ed. 6/75, pub. 1979-81, signed in pencil on title page.
Estimate: 60-80
175. CHARLES RENNIE MACKINTOSH (1868-1928), "HOUSE FOR AN ART LOVER", SET OF EIGHT PRINTS, framed. 20cm by 34cm
Estimate: 100-150
176. AFTER GEORGE WILLIS (BRITISH, 20th CENTURY), SET OF SIX BLACK AND WHITE ENGRAVINGS OF CAMBRIDGE COLLEGE SCENES, each c. 9cm by 15cm
Estimate: 40-60
177. JOHN HALL THORPE (1874-1947), "NASTURTIUMS", woodcut, signed and titled in pencil, framed. 24cm by 30.5cm
Estimate: 60-80
178. KNOX, ARCHIBALD (ILLUS.) AND MORRISON, SYLVIA, MANX FAIRY TALES, pub. Peel: L. Morrison, 1929, second edition, illustrated in text by Archibald Knox.
Estimate: 100-150
179. AFTER MARGARET CHAPMAN, (1940-2000), HIGH ST. HAWORTH, coloured print, signed in pencil. 18cm by 23cm
Estimate: 20-40
180. AFTER JOHN OGILBY, THE ROAD FROM FERRYBRIDGE TO BOROUGHBRIDGE CONTINUED TO BARNARD CASTLE, coloured engraving. 35cm by 46cm
Estimate: 70-90
181. AFTER SONIA DELAUNAY (1885-1979), RYTHME COULEUR, 1961, coloured print. 37.5cm by 29cm
Estimate: 40-60
182. SET OF FOUR BARTOLOZZI COLOURED STIPPLE ENGRAVINGS OF THE FOUR SEASONS, after Westall, each in attractive gilt frame with ribbon crest. 17cm by 13cm
Estimate: 40-60
183. SET OF THREE LATE 18th CENTURY FASHION PLATES, HAND-COLOURED AQUATINTS, pub. N. Heideloff 1798; together with a hand-coloured engraving of HRH The Duchess of Kent, pub. by J. Dickinson 1829, all with typed label verso "Property of H.R.H. Prince Michael of Kent". 25.5cm by 20.0cm
Estimate: 100-150
184. AFTER HAVELL, SET OF FOUR SHOOTING ENGRAVINGS, framed. 25cm by 33cm
Estimate: 100-150
185. PLAN OF THE CITY OF ST. PETERSBURGH (sic), hand-coloured engraved map, late 18th century. 19.5cm by 21cm
Estimate: 60-80
186. REGENCY PORTRAIT MINIATURE OF A GENTLEMAN IN A BLUE VELVET COAT, watercolour on ivory, in an oval gilt-metal frame. 8.5cm by 7.5cm
Estimate: 150-250
187. A.S. GRAY (BRITISH, 19th CENTURY), DURHAM CATHEDRAL, signed lower right, oil on canvas. 34cm by 19cm
Estimate: 60-90
188. JOHN WARKUP SWIFT (1815-1869), SHIPPING OFF WHITBY, signed lower right, oil on canvas, in a gilt-composition frame under glass. 50cm by 75cm
Note: Swift was born in Hull, but settled in Newcastle after some years at sea. He concentrated on marine subjects, usually in oils.
Estimate: 600-800
189. FOLLOWER OF WILLIAM SHAYER (1787-1879), THE END OF THE DAY, bears signature and dated 1839 lower right, oil on canvas, in a gesso frame. 31cm by 26cm
Estimate: 200-300
190. COLIN RUSSELL (20th CENTURY), MIDDLESBROUGH TRANSPORTER BRIDGE, signed lower right, oil on board, framed. 14cm by 29cm
Estimate: 80-120
191. COLIN RUSSELL (20th CENTURY), THE SOUTH GARE, signed lower right, oil on board, framed. 14.5cm by 29cm
Estimate: 80-120
192. JAMES SOMERVILLE (SCOTTISH b.1936), CATHEDRAL, signed lower right, oil on canvas, framed. 62cm by 75cm
Estimate: 150-250
193. FRANK V. NORIE (BRITISH, 19th CENTURY), SHIPPING BY MOONLIGHT, A PAIR OF WATERCOLOURS, each signed lower left, with paper label verso. 9.5cm by 16.5cm
Estimate: 200-300
194. AUSTIN SMITH (BRITISH, early 20th CENTURY), FISHING BOATS OFF WHITBY, A PAIR OF WATERCOLOURS, each signed, one dated 1923, on board. 14.5cm by 23cm
Estimate: 150-200
194A. C.WELBY SMITH, CAERNARVON CASTLE, signed and dated (18)87 lower left, watercolour, framed. 37cm by 52cm
Estimate: 150-200
195. LUIS CEBALLOS (MEXICAN, 20th CENTURY), "EL DESPERTAR NOCTURNO", signed and dated 1981, mixed media on canvas, inscribed verso. 49cm by 39cm
Estimate: 60-80
196. EFRAIN VIVAR VELAZQUEZ (MEXICAN b. 1938), "ABRACADABRA", signed and dated (19)79, oil on canvas, label verso. 0.89m by 1.09m
Estimate: 60-80
197. THOMAS SIDNEY (EARLY 20th CENTURY), "ROBIN HOOD BAY", signed and titled lower left, watercolour, framed. 24cm by 68cm
Estimate: 250-350
198. EFRAIN VIVAR VELAZQUEZ (MEXICAN b. 1938), LA ESFINGE Y LA PYRAMIDOS", signed and dated (19)78, oil on canvas, label verso. 69cm by 79cm
Estimate: 50-70
199. THOMAS SIDNEY (EARLY 20th CENTURY), "THE LION ROCK KYNANCE", signed and titled lower left, watercolour, framed. 24cm by 68cm
Estimate: 250-350
200. 19th CENTURY SCOTTISH SCHOOL, HIGHLAND CATTLE WATERING, oil on canvas, in a gilt-composition frame. 44cm by 59cm
Estimate: 150-250
201. THOMAS HENRY GIBB (19th CENTURY), HIGHLAND LOCH, signed and indistinctly dated, oil on canvas, in a gilt-composition frame. 39cm by 59cm
Estimate: 180-250
202. EFRAIN VIVAR VELAZQUEZ (MEXICAN b. 1938), "3 PERSONAJES", three framed as one, each signed and dated (19)81, ink on paper, inscribed verso. Each 29cm by 23cm
Estimate: 50-70
203. MIGUEL ANGEL ALAMILLA (MEXICAN, 20th CENTURY), "DIBUJOS DEL TROPICO", signed and dated (19)82, mixed media on paper, inscribed verso. 57cm by 77cm
Estimate: 200-300
204. JOSE ILLA DE SETVIN (MEXICAN, 20th CENTURY), FACE AGAINST A PINK GROUND, signed and dated (19)79 lower right, mixed media, framed. 85cm by 54cm
Estimate: 60-80
205. JOHN MIDDLETON (BRITISH, 20th CENTURY), ABSTRACT COMPOSITION IN YELLOW AND GREY, mixed media on paper, signed in pencil and dated 19(94). 65cm by 48cm
Estimate: 60-90
206. JOHN MIDDLETON (BRITISH, 20th CENTURY), ABSTRACT COMPOSITION IN RED, BLUE, GREEN AND WHITE, oil and mixed media on paper, signed in pencil and dated 1987. 37cm by 32.5cm
Estimate: 60-80
207. JOHN FALCONAR SLATER (1857-1937), RICHMOND CASTLE, signed and dated 1921 lower right, oil on canvas, in a good gilt-composition frame. 49cm by 74cm
Estimate: 700-900
208. ENGLISH SCHOOL (19th CENTURY), STUDY OF A LURCHER IN A LANDSCAPE, unsigned, watercolour and pencil heightened with white, framed. 25.5cm by 37cm
Estimate: 50-70
209. PRISCILLA MANTHEY (20th CENTURY), ABSTRACT, oil on paper, unsigned, with Contemporary Art Society Market exhibition label verso, framed. 48cm by 62cm
Estimate: 150-200
210. GERARD ADRIANUS DOGGER (DUTCH 1919-1985), "CREATION", signed with initials lower right, titled verso, oil on canvas board, framed. 49cm by 74cm
Estimate: 150-200
211. GEORGE GORDON BYRON COOPER (1850-1933), ST. IVES BAY, signed lower right, watercolour, in an oak frame. 29cm by 90cm
Estimate: 80-120
212. POLLOCK SINCLAIR NISBET (1848-1922), DURHAM CATHEDRAL AT SUNSET, signed lower left, oil on canvas, in a gilt-composition frame. 66cm by 100cm
Estimate: 600-800
213. THOMAS WILLIAM MORLEY (1859-1925), THE OLD FARM, signed lower right, oil on canvas, framed. 38cm by 53cm
Estimate: 600-800
214. ROBERT CHAILLOUX (FRENCH 1913-2006), STILL LIFE OF AN APPLE, WALNUTS, EGGS, OIL LAMP AND A SOUP TUREEN, signed lower left, oil on canvas, in a gilt-composition frame. 44cm by 53cm
Estimate: 2000-3000
215. TOM CARR (1912-1977), ZETLAND HUNT NEAR RABY PARK, signed, titled and dated lower left, watercolour, framed. 35cm by 52cm
Note: Tom Carr specialised predominantly in hunting scenes, mainly of the Northern Hunts (The Jed Forest, The Braes of Derwent and The Zetland), but works also exist of The Dukes of Beaufort's, Northumberland's and of the Heythrop.
Estimate: 800-1000
216. ALFRED ELSWORTH (BRITISH, late 19th/early 20th CENTURY), COTTAGES, A PAIR OF OILS ON BOARD, signed. Each 19cm by 24cm
Estimate: 80-120
217. ALFRED ELSWORTH (BRITISH, late 19th/early 20th CENTURY), TWO MOORLAND LANDSCAPES, oil on board, signed. 26.5cm by 33.5cm and 19cm by 28.5cm
Estimate: 100-200
218. JOHN DOBBIN (1815-1888), PORCH OF THE FRAUENKIRCHE, NUREMBERG, signed and dated 1875 lower left, titled lower right, watercolour and pencil, framed. 59cm by 43cm
Estimate: 350-450
219. WILFRED JENKINS (1857-1936), MOONLIT STREET SCENES, A PAIR, signed, oil on board, in gilt-composition frames. 28cm by 38cm
Estimate: 800-1000
220. ENGLISH SCHOOL (19th CENTURY), "SCARBOROUGH", unsigned, inscribed to the mount Henry Cave (1779-1836) and with the title, watercolour, framed. 23cm by 46cm
Estimate: 60-80
221. R.ROBERTS (19th CENTURY), FIGURES BY A TREE LINED PATH, signed lower left, watercolour, in a gilt-composition frame. 32cm by 47.5cm
Estimate: 40-60
222. ARTHUR NETHERWOOD (1864-1930), COASTAL SCENE WITH A MAN AND HORSE AND CART NEAR SAND DUNES, signed lower left, oil on canvas, framed. 58.5cm by 89cm
Estimate: 400-600
223. JENS SINDING CHRISTENSEN (DANISH 1888-1980), HARBOUR SCENE, signed with a monogram lower right, oil on canvas, framed. 66cm by 98cm
Estimate: 200-300
224. HENRY BARLOW CARTER (1803-1867), "DOUGLAS", signed with initials lower left and with further indistinct inscription below, watercolour, framed. 12.5cm by 18cm
Estimate: 70-100
225. 19th CENTURY SCHOOL, CLASSICAL LANDSCAPE WITH WATER CARRIERS AND A FOUNTAIN, unsigned, watercolour and pencil, within a verre eglomise mount and gesso frame. 16cm by 21cm
Estimate: 50-70
226. JAMES GRAY (SCOTTISH fl. 1917-1947), STILL LIFE OF HONEYSUCKLE IN A JARDINIERE ON A PEDESTAL, signed lower centre, watercolour, framed. 40cm by 55cm
Estimate: 100-150
227. ENGLISH SCHOOL, PORTRAIT OF A YOUNG GIRL, c.1830/40, unsigned, oil on canvas, in a gilt-composition frame. 75cm by 61cm
Estimate: 300-400
228. CHARLES PIGOTT (1863-1940), HIGHLAND CATTLE BY A WATERING HOLE, signed lower right, with Elands' Art Gallery label verso and Sotheby's lot label (lot 212, 11 November 1996), watercolour, framed. 35cm by 49cm
Estimate: 300-400
229. SCHOOL OF GEORGE ROMNEY (1734-1802), VENUS, possibly Lady Hamilton, ink and wash, unframed. 16cm by 12.5cm
Estimate: 250-350
230. MICHAEL JAMES WHITEHAND, (b. 1941), SCARBOROUGH, signed and dated (19)99, oil on canvas. 19cm by 24cm
Estimate: 150-250
231. CIRCLE OF GEORGE ROMNEY, (1734-1802), PORTRAIT OF A GENTLEMAN, oil on canvas. 39cm by 31cm
Estimate: 400-600
232. ATTRIBUTED TO OWEN BOWEN (1873-1967), STILL LIFE OF A VASE OF FLOWERS, oil on board, inscribed verso. 39cm by 28cm
Estimate: 100-150
233. ENGLISH SCHOOL, HUNTING SCENE, oil on board, indistinctly signed. 13.5cm by 29cm
Estimate: 100-150
234. GIORDANI (?), 20th CENTURY, LANDSCAPE AT SUNRISE, oil on board, signed. 27cm by 62cm
Estimate: 60-80
235. GRACE HENRY (1863-1953), WOMAN ON A CHAISE LONGUE, mixed technique on paper, studio stamp verso. 38cm by 32cm
Estimate: 300-500
236. ERIC WINERSTROM (SWEDISH, 20th CENTURY), COUNTRY LANE IN WINTER, signed and inscribed and dated verso 1937. 43cm by 58cm
Estimate: 60-80
237. OWEN BOWEN (BRITISH 1873-1967), STILL LIFE OF FLOWERS IN A VASE, signed, oil on canvas. 42cm by 52cm
Estimate: 300-500
238. RICHARD HUMPHREYS JONES (WELSH, 2Oth CENTURY), STONE BRIDGE, oil on board, signed. 60cm by 81cm
Estimate: 50-70
239. ENGLISH SCHOOL, LATE 19th CENTURY, WINDSOR CASTLE FROM THE PLAYING FIELDS OF ETON, PENCIL AND INK, in the oval, inscribed and dated 18(94). 12.5cm by 18.5cm
Estimate: 40-60
240. CANADIAN SCHOOL 20th CENTURY, ROCKY MOUNTAINS LANDSCAPE, oil on canvas. 49cm by 74cm
Estimate: 80-120
241. J. W. FERGUSON, CATTLE BY A LAKE, signed lower left, watercolour. 13.5cm by 22cm
Estimate: 50-70
242. IDA BOGUE (d. 1972), THE MARRIAGE OF APHRODITE AND HAPHAESTUS, watercolour, signed. 19cm by 26cm
Estimate: 80-100
243. ENGLISH SCHOOL, 20th CENTURY, SCOTTISH WILDCAT, watercolour, monogrammed EGJ and dated 1978. 29cm by 48.5cm
Estimate: 60-80
244. MARTINE LAURENT (b. 1944), STILL LIFE OF FLOWERS AND FRUIT ON A TABLE, pastel, signed and dated 1979. 55cm by 41.5cm
Estimate: 120-180
245. IRISH SCHOOL, 20th CENTURY, COTTAGES, oil on board. 24cm by 34.5cm
Estimate: 40-60
246. ATTRIBUTED TO FRANCIS NICHOLSON, (1753-1844), NANT MILL, N. WALES, inscribed verso, sepia wash and watercolour. 29cm by 44cm
Estimate: 100-150
247. J. WHITEHAND, NAVAL BATTLE SCENE, signed and dated (19)99, oil on canvas. 74cm by 99cm
Estimate: 400-600
248. WILLIAM GREAVES (BRITISH, 1852-1938), AUTUMN MORNING EDWINSTOWE, NOTTS., signed, oil on board, inscribed verso. 34.5cm by 24cm
Estimate: 120-180
249. ENGLISH SCHOOL, 19th CENTURY, THE WATER CARRIER, oil on board. 36cm by 26cm
Estimate: 50-70
250. ENGLISH SCHOOL, 20th CENTURY, RUINED ABBEY IN A VALLEY, watercolour. 15.5cm by 21.0cm
Estimate: 40-60
251. J.S. WADE, (20th CENTURY), THREE-MASTED SHIP IN AN EMPTY SEA, signed lower right and dated (19)78, oil on canvas. 49cm by 74.5cm
Estimate: 200-300
252. ROBERT O. LENKIEWICZ (1941-2002), UNFINISHED PORTRAIT OF A COUPLE, unsigned, oil on canvas. 66cm by 76cm.
Provenance: Offered as lot 331 at Bearne's, 12th April 2008
Estimate: 1500-2000
253. ATTRIBUTED TO THOMAS CRESWICK R.A. (1811-69), "A COUNTRY ROAD", with label verso stating that the piece is monogrammed "TC RA" (not visible but not removed from frame), watercolour. 22cm by 31cm
Estimate: 300-500
254. ENGLISH SCHOOL (19th CENTURY), WOODLAND STREAM, oil on canvas, in a gilt-composition frame. 38cm by 29cm
Estimate: 60-90
255. ENGLISH SCHOOL, 19th CENTURY, CATTLE WATERING IN A RIVER, oil on board, indistinctly signed. 15.5cm by 23.5cm
Estimate: 80-120
256. HENRY BARLOW CARTER (BRITISH 1803-67), VIEW OF A DISTANT BAY, pencil, watercolour and body colour, signed and dated July 1849. 19.5cm by 37cm
Estimate: 100-150
257. ENGLISH SCHOOL, 20th CENTURY, WOODED RIVER BANK, oil on canvas. 14cm by 19.5cm
Estimate: 30-50
258. JOSEPH ALFRED TERRY (1872-1939), FIGURES IN A GARDEN OVERLOOKING A LAKE, signed lower right, watercolour, framed. 26cm by 33cm
Estimate: 200-300
259. HERBERT GEORGE SLATER (1898-1978), "THE DERELICT HARBOUR OF AMLWCH - ISLE OF ANGLESEY", signed lower left and with exhibition label verso, watercolour, framed. 33cm by 44cm
Estimate: 100-150
260. ITALIAN SCHOOL (19th CENTURY), A KISS UNDER A LOVERS ARCH, unsigned, oil on canvas, framed. 32cm by 19cm
Estimate: 80-120
261. GIANNI (LATE 19th/EARLY 20th CENTURY), THE CARD PLAYING CARDINAL, signed lower right, watercolour, framed. 46cm by 31cm
Estimate: 80-120
262. JOSEPH HALFORD ROSS (b. 1866), GOODRICH CASTLE FROM THE RIVER WYE, signed, watercolour. 27cm by 38cm
Estimate: 100-150
263. VERNON WARD (1905-85), STILL LIFE OF TIGER LILIES, WHITE LILIES AND DELPHINIUM IN A VASE, signed, oil on canvas. 61cm by 51cm
Estimate: 120-180
264. DONALD SOUTHERN (EARLY 20th CENTURY), "ENNERDALE LAKE, SHOWING PILLAR ROCK, BOWNES KNOTT, ANGLERS CRAG AND IRON CRAGS" AND "RYDAL WATER AND NAB SCAR", A PAIR OF WATERCOLOURS, each signed and with paper label verso. 25cm by 34cm
Estimate: 300-400
265. J. BARCLAY (BRITISH, late 19th/early 20th CENTURY), BRINGING IN THE HAY, signed, watercolour. 41cm by 29cm
Estimate: 250-350
266. DONALD SOUTHERN (EARLY 20th CENTURY), LAKE DISTRICT IN SPRING TIME, signed lower right, watercolour, framed. 24.5cm by 34cm
Estimate: 100-150
267. RONALD LAMBERT MOORE (1927-92), DURHAM CATHEDRAL FROM THE RIVER, watercolour, signed. 49cm by 64cm
Note: Moore was a member of the British Water-Colour Society and the Royal Institute of Painters in Water Colour. He is listed in Marshall Hall, The Artists of Northumbria.
Estimate: 80-120
268. 20th CENTURY SCHOOL, ARCHITECTURAL STUDY OF THE NATIONAL MARITIME MUSEUM, unsigned, pen, ink and watercolour, framed. 46cm by 68cm
Estimate: 30-50
269. IDA LILLIE STROTHER-STEWART (nee TAYLOR), 19th/20th CENTURY, A MOORLAND LANDSCAPE, signed, watercolour. 53cm by 37cm.
Note: Ida Strother-Stewart contributed works to the Society of Women Artists 1919-25 and is listed in Marshall Hall, The Artists of Northumbria.
Estimate: 60-80
270. HORSES AT WORK, A PAIR, each signed B.M.Reed lower right, oil on canvas, framed under glass. 39cm by 55cm
Estimate: 100-200
271. ROBERT W. MILLIKEN (b.1920), STUDY OF A COCK PHEASANT, signed lower right, watercolour, framed. 16.5cm by 24cm
Estimate: 180-250
272. ROBERT W. MILLIKEN (b.1920), STUDY OF A PARTRIDGE, signed lower right, watercolour, framed. 16.5cm by 24cm
Estimate: 180-250
273. ROBERT W. MILLIKEN (b.1920), STUDY OF A RED GROUSE, signed lower right, watercolour, framed. 16.5cm by 24cm
Estimate: 180-250
274. 19th CENTURY SCHOOL, MIDDLE EASTERN SCENE, signed lower right, gouache, framed. 18.5cm by 38cm
Estimate: 50-70
275. JOHN HODGSON CAMPBELL (1855-1927), COTTAGE GARDEN, signed lower and dated 1917 lower left, watercolour, framed. 56cm by 43cm
Estimate: 100-150
276. ARTHUR SUKER (1857-1902), FIGURE ON A COUNTRY LANE, signed lower right, watercolour heightened with white, framed. 38cm by 49cm
Estimate: 100-150
277. 19th CENTURY SCHOOL, STREET SELLER, oil on panel, framed. 34cm by 27cm
Estimate: 100-150
278. CHARLES FRANCE (Exh. 1887-1892), WOODLAND GLADE, signed lower right, oil on canvas, framed. 1.26cm by 0.95m
Estimate: 600-800
279. HUGH E. RIDGE (d.1976), ST.IVES ROCK POOL, signed lower left, oil on canvas, framed. 39cm by 49cm
Note: Hugh Ridge was born in Barnstaple, Devon but moved to St. Ives, Cornwall around 1947. He became an active member of the St Ives Society of Artists and was Chairman from 1958-1976. From 1947 until his death, he lived and painted around St Ives. His work was popular and sold nationally and internationally.
Estimate: 150-250
280. ROBERT P. HUTCHINSON, "THE ITCHEN, WINCHESTER", signed and dated (19)68 lower right, watercolour, framed. 32cm by 41cm
Estimate: 60-90
281. SCOTTISH SCHOOL, ROWING BOAT ON A LOCH, oil on canvas. 49cm by 74cm
Estimate: 70-90
282. 18th CENTURY PEWTER CHARGER. 33.5cm
Estimate: 80-120
283. CONTINENTAL PEWTER CHARGER, bearing the spurious date 1670. 34cm
Estimate: 40-60
284. PAIR OF EARLY 20th CENTURY GILT-BRONZE TWO-LIGHT SCONCES, each with scroll and leaf-cast backplate issuing leaf-cast scrolling candlearms. Length 33cm
Estimate: 80-120
285. PAIR OF BRASS ALTAR STICKS IN THE GOTHIC TASTE, each with crenellated rim above a spirally twisted knopped stem, raised on a conical base with flattened bun feet. 36.5cm
Estimate: 80-120
286. PAIR OF WWI PERIOD BORDER REGIMENT FIRST VOLUNTEER BATTALION SILVER-PLATED SUGAR TONGS, MAPPIN & WEBB. 16cm
Estimate: 30-40
287. VICTORIAN COPPER CASTELLATED JELLY MOULD, oval, stamped James Gray & Sons/85 George St./Edinburgh. Length 14.5cm
Estimate: 80-120
288. 19th CENTURY BRASS PESTLE AND MORTAR.
Estimate: 40-60
289. PAIR OF ROCOCO REVIVAL GILT-BRONZE CANDLESTICKS, each with leaf-cast sconce and drip pan above a scrolling stem continuing to a hatched and "beaded" cartouche-shaped plateau, monogrammed JSC and stamped A1994. 20.5cm
Estimate: 70-90
290. CASED SET OF SIX SILVER-PLATED LOBSTER PICKS
Estimate: 40-60
291. 19th CENTURY BRASS TWO-LIGHT GIRANDOLE, the oval bevelled plate within a conforming frame chased with fruit and foliage, issuing two scrolling candlearms. Length 36cm
Estimate: 80-120
292. LATE VICTORIAN BRASS COLUMNAR OIL LAMP, with square stepped base beneath a conforming fluted column and a clear glass reservoir. Height inc. funnel 74cm
Estimate: 150-200
293. PAIR OF VICTORIAN GOTHIC BRASS PEW UMBRELLA RESTRAINTS. 28cm
Estimate: 30-40
294. WILLIAM IV SILVER SALVER, LONDON 1836, probably by John Wakefield, in Rococo style, chased with scrolls and foliage and centred by a crest, within a shaped circular raised border with scrolling pierced rim, raised on three scroll and leaf-cast feet. Diameter 34cm, 38oz
Estimate: 400-600
295. GEORGE V SILVER AND LEATHER HIP FLASK, W.C.GRIFFITHS, BIRMINGHAM 1922, with hinged and domed cover. 11cm
Estimate: 100-150
296. GEORGE II SILVER CREAM JUG, LONDON 1749, the baluster body chased with birds, scrolls and foliage, with vacant cartouche, raised on slender cabriole legs and with scroll handle, makers mark partly visible (DM over ?). 8cm, 3oz
Estimate: 100-150
297. A VICTORIAN SILVER SIX-DIVISION TOAST RACK, EDWARD HUTTON, LONDON, 1888, with loop handle and raised on bun feet. Length 16cm, 10oz
Estimate: 120-180
298. GORHAM AMERICAN STERLING SILVER BOWL, c. 1910, chased with a border of Glasgow-style roses. Diameter 14cm, 30z
Estimate: 40-60
299. VICTORIAN SILVER WAITER, ROBERT HENNELL, LONDON 1869, in the Rococo taste, of circular form, with shell and scroll cast border, raised on hoof feet. 21cm, 13oz
Estimate: 200-300
300. GEORGE VI SILVER SALVER, BIRMINGHAM 1940, in 18th century style, of square form, with cut-off corners, raised on scroll feet. 30cm, 26oz
Estimate: 250-350
301. EDWARDIAN SMALL SILVER BOWL OF MONTEITH TYPE, LONDON 1905, diameter 11.25cm, 4.5oz
Estimate: 50-70
302. CASED SET OF SIX GEORGE V SILVER NAPKIN RINGS, BIRMINGHAM 1923, each plain ring engraved with a monogram, makers mark GWA.
Estimate: 100-150
303. EDWARDIAN THREE-PIECE SILVER TEA SERVICE, WALKER & HALL, CHESTER 1907, comprising teapot, cream jug and two-handled sugar bowl, each with gadrooned rim and raised on ball feet. Length of teapot 27cm, 39oz gross
Estimate: 150-250
304. EDWARDIAN SILVER PEPPER POT, CHARLES HORNER, BIRMINGHAM 1905, with urn finial and pedestal foot. 7.5cm
Estimate: 30-50
305. SET OF SIX SILVER INDIVIDUAL ASPARAGUS TONGS, late 19th century, unmarked, possibly Continental. 13.5cm
Estimate: 50-70
306. PAIR OF GEORGE V OVAL SILVER PHOTOGRAPH FRAMES, Birmingham 1925, each with wooden back and easel. 13.5cm
Estimate: 200-300
307. PAIR OF GEORGE III SILVER TABLE SPOONS LATER CHASED AS BERRY SPOONS, Samuel Godbehere, Edward Wigan & James Boult, London 1789, the chasing and gilding last quarter of the 19th century. 22cm 4oz
Estimate: 120-180
308. TWO PAIRS OF GEORGE III SILVER SUGAR TONGS; the first Alex Henderson, Edinburgh 1811 with fluted decoration; the second London 1810, with bright cut decoration. First 14.5cm Total 2oz
Estimate: 50-70
309. VICTORIAN SILVER CARD TRAY, MARTIN HALL & CO., SHEFFIELD 1861, of circular form, chased with foliage within a band of greek key and a beadwork rim. 15cm 4oz
Estimate: 120-180
310. GEORGE V SILVER CIGAR CASE, BIRMINGHAM 1911, to hold three cigars, with gilt interior. 13cm 5oz
Estimate: 150-250
311. IRISH SILVER CHRISTENING CUP, DUBLIN 1948, with stepped foot and dragon handle decorated with Celtic bands. 9.5cm 3.5oz
Estimate: 180-250
312. GEORGE III SILVER BASTING SPOON, PETER, ANNE & WILLIAM BATEMAN, LONDON 1802, Old English, engraved with a monogram. 30cm 3oz
Estimate: 120-180
313. EARLY VICTORIAN ROCOCO REVIVAL SILVER TEAPOT, LONDON 1838, maker's mark WH(?). Length across handle 24.5cm Gross 25oz
Estimate: 280-350
314. SET OF FOUR GEORGE III SCOTTISH SILVER TABLESPOONS, D. McDonald, Edinburgh 1815, fiddle pattern, engraved with a monogram. 23cm Total 8oz
Estimate: 150-200
315. CASED SET OF GEORGE V SILVER BONE-HANDLED FISH SERVERS, JAMES DIXON & SONS, SHEFFIELD 1914.
Estimate: 70-90
316. CASED SET OF SIX GEORGE VI SILVER GRAPEFRUIT SPOONS AND KNIFE, Sheffield 1939,the knife not silver and with mother of pearl handle.
Estimate: 100-150
317. VICTORIAN SILVER-MOUNTED HORN-HANDLED SEVEN PIECE CARVING, FISH AND GAME SET, SHEFFIELD 1887, in original fitted oak case with presentation inscription for 1889.
Estimate: 250-350
318. GEORGE V SILVER CENTRE BOWL, ROBERTS & BELK, SHEFFIELD, 1912, of faceted form with pierced serpentine rim. Diameter 26.5cm, 37oz
Estimate: 600-700
319. SET OF TWELVE GEORGE V SILVER-GILT COFFEE SPOONS, SHEFFIELD 1930/31.
Estimate: 50-70
320. A CULTURED PEARL NECKLACE, the slightly graduating row of cultured pearls
on an oval clasp set with a garnet to the centre and flanked by three half pearls
Estimate: 200-300
321. A CULTURED PEARL NECKLACE, the slightly graduating cultured pearls on a shaped clasp set with a single cultured pearl.
Estimate: 100-200
322. A THREE STONE DIAMOND RING, CIRCA 1900, the central cushion-cut diamond set between two old brilliant-cut diamonds above pierced mount and tapering shoulders. Stamped "18ct & PLAT"
Estimate: 300-500
323. TWO GOLD CHARM BRACELETS, the 9 carat curb link chains each set with six various charms including a fish, a pair of shoes, a kettle (2)
Estimate: 300-500
324. A GOLD BRACELET, the 9 carat gate link bracelet with padlock clasp.
Estimate: 60-80
325. A VICTORIAN 9 CARAT GOLD BANGLE, CIRCA 1880,the upper section with a uniform row of five half pearls claw and box set within oblong plaque with moulded ends and rope and beadwork decoration, stamped 9 carat; and A VICTORIAN BANGLE, CIRCA 1890, the upper section with chased knot motif (2)
Estimate: 100-200
326. A SINGLE STONE DIAMOND RING, the brilliant-cut diamond estimated to weigh 0.7 carats, claw set in heart shaped mount between pierced shoulders.
Estimate: 600-800
327. A VICTORIAN CARNELIAN AND GOLD SIGNET RING, CIRCA 1860, the oval carnelian plaque cameo carved with a unicorn, within heavy chased mount.
Estimate: 150-250
328. AN EARLY VICTORIAN GOLD AND TURQUOISE BROOCH, circa 1840, the circular brooch set with six oval cabochon-cut turquoise stones within a bead and rope-work mount, the border set with trefoils of turquoise stones spaced by bead and ropework domes, brooch pin fitting
Estimate: 200-300
329. A TURQUOISE, GARNET AND PEARL RING, CIRCA 1840, the oval mixed-cut garnet set within a border of half pearls, between a trefoil of turquoise stones to the shoulders above floral decoration.
Estimate: 200-300
330. A GOLD, ENAMEL AND PEARL MOURNING RING, CIRCA 1840, the oval locket inset with hair, within a half pearl border, the outer border of blue guilloche enamel with white enamel detail, split shoulders.
Estimate: 400-600
331. AN AQUAMARINE AND DIAMOND RING, the rectangular step-cut aquamarine with canted corners four claw set between stepped baguette-cut diamond set shoulders, the band stamped "18ct & PLAT"
Estimate: 500-700
332. A VICTORIAN DIAMOND CLUSTER BROOCH, CIRCA 1890, the central delicate flower head set with seven old brilliant-cut diamonds, on knife edge bar with old brilliant-cut diamond terminals, brooch pin fitting
Estimate: 750-850
333. A PAIR OF MOONSTONE BROOCHES, CIRCA 1900, each modelled as an eight rayed star, set throughout with circular cabochon-cut moonstones, one with pendant hoop fitting.
Estimate: 150-250
334. A DIAMOND AND ENAMEL BROOCH, CIRCA 1890, modelled as a pheasant in flight, the body set with old brilliant and rose-cut diamonds, the head and neck with blue, red, green and yellow enamel, with ruby set eye, brooch pin fitting.
Estimate: 600-800
335. A DIAMOND AND RUBY JABOT PIN, CIRCA 1890, modelled as a labrador chasing a pheasant in flight, each set with circular-cut diamonds and ruby highlights.
Estimate: 1000-1200
336. A SAPPHIRE AND DIAMOND RING, the cushion-cut sapphire four claw set between old brilliant-cut diamonds, each shoulder set with three brilliant-cut diamonds.
Estimate: 900-1100
337. A VICTORIAN GOLD AND PEARL RING, c. 1860, the five uniform pearls set within fluted claw mounts.
Estimate: 180-250
338. AN AMETHYST AND PEARL BROOCH, c. 1890, the circular mixed-cut amethyst millegrain collet set between two seed pearls within oval knife edge mount, bar mount stamped 15ct and with brooch pin fitting.
Estimate: 50-70
339. PAIR OF ENAMEL AND SILVER-GILT CUFFLINKS WITH THE MOTTO OF THE ORDER OF THE BRITISH EMPIRE, each bearing the inscription, "For God and the Empire".
Estimate: 40-60
340. SERVICES WHITE GOLD AND ENAMEL BROOCH, a sword impaling a crown within a sunburst, decorated with red and blue enamels, marked for 9ct gold, with safety chain, possibly Interpol. 3cm
Estimate: 80-120
341. A PAIR OF 9ct GOLD AND ENAMEL CUFFLINKS WITH SERVICES CREST, a sword impaling a crown within a sunburst, possibly Interpol.
Estimate: 60-80
342. A DIAMOND HOOP RING, the channel set stones between two rows of bright-cut diamonds, set in 18ct white gold, total approx. 1.13 carats.
Estimate: 700-900
343. A THREE STONE DIAMOND RING, the uniform stones set in 18ct white gold, approx. 1 carat.
Estimate: 800-1000
344. A FIVE STONE DIAMOND RING, the uniform stones claw set in an 18ct yellow gold band, approx. 0.8 carats.
Estimate: 700-900
345. A MULTI-ROW DIAMOND SET CLUSTER RING, set with eighteen round brilliant cut diamonds, interspersed with twenty-four tapering baguette cut diamonds, graduating channel settings, yellow gold hollow shoulders, hallmarked 18ct gold.
Estimate: 180-250
346. A SAPPHIRE AND DIAMOND DOUBLE HEAD CLUSTER RING, each flowerhead cluster centred with a round brilliant cut diamond surrounded by five round mixed cut dark blue sapphires, hallmarked 18ct gold.
Estimate: 250-350
347. A THREE ROW DIAMOND-SET HALF HOOP RING, set with twenty-one eight cut diamonds, claw settings in yellow gold, tested and valued as 18ct gold.
Estimate: 450-650
348. ARTS & CRAFTS SILVER AND ENAMEL PENDANT, JAMES FENTON, BIRMINGHAM 1909, with sections of blue and green enamels and enamel drop. 3.5cm
Estimate: 150-250
349. ARTS & CRAFTS SILVER AND ENAMEL HAIR GRIP, with opposing green and blue enamel panels, unmarked. 5cm
Estimate: 200-300
350. ARTS & CRAFTS SILVER AND TURQUOISE ENAMEL BROOCH, JAMES FENTON, BIRMINGHAM 1908, of naturalistic design with central leaf flanked by scrolls. 3cm
Estimate: 100-150
351. ARTS & CRAFTS SILVER AND ENAMEL PENDANT, CHARLES HORNER, with a green and blue central panel within a pierced oval frame cast with flowerheads and suspending a fresh water pearl, date letter indistinct. 4cm
Estimate: 200-300
352. A FIVE STONE DIAMOND RING, the graduating row of five old brilliant-cut diamonds, claw set between tapering shoulders.
Estimate: 300-400
353. FIVE-STONE DIAMOND RING, the graduated stones channel set in an 18ct white gold band.
Estimate: 300-500
354. A DIAMOND LINE BRACELET, the fifty-five uniform brilliant cut claw-set diamonds mounted in 18ct white gold, total approx. 4.5 carats. Length 18cm
Estimate: 3000-4000
355. A NINE CARAT GOLD BRACELET, modelled as a coiled snake. the head engraved with linear and floral decoration, the eyes set with garnets.
Estimate: 70-100
356. An 18 CARAT GOLD SAPPHIRE AND GOLD BROOCH, the spray of moulded leaves set with a graduating row of eight circular-cut sapphires claw set.
Estimate: 80-120
357. THREE VARIOUS CULTURED PEARL SET BROOCHES. each of spray design set with cultured pearls (3)
Estimate: 80-120
358. A 9 CARAT GOLD FANCY LINK BRACELET, the twisted links with circular rope-twist circular links.
Estimate: 60-80
359. EDMUND SCHOLFIELD, ROCHDALE (DIED 1792), A GOOD LANCASHIRE OAK AND CROSSBANDED GEORGE III LONGCASE CLOCK, with long shaped rectangular trunk door flanked with plain quarter round pillasters, the hood with swan neck pediment, 36cm sheet silvered brass dial, signed, with rolling moon in the arch and subsidiary date pointer, 30 hour four pillar pull up wind movement countwheel striking on a bell. 2.39m
Estimate: 1200-1800
360. 18 CARAT YELLOW GOLD OPEN FACE GENTLEMAN'S KEY WIND POCKET WATCH, the gilded dial with subsidiary seconds, the full plate capped fusee lever movement, signed Wakefield & Son, Gateshead, with gold cuvette, London 1865. 49mm
Estimate: 150-250
361. LATE 18th CENTURY SILVER PAIR CASED VERGE WATCH, open face, white enamelled dial with Arabic blue enamelled chapter, fusee movement with pierced cock and engraved foot, signed W.Holliwell, Derby, the case marked for London 1799. 53mm
Estimate: 120-180
362. GEORGE III FADED MAHOGANY AND BOXWOOD STRUNG WHEEL BAROMETER, the slender case with architectural pediment, long thermometer and unusual centrally mounted hygrometer, 20cm circular silvered dial signed CATANO FECIT. 40cm
Estimate: 200-300
363. JOHN GREAVES, NEWCASTLE (QUAYSIDE 1725-1794), AN 18th CENTURY TYNESIDE WALNUT LONGCASE CLOCK, with long rectangular trunk door, with caddied hood and integral pillasters, 30.5cm arched brass dial signed to convex reserve in the arch, with subsidiary seconds and date aperture, four pillar weight driven movement rack striking on a bell, lacking seconds pointers, date band not connected. 2.28m
Estimate: 700-900
364. UNUSUAL AND RARE BLACK FOREST CUCKOO AND JACK AUTOMATON AND MUSICAL THREE TRAIN WALL CLOCK, the well carved chalet type case with stag and crossed muskets to the pediment above a game bird and hare flanking the circular dial with white ivorine chapter and pointers, the three train weight driven movement with skeletonised brass plates and wheel trains activating the half hour and hour strike on a gong, the going train and the third train integrated to a musical mechanism on a 74mm rotating pin barrel and comb, the cuckoo and jack appearing in open hatches above the dial. 70cm high inc. pediment, 50cm wide
Estimate: 600-800
365. ALFRED DUNHILL PRE-OWNED STAINLESS STEEL GENTLEMAN'S WRIST WATCH, the rectangular faceted case and watch glass, in the Art Deco manner, enclosing a black dial with centre sweep seconds date aperture and Arabic numerals, perpetual 25 jewel spring driven movement, signed, case water resistent to 30 metres, complete with leather strap and presentation box. 40mm overall to lugs
Estimate: 250-350
366. ROLEX PRE-OWNED GENTLEMAN'S OYSTER PERPETUAL DATEJUST WRIST WATCH, with centre sweep seconds, the case with circular ribbed bezel, gilded dial and baton numerals, case and flexible bracelet in gilt-metal and stainless steel, complete with leather pouch and Rolex International Service Guarantee dated 18/10/2009.
Estimate: 1200-1800
367. LONGINES QUARTZ PRESENCE GENTLEMAN'S WRIST WATCH, the slender gilt metal and stainless steel case with circular gilded dial and baton numerals, complete with 4/11/09 service guarantee.
Estimate: 120-180
368. WHITE ALABASTER MANTLE CLOCK, the gilt-brass mounted spreading case with urn pediment, circular convex cream dial, single train spring driven French movement with key wind and platform escapement. 27cm
Estimate: 60-80
369. CONTINENTAL 19th CENTURY GILT-BRONZE MANTLE CLOCK, the elaborate scroll enriched case surmounted by a seated lady in Classical dress, circular white enamelled dial , the Japy Freres drum movement countwheel striking on a rear mounted bell, the case stamped A.DUVAL, complete with blackwood plinth. Clock 31cm by 44cm
Estimate: 250-350
370. LATE VICTORIAN POLISHED BLACK SLATE MANTLE CLOCK, the architectural case with circular gilded dial, Arabic chapter, reeded brass columns, architectural pediment and plinth base, with drum two train "Britannia" French movement striking on a gong. 34cm by 40cm
Estimate: 60-80
371. 19th CENTURY MAHOGANY SCHOOLROOM WALL CLOCK OF ENGLISH DIAL TYPE, with 30cm circular cream painted dial, signed J.Ridley & Son, Kirkby Stephen, complete with four pillar spring driven fusee timepiece movement with shaped plates.
Estimate: 400-600
372. VICTORIAN ROSEWOOD AND GILT DECORATED ONION TOP WHEEL BAROMETER, with hygrometer, thermometer, convex mirror and level, circular silvered 20cm dial, unsigned, tube complete but mercury system reeds restoration. 95cm
Estimate: 80-120
373. VICTORIAN WALNUT CASED ONION TOP WHEEL BAROMETER, with hygrometer, thermometer, mirror, 20cm circular white enamel dial signed CLIDERO, NORTHALLERTON, and level mercury tube complete, mercury absent. 95cm
Estimate: 60-80
374. SILVER-MOUNTED AND ENGINE-TURNED PINK ENAMEL STRUT CLOCK, early 20th century, stamped sterling and with Swiss eight day movement. 10cm by 10cm
Estimate: 120-180
375. KIRMAN PERSIAN SILK CARPET. 2.83m by 1.90m
Estimate: 150-200
376. 19th CENTURY NEEDLEWORK SAMPLER, possibly Scottish, worked with text, birds and trees, worked by Janet Affleck, aged 11, but undated, framed. 44cm by 31cm
Estimate: 50-70
377. SOUTH WEST PERSIAN SHIRAZ SMALL CARPET, mid 20th century. 2.92m by 2.00m
Estimate: 200-300
378. TURKISH KARS RUG. 1.90m by 1.24m
Estimate: 120-180
379. TABRIZ SILK FINISH RUG. 2.30m by 1.40m
Estimate: 200-300
380. HAMADAN RUG. 2.00m by 1.46m
Estimate: 150-200
381. ANTIQUE QASHGAI RUG. 1.94m by 1.44m
Estimate: 150-200
382. PERSIAN MAHAL RUG. 3.20m by 1.52m
Estimate: 200-300
383. ANTIQUE AFGHAN CARPET. 3.80m by 2.32m
Estimate: 150-200
384. KASHMIR SILK RUG, modern. 2.40m by 1.52m
Estimate: 200-300
384A. MID PERSIAN RUG. 1.95m by 1.24m
Estimate: 60-80
385. MORI BOKHARA RUG, 20th century. 1.80m by 1.26m
Estimate: 50-70
386. TURKEMAN KELIM, mid 20th century. 2.20m by 1.53m
Estimate: 50-70
387. AFGHAN RUG, early 20th century. 2.10m by 1.30m
Estimate: 80-120
388. AFGHAN RUG, mid 20th century. 2.08m by 1.04m
Estimate: 100-150
389. BELOUCH PRAYER RUG, mid 20th century. 1.37m by 0.82m
Estimate: 30-50
390. KURDISH RUNNER, early 20th century. 3.20m by 1.22m
Estimate: 180-250
391. HAMADAN RUNNER, c.1900. 2.90m by 0.84m
Estimate: 120-180
392. PERSIAN STYLE RUG. 2.87m by 1.96m
Estimate: 100-200
393. PERSIAN STYLE CARPET. 3.65m by 2.55m
Estimate: 200-300
394. 19th CENTURY NEEDLEWORK SAMPLER, worked with the Tree of Life by Emma Crosley aged 12, in a mahogany veneered framed. 44cm by 39cm
Estimate: 70-90
395. 19th CENTURY NEEDLEWORK SAMPLER, worked with religious text by Alice Jane Holme Heaning aged 12 1860, in a modern frame. 51cm by 41cm
Estimate: 80-120
396. LARGE RED AND WHITE PATCHWORK QUILT, worked with a pattern of hexagons. 2.16m by 2.44m approx.
Estimate: 150-200
397. GREEN DURHAM QUILT, worked with Art Nouveau flowers against a cream ground. 2.10m by 2.30m approx.
Estimate: 150-200
398. MID-VICTORIAN PATCHWORK QUILT, worked in squares and rectangles within a floral border. 2.20m by 2.70m approx.
Estimate: 220-280
399. VICTORIAN WOOLLEN PAISLEY SHAWL, worked in greens, blues, red and purples. 1.46m by 3.08m approx.
Estimate: 180-250
400. GLASGOW STYLE OAK SIDEBOARD, the upper section with two leaded glass cupboard doors flanking a recess, the base with two doors above a pair of panelled cupboard doors, inlaid with brass squares. 1.95m by 1.30m by 0.48m
Estimate: 400-600
401. ARTS & CRAFTS GOLDEN OAK MIRROR BACKED SIDEBOARD, the upper section with a canopy supported on tapering square section columns, above a bevelled mirror plate over a shelf, the base with over-hanging top above two drawers over a pair of arch-panelled doors. 1.95m by 1.43m by 0.56m
Estimate: 400-600
402. GEORGE MONTAGUE ELLWOOD (1875-1955) FOR J.S.HENRY, ARTS & CRAFTS OAK OPEN ARMCHAIR, c.1905, the triple square capped crest rail above a pair of baluster splats, raised on square section tapering legs joined by stretchers.
Estimate: 600-800
403. COLIN "BEAVERMAN" ALMACK OAK 6' DINING TABLE, the rectangular plank top raised on a trestle base, carved beaver signature. 0.65m by 1.83m by 0.90m
Estimate: 700-900
404. 19th CENTURY OAK CHAIR IN THE MANNER OF PUGIN, with pierced pediment crest rail, planked backsplat and raised on pierced trestles, bears makers label Cawley Brew & Co.
Estimate: 70-100
405. INLAID MAHOGANY THREE COMPARTMENT PERIODICALS RACK, c.1910, with pierced carrying handle, inlaid with chevron bands and raised on trestles. 0.87m by 0.39m by 0.27m
Estimate: 150-250
406. COTSWOLD TEAK TABLE TOP CHEST, with an arrangement of six drawers. 0.25m by 0.70m by 0.30m
Estimate: 150-200
407. ARTS & CRAFTS OAK CHEVAL MIRROR, POSSIBLY COTSWOLD, c.1920, the bevelled rectangular plate moving between tapering trestles joined by a chamfered stretcher. 1.00m by 0.70m
Estimate: 150-200
408. HARRIS LEBUS ARTS & CRAFTS OAK BUREAU, c.1910, with pierced gallery top above a panelled slant-front over a drawer fitted with copper handles, raised on rectangular section legs joined by a shelf stretcher. 1.28m by 0.78m by 0.41
Estimate: 100-150
409. "KINGPOST" YORKSHIRE OAK SIDEBOARD, the adzed rectangular top with cut-off corners above three frieze drawers, over a pair of four-panelled doors flanked by further four-panelled doors, with carved signature. 0.88m by 1.59m by 0.49m
Estimate: 400-600
410. ARTS & CRAFTS OAK MIRROR-BACKED SIDE CABINET, the upper section with pierced galleried top above a rectangular bevelled plate, the lower section fitted with a single drawer and two panelled doors. 1.47m by 1.07m by 0.52m
Estimate: 100-150
411. EARLY ROBERT "MOUSEMAN" THOMPSON OAK CHEESEBOARD, c.1940, the oval board with carved mouse signature on the board (not on the handle), adzed to the board and edge, good patina. Length 38cm
Estimate: 80-120
412. ROBERT "MOUSEMAN" THOMPSON OAK TEA TRAY, c.1960, of galleried kidney-form, with twin carved mouse signature "handles", golden patina. 47cm
Estimate: 150-250
413. ROBERT "MOUSEMAN" THOMPSON OAK FRUIT BOWL, hand-tooled inside and out, with carved mouse signature to the centre, c.1975. 30cm
Estimate: 180-250
414. EARLY ROBERT "MOUSEMAN" THOMPSON OAK ASHTRAY, c.1930, of characteristic form and with excellent rich patina, with carved mouse signature. 10cm by 7cm
Estimate: 60-80
415. EARLY ROBERT "MOUSEMAN" THOMPSON OAK PIN TRAY, c.1930, unusually carved as a horseshoe and with excellent rich patina, with carved mouse signature. 12cm by 12cm
Estimate: 200-300
416. EARLY ROBERT "MOUSEMAN" THOMPSON OAK TEA TRAY, c.1925, of rectangular form with shallow gallery, carved with two mouse forming carrying handles, very rich patina. 52cm (over handles) by 28cm
Estimate: 500-700
417. PAIR OF ROBERT "MOUSEMAN" THOMPSON OAK BOOKENDS, each of characteristic concave form, adzed to all visible surfaces and with carved mouse signatures, c.1980. Height 15cm
Estimate: 180-250
418. ROBERT "MOUSEMAN" THOMPSON OAK BOOK TROUGH, of characteristic form with adzed ends and good carved mouse signature, c.1980. Length 45.5cm
Estimate: 200-300
419. PAIR OF YORKSHIRE OAK THREE-LIGHT CEILING FIXTURES, BY ALAN GRAINGER OF ACORN INDUSTRIES, each with wrought iron hanging chain and carved recessed acorn signature.
Estimate: 200-300
420. LIBERTY & CO. OAK ETAGERE, DESIGNED BY LEONARD WYBURD, the sloping rectangular top above two galleried tiers linked by turned and blocked supports, the sides with Eastern influenced lattice grills, raised on turned legs joined by stretchers, moving on castors. 0.83m by 0.70m by 0.34m
Estimate: 350-450
421. ENGLISH ARTS & CRAFTS "ASHANTI" OAK STOOL, possibly Liberty & Co., the dished seat supported on four uprights and a central pierced square section column, all resting on a moulded plinth. 0.67m by 0.59m by 0.33m
Estimate: 200-300
422. YORKSHIRE OAK COFFEE TABLE, BY ALAN GRAINGER OF ACORN INDUSTRIES, the octagonal top above a cruciform base, with carved recessed acorn signature. 0.50m by 0.78m by 0.78m
Estimate: 180-250
423. DON "FOXMAN" CRAVEN OAK HALL TABLE, the adzed four-plank top raised on a trestle base, with well carved large fox signature, adzed. 0.74m by 0.81m by 0.55m
Estimate: 500-700
424. ROBERT "MOUSEMAN" THOMPSON OAK X-FORM STOOL, c.1970, the slung leather seat suspended by stretchers joining opposing x-shaped frames, with carved mouse signature.
Estimate: 500-700
425. EARLY ROBERT "MOUSEMAN" THOMPSON OAK STANDARD LAMP, c.1930's, the tapering faceted standard continuing to a stepped spreading base, with carved mouse signature, adzed. 1.43m
Estimate: 700-900
426. EXCELLENT ROBERT "MOUSEMAN" THOMPSON OAK 7' DINING TABLE AND EIGHT CHAIRS, c.1960's, the table with adzed rectangular top and raised on a trestle base with massive faceted baluster legs joined by a chamfered stretcher, with carved mouse signature; the chairs, including two carvers, each with lattice back panel above a tan leather seat, raised on faceted baluster legs joined by stretchers, all with carved mouse signature. (9) Table 0.73m by 2.13m by 0.87m
Estimate: 7000-9000
427. ROBERT "MOUSEMAN" THOMPSON OAK PEDESTAL DESK, mid 20th century, the rectangular top with canted front corners, above two banks of three graduated drawers flanking a recess, raised on faceted block feet, adzed, with carved mouse signature and good colour. 0.73m by 1.37m by 0.54m
Estimate: 3500-4500
428. YORKSHIRE OAK DROPLEAF OCCASIONAL TABLE, BY ALAN GRAINGER OF ACORN INDUSTRIES, the oval top raised on four tapering square section legs terminating in blocks joined by stretchers, with carved recessed acorn signature. 0.43m by 0.62m by 0.54m
Estimate: 200-300
429. ROBERT "MOUSEMAN" THOMPSON OAK WORK BOX, c.1950, the hinged rectangular lid above a panelled case and fitted with a drawer with turned pulls, raised on faceted baluster legs terminating on blocks, with carved mouse signature. 0.59m by 0.50m by 0.32m
Estimate: 900-1200
430. ROBERT "MOUSEMAN" THOMPSON OAK COFFEE TABLE, the octagonal top raised on a cruciform base, with carved mouse signature, golden colour. 0.48m by 0.50m by 0.50m
Estimate: 500-700
431. ARTS & CRAFTS MAHOGANY, LEAD-GLAZED AND STAINED GLASS VITRINE, c.1910, the moulded breakfront cornice above a conforming case with central bevelled glass panel flanked by a pair of doors with Art Nouveau leaded and stained glass design, inlaid with stylised foliage and whiplash. 1.45m by 1.22m by 0.38m
Estimate: 300-400
432. EARLY ROBERT "MOUSEMAN" THOMPSON OAK FENDER, c.1930, of characteristic form, adzed to all visible areas, with carved mouse signature. Internal 1.00m by 0.34m, external 1.21cm by 0.45m
Estimate: 300-400
433. ALBERT "EAGLEMAN" JEFFRAY OAK BREAKFAST TABLE, the adzed rectangular top raised on faceted baluster legs terminating in trestles joined by a chamfered stretcher, with carved eagle signature. 0.74m by 1.32m by 0.62m
Estimate: 200-300
434. ARTS & CRAFTS OAK OCCASIONAL TABLE, with rectangular planked top, raised on chamfered legs joined by stretchers, carved with an acorn. 0.72m by 0.56m by 0.40m
Estimate: 80-120
435. ARTS & CRAFTS GOLDEN OAK ECCLESIASTICAL CHAIR, c.1900, the two-panelled back above a plank seat flanked by panelled "wings" continuing to stiles, the arched back rail mounted with green Ruskin-style ceramic roundel. 1.05m by 0.60m by 0.41m
Estimate: 200-300
436. EDWARDIAN OAK HANGING SPICE CUPBOARD, the pierced galleried top above an arch-panelled door. 0.59m by 0.27m by 0.15m
Estimate: 80-120
437. EARLY 20th CENTURY WALNUT STANDARD LAMP, carved with stylised leaves, pendant foliage and acanthus, raised on a hexagonal base. Excluding fitting 1.40m
Estimate: 70-90
438. LATE 19th CENTURY GILT AND PATINATED BRONZE STANDARD LAMP, possibly original a gasolier, topped by a palmette-cast urn, raised on a tapering fluted column, supported on a tripod base cast with palmettes and paw feet. Excluding fitting 1.50m
Estimate: 80-120
439. 19th CENTURY IVORY AND BRASS-MOUNTED WALNUT JEWELLERY BOX. 10cm by 22cm by 16cm
Estimate: 40-60
440. GEORGE III STYLE MAHOGANY BEDSIDE TABLE, the square galleried top fitted with a candle slide above a frieze carved with blind fretwork. 0.69m by 0.29m
Estimate: 50-70
441. VICTORIAN TUNBRIDGE WARE WRITING SLOPE, the hinged lid centred by a mother-of-pearl plaque and with ivory escutcheon. 15cm by 29.5cm by 23cm
Estimate: 60-80
442. PAIR OF REGENCY STYLE GILT-COMPOSITION CONVEX GIRANDOLE MIRRORS, each plate within a reeded ebonised slip, the moulded frame applied with spheres beneath an eagle crest and issuing a pair of scrolling candle arms (electrified). Each 0.70m by 0.50m
Estimate: 400-600
443. 19th CENTURY ELM AND ASH HOOP-BACK WINDSOR ARMCHAIR, with pierced vasiform splat.
Estimate: 200-300
444. GEORGE III STYLE MAHOGANY SUPPER TABLE, LATE 19th CENTURY, with scalloped circular top, raised on a fluted standard supported on hipped tripod legs terminating in pad feet. 0.71m by 0.88m
Estimate: 250-350
445. GOOD PAIR OF 19th CENTURY MAHOGANY HALL CHAIRS, each with shield-shaped pierced back carved with scrolls, above a serpentine seat raised on cabriole legs.
Estimate: 500-700
446. CARVED OAK PRESS CUPBOARD, partly 18th century with 19th century carving and decoration, with boldly moulded cornice above a pair of panelled doors carved with a bust of a Roman emperor and empress, each above a tortoise, the lower section with three frieze dummy drawers above an arrangement of four drawers, all with foliate scroll carving. 1.98m by 1.42m by 0.59m
Estimate: 1200-1800
447. GEORGE III STYLE MAHOGANY LOWBOY, of characteristic form with scroll-carved apron, cross-banded drawers and raised on scroll and leaf carved cabriole legs terminating in ball and claw feet. 0.76m by 0.85m by 0.50m
Estimate: 450-550
448. GLOBE-WERNICKE LEAD-GLAZED OAK FOUR TIER BOOKCASE, of characteristic form, mounted with copper straps and with ivorine maker's label. 1.56m by 0.87m by 0.30m
Estimate: 400-600
449. EDWARDIAN INLAID MAHOGANY TEA TRAY, the oval tray inlaid with a floral spray within a scrolling foliate border, all within a gilt-brass pierced gallery with twin carrying handles. 59cm by 41cm
Estimate: 100-150
450. 19th CENTURY GILT CONVEX MIRROR, with boldly carved eagle crest, the plate within reeded ebonised slip, encircled by a beaded and leaf-moulded frame. 0.95m by 0.67m
Estimate: 180-250
451. EDWARDIAN INLAID MAHOGANY VITRINE CABINET, with moulded cornice above glazed doors and sides, raised on tapering square section legs terminating in spade feet, decorated throughout with string inlay. 1.67m by 0.91m by 0.36m
Estimate: 120-180
452. VICTORIAN SPOON-BACK NURSING CHAIR, raised on cabriole legs.
Estimate: 80-120
453. VICTORIAN AESTHETIC EBONISED NURSING CHAIR, of scroll-form, raised on trestle legs with incised linear decoration.
Estimate: 80-120
454. EARLY 19th CENTURY MAHOGANY POT CUPBOARD, the rectangular top above a pair of panelled dummy doors opening to reveal a compartment over two dummy drawers concealing a second compartment, raised on splayed bracket feet. 1.76m by 0.60m by 0.48m
Estimate: 120-180
455. GEORGE III CROSS-BANDED AND STRING-INLAID SIDEBOARD, CONVERTED FROM A SPINET, fitted with three drawers, raised on a later string-inlaid stand with square section tapering legs terminating in spade feet. 0.88m by 1.69m by 0.65m
Estimate: 300-400
456. REGENCY MAHOGANY BREAKFAST TABLE, the rectangular top with rounded corners above a turned baluster terminating in four reeded hipped downswept legs with brass paw castors. 0.68m by 1.01m by 0.71m
Estimate: 150-250
457. SET OF FOUR GEORGE III STYLE MAHOGANY DINING CHAIRS, c. 1900, comprising carver and three side chairs, each with foliate and scroll-carved ribbon back above a dished upholstered seat, raised on square section tapering legs joined by stretchers.
Estimate: 120-180
458. GEORGE III MAHOGANY DROPLEAF DINING TABLE, of oval form, raised on square section tapering legs. 0.75m by 1.27m by 1.27m open
Estimate: 100-200
459. REGENCY MAHOGANY BOW-FRONTED HANGING CORNER CUPBOARD, the projecting cornice with pendant bosses above a pointed arch and acorn carved frieze, over a pair of bowed panelled and string-inlaid doors above a short drawer flanked by dummy drawers. 1.22m by 0.91m by 0.60m
Estimate: 300-400
460. VICTORIAN WALNUT THREE DIVISION CANTERBURY, the baluster turned corner posts surmounted by urns and flanking three fretwork panels over a frieze drawer, raised on turned tapering legs, moving on castors. 0.50m by 0.54m by 0.40m
Estimate: 150-200
461. OAK HANGING CORNER CUPBOARD, c.1900, with swan-neck pediment above a dentilled cornice over a panelled door carved with a dragon. 0.81m by 0.62m by 0.39m
Estimate: 80-120
462. SET OF FOUR GEORGE III MAHOGANY DINING CHAIRS, c.1800, each with arch crest rail above a pierced waisted splat over a drop-in seat, raised on square section tapering legs.
Estimate: 150-250
463. EDWARDIAN OAK FIRE SURROUND, IN 18th CENTURY STYLE, with dentilled moulded cornice above a plain panelled frieze, supported on twinned fluted columns. 1.25m by 1.63m by 0.26m
Estimate: 100-150
464. GEORGE III STYLE INLAID MAHOGANY SIDEBOARD, with cross-banded string-inlaid breakfront top above two drawers flanked by curved cupboard doors, raised on square section tapering legs terminating in spade feet. 0.92m by 1.53m by 0.57m
Estimate: 120-180
465. CHIPPENDALE REVIVAL MAHOGANY CHEST OF DRAWERS, the cross-banded rectangular top carved with a border of egg and dart, over three graduated cock-beaded drawers, raised on scroll and shell carved cabriole legs terminating in hairy paw feet. 0.87m by 1.09m by 1.55m
Estimate: 150-250
466. CONTINENTAL SATIN BIRCH AND WALNUT CENTRE TABLE, POSSIBLY SCANDINAVIAN, LATE 19th CENTURY, the oval top raised on boldly carved x-form trestle legs joined by an oval shelf stretcher, supported on flattened bun feet. 0.76m by 1.31m by 0.78m
Estimate: 400-600
467. REGENCY ROSEWOOD CROSS-BANDED MAHOGANY SOFA TABLE, c.1820, the leaves with cut-off corners, fitted with a pair of frieze drawers opposed by dummies, raised on trestles joined by a scrolling stretcher centred by a tablet, supported on hipped downswept legs terminating in brass paw feet moving on castors. 0.74m by 1.28m by 0.62m
Estimate: 800-1200
468. SET OF SIX OAK AND ELM WHEEL-BACK WINDSOR DINING CHAIRS, c.1900.
Estimate: 180-250
469. OAK HALL SETTLE, with spindle back above a plank seat flanked by down-scrolled arms, raised on turned tapering legs. 0.92m by 1.36m by 0.63m
Estimate: 120-180
470. 19th CENTURY ELM AND ASH WHEEL-BACK WINDSOR ARMCHAIR.
Estimate: 100-150
471. LATE 19th CENTURY CHILD'S CAPTAIN'S CHAIR, the back carved with the name "Fred".
Estimate: 50-70
472. 19th CENTURY ELM AND ASH HOOP-BACK WINDSOR ARMCHAIR.
Estimate: 100-150
473. PAIR OF VICTORIAN MOTHER-OF-PEARL INLAID PAPIER-MACHE BEDROOM CHAIRS, with canework seats.
Estimate: 80-120
474. 19th CENTURY MAHOGANY DRESSING STOOL, with bowed seat rails, raised on tapering circular section legs terminating in scroll feet. 0.43m by 0.55m by 0.42m
Estimate: 100-150
475. GREEN-STAINED OAK COACHING TABLE, c.1890/1910, the folding circular top raised on turned legs joined by stretchers, bears makers label Thornton & Hearne, Pont Street, London SW. 0.63m by 1.06m (open)
Estimate: 150-200
476. REGENCY MAHOGANY SOFA TABLE, the leaves with rounded corners above one end frieze drawer, raised on a tapering square section standard above a platform base supported on hipped reeded downswept legs terminating in brass paw feet with castors. 0.71m by 0.96m by 1.07 (open)
Estimate: 200-300
477. VICTORIAN BRASS SLANT-FRONT COAL BOX, with original shovel, the hinged cover cast with an urn amidst swags and scrolls. 0.44m by 0.28m by 0.47m
Estimate: 120-180
478. RILEY MAHOGANY CASED BAGATELLE BOARD, c.1920's, green baize lined in a folding case, with balls and cues.
Estimate: 250-350
479. JACQUES CROQUET SET, BOXED, including four hardwood mallets and two intermediate mallets; together with a children's croquet set, all in a wooden carrying case bearing paper label.
Estimate: 250-350
480. A PAIR OF 19th CENTURY MAHOGANY HALL CHAIRS, each with scroll carved back and raised on turned tapering legs.
Estimate: 80-120
481. SET OF THREE VICTORIAN MAHOGANY BALLOON BACK CHAIRS, each with scroll-carved back and raised on tapering fluted legs; together with a Victorian beech balloon back chair, raised on cabriole legs. (4)
Estimate: 120-180
482. SET OF FOUR VICTORIAN ROSEWOOD BALLOON BACK CHAIRS, c.1870, each oval back centred by a pierced foliate carved splat, raised on cabriole legs.
Estimate: 200-300
483. MAHOGANY ROCKING HORSE, with spindle-back seat, the rockers joined by turned stretchers. 0.65m by 0.86m by 0.44m
Estimate: 60-80
484. VICTORIAN OAK TABLE TOP STATIONERY CABINET, with hinged sloping lid opening to reveal a compartmented interior. 21cm by 28cm by 14cm
Estimate: 50-70
485. 19th CENTURY MAHOGANY TEA CADDY, the rectangular lid opening to reveal three covered compartments, raised on bun feet. 17cm by 30cm by 15cm
Estimate: 60-80
486. 19th CENTURY OAK TABLE TOP SPICE CUPBOARD, with arched crest above a door fitted with a pottery handle, raised on bun feet. 45cm by 26.5cm by 15.5cm
Estimate: 50-70
487. 19th CENTURY MAHOGANY MINIATURE CHEST OF DRAWERS, with galleried top over four graduated drawers. 0.44m by 0.40m by 0.31m
Estimate: 100-150
488. 17th CENTURY OAK SIDE CHAIR, with scroll-carved crest rail, plank seat, raised on turned legs with blocks joined by stretchers.
Estimate: 70-90
489. CHIPPENDALE REVIVAL MAHOGANY EXTENDING DINING TABLE, the gadrooned top with bowed ends, raised on leaf-capped cabriole legs terminating in massive ball and claw feet, with two leaves. 0.69m by 2.37m extended by 1.20m
Estimate: 400-600
490. EDWARDIAN INLAID MAHOGANY TWIN-HANDLED TEA TRAY, of cartouche form, centred by a shell patera, with striped gallery. Length across handles 55cm
Estimate: 70-90
491. CHINESE MARBLE-INSET HARDWOOD JARDINIERE STAND, c. 1900, carved with fruit and foliage, raised on channeled legs joined by stretchers. 70cm
Estimate: 150-200
492. MID-VICTORIAN ROSEWOOD ADJUSTABLE PIANO STOOL, c. 1860-70, raised on leaf-carved cabriole legs.
Estimate: 150-200
493. EDWARDIAN PIERCED BRASS FENDER, applied with paterae and with urn-topped corners. External 1.39m by 0.33m
Estimate: 180-250
494. MID 19th CENTURY MAHOGANY CHEST OF DRAWERS, the moulded rectangular top above two short and four long graduated cock-beaded drawers, raised on splayed bracket feet. 1.36m by 1.08m by 0.53m
Estimate: 250-350
495. GEORGE III MAHOGANY PRESS CUPBOARD, c.1800, with moulded cornice above a pair of oval panelled doors, over two short and two long drawers (two short and one long drawer now dummies to allow for deeper hanging), raised on bracket feet. 2.00m by 1.27m by 0.58m
Estimate: 300-400
496. GOOD LOUIS XV STYLE KINGWOOD AND MARQUETRY BONHEUR DE JOUR, late 19th century, the upper section with pierced gilt-brass gallery over an arrangement of six serpentine drawers, the lower section with gilt-brass mounted serpentine writing surface above a velvet lined fall-front jewellery drawer, raised on gilt-brass mounted cabriole legs terminating in scroll-cast sabots and inlaid throughout with coloured floral and foliate marquetry. 1.02m by 0.86m by 0.47m
Estimate: 1200-1800
497. OAK FOOTSTOOL IN LOUIS XV STYLE, with upholstered cartouche seat, raised on short cabriole legs. 0.35m by 0.65m by 0.57m
Estimate: 50-70
498. GEORGE III STYLE WALNUT FRETWORK MIRROR, with gilt eagle crest. 0.93m by 0.40m
Estimate: 70-90
499. LATE 19th CENTURY SILVER-PLATE MOUNTED OAK THREE-BOTTLE TANTALUS, of characteristic form, (one decanter a replacement). 31cm by 34cm by 14cm
Estimate: 40-60
500. 19th CENTURY MAHOGANY CHILD'S CORRECTION CHAIR, with scroll-carved back above a canework seat, raised on ring-turned legs.
Estimate: 120-180
501. 19th CENTURY CHILD'S ROCKING CHAIR, with rush seat, turned legs and stretchers.
Estimate: 70-90
502. EDWARDIAN MAHOGANY OCCASIONAL TABLE. 0.67m by 0.75m by 0.39m
Estimate: 50-70
503. OAK SIDE TABLE IN 18th CENTURY STYLE, with moulded rectangular top above a frieze drawer, raised on bobbin turned legs joined by stretchers. 0.72m by 0.91m by 0.53
Estimate: 180-250
504. 19th CENTURY LOW HOOP-BACK WINDSOR ARMCHAIR.
Estimate: 120-180
505. EARLY 18th CENTURY OAK BIBLE BOX ON STAND, the box with iron butterfly hinges, chip carving and carved with a monogram PB and the date 1703, raised on a contemporary stand fitted with a deep drawer, raised on short cabriole legs terminating in pad feet. 0.92m by 0.75m by 0.49m
Estimate: 180-250
506. OAK SIX-PLANK COFFER, EARLY 17th CENTURY, with moulded top and chip-carved frieze. 0.57m by 1.21m by 0.43m
Estimate: 250-350
507. WALNUT SIDE CHAIR, SECOND QUARTER OF THE 18th CENTURY, with vasiform backsplat, rush seat, and cabriole legs joined by turned stretchers.
Estimate: 100-150
508. GEORGE III OAK DRESSER BASE, POSSIBLY YORKSHIRE, the moulded rectangular top above three frieze drawers, over three graduated drawers, flanked by ogee fielded panelled doors, raised on bracket feet, (some handles replaced). 0.84m by 1.65m by 0.50m
Estimate: 300-400
509. GEORGE III OAK CHEST ON CHEST, the upper section with moulded cornice carved with a band of Greek key enclosing two short and three long cock-beaded graduated drawers, the lower section with three graduated drawers, raised on bracket feet. 1.59m by 0.99m by 0.54m
Estimate: 200-300