Summer Fine Art & Antiques Catalogue Sale on
Saturday 5th September 2009
1. EDWARD SPENCER (1872-1938) FOR THE ARTIFICERS GUILD, A LARGE SILVER-MOUNTED FRUITWOOD CONDIMENT SET, comprising three open salts, 1928; pair of mustards, 1926 and 1927; three pepperettes, one 1927, the other two with makers mark only; spice bowl 1927; and three spoons; all with London town mark and the vast majority with designers mark, each piece of faceted footed form with silver-mounts cast with ropework. (12)
Estimate: 200-300
2. WMF ART NOUVEAU BRASS AND COPPER SPIRIT KETTLE ON STAND, c. 1900, cast with characteristic stylised floral motifs, stamped mark.
Estimate: 150-200
3. KESWICK SCHOOL OF INDUSTRIAL ART: A COPPER VASE, the cylindrical body with flared rim and repousse with a stylised anthemion band, stamped KSIA. 19cm
Estimate: 100-150
4. KESWICK SCHOOL OF INDUSTRIAL ART: A "STAYBRITE" STAINLESS STEEL BOWL, c.1950, the planished circular bowl repousse with a rose, stamped marks KSIA/KESWICK/FIRTH STAYBRITE/D591. Diameter 18cm
Estimate: 60-80
5. KESWICK SCHOOL OF INDUSTRIAL ART: A "STAYBRITE" STAINLESS STEEL BOWL, c.1950, the planished circular bowl raised on foot, stamped marks KSIA/KESWICK/FIRTH STAYBRITE/E461. Diameter 18cm
Estimate: 50-70
6. KESWICK SCHOOL OF INDUSTRIAL ART: A COPPER PIN TRAY, of circular form, repousse with a woodpecker and a fish, stamped KSIA. 9cm
Estimate: 50-70
7. KESWICK SCHOOL OF INDUSTRIAL ART: A "STAYBRITE" STAINLESS STEEL TRINKET DISH, c.1950, the planished circular bowl raised on foot, stamped marks KSIA/KESWICK/FIRTH STAYBRITE/D94. Diameter 18cm
Estimate: 30-50
8. KESWICK SCHOOL OF INDUSTRIAL ART: A COPPER AND BRASS TRAY, of circular form with hammered well within a broad rim repousse with interspersed geometric motifs, with pierced brass carrying handles, stamped KSIA. 42cm over handles
Estimate: 120-180
9. KESWICK SCHOOL OF INDUSTRIAL ART: A COPPER CIRCULAR TRAY, repousse with a band of leaping deer and rabbits within beaded borders, stamped KSIA. 30.5cm
Estimate: 200-300
10. PAIR OF W.A.S. BENSON COPPER FLASKS, each of tapering cylindrical form, with ceramic liner, hinged conical cover and brass handle. 12cm
Estimate: 120-180
11. NEWLYN COPPER CHARGER, repousse with three fish, planished, stamped NEWLYN to front centre. 35cm
Estimate: 60-80
12. PAIR OF ROYAL DOULTON STONEWARE VASES, c.1920's, the ovoid bodies applied with blue foliate roundels against a mottled green ground, shape no. 8249, impressed factory mark. 26.5cm
Estimate: 120-180
13. WMF SILVER-PLATED INKWELL, of rectangular form, cast with a band of squares and knotwork panels, stamped WMF/ 120K, length 21cm; together with a Aristocrat silver-plate mounted blotter, the knop topped with a knotwork panel, monogrammed D.L.B.(2)
Estimate: 50-70
14. ART GLASS BOWL, PROBABLY POST-WAR ITALIAN, cased in yellow with orange rim, unmarked. Diameter 21cm
Estimate: 40-60
15. AMANDA HAZELWOOD CAMEO GLASS PLATE, depicting a Japanese landscape, etched signature and dated (19)98. 22.5cm
Note: Amanda Hazelwood, based in Shropshire, is a contemporary glass maker specialising in free blown studio glass.
Estimate: 30-50
16. JOHN WILLMIN FOR AURUM DESIGNS, A PAIR OF SILVER PARCEL GILT GOBLETS, LONDON 1973, to commemorate the thirteenth centenary of the foundation of Ely Cathedral, no.'s 32 and 33 in a limited edition of 673, in a fitted case with pamphlets. 17cm, 34oz
Estimate: 300-400
17. MONART GLASS VASE, post-war, the waisted blue and purple body cased with gold flecking. 18cm
Estimate: 40-60
18. CONTINENTAL PEWTER LEAF-FORM SHALLOW DISH, c.1900, stylised leaf, indistinctly marked. Length 17cm
Estimate: 30-50
19. ROYAL DOULTON FLAMBE VASE, the shouldered ovoid body printed in black with a team of horses ploughing a field, black printed lion and crown factory mark and impressed numbers. 26cm
Estimate: 100-150
20. CARTER STABLER & ADAMS POOLE POTTERY VASE, c.1930, the squat baluster body painted in the "Blue Bird" pattern to a design by Truda Carter, shape no. 342, impressed factory mark. Height 15cm
Estimate: 150-250
21. PAIR OF RUSKIN POTTERY CANDLESTICKS, c.1910-20, each circular candle cup above a tapering standard continuing to a swept foot, with lustrous mottled blue glaze, impressed RUSKIN ENGLAND. 16cm
Estimate: 200-300
22. TROIKA POTTERY MARMALADE POT, of shouldered cube-form, decorated by Alison Brigden with characteristic incised abstract designs, painted marks to base. 9.5cm
Estimate: 80-120
23. EARLY TROIKA ST.IVES POTTERY BOWL, possibly Stella Benjamin, the exterior with an abstract design against a blue ground, with trident mark. Diameter 12.5cm
Estimate: 80-120
24. RYE CINQUE PORTS POTTERY STUDIO SLIP-GLAZED JUG, black printed factory mark. 23.5cm
Estimate: 30-50
25. PAIR OF ROYAL DOULTON SLATERS PATENT VASES, c.1900-10, the tapering necks issuing from a bulbous body enamel painted with foliate decoration against a gilt ground, raised on a foot, impressed lion and crown mark. 40cm
Estimate: 250-350
26. ARTS & CRAFTS BRASS AND COLOURED GLASS HANGING LANTERN, with hinged door and tapering sides. 58cm to top of fitting
Estimate: 100-150
27. SHORTER & SON NOVELTY FISH SERVICE, c.1930-40, six place settings, with serving plate and bowl, oyster dish, salt, sauce boat and stand, all modelled as fish in shades of green, orange and purple, printed factory marks. (12)
Estimate: 120-180
28. BURMANTOFTS ART POTTERY FLOWER HOLDER, LATE 19th CENTURY, modelled as the three-legged toad of Chinese mythology, unmarked. Length 16cm
Estimate: 80-120
29. KEITH MURRAY FOR WEDGWOOD TANKARD, c.1933, matt green glaze with incised bands, printed marks and facsimile signature. 12cm
Estimate: 30-50
30. WILLIAM MOORCROFT "NATURAL POTTERY" VASE, the ribbed baluster body with a blue glaze, c.1930's, impressed factory marks. 20cm
Estimate: 120-180
31. WILLIAM MOORCROFT "NATURAL POTTERY" VASE, the ribbed ovoid body with a green wheat glaze, c.1930's, impressed factory marks. 21cm
Estimate: 150-200
32. JAMES MACINTYRE & CO. "GESSO FAIENCE" THREE-PIECE TEA SERVICE, tubelined with c-scrolls and dots against a powder blue and green ground, painted no. C147, brown printed factory mark.
Estimate: 200-300
33. WILLIAM MOORCROFT POTTERY VASE, the ovoid body tubelined and hand-painted with pomegranates against a dark blue ground, green painted initials. 12.5cm
Estimate: 200-300
34. LARGE WALTER MOORCROFT POTTERY VASE, tubelined and hand-painted with anemones against a dark blue ground, late facsimile signature and blue painted initials, c.1940's. 32cm
Estimate: 600-800
35. PAIR OF MOORCROFT POTTERY "POWDER BLUE" VASES, of ovoid form, impressed factory marks and no. M18; together with a trinket dish in the same pattern. Height of vases 21cm
Estimate: 150-200
36. WILLIAM MOORCROFT POTTERY "HORN OF PLENTY" TWO-HANDLED CUP, the horn tubelined against a custard ground, facsimile signature and blue painted initials. 17cm
Estimate: 120-180
37. WILLIAM MOORCROFT SALT-GLAZED POTTERY PIPE KNOCKER, of characteristic form, tubelined and hand-painted with a fish, facsimile signature and blue painted initials. 10cm by 13cm
Estimate: 200-300
38. WILLIAM MOORCROFT POTTERY TOBACCO JAR, c.1907, the squat bulbous body tubelined and hand-painted with cobalt blue ribbon-tied floral swags against a light blue ground, green painted initials. 10cm
Estimate: 400-500
39. JAMES MACINTYE & CO. WATER SET, DESIGNED BY WILLIAM MOORCROFT, comprising jug, three beakers and a lobed tray, all with marbleised glaze, impressed MACINTYRE, (tray chipped). Height of jug 20cm
Estimate: 100-150
40. JAMES MACINTYRE & CO. CHOCOLATE POT, glazed in white, brown printed factory marks, registration no. for 1897, 18.5cm; together with a James Macintyre & Co. "Gesso Faience" hot water jug, tubelined with scrolling foliage against a pink ground, brown printed and impressed factory marks, 15.5cm. (2)
Estimate: 100-150
41. WILLIAM MOORCROFT "NATURAL POTTERY" BOTTLE VASE, the ribbed body with cream glaze, c.1930's, impressed factory marks. 27cm
Estimate: 120-180
42. WALTER MOORCROFT POTTERY VASE, of baluster form, tubelined and hand-painted with magnolia against a cream ground, impressed factory marks and green painted initials. 19cm
Estimate: 60-80
43. MOORCROFT POTTERY SILVER-PLATE MOUNTED INKWELL, c.1914-16, the squat body with an orange lustre glaze, impressed MOORCROFT/BURSLEM. Diameter 11.5cm
Estimate: 80-120
44. WILLIAM MOORCROFT POTTERY VASE, c.1916-18, of flared cylindrical form, tubelined and hand-painted with two floral panels against a powder blue ground, green painted signature, impressed factory marks MOORCROFT/BURSLEM/ENGLAND/M26. 26cm
Estimate: 150-250
45. WILLIAM MOORCROFT "NATURAL POTTERY" BOWL, c.1945-49, the ribbed body with a blue/green glaze, with late facsimile signature, diameter 18.5cm; together with a Moorcroft pottery footed bowl, tubelined and hand-painted with hibiscus against a green ground, impressed MOORCROFT/ MADE IN ENGLAND, diameter 14.5cm. (2)
Estimate: 80-120
46. MOORCROFT POTTERY WALL PLAQUE, square, tubelined and hand-painted with a Winter scene with a fox, framed, impressed factory marks and dated (19)99. 20cm by 20cm
Estimate: 150-200
47. WALTER MOORCROFT POTTERY CABINET PLATE, tubelined and hand-painted with hibiscus against a green ground, green painted initials and impressed factory marks. 26cm
Estimate: 80-120
48. LIBERTY & CO. TUDRIC PEWTER INKWELL, DESIGNED BY ARCHIBALD KNOX, of circular form with hinged domed cover, chased with stylised honesty, stamped Tudric/0162. Diameter 12cm
Estimate: 200-300
49. PAIR OF LIBERTY & CO. ENGLISH PEWTER CANDLESTICKS, DESIGNED BY ARCHIBALD KNOX, the bullet-shaped candle cups raised on four triangular-section uprights issuing from a "folded" openwork foot, no. 0222, stamped ENGLISH PEWTER. 10cm
Estimate: 500-700
50. LIBERTY & CO. SOLKETS ENGLISH PEWTER CAKE BASKET, DESIGNED BY ARCHIBALD KNOX, c.1905, the plate and fixed handle cast with stylised foliage, no. 0357, stamped ENGLISH PEWTER/SOLKETS. Length 30cm
Estimate: 200-300
51. SET OF THREE LIBERTY & CO. PEWTER ASHTRAYS, of lozenge form and cast with stylised poppies, no. 0283. 13cm
Estimate: 80-120
52. LIBERTY & CO. ENGLISH PEWTER ASHTRAY, DESIGNED BY ARCHIBALD KNOX, of rounded rectangular form and cast with stylised honesty, no. 0898. Diameter 13.5cm
Estimate: 100-150
53. LIBERTY & CO. TUDRIC PEWTER "FACE" JUG, the stylistically cast tapering body with rattan covered handle, no. 0278. 14cm
Estimate: 150-200
54. PAIR OF LATE 19th CENTURY CHINESE PORCELAIN PLATES, each with foliate rim and central roundel of figures carrying weapons. 22cm
Estimate: 30-50
55. JAPANESE SATSUMA FIGURE OF MONJU BOSATSU, MEIJI PERIOD, seated on a Karashishi. 25cm
Estimate: 100-150
56. PAIR OF ROYAL DOULTON "BAYEUX TAPESTRY" SERIES CANDLESTICKS, c.1920, printed and painted with King Harold on horseback, D2873, green printed factory mark. 17cm
Estimate: 30-50
57. THOMAS FORESTER & SON. TWO-HANDLED POTTERY VASE, LATE 19th CENTURY, the ovoid body with shredded clay ground and incised with leafy branches, impressed factory mark. 24cm
Estimate: 40-60
58. LARGE MAIOLICA WINE CISTERN, decorated in blue and white, of baluster form with twin serpent handles and mask spout, decorated to one side with a cartouche of figures in a landscape, the reverse bearing the date "1760". 47cm
Estimate: 250-350
59. ITALIAN MAIOLICA DRUG JAR, 18th century, of bellied form with loop handle, decorated in blue and white, "Absinty". 19.5cm
Estimate: 80-120
60. SMALL 19th CENTURY SPONGEWARE BOWL, painted with a cockerel; 19th CENTURY STAFFORDSHIRE MINIATURE SAUCER, printed in brown, "A Present for William"; and a FIRST PERIOD WORCESTER SAUCER, c.1760/70, decorated in blue and white within a cross hatch border, unmarked. (3). First 11.5cm
Estimate: 60-80
61. TWO DELFT CHARGERS, 18th CENTURY, the first painted in blue with a house on a lake, the second with a fence in a landscape, the first possibly Lambeth. (2). First 31cm
Estimate: 100-150
62. DELFT CHARGER, 18th CENTURY, the well painted with flowers within a dot and scroll rim; FAIENCE PLATE, possibly Rouen; and a CONTINENTAL TIN-GLAZED PLATE, decorated in blue and white with a bird amidst foliage. (3) First 36cm
Estimate: 120-180
63. MID-VICTORIAN STAFFORDSHIRE POTTERY HEN TUREEN AND COVER, the base in the form of a basket and the cover as a chicken roosting on her eggs, the cover predominantly painted in light brown, the basket in yellow, c.1850-80. Length 30cm
Estimate: 150-250
64. RUSSIAN PORCELAIN EASTER EGG, POSSIBLY IMPERIAL PORCELAIN MANUFACTORY, c. 1900, decorated with a gilt cipher under a crown. 7.25cm
Estimate: 300-500
65. ENGLISH PARIAN GROUP OF THE WOOD NYMPH, MODELLED BY C.B.BIRCH FOR THE ART UNION OF LONDON, she sits naked on a rock with the faun on her lap and the garlanded doe at her side, impressed C.B.BIRCH. Sc. 1866. 49cm
Estimate: 400-600
66. A COPENHAGEN BING & GRONDAHL PORCELAIN MODEL OF A PUPPY, 20th century, printed marks. 15cm
Estimate: 60-80
67. ROYAL COPENHAGEN VASE, 20th century, of cylindrical form, decorated with flowering foliage against a characteristic blue-grey ground. 23cm
Estimate: 80-100
68. FIRST PERIOD BELLEEK LATTICEWORK HEART-FORM BON-BON DISH, with "canework" base, impressed marks. 11cm
Estimate: 100-150
69. 19th CENTURY STAFFORDSHIRE MEAT DRAINING PLATE, of oval form printed with a border of polychromatic flowers and floral sprays. 35cm
Estimate: 80-120
70. TWO WEDGWOOD "MONTH" BLUE AND WHITE TILES, 19th CENTURY, July and August, one printed "Old English", both with impressed marks. 15cm square
Estimate: 120-180
71. PAIR OF GRAINGER & CO. WORCESTER THISTLE-FORM BLUSH PORCELAIN VASES, of naturalistic form, highlighted with gilding, date letter for 1893, shape no. 378, printed factory marks. 9cm
Estimate: 80-120
72. GROUP OF FOUR LATE 19th/EARLY 20th CENTURY VASES, comprising an Art Deco Clews Chameleon Ware vase, a small two-handled turquoise ground vase enamel painted with floral swags, Staffordshire two-handled flask-form vase in Japanese style, and a Continental porcelain two-handled vase in Satsuma style. (4) Height of largest 21cm
Estimate: 50-70
73. OLD HALL TWO-HANDLED VASE, POSSIBLY TO A DESIGN BY CHRISTOPHER DRESSER, c.1880's, the gilded handles taking the form of dragons, gilded with prunus against a cobalt blue ground, printed factory mark, (restored). 35.5cm
Estimate: 80-120
74. PAIR OF BRISTOL BLUE GLASS FINGER BOWLS, 19th CENTURY, 9.5cm by 10.5cm; together with a silver-mounted blue flash-glass finger bowl, Mappin & Webb, Sheffield 1904. (3)
Estimate: 50-70
75. EARLY 19th CENTURY BRISTOL BLUE GLASS RUM DECANTER AND STOPPER, of mallet-form with triple-ringed neck, flat-moulded stopper, gilded "label" and neck rim. 27cm
Estimate: 50-70
76. 19th CENTURY GLASS WATER JUG, with celery handle and etched with flowering foliage. 21cm
Estimate: 60-80
77. PAIR OF 19th CENTURY BOHEMIAN OVERLAID GLASS LUSTRES, the slender tapering knopped vases with flared serrated rim and domed foot, cased opaline glass over cranberry and flash-cut with gilt-highlighted panels, each suspending clear cut-glass beads and drops. 21cm
Estimate: 200-300
78. CONTINENTAL BRASS INKWELL IN SECESSIONIST STYLE, c.1900, the globular body chased with stylised honesty and raised on four ball feet, height 8cm; together with a Continental brass and cut-glass inkwell, early 20th century, of rectangular form with pierced decoration. (2)
Estimate: 30-50
79. EDWARDIAN COPPER TRAY BY JOSEPH SANKEY & SON, of circular form with brass carrying handles, chased with stylised fruiting foliage, stamped JS&SB, diameter (over handles 33cm; together with a brass chamberstick, of square form with pierced gallery and carrying handle. (2)
Estimate: 40-60
80. GRADUATED SET OF SIX COPPER PANS, with brass handles. Diameter of largest 16cm
Estimate: 40-60
81. 18th CENTURY PEWTER FLAGON, of tapering cylindrical form, with stepped domed lid, thumbpiece and scroll handle; together with A HALF PINT PEWTER MEASURE AND A GILL PEWTER MEASURE, each of baluster form. (3). First 14.5cm
Estimate: 50-70
82. PAIR OF DUTCH BRASS TWO-LIGHT SCONCES, late 17th/early 18th century, each with pierced foliate and scroll-engraved backplate issuing two scrolling candlearms terminating in crenellated pricket cups. 34cm
Estimate: 250-350
83. SET OF GILT-BRASS WALL-LIGHTS, comprising a pair of two-lights and a pair of single lights, each with shell and scroll cast back plate, scrolling arm and foliate cast drip plate. Larger 20cm by 24cm
Estimate: 80-120
84. PAIR OF GEORGE III BRASS CANDLESTICKS, with knopped tapering cylindrical stems. 24cm
Estimate: 30-50
85. SOUTTERWARE COPPER JARDINIERE, LATE 19th CENTURY, of cauldron form with three lion-mask handle and raised on three paw feet, stamped mark. Height 19.5cm
Estimate: 30-50
86. CONTINENTAL PATINATED METAL RENAISSANCE REVIVAL STUD BOX, late 19th century, of oval form, cast with panels depicting hunting scenes, with original buttoned silk and velvet interior. 9cm
Estimate: 50-70
87. PAIR OF GOTHIC REVIVAL BRASS TAPER STICKS, 19th CENTURY, each with pierced galleried drip pan above a knopped stem continuing to a swept foot. 10.5cm
Estimate: 50-70
88. PAIR OF JAPANESE BRONZE VASES, MEIJI PERIOD, each decorated in high relief in varying metals with birds in flowering boughs and each with signature to base. 25cm
Estimate: 150-200
89. PAIR OF BRASS CHURCH CANDLESTICKS, in 18th century style, each with baluster stem and stepped circular foot, each with inscription dated 1930. 31cm
Estimate: 30-50
90. SET OF TWELVE AESTHETIC SILVER-PLATED AND MOTHER-OF-PEARL HANDLED FISH KNIVES AND FORKS, c.1870, each with foliate engraved blades and carved handles, in a fitted walnut case.
Estimate: 70-100
91. PAIR OF GILT-METAL WALL LIGHTS, each with foliate and floral cast pierced backplate issuing a scrolling candlearm terminating in a crenellated drip pan suspending prismatic drops, with associated amber glass shades, electrified. Height 48cm
Estimate: 80-120
92. EARLY VICTORIAN SILVER VINAIGRETTE, FREDERICK MARSON, BIRMINGHAM 1845, the body engraved with foliate scrolls, gilt interior. 4.5cm by 3.25cm
Estimate: 300-400
93. FRENCH SILVER MESH LADY'S EVENING PURSE, c.1900, with stamped marks and maker, "A. Vaguer"; together with a GEORGE V SILVER LADY'S EVENING PURSE, Chester 1910, engraved with a monogram. (2). Width of first 16m
Estimate: 50-70
94. GEORGE V SILVER CHALICE, LONDON 1928, with knopped stem and stepped circular base, the bowl with presentation inscription. 17.5cm 8.5oz
Estimate: 60-80
95. GOOD GEORGE I SILVER SNUFFER TRAY, DAVID WILLAUME, LONDON 1721, BRITANNIA STANDARD, of shaped hourglass form, with c-scroll leaf-capped thumbpiece and engraved with c-scrolls and foliage. Length 17cm, 8.5oz
Estimate: 800-1200
96. GEORGE III SILVER CHRISTENING MUG, LONDON 1798, with late 19th century chasing and applied handle, gilt interior. 9cm, 5.5oz
Estimate: 150-200
97. GEORGE V SILVER LOVING CUP, LONDON 1934, the body chased with a border of acanthus against a lightly planished ground, and with acanthus-tipped twin handles. Height 7.5cm, 7.5oz
Estimate: 120-180
98. VICTORIAN SILVER WAITER, ROBERT HENNELL, LONDON 1869, in the Rococo taste, with scrolling border and raised on hoof feet. 21cm, 13oz
Estimate: 250-300
98A. EDWARDIAN SILVER THREE PIECE BACHELOR'S TEA SERVICE, Birmingham 1909, in 18th century style, the sugar and cream with gilt interiors. Length of teapot across handle 24cm. Gross weight 19oz
Estimate: 200-300
99. GEORGE VI SILVER SALVER, BIRMINGHAM 1940, in 18th century style, of square form, with cut-off corners, raised on scroll feet. 30cm, 26oz
Estimate: 280-350
100. SET OF FOUR GEORGE V SILVER SALTS, GOLDSMITHS & SILVERSMITHS CO. LTD, LONDON 1928, each of twin-handled trophy form, with spoons in original fitted case.
Estimate: 150-250
101. PAIR OF ADAM REVIVAL SILVER CANDLESTICKS, JOHN ROUND & SON, SHEFFIELD 1904, each candle cup decorated with ribbon-tied swags above a tapering stem raised on a square base with canted corners and decorated with urns. 19.5cm, filled.
Estimate: 400-500
102. UNUSUAL EDWARDIAN BELL-FORM SILVER INKWELL, BIRMINGHAM 1909. 10.5cm
Estimate: 180-250
103. PAIR OF EDWARDIAN SILVER BON BON DISHES, CHESTER 1903, of navette form, with pierced bodies and scrolling borders. Length 18cm, total 6oz
Estimate: 180-250
104. GEORGE V SILVER HIP FLASK, BIRMINGHAM 1914, shaped for the hand with twist hinged cap. 15cm by 9cm, 5.5oz
Estimate: 150-200
105. WILLIAM IV SILVER SOUP LADLE, WILLIAM EATON, LONDON 1832, fiddle pattern, engraved with a monogram. 34cm, 9.5oz
Estimate: 150-200
106. GEORGE III SILVER ASPARAGUS SERVING TONGS, WILLIAM ELEY, WILLIAM FEARN & WILLIAM CHAWNER, LONDON 1812. 23.5cm, 6oz
Estimate: 300-400
107. VICTORIAN SILVER HEART-SHAPED SCENT FLASK, SAMPSON MORDAN & CO., LONDON 1899, engraved with foliate decoration and with suspension chain. Flask 6cm
Estimate: 300-400
108. GEORGE III SILVER MARROW SCOOP, LONDON 1791. 24cm
Estimate: 150-200
109. GEORGE V LARGE SILVER STUFFING SPOON, JAMES DIXON & SONS, SHEFFIELD 1919. 28cm, 5oz
Estimate: 120-180
110. PAIR OF GEORGE III SILVER SAUCE LADLES, GEORGE SMITH & WILLIAM FEARN, LONDON 1790, Old English pattern, engraved with a monogram. 17.5cm, total 3oz
Estimate: 150-200
111. NAVAL INTEREST; SILVER MODEL OF AN OAR, INSCRIBED "H.M.S. LONDON", further inscribed "Alexandria", "October 1935" and "R.S. Stafford Bow", hallmarked with Jubilee mark for London 1935. 27cm
Estimate: 150-250
112. GEORGE V SILVER PHOTOGRAPH FRAME, BIRMINGHAM 1920, the arched frame decorated with bands of husks. Overall 26cm by 21cm, aperture 20cm by 15cm
Estimate: 200-250
113. LATE 19th CENTURY GILT-METAL MOUNTED CUT-GLASS SCENT BOTTLE, the collar and cover studded with "gems", with original cut-glass stopper. 15cm
Estimate: 100-150
114. A RUBY AND DIAMOND RING, the oval mixed-cut ruby claw set between two circular mixed cut rubies within an oval mount set with eighteen single-cut diamonds, set in 9ct gold.
Estimate: 70-100
115. A DIAMOND AND ENAMEL ROYAL ARTILLERY GRENADE BROOCH, set throughout with old and single-cut diamonds, with blue enamel scroll emblazoned with the motto, "Ubique".
Estimate: 150-250
116. A VICTORIAN TURQUOISE, PEARL AND DIAMOND BROOCH, c. 1890, the old brilliant cut diamond collet set within a border of six collet set half pearls to an outer shaped border set with turquoise and half pearls, with detachable brooch pin fitting.
Estimate: 120-180
117. A VICTORIAN GOLD WATCH CHAIN, of bar and fancy twisted links, with t-bar fob.
Estimate: 100-200
118. A VICTORIAN GOLD COLLAR, c. 1870, composed of three rows of oval flat links, bolt ring clasp.
Estimate: 1000-1500
119. A VICTORIAN GOLD, ENAMEL AND SEED PEARL PENDANT LOCKET, c. 1880, the oval locket with eight rayed star inset with a cluster of seed pearls (two deficient) within a royal blue enamel border, above a plain oval boss with beadwork border. Glass locket inserts lacking. The reverse engraved " William Lyne died April 1877/aged 72".
Estimate: 300-500
120. AN EARLY 19th CENTURY GOLD, ENAMEL AND SEED PEARL MOURNING RING, c. 1840, the oval locket inset with hair within a border of half pearls and blue gulch enamel border, to an outer gold border with white enamel detail, between pierced shoulders.
Estimate: 500-700
121. A PERIDOT AND DIAMOND PENDANT, the three slightly graduating step-cut peridots spaced by collet-set brilliant-cut diamonds on fine link chain.
Estimate: 600-800
122. A DIAMOND RING, c. 1890, the two slightly graduating rows of five old brilliant-cut diamonds within oblong mount, between pierced diamond set shoulders.
Estimate: 400-600
123. A PAIR OF VICTORIAN GARNET AND GOLD EARRINGS, c. 1870, the oval cabochon-cut garnet drops within gold mounts with pierced ropework mounts.
Estimate: 150-250
124. A DIAMOND BAR BROOCH, c. 1900, composed of a graduating row of eleven old brilliant-cut diamonds in rubover millegrain setting, on knife-edge bar, brooch pin fitting.
Estimate: 120-180
125. AN EMERALD AND DIAMOND RING, the oval mixed-cut emerald claw-set within a border of twelve brilliant-cut diamonds, above claw setting and tapering shoulders.
Estimate: 700-900
126. A SAPPHIRE AND DIAMOND RING, the circular mixed-cut sapphire within a border of old brilliant-cut diamonds millegrain set, within an undulating mount set with square cut sapphires and old brilliant-cut diamond collets.
Estimate: 250-350
127. A CITRINE AND DIAMOND PENDANT, the pear-cut citrine collet-set within a garland style border of brilliant-cut diamonds below a circular cut citrine with diamond highlights, suspended from a tracelink chain with four collet set diamonds.
Estimate: 400-600
128. A VICTORIAN PEARL AND GOLD RING, c. 1860, the five uniform pearls within fluted claw mounts, between carved shoulders of scroll design.
Estimate: 250-350
129. AN AMETHYST AND PEARL BROOCH, c. 1890, the circular mixed-cut amethyst millegrain collet set between two seed pearls within oval knife edge mount, bar mount stamped 15ct and with brooch pin fitting.
Estimate: 60-80
130. A 9ct GOLD BRACELET IN THE ART DECO TASTE, composed of fluted shaped links,with safety chain. Length 20cm
Estimate: 100-150
131. A VICTORIAN GOLD AND DIAMOND BROOCH, c. 1890, the old brilliant-cut diamond claw set within a gold mount realistically modelled as a flowerhead, on trailing knife-edge bar stem.
Estimate: 300-500
132. AN ARTS AND CRAFTS SILVER AND ENAMEL PENDANT, CHARLES HORNER, the oval central panel with green enamel above a hammered ground, within a stylised mount, with freshwater pearl drop, suspended from a trace link chain with similarly enamelled surmount to trace link chain.
Estimate: 250-350
133. A GOLD AND PEARL PENDANT, c. 1900, the triangular knife-edge bar mount with collet set red stone highlight above two gold leaves, suspending a freshwater pearl drop.
Estimate: 80-120
134. AN AMETHYST AND GOLD PENDANT, c. 1910, the oval frame suspending a collet-set circular-cut amethyst below a linear mount, the frame suspending a similarly set amethyst with scroll surmount, on fine chain.
Estimate: 120-180
135. A PEARL AND GOLD PENDANT, c. 1900, the circular mount inset with a flower and set with three blue stone petals and a collet set half pearl to the stem, pierced border on a fine trace link chain.
Estimate: 120-180
136. A RUBY, SAPPHIRE AND DIAMOND BROOCH, c. 1880, the crescent shaped mount set with a single circular-cut ruby, diamond and sapphire, each within ropework mounts, cased.
Estimate: 120-180
137. A VICTORIAN SEED PEARL AND GOLD BROOCH, c. 1890, the six half pearls set within a scroll mount above a knife edge bar suspending a trace link chain with five seed pearls, Hallmarked for 9ct gold.
Estimate: 50-70
138. AN ARTS AND CRAFTS SILVER AND ENAMEL PENDANT, the oval light blue guilloche enamel plaque with an enamelled flower in pink and green enamel, within a scrolling silver mount suspending a pendant drop with yellow, green and orange flower above blue guilloche enamel ground, on silver chain.
Estimate: 80-120
139. A DIAMOND SET HALF HOOP ETERNITY RING, the uniform row of nine brilliant-cut diamonds channel set within a plain mount, mounted in platinum.
Estimate: 300-500
140. A FIVE STONE DIAMOND RING, composed of five uniform brilliant-cut diamonds in simple claw setting
Estimate: 200-400
141. A DIAMOND PENDANT WITH A PAIR OF EARRINGS EN SUITE, each set with a trefoil of brilliant-cut diamonds.
Estimate: 300-400
142. GROUP OF FOUR 19th CENTURY SNUFF BOXES, comprising two papier-mache, one burr elm and one horn with tortoiseshell-mounted cover. (4)
Estimate: 30-50
143. 19th CENTURY STAINED WOODEN CAT, of characteristic form.
Estimate: 30-50
144. TREEN: WALNUT SPICE BOX, PROBABLY FRENCH, the cover sliding to reveal compartments. 27cm by 19cm
Estimate: 80-120
145. 20th CENTURY ICON, POSSIBLY RUSSIAN, of the Virgin and Child, with painted facial elements within a pierced brass oklad. 22.5cm by 18cm
Estimate: 80-120
146. PINE BREAD PEEL. 1.11m
Estimate: 60-90
147. SYCAMORE GRAIN SHOVEL. 1.32m
Estimate: 50-70
148. CONGOLESE LUBA FERTILITY FIGURE, decorated with a bead necklace. 40cm
Estimate: 60-80
149. CONGOLESE LUBA CARYATID STOOL. 43cm
Estimate: 80-100
150. CAMEROON GRASSLANDS CHIEFTAN'S STOOL, possibly Bamileke. 33cm
Estimate: 100-150
151. STANLEY TECHNICAL DRAWING SET, LATE 19th CENTURY, extensively fitted with dividers, trammels, plotters, compasses, etc., in a brass-bound light oak case, lined and labelled Stanley, 3 Great Turnstile, Holborn, London, the cover with presentation plaque dated 1898. 7.5cm by 27cm by 15.5cm
Estimate: 150-250
152. DUNHILL GOLD-PLATED BALLPOINT PEN, in original presentation case.
Estimate: 40-60
153. STAR YACHT OF BIRKENHEAD POND YACHT, c. 1950-60.
Estimate: 50-70
154. PAIR OF FRENCH LATE 19th CENTURY CAST-METAL FIGURES OF ADMIRAL LORD NELSON AND THE DUKE OF WELLINGTON, each with various inscriptions, signature and raised on a polished wooden plinth. 51cm
Estimate: 180-250
155. COLLINS & CO. WORLD WAR II USA ARMY AIR CORPS BOWIE KNIFE, the blade stamped with the maker's mark and with leather sheath (not original). Overall 43cm
Estimate: 70-90
156. A PAIR OF CHINESE CLOISONNE AND HARDSTONE FLOWERING TREES IN JARDINIERES, c. 1900, the cloisonne jardinieres with turquoise grounds, the trees and blossoms of jade, coral, agate and other hardstones. 36cm
Estimate: 200-300
156A. CHINESE CLOISONNE DEEP DISH, 19th CENTURY, the well decorated with a bird amidst flowering foliage within a foliate rim, all against a turquoise ground. 39cm
Estimate: 200-300
157. JAPANESE IVORY OKIMONO, c.1900, carved as a fisherman standing upon a naturalistic base with a young boy on his shoulder and two fish suspended from his hand, signed. 27cm
Estimate: 100-150
158. TREEN: A MID-19th CENTURY WOODEN SHOE-FORM SNUFF, with gilt decoration and sliding cover; together with A LATE 19th CENTURY BOOT-FORM PIN CUSHION. (2). Length of first 10.5cm
Estimate: 180-250
159. PERKEN, SON & CO. LTD "OPTIMUS" MAGIC LANTERN, in original condition.
Estimate: 120-180
160. MANNER OF CHARLES BARYE, LION WITH A BOAR, A PAIR OF BRONZES, each on a marble plinth. Length overall 28cm
Estimate: 200-300
161. ITALIAN BRONZE MODEL OF A REARING HORSE, CIRCLE OF FRANCESCO FANELLI, 17th CENTURY, on a modern wooden plinth. Height of bronze 13.5cm
Estimate: 5000-7000
162. A COLD PAINTED BRONZE MODEL OF A STAG, PROBABLY AUSTRIAN, c. 1900, naturalistically painted. 15cm
Estimate: 100-150
163. THREE COLD PAINTED BRONZE MODELS OF DOGS, PROBABLY AUSTRIAN, c. 1900, a poodle, sealyham and corgi. Longest 5cm
Estimate: 80-120
164. LATE 19th CENTURY PATINATED BRONZE FIGURE OF A PEASANT BOY CARRYING A BASKET OF GRAPES, PROBABLY FRENCH, unsigned. 36cm
Estimate: 100-150
165. THOMAS ROWLANDSON, "PUSS IN BOOTS OR GENERAL JUNOT TAKEN BY SURPRISE", hand-coloured engraving, pub. Thomas Tegg 1811, framed. 33cm by 22cm
Estimate: 100-150
166. ARTHUR BRISCOE (1873-1943), "ON THE HARD", etching, signed in ink and numbered 17/25 to the margin, framed. 15.5cm by 21cm
Estimate: 100-150
167. FREDERICK CARTER A.R.E. (BRITISH 1885-1967), WOODCUT ENGRAVING OF A CLASSICAL FIGURE, signed in pencil. 13.5cm by 7cm
Estimate: 40-60
168. FRANK SHORT AFTER J.M.W. TURNER, BEN ARTHUR, SCOTLAND, mezzotint, signed in pencil, pub. 1888 Robert Dunthorne, framed. 21.5cm by 29cm
Estimate: 40-60
169. FRANK SHORT AFTER CONSTABLE, A SUSSEX DOWN, mezzotint, c.1898, signed in pencil, framed. 16cm by 27cm
Estimate: 40-60
170. JOHN SENEX, HAND-COLOURED ENGRAVED MAP OF SOME YORKSHIRE ROADS, c.1717, framed. 16cm by 23cm
Estimate: 70-100
171. GOLFING INTEREST: FRANK PATON (1856-1909), "ROYAL AND ANCIENT, ST. ANDREWS 1798", etching, signed in pencil with humorous etchings in the margin, signed in pencil lower left. 19.9cm by 25cm
Estimate: 50-70
172. JOHN HOYLAND R.A. (b.1934), BANDA ORIENTAL, c.1989, etching and aquatint on paper, signed limited edition print 6/65, framed. 72cm by 56cm
Estimate: 200-300
173. F.ROBSON, "ELVET BRIDGE AND CATHEDRAL, DURHAM" AND "THE OLD CITY WALL AND MINSTER, YORK", A PAIR OF COLOURED PRINTS, framed. 16.5cm by 12.5cm
Estimate: 40-60
174. EDWARD HARTLEY MOONEY (c.1878-1938), "RICHMOND CASTLE FROM THE GREEN", etching, signed and inscribed in pencil, framed. 22cm by 25cm
Estimate: 30-50
175. AFTER ANGELICA KAUFFMANN, A PAIR OF TONDO STIPPLE ENGRAVINGS OF CLASSICAL FIGURES, in beaded gilt-composition frames. 31cm
Estimate: 100-150
176. AFTER HENRY THOMAS ALKEN (1785-1851), SET OF SIX HUNTING AQUATINTS, pub. by S. & J. Fuller, 1822, "The Right Sort Doing the Thing", "Morning, A Few of the Right Sort Going to the Thing", "The Right Sort Having Almost Done the Thing" etc. in attractive Regency style reeded ebonised frames with gilt slips. 22.5cm by 29.5cm
Estimate: 150-250
177. AFTER LIONEL D.R. EDWARDS (1878-1966), HUNTING COUNTRIES, A PAIR OF CHROMOLITHOGRAPHS, the Beaufort and the North Warwickshire Hounds, each with stamp, signed in pencil. 39cm by 52cm
Estimate: 80-120
178. AFTER HOGARTH, "THE GEORGE INN COMEDIANS", 18th century engraving, borders trimmed, framed. 42cm by 54cm
Estimate: 40-60
179. AFTER HOGARTH, TWO 19th CENTURY ENGRAVINGS FROM "A HARLOT'S PROGRESS", plates 4 and 5, framed. 32cm by 39cm
Estimate: 60-90
180. MANNER OF ALFRED DE BREANSKI, CATTLE WATERING IN A HIGHLAND LANDSCAPE, oil on canvas. 59.5cm by 89.5cm
Estimate: 300-400
181. JOHN W. OGDEN (BRITISH 19th/20th CENTURY), "IN BOLTON WOODS YORKS.", signed lower right, inscribed verso and dated 1895, oil on canvas. 50cm by 38cm
Estimate: 150-250
182. JOHN FULLWOOD (1854-1931), A STROLL BY THE THAMES, signed lower right, watercolour, framed. 35cm by 52cm
Estimate: 200-300
183. PIETER C. STEENHOUWER (1896-1972), DUTCH STREET SCENE, signed lower right, oil on canvas. 50cm by 40cm
Estimate: 200-300
184. THOMAS COLMAN DIBDIN (1810-93), VIEW OF A FRENCH CATHEDRAL, signed lower right, watercolour. 48cm by 35cm
Estimate: 350-450
185. LOUIS VAN STAATEN (1836-1909), VIEW OF ROTTERDAM, signed lower right, watercolour. 39cm by 59cm
Estimate: 300-400
186. HERMINE GARTNER (1850-1905), "A GOOD SMOKE", signed lower right, oil on panel. 20cm by 15cm
Estimate: 80-120
187. E.ADAMS (EARLY 20th CENTURY), FISHERMEN ON THE SHORE, signed lower left, watercolour heightened with white, framed. 27cm by 39cm
Estimate: 60-100
188. SAMUEL (SAM) CHADWICK (1902-1992), SHISKINE, ARRAN, signed lower right, inscribed verso with title and dated May '71, oil on board, framed. 33cm by 45.5cm
Estimate: 100-200
189. ATTRIBUTED TO HENRY BRIGHT (1814-1873), "LANGDALE", signed Hy Bright, dated 1863 and titled lower right, oil on canvas, framed. 34cm by 44cm
Estimate: 400-600
190. DOROTHY MARGARET AND ELIZABETH MARY ALDERSON (1900-1992) (1900-1988), STILL LIFE OF VEGETABLES ON A TABLE, signed and dated 1960 lower left, watercolour, framed. 34cm by 68cm
Estimate: 150-250
191. BRITISH SCHOOL, 20th CENTURY, TUG IN A HARBOUR, indistinctly signed lower right, possibly Frank Forward (c. 1901-74), a Southwold artist, oil on board. 39cm by 44cm
Estimate: 300-500
192. TWO JAPANESE WATERCOLOURS, SAMURAI WARRIORS IN BATTLE AND THE ABDUCTION, each composed of multiple sheets and signed, framed. 34cm by 71cm
Estimate: 150-250
193. JOHN FALCONAR SLATER (1857-1937), RICHMOND CASTLE, signed and dated 1921 lower right, oil on canvas, in a good gilt-composition frame. 49cm by 74cm
Estimate: 700-900
194. PORTRAIT MINIATURE OF A LADY IN ELIZABETHAN COSTUME, the reverse of the frame inscribed "Mrs. Patrick Campbell", watercolour on ivory. 10cm by 7cm
Estimate: 80-120
195. STAITHES GROUP (19th/20th CENTURY), "THE FISHERMAN'S HOUSE", with scratched-out initials SD lower left, typed paper label to frame verso "...attributed to Francis Reed of the Whitby/Staithes School...", faintly inscribed in pencil to the stretcher with the title and further indistinct annotation, oil on canvas, framed. 49cm by 75cm
Estimate: 400-600
196. CIRCLE OF SIR WILLIAM CHARLES ROSS R.A. (1795-1860), PORTRAIT MINIATURE OF A LADY IN A LACE CAP, c. 1850, oil, with paper label verso attributing it to Ross and stating that it is a portrait of Viscountess Hardinge (widow of the first Viscount Hardinge). 9.5cm by 6.5cm
Estimate: 80-120
197. GEORGE GORDON BYRON COOPER (1850-1933), ST.ANDREWS BAY, signed lower right, watercolour, in an oak frame. 29cm by 90cm
Estimate: 150-200
198. DOUGLAS FREDERICK PITTUCK (1911-1993), "LOOKING UP THE BANK, BARNARD CASTLE", signed and dated 1976 lower right, oil on board, framed. 40cm by 50cm
Estimate: 150-250
199. DOUGLAS FREDERICK PITTUCK (1911-1993), "ULLATHORNE'S MILL, BARNARD CASTLE", signed and dated 1975 lower left, charcoal on board, framed. 35cm by 46cm
Sold with two exhibition catalogues for the artist's 1976 exhibition at The Bowes Museum of which this work is no. 48 in the catalogue.
Estimate: 150-250
200. MAX FLEISCHER (GERMAN 1861-1930), PORTRAIT OF A WOMAN, signed and titled lower right, oil on canvas, framed. 50cm by 36cm
Estimate: 50-70
201. R.TUCKER (18th/19th CENTURY), NONNENWERTH ON THE RHINE, signed lower right, watercolour, framed. 29cm by 44cm
Estimate: 50-70
202. JOHN DOBBIN (1815-1888), PORCH OF THE FRAUENKIRCHE, NUREMBERG, signed and dated 1875 lower left, titled lower right, watercolour and pencil, framed. 59cm by 43cm
Estimate: 350-450
203. JOHN H. COLE (BRITISH, DIED c.1895), WATERMILL WITH FIGURES ON A BRIDGE BEYOND, signed lower left, oil on canvas, framed. 62cm by 75cm
Estimate: 400-600
204. CHARLES FRANCE (Exh.1887-1892), CORN STOOKS BY THE CONWAY, signed lower left and inscribed to old paper label verso, oil on canvas, in an impressive gilt-composition frame. 60cm by 79cm
Estimate: 1200-1600
205. MICHAEL JAMES WHITEHAND (b.1941), "OLD WHITBY", signed and dated (19)99 lower left, titled verso, oil on canvas, framed. 33cm by 23cm
Note: This lot may be subject to Artists's Resale Right. See the auctioneers terms and conditions.
Estimate: 350-450
206. CLIFFORD HALL (1904-1973), PORTRAIT OF A CROUCHING WOMAN, signed lower right, oil on board, framed. 46cm by 23cm
Estimate: 150-250
207. K.BREARLEY, "BILLY", STUDY OF A HORSE JUMPING A FENCE, signed and dated (20)00, oil on board with pencil, framed. 30cm by 34cm
Estimate: 50-70
208. WILLIAM MELLOR (1851-1931), "ON THE MOORS, NEAR BEAMSLEY, YORKSHIRE" AND "ON THE WHARFE, YORKSHIRE", A PAIR, signed lower left and lower right respectively, oil on board, framed. 14cm by 34cm
Estimate: 800-1200
209. ENGLISH SCHOOL, HUNTING SCENE, indistinctly signed, oil on board, framed. 13.5cm by 19cm
Estimate: 120-180
210. PORTRAIT OF A MAN IN A TURBAN, signed lower right S.Barakat, on board. 47cm by 35cm
Estimate: 40-60
211. JOHN WILLIAM BUXTON KNIGHT (1843-1908), FIGURES HARVESTING A MEADOW, signed and dated (18)80 lower left, watercolour, framed. 15cm by 26.5cm
Estimate: 100-150
212. 17th CENTURY PORTRAIT MINIATURE OF A GENTLEMAN, in a lace cravat, oval, on copper, unframed. 4cm by 3.25cm
Estimate: 600-800
213. ENGLISH SCHOOL, 19th CENTURY, THE WATER CARRIER, oil on board. 36cm by 26cm
Estimate: 50-70
214. ENGLISH SCHOOL, EARLY 19th CENTURY, MOUNTAINOUS LANDSCAPE, watercolour. 16cm by 21cm
Estimate: 40-60
215. ENGLISH SCHOOL, EARLY 19th CENTURY, RUINED ABBEY, watercolour. 12cm by 20.5cm
Estimate: 50-70
216. SCOTTISH SCHOOL, 19th CENTURY, THE KYLES OF BUTE, monogrammed DM. 18cm by 27cm
Estimate: 50-70
217. DAVID J. CURTIS R.O.I., R.S.M.A., (b. 1948), "AUTUMN - CLUMBER", signed lower right and dated (19)93, gallery label verso, oil on canvas. 28cm by 37.5cm
Estimate: 200-300
218. JAQUIE DENBY (BRITISH, 20th CENTURY), GRASSINGTON, NORTH YORKSHIRE, signed lower left, inscribed verso and dated 1997, oil on board. 73cm by 78cm
Estimate: 100-200
219. ENGLISH SCHOOL, 20th CENTURY, RUINED ABBEY IN A VALLEY, watercolour. 15.5cm by 21.0cm
Estimate: 40-60
220. J.S. WADE, (20th CENTURY), THREE-MASTED SHIP IN AN EMPTY SEA, signed lower right and dated (19)78, oil on canvas. 49cm by 74.5cm
Estimate: 200-300
221. ROBERT O. LENKIEWICZ (1941-2002), UNFINISHED PORTRAIT OF A COUPLE, unsigned, oil on canvas. 66cm by 76cm.
Provenance: Offered as lot 331 at Bearne's, 12th April 2008
Estimate: 1500-2000
222. J.S. WADE (20th CENTURY), SEASCAPE, signed lower right and dated (19)78, oil on canvas. 49cm by 90cm
Estimate: 200-300
223. OSMOND H. BISSELL (BRITISH 1906-), "WHITBY, YORKS.", signed lower left and dated 1960, Society of Marine Artists exhibition label verso, oil on board. 39cm by 49cm
Estimate: 300-400
224. SAMUEL DODWELL R.I. (BRITISH, 1909-90), "SUMMER POND", signed, inscribed verso with title and dated 1969, oil on canvas, unframed. 56cm by 76cm
Estimate: 80-120
225. P.H. DUVAL (FRENCH, 19th CENTURY), FISHERFOLK ON THE SHORE, signed lower left, oil on canvas. 1.06m by 0.79m
Estimate: 600-800
226. ALEC WRIGHT (BRITISH 20th CENTURY), A HALF-TIMBERED COUNTRY HOUSE, signed lower left, watercolour. 23cm by 36cm
Estimate: 80-120
227. ATTRIBUTED TO THOMAS CRESWICK R.A. (1811-69), "A COUNTRY ROAD", with label verso stating that the piece is monogrammed "TC RA" (not visible but not removed from frame), watercolour. 22cm by 31cm
Estimate: 300-500
228. HARRY TURNER, (BRITISH 20th CENTURY), MOORLAND LANDSCAPE, signed lower left, watercolour. 28cm by 36.5cm
Estimate: 70-90
229. JOSEPH CLAYTON CLARKE (KYD) (1856-1937), STUDY OF AN AGED SEAFARER, signed "Kyd", watercolour.
Note: Kyd was the well-known illustrator of many of Charles Dickens characters.
Estimate: 50-70
230. FRANK HENRY MASON R.I., R.S.M.A. (1876-1965), HARBOUR SCENE, signed lower left, watercolour. 23cm by 15cm
Estimate: 500-700
231. CONTINENTAL SCHOOL, 20th CENTURY, RECLINING NUDE, unsigned, watercolour. 13cm by 23cm
Estimate: 60-80
232. FRANK DARCY (BRITISH, 20th CENTURY), "A SURREY MILL", signed lower left, label verso, watercolour. 18.5cm by 27.5cm
Estimate: 40-60
233. SAMUEL JOHN LAMORNA BIRCH R.A., R.W.S. (1869-1955), "MOUET CHALETS", signed and dated 1909, inscribed verso, watercolour. 25.5cm by 34.0cm
Estimate: 150-250
234. JOHN WILSON CARMICHAEL (1799-1868), HEADLAND BY A CHOPPY SEA, signed lower left, watercolour. 27.5cm by 45cm
Estimate: 200-300
235. MANNER OF DAME LAURA KNIGHT, CIRCUS ELEPHANTS, unsigned, watercolour. 22cm by 27cm
Estimate: 50-70
236. ALBERT WALKER (1900-84), BOAT YARD, WHITBY, signed lower left, inscribed verso, oil on board. 23cm by 27cm
Estimate: 100-200
237. JAMES ANDREW McCOLVIN (fl. MID-19th CENTURY), PORTRAIT OF A GIRL WITH FLOWERS IN HER HAIR, signed lower left, oil on board. 21cm by 18cm
Estimate: 200-300
238. JOSEPH CLAYTON CLARKE (KYD) 1856-1937, STUDY OF FAGAN, signed lower right, watercolour. 12cm by 9cm
Estimate: 50-70
239. F.CROSBY (19th/20th CENTURY), KING CHARLES SPANIELS, signed and dated lower right 1921, oil on panel, framed. 34cm by 50cm
Estimate: 250-350
240. CONTINENTAL SCHOOL (LATE 19th CENTURY), MONKS TESTING THE SAUCE, unsigned, oil on canvas, framed. 20cm by 25cm
Estimate: 100-150
241. PAUL NICHOLAS (20th CENTURY), AUTUMN AND WINTER LANDSCAPES, A PAIR, signed, watercolours, framed. 26cm by 36cm
Estimate: 30-50
242. JANE CHARLOTTE HALFORD (19th/20th CENTURY), BLEAWYKE, RAVENSCAR, signed and dated 1924 lower right, watercolour, framed. 23cm by 34cm
Note: Miss Halford was born in Leeds and lived in Leicester. She was a member of Leicester Society of Artists (Wood, Christopher; Dictionary of Victorian Painters).
Estimate: 60-80
243. ITALIAN SCHOOL (19th CENTURY), A KISS UNDER A LOVERS ARCH, unsigned, oil on canvas, framed. 32cm by 19cm
Estimate: 150-250
244. GIANNI (LATE 19th/EARLY 20th CENTURY), THE CARD PLAYING CARDINAL, signed lower right, watercolour, framed. 46cm by 31cm
Estimate: 120-180
245. DENNIS CAMPBELL KIRTLEY, BAY MARE COMFORTING A FOAL, signed and dated 1966, pastel, framed. 30cm by 45cm
Estimate: 80-120
246. EDWARD ARDEN (TUCKER) (1847-1910), AMBLESIDE, signed lower left, watercolour, framed. 27cm by 41cm
Estimate: 80-120
247. F.PROSSER, PORTRAIT OF A CHOW, "KOKO", signed, inscribed and dated 1923 lower right, pastel, framed. 37cm by 26cm
Estimate: 60-80
248. EDWARD PEEL (LATE 19th/EARLY 20th CENTURY), YOUNG GIRL AT PRAYER, signed lower right, oil on canvas, framed. 50cm by 40cm
Estimate: 200-300
249. ENGLISH SCHOOL, STILL LIFE OF PLUMS, oil on board, in a gilt composition frame. 19cm by 24.5cm
Estimate: 80-120
250. W.R. SEEL, (19th CENTURY), GIRL WITH RABBITS, signed lower right, oil on canvas. 45cm by 24cm
Estimate: 80-120
251. ALWYN CRAWSHAW (BRITISH, 20th CENTURY), "A CARPET OF BLUEBELLS", signed lower left, watercolour, label verso. 35cm by 53cm
Estimate: 200-300
252. ATTRIBUTED TO JOHN HENRY MOLE (1814-86), "SANDSEND", watercolour heightened with white, inscribed "J H Mole" and "Sandsed" on the mount, watercolour. 19cm by 39cm
Estimate: 80-120
253. J. K. BRANDEN, THE "ENGLISHMAN" IN STORMY SEAS, signed lower left, oil on canvas. 59cm by 90cm
Estimate: 500-700
254. ANTHONY C.E. DUGDALE, "MALLARD RISING", signed lower right and dated (19)77, inscribed verso. 49.5cm by 74.5cm
Estimate: 100-150
255. ENGLISH SCHOOL, 19th CENTURY, RICHMOND, YORKSHIRE, BY MOONLIGHT, monogrammed lower left, oil on canvas. 36cm by 46cm
Estimate: 300-400
256. BRIAN NEEDHAM (BRITISH, 20th CENTURY), SCOTTISH WILDCAT, signed lower right and dated (19)76, oil on canvas. 49.5cm by 74.5cm
Estimate: 120-180
257. DOROTHY MARGARET AND ELIZABETH MARY ALDERSON (1900-1992) (1900-1988), FARMYARD SCENE WITH FOUR SHIRE HORSES AT A TROUGH, signed and dated 1979 lower right, watercolour, framed. 37cm by 55cm
Estimate: 700-1000
258. DOROTHY MARGARET AND ELIZABETH MARY ALDERSON (1900-1992) (1900-1988), STUDY OF THE HORSE "CRESTA" IN A LANDSCAPE, signed, inscribed and dated 1931, watercolour, framed. 35cm by 47cm
Estimate: 500-700
259. DOROTHY MARGARET AND ELIZABETH MARY ALDERSON (1900-1992) (1900-1988), FARMYARD SCENE WITH TWO SHIRE HORSES AND FOUR CALVES AT A TROUGH, signed and dated 1977 lower right, watercolour, framed. 28cm by 37cm
Estimate: 500-700
260. DOROTHY MARGARET AND ELIZABETH MARY ALDERSON (1900-1992) (1900-1988), PORTRAIT OF A HORSE, "CHARTER PARTY", signed, inscribed and dated (19)88, watercolour, framed. 12.5cm by 7.5cm
Estimate: 50-70
261. DOROTHY MARGARET AND ELIZABETH MARY ALDERSON (1900-1992) (1900-1988), STUDIES OF DOGS, A PAIR, one signed lower right, watercolour on card, framed. 8.5cm by 13.5cm
Estimate: 80-120
262. DOROTHY MARGARET AND ELIZABETH MARY ALDERSON (1900-1992) (1900-1988), PORTRAIT OF A HORSE, signed and dated (19)88 lower right, watercolour, framed. 15cm by 8.5cm
Estimate: 50-70
263. DOROTHY MARGARET AND ELIZABETH MARY ALDERSON (1900-1992) (1900-1988), PORTRAIT OF THE HORSE "MAORI VENTURE", signed, inscribed and dated 1987, watercolour, framed. 12.5cm by 7.5cm
Estimate: 50-70
264. THOMAS ALLOM (1804-1972), RICHMOND CASTLE, signed, watercolour, framed. 25cm by 39.5cm
Estimate: 350-450
265. ALEC WRIGHT (BRITISH, 20th CENTURY), ROSEBERRY TOPPING, GREAT AYTON, signed and dated 1947 lower right, watercolour, framed. 17.5cm by 26cm
Estimate: 120-180
266. ALEC WRIGHT (BRITISH, 20th CENTURY), CAPTAIN COOK MONUMENT, GREAT AYTON, signed and dated 1947 lower right, watercolour, framed. 17.5cm by 26cm
Estimate: 120-180
267. DAVID THOMAS ROBERTSON (1879-1952), DURHAM CATHEDRAL, signed lower left, watercolour, framed. 50cm by 37cm
Estimate: 100-200
268. GEORGE EDWARD HORTON (1859-1950), WINDMILL, signed lower left, watercolour, framed. 21.5cm by 16.5cm
Estimate: 250-350
269. TURKISH KARS STYLE CARPET, 3.14m by 1.99m
Estimate: 80-120
270. MID-PERSIAN RUG, with tree of life pattern. 2.0m by 1.25m
Estimate: 80-120
271. TURKISH GALLERY RUG. 2.52m by 1.20m
Estimate: 80-120
272. TURKISH FLATWEAVE RUG. 2.70m by 1.74m
Estimate: 50-70
273. AFGHAN KELIM RUNNER. 2.90m by 0.69m
Estimate: 60-90
274. ANTIQUE TURKMEN ERSARI RUG. 1.97m by 1.05m
Estimate: 60-80
275. PERSIAN SHIRAZ RUG. 1.46m by 1.07m
Estimate: 60-80
276. ANTIQUE AFGHAN BELOUCH RUG, c. 1900. 1.90m by 1.47m
Estimate: 70-90
277. TURKISH KELIM CARPET. 3.60m by 1.71m
Estimate: 100-150
278. CHINESE CARPET, with beige ground. 3.95m by 2.75m
Estimate: 150-250
279. PERSIAN STYLE RUG. 2.87m by 1.96m
Estimate: 200-300
280. PERSIAN STYLE CARPET. 3.65m by 2.55m
Estimate: 400-600
281. 19th CENTURY WOOLLEN PAISLEY SHAWL, in characteristic colours with multi-coloured fringe. 3.25m by 1.6m
Estimate: 180-250
282. ATTRACTIVE PATCHWORK QUILT DECORATED WITH RED STARS AGAINST A WHITE GROUND. 2.35m by 2.20m
Estimate: 150-200
283. EDMUND WHITEHEAD, WETHERBY (c.1800-1818), OAK CASED LONGCASE CLOCK, the later case profusely carved with scrolls and stylised foliage, the hood with swan neck pediment and three brass globe finials, the 12" square brass dial, signed, engraved with peacock-topped urns, the spandrels cast with cherubs, 30 hour pull-up movement. 2.15m
Estimate: 400-600
284. A TAG HEUER PROFESSIONAL 200 METRES GENTLEMAN'S STAINLESS STEEL WRISTWATCH, with silvered dial and date aperture, in original case and box with guarantee and service record.
Estimate: 150-250
285. OAK CASED BRACKET CLOCK, c.1900, the foliate chased brass arched dial with strike/silent and fast/slow subsidiaries, above a silvered chapter ring, the Junghans quarter striking movement with Westminster chime on five tubular gongs, the backplate stamped JUNGHANS/A06. 44cm
Estimate: 120-180
286. 19th CENTURY FRENCH INLAID ROSEWOOD MANTEL CLOCK, the movement and dial signed Laine a Paris, the case with line and foliate inlay, the movement with outside countwheel striking on a bell, silk suspension, the movement stamped no. 1312. 21cm
Estimate: 500-700
287. ARTS & CRAFTS MAHOGANY SECRETAIRE CABINET, with foliate carved pierced crest rail above a fall-front with stylised foliate carved panel flanked by recesses above a writing surface over a frieze fitted with a short drawer fitted with a copper handle, above a recess continuing to shaped trestles, stamped no. 105. 1.38m by 0.92m by 0.42m
Estimate: 400-600
288. GLASGOW SCHOOL INLAID MAHOGANY BOOKCASE CABINET, c. 1910, the canopy with boldly projecting cornice supported on turned tapering uprights enclosing a pair of glazed doors over a recess, the lower section with a pair of short drawers over a pair of glazed cupboard doors, raised on square tapering legs joined by a shaped shelf stretcher, decorated top and bottom with Art Nouveau copper inlay. 2.01m by 0.95m by 0.37m
Estimate: 1000-1500
289. SET OF FOUR ROBERT "MOUSEMAN" THOMPSON OAK NAPKIN RINGS, each octagonal ring with carved mouse signature.
Estimate: 120-180
290. ROBERT "MOUSEMAN" THOMPSON OAK STANDARD LAMP, c.1960's, the faceted tapering standard continuing to a conforming stepped base, adzed, with carved mouse signature. Height including fitting 1.44m
Estimate: 500-700
291. ROBERT "MOUSEMAN" THOMPSON OAK FRUIT BOWL, the large hand-carved bowl with mouse signature to the well, adzed throughout, c.1970's. 29.5cm
Estimate: 120-180
292. ROBERT "MOUSEMAN" THOMPSON OAK TABLE-TOP LECTERN, of small proportions, carved presentation inscription PRESENTED BY THE PRESIDENT & STUDENTS 1954-1956, with incised mouse signature. 21cm by 34cm by 24cm
Estimate: 350-450
293. ROBERT "MOUSEMAN" THOMPSON OAK WORK BOX, c.1955, the hinged rectangular adzed lid above a panelled case fitted with a drawer, raised on faceted baluster legs terminating in blocks, with carved mouse signature. 60cm by 50cm by 32cm
Estimate: 700-900
294. ROBERT "MOUSEMAN" THOMPSON OAK STOOL, c.1930, the rectangular lattice-work leather top raised on faceted baluster legs terminating in blocks joined by stretchers.
Estimate: 300-400
295. ROBERT "MOUSEMAN" THOMPSON OAK PIN TRAY, with carved mouse signature. 10.5cm by 7.5cm
Estimate: 40-60
296. PAIR OF ROBERT "MOUSEMAN" THOMPSON OAK TWO-LIGHT WALL LIGHTS, c.1950's, the demilune frames supported by a serpentine bracket, adzed, each with carved mouse signature.
Estimate: 300-400
297. ROBERT "MOUSEMAN" THOMPSON OAK BAROMETER, c.1970, of octagonal form, with carved mouse signature. 18cm
Estimate: 150-200
298. ROBERT "MOUSEMAN" THOMPSON OAK ASHTRAY, c.1930, of characteristic form, adzed, with carved mouse signature. 10cm by 7.5cm
Estimate: 40-60
299. SID POLLARD YORKSHIRE OAK TABLE LAMP, c.1940's, the faceted waisted stem continuing to a swept foot. Height 32cm excluding fitting
Note: Sid Pollard was one of Robert "Mouseman" Thompson's early craftsmen before leaving the Kilburn workshop to work for Pollard Builders of Bagby.
Estimate: 150-200
300. ACORN INDUSTRIES YORKSHIRE OAK MINIATURE CHEST OF DRAWERS, fitted with four drawers each with turned pull, carved acorn signature. 33cm by 23cm by 18cm
Estimate: 120-180
301. PAIR OF SID POLLARD YORKSHIRE OAK SINGLE HEADBOARDS, c. 1950, each with ten panels. Height 0.91m, width 0.99m
Estimate: 200-300
302. GOLDEN OAK SIDE CABINET IN THE YORKSHIRE STYLE, with rectangular top above a panelled door beside a short drawer over a recess, raised on square section legs. 0.83m by 1.06m by 0.51m
Estimate: 250-350
303. ARTS & CRAFTS OAK FALL-FRONT BUREAU, PROBABLY LIBERTY & CO., with bookshelf top above a fall-front opening to reveal a fitted interior over two further bookshelves, raised on trestles. 1.23m by 0.72m by 0.22m (closed)
Estimate: 200-300
304. ARTS & CRAFTS GOLDEN OAK REVOLVING BOOKCASE, the four square tiers rotating on an x-form platform base moving on castors. 1.11m by 0.53m
Estimate: 200-300
305. LIBERTY & CO. OAK ETAGERE, DESIGNED BY LEONARD WYBURD, the sloping rectangular top above two galleried tiers linked by turned and blocked supports, the sides with Eastern influenced lattice grills, raised on turned legs joined by stretchers, moving on castors. 0.83m by 0.70m by 0.34m
Estimate: 300-400
306. ROBERT "MOUSEMAN" THOMPSON OAK SMOKER'S CHAIR, c.1970, the nine-panelled canted back above a seat with newly upholstered squab flanked by flattened arms above panelled sides, with carved mouse signature, excellent colour.
Estimate: 1200-1800
307. ROBERT "MOUSEMAN" THOMPSON OAK OCCASIONAL TABLE, c.1970, the octagonal top raised on an x-form standard continuing to a conforming base, adzed throughout, with carved mouse signature. 0.47m by 0.50m by 0.48m
Estimate: 350-450
308. JACK GRIMBLE, CROMER: A BEECH GARDEN SEAT, reniform, raised on splayed chamfered legs, signed to underside. Length 1.07m
Estimate: 120-180
309. ALBERT "EAGLEMAN" JEFFRAY OAK BREAKFAST TABLE, the adzed rectangular top raised on faceted baluster legs terminating in trestles joined by a chamfered stretcher, with carved eagle signature. 0.74m by 1.32m by 0.62m
Estimate: 300-400
310. REGENCY MAHOGANY FOLDOVER TEA TABLE, the D-shaped top above a plain frieze punctuated by panelled tablets, raised on diagonally reeded tapering legs. 0.75m by 0.90m (open)
Estimate: 250-350
311. FRENCH OAK BEDROOM SUITE, EARLY 20th CENTURY, comprising triple wardrobe with mirrored central section, marble toppled dressing chest with triptych mirror and double headboard and footboard. Wardrobe 2.40m by 1.64m by 0.60m
Estimate: 700-900
312. GEORGE III CROSS-BANDED AND STRING-INLAID SIDEBOARD, CONVERTED FROM A SPINET, fitted with three drawers, raised on a later string-inlaid stand with square section tapering legs terminating in spade feet. 0.88m by 1.69m by 0.65m
Estimate: 300-400
313. EDWARDIAN MAHOGANY PEDESTAL DESK, IN 18th CENTURY STYLE, with leather-inset rectangular top above two frieze drawers, above a recess flanked by cupboard doors, raised on short tapering legs terminating in spade feet, with makers ivorine label Goodall Lamb & Haighway Ltd, Manchester. 0.77m by 1.31m by 0.61m
Estimate: 150-250
314. REGENCY MAHOGANY BREAKFAST TABLE, the rectangular top with rounded corners above a turned baluster terminating in four reeded hipped downswept legs with brass paw castors. 0.68m by 1.01m by 0.71m
Estimate: 150-250
315. EDWARDIAN ROSEWOOD X-FORM STOOL, with rectangular upholstered seat, the frame carved at the corners with stylised flowerhead tablets, joined by chamfered stretchers.
Estimate: 100-150
316. CHIPPENDALE REVIVAL MAHOGANY OPEN ARMCHAIR, c.1900, with scroll-carved serpentine crest above a pierced splat, over a stuffed-over seat flanked by reeded arms, raised on scroll and leaf-carved cabriole legs terminating in ball and claw feet.
Estimate: 150-250
317. GEORGE III MAHOGANY D-END DINING TABLE, c. 1800, fitted with two leaves raised on eight tapering square section legs. 0.71m by 2..08m by 1.22m (extended)
Estimate: 400-600
318. SET OF FOUR GEORGE III STYLE MAHOGANY DINING CHAIRS, c. 1900, comprising carver and three side chairs, each with foliate and scroll-carved ribbon back above a dished upholstered seat, raised on square section tapering legs joined by stretchers.
Estimate: 120-180
319. GEORGE III MAHOGANY DROPLEAF DINING TABLE, of oval form, raised on square section tapering legs. 0.75m by 1.27m by 1.27m open
Estimate: 100-200
320. REGENCY MAHOGANY BOW-FRONTED HANGING CORNER CUPBOARD, the projecting cornice with pendant bosses above a pointed arch and acorn carved frieze, over a pair of bowed panelled and string-inlaid doors above a short drawer flanked by dummy drawers. 1.22m by 0.91m by 0.60m
Estimate: 300-400
321. EARLY 19th CENTURY MAHOGANY PEMBROKE TABLE, the leaves with rounded corners above a frieze fitted with an end drawer, opposed by a dummy, raised on ring-turned tapering legs. 0.74m by 1.00m by 1.12m open
Estimate: 150-250
322. MID VICTORIAN WALNUT FRAMED TRIPLE HUMPBACK SOFA, with deep-buttoned back above a stuffed over seat, flanked by out-scrolled arms, raised on squat melon-fluted legs moving on castors. 2.15m
Estimate: 300-400
323. A WALNUT-FRAMED FRETWORK MIRROR, with gilt slip and lightly distressed mirror plate. Height 64cm
Estimate: 100-150
324. SET OF SIX 19th CENTURY OAK HALL CHAIRS, each back centred by a lion mask within scrolling surround above a plank seat and raised on carved legs.
Estimate: 150-250
325. MID VICTORIAN BURR WALNUT MARBLE-TOPPED MIRROR-BACKED CREDENZA, the arched mirror within an elaborately carved frame, above a serpentine marble top over a pair of mirrored panelled doors between fluted columns flanked by further mirrored doors. 2.12m by 1.55m by 0.51m
Estimate: 300-500
326. LATE VICTORIAN INLAID ROSEWOOD MIRROR-BACKED DISPLAY CABINET, the upper section with broken pediment cornice above two mirror plates flanked by display shelves supported on turned columns and backed by further arched mirrors, the lower section with serpentine front centred by a pair of bowed cupboard doors flanked by recessed shelves joined by turned columns, inlaid throughout with urns and foliate swags. 2.52m by 1.52m by 0.50m
Estimate: 300-500
327. MAHOGANY FRAMED BERGERE SUITE, EARLY 20th CENTURY, comprising two-seater sofa and a pair of armchairs, raised on squat bun feet. Sofa length 1.58m
Estimate: 300-500
328. 19th CENTURY WALNUT CHILD'S BALLOON BACK CHAIR, with foliate-carved splat, needlework seat and turned legs joined by stretchers.
Estimate: 80-120
329. VICTORIAN TOLE COAL PURDONIUM, of scrolling form, fitted with a carrying handle, black and gilt.
Estimate: 80-120
330. GEORGE II STYLE MAHOGANY AND PARCEL-GILT FRETWORK MIRROR, with a rectangular plate, the shell and scroll-carved crest centred by a ho-ho bird. 79cm by 40cm
Estimate: 80-120
331. LOUIS XVI STYLE OAK FRAMED CANAPE, LATE 19th CENTURY, the upholstered back within a ribbon-tied frame with flowerhead crest, above a stuffed over seat flanked by acanthus-carved arms, raised on fluted tapering legs. 1.32m
Estimate: 350-450
332. GEORGE IV ROSEWOOD FOLDOVER TEA TABLE, the top with rounded corners above a bellied frieze, raised on a tapering standard with concave sides and columnar corners over a platform base, raised on massive paw feet moving on castors. 0.73m by 0.91m (open)
Estimate: 500-700
333. FRENCH OAK CABINET ON STAND IN LATE 16th CENTURY STYLE, 19th century, with leaf-carved projecting cornice above a figural carved door, the frame carved with flowerheads, the stand with turned baluster uprights terminating in a shelf stretcher with gallery raised on bun feet. 1.70m by 0.84m by 0.45m
Estimate: 400-600
334. GEORGE III STYLE MAHOGANY LIBRARY ARMCHAIR, c. 1900, with tall rectangular back over a drop-in seat within a gadroon-carved rail, flanked by leaf-carved outscrolled arms, raised on leaf-capped cabriole legs terminating in ball and claw feet.
Estimate: 300-400
335. VICTORIAN BEECH-FRAMED SPOON-BACK ARMCHAIR, with flowerhead crest surmounting a scroll-carved frame enclosing a deep-button back above a bowed stuffed over seat, raised on cabriole legs.
Estimate: 250-350
336. CHIPPENDALE REVIVAL MAHOGANY EXTENDING DINING TABLE, the gadrooned top with bowed ends, raised on leaf-capped cabriole legs terminating in massive ball and claw feet, with two leaves. 0.69m by 2.37m extended by 1.20m
Estimate: 600-800
337. VICTORIAN INLAID WALNUT CENTRE TABLE, c.1870, the quarter-veneered burr walnut oval top inlaid with stylised vases, raised on a cluster column platform with leaf-carved downswept legs. 0.68m by 0.89m by 0.52m
Estimate: 150-250
338. OAK CHEST OF DRAWERS, 18th CENTURY AND LATER, the moulded rectangular top above two short and three long graduated drawers, flanked by fluted and chamfered stiles raised on bracket feet. 0.88m by 0.77m by 0.52m
Estimate: 300-400
339. SET OF TWELVE CHIPPENDALE REVIVAL MAHOGANY DINING CHAIRS, each with yoke crest rail above a pierced splat, the stuffed over seat supported on scroll and leaf-carved cabriole legs terminating in ball and claw feet.
Estimate: 600-800
340. REGENCY STYLE MAHOGANY REVOLVING BOOKCASE, with cross-banded top above two shelves, raised on three downswept legs terminating in castors. 0.85m by 0.51m
Estimate: 120-180
341. EARLY 19th CENTURY CALAMANDER TEA CADDY, of sarcophagus form, fitted with brass lion-mask ring handles and ball and claw feet, the interior with twin lidded canisters but lacking mixing bowl. 22cm by 33cm by 17cm (extremity over feet)
Estimate: 180-250
342. 19th CENTURY OAK AND NEEDLEWORK FIRESCREEN, the square banner with a panel depicting a boy and his dog, moving on an oak standard, with an egg and dart carved rectangular base.
Estimate: 40-60
343. 19th CENTURY OAK FRAMED DINNER GONG, with scroll-carved crest flanked by ball finials, the frame with foliate and gulch carving. 1.10m by 0.62m
Estimate: 200-300
344. EARLY 19th CENTURY MAHOGANY GATELEG DINING TABLE, of rectangular form, raised on ring-turned tapering circular legs. 0.74 by 1.60 (open) by 1.11m
Estimate: 200-300
345. MIDDLE EASTERN MOTHER-OF-PEARL AND BONE INLAID HARDWOOD DISPLAY TABLE, the elaborately carved and inlaid rectangular top above a fretwork frieze, raised on carved square section legs supporting serpentine shelves and joined by a shelf stretcher. 0.79m by 0.98m by 0.74m
Estimate: 150-200
346. EARLY 20th CENTURY CHILD'S OPEN ARMCHAIR, with bowed rail and bamboo-moulded spindle and legs.
Estimate: 40-60
347. 19th CENTURY ASH AND ELM WINDSOR ARMCHAIR, with boldly figured seat and crinoline stretcher.
Estimate: 150-200
348. SET OF FOUR EDWARDIAN MAHOGANY DINING CHAIRS, WITH ARTS & CRAFTS INFLUENCE, each with arched crest rail, pierced splat and square legs terminating in square pad feet.
Estimate: 60-80
349. PAIR OF 19th CENTURY COALBROOKDALE "FERN AND BLACKBERRY" PATTERN CAST IRON BENCHES, the white painted frames profusely cast with foliage, fitted with new unfinished slats, each stamped RHB26. 1.12m
Note: See the 1875 Coalbrookdale Catalogue, section III, page 254, number 29.
Estimate: 1000-1500
350. EDWARDIAN INLAID MAHOGANY BALLOT BOX. Height 16.6cm
Estimate: 40-60
351. VICTORIAN MAHOGANY TABLE-TOP STATIONERY CABINET, the slant-front fitted with a pair of doors opening to reveal a compartmented interior and calendar. 37cm by 40cm by 32cm
Estimate: 120-180
352. PAINTED AND PARCEL GILT CONVEX MIRROR, with eagle surmount, the circular plate within a conforming frame. Overall 55cm by 35cm
Estimate: 120-180
353. 18th CENTURY OAK MULE CHEST, with three-panel front above two drawers, fitted with iron strapwork hinges, candle box and raised on bracket feet. 0.75m by 1.40m by 0.56m
Estimate: 300-500
354. 17th CENTURY OAK BIBLE BOX ON LATER STAND, the box with leaf-carved front, raised on a 20th century oak stand. 0.86m by 0.66m by 0.39m
Estimate: 100-150
355. EARLY 20th CENTURY BEECH COAL BOX, the fall-front centred by a copper plaque repousse with the image of a lighthouse. 0.53m by 0.35m by 0.31m
Estimate: 60-80
356. REGENCY MAHOGANY SOFA TABLE, the leaves with rounded corners above one end frieze drawer, raised on a tapering square section standard above a platform base supported on hipped reeded downswept legs terminating in brass paw feet with castors. 0.71m by 0.96m by 1.07 (open)
Estimate: 300-400
357. GEORGE III OAK MULE CHEST, with hinged moulded rectangular top above four ogee fielded panels over a drawer flanked by two deeper drawers, above a scroll carved apron. 0.99m by 1.38m by 0.53m
Estimate: 200-300
358. EARLY 19th CENTURY OAK DRESSER AND RACK, the rack with projecting cornice above two shelves, the base fitted with two deep drawers and raised on square section legs joined by a pot board. 1.79m by 1.28m by 0.43m
Estimate: 300-400
359. OAK COFFER COMPOSED OF PERIOD ELEMENTS, the 18th century panelled lid above a later chip-carved two-panel front and similarly carved sides. 0.75m by 1.40m by 0.64m
Estimate: 250-350
360. SMALL VICTORIAN GILT-FRAMED OVERMANTEL MIRROR, of arched form, surmounted by a figure holding floral swags. 0.77m by 1.14m
Estimate: 100-150
361. BRASS FENDER, c. 1900, cast with spindles and pierced panels depicting dragons. 1.4m
Estimate: 250-300
362. LATE VICTORIAN MAHOGANY FRAMED PAINTED AND SILK-LINED FOUR-PANEL SCREEN, each rectangular panel with a floral hand-painted insert opposed by silk, the whole fitted with brass handles. 1.82m by 0.64m (each panel)
Estimate: 300-400
363. R.HAMP & CO., "THE SETTEE-TABLE", the moulded rectangular top metamorphosing into a settee, raised on paired balusters continuing to trestles, with trade labels. 0.74m by 0.89m by 1.21m
Estimate: 400-600
364. PAIR OF ROCOCO REVIVAL GILTWOOD GIRANDOLE MIRRORS, probably early 20th century, each plate of cartouche form within an elaborate frame carved with flowerheads and c-scrolls and issuing a single candle arm, (repairs) 43cm
Estimate: 100-150
365. 18th CENTURY OAK COFFER, with panelled front, top and sides. 0.73m by 0.65m by 1.35m
Estimate: 200-300
366. GEORGE IV MAHOGANY LIBRARY TABLE, the moulded leather-inset rectangular top raised on rectangular columnar balusters joined by a baluster stretcher and supported on scroll feet. 1.69m by 1.22m by 0.60m
Estimate: 200-300
367. REGENCY TILT-TOP MAHOGANY TRIPOD TABLE, the circular top inlaid with a satinwood band, above a tapering and turned standard, raised on down-scrolled legs. 0.64m by 0.42m
Estimate: 100-150
368. EBONISED NOVELTY OCCASIONAL TABLE, with card suit club top, raised on three antler legs, terminating in brass caps with ball feet. 0.52m by 0.56m
Estimate: 180-250
369. PAIR OF 19th CENTURY OAK SHELL-BACK HALL CHAIRS, raised on turned tapering legs.
Estimate: 100-150
370. MID VICTORIAN MAHOGANY WRITING TABLE, the moulded rectangular top with rounded corners, raised on paired boldly turned standards over scrolling trestles joined by a turned stretcher. 0.72m by 1.01m by 0.53m
Estimate: 200-300
371. 18th CENTURY OAK LOWBOY, with moulded rectangular top above a central drawer flanked by deeper drawers over a scroll-carved apron, raised on cabriole legs terminating in pad feet, (later handles). 0.70m by 0.82m by 0.52m
Estimate: 300-500
372. 18th CENTURY OAK HANGING CORNER CUPBOARD, the twin fielded panelled door within a moulded "frame". 0.83m by 0.58m by 0.31m
Estimate: 200-300
373. LATE 19th CENTURY OAK "REFRIGERATOR" CABINET, the fielded panel top with brass butterfly hinges opening to reveal a lead lined compartment for ice, above a twin panelled door with elaborately cast handle and hinges opening to reveal a shelved interior, raised on a hinged moulded and leaf-carved frieze. 1.04m by 0.66m by 0.45m
Estimate: 250-350
374. VICTORIAN NEEDLEWORK UPHOLSTERED BEECH DRESSING TABLE STOOL, raised on turned legs. Length 0.65m
Estimate: 60-90
375. EARLY 19th CENTURY AND LATER MAHOGANY SERVING TABLE, the moulded rectangular top with one leaf above a plain frieze, carved with an egg and dart border, raised on tapering reeded legs, (alterations). 0.73m by 1.07m by 0.75m
Estimate: 150-250
376. EBONISED AND NEEDLEWORK FIRESCREEN, IN THE MANNER OF LIBERTY & CO., the square panel worked with a stylised peacock enclosed within a wooden frame with baluster gallery and carrying handle. 0.89m by 0.66m
Estimate: 100-150
377. GEORGE III MAHOGANY BUREAU, the slant front opening to reveal a part string inlaid fitted interior, over two short and three long cock-beaded graduated drawers. 1.04m by 1.01m by 0.54m
Estimate: 200-300
378. 18th CENTURY OAK FOUR-PANEL COFFER, with moulded rectangular hinged top above fielded panels, within a foliate carved frieze centred by an oak key-panel engraved with a monogram. 0.58m by 1.37m by 0.54m
Estimate: 250-350
379. PAIR OF CHINESE HARDWOOD STANDS, each with square carved top, raised on cabriole legs joined by a shelf stretcher. 0.74m by 0.42m
Estimate: 150-250
380. MAHOGANY STANDARD LAMP, of reeded columnar form, carved with stylised leaves and raised on a circular base. 1.58m
Estimate: 60-80
381. ANGLO-INDIAN CANEWORK AND HARDWOOD ARMCHAIR, 19th CENTURY, with "spoon" back crested by carved foliage, outswept arms, leaf carved frame and raised on baluster legs.
Estimate: 120-180
382. REGENCY MAHOGANY OPEN ARMCHAIR, the curved rectangular back with canework panel, above a canework seat (original squab cushion) flanked by outscrolled downswept arms, raised on tapering square section legs.
Estimate: 80-120
383. HANDSOME PAIR OF REGENCY ROSEWOOD OPEN ARMCHAIRS, each with tablet crest above a disc and scroll carved horizontal splat, over a canework seat flanked by boldly down-scrolled arms, raised on sabre legs.
Estimate: 200-300
384. 1920's WALNUT AND NEEDLEWORK FIRESIDE STOOL, raised on short cabriole legs terminating in pointed pad feet. 0.99m
Estimate: 60-90
385. 19th CENTURY MAHOGANY AND CANEWORK ROCKING CRADLE, with ogee urn-topped canopy above panelled sides, swinging on a turned frame with acorn finials. 1.25m by 1.04m by 0.51m
Estimate: 200-300
386. ASSEMBLED SET OF EIGHT ANGLO-INDIAN SIMULATED ROSEWOOD AND CANEWORK DINING CHAIRS, FIRST HALF OF THE 19th CENTURY, comprising a set of six and a similar pair, each with leaf-carved tablet crest, turned legs and baluster stretchers.
Estimate: 300-500
387. GEORGE IV ROSEWOOD WORK TABLE, the rectangular top with cut-off corners above a plain frieze fitted at each end with a drawer over a sliding silks basket, between tapering columns with leaf-carved bases, on a shaped hour-glass trestle with bun feet. 0.78m by 0.77m by 0.45m
Estimate: 600-800
388. SMALL REGENCY ROSEWOOD BOOKCASE CABINET, the upper section with c-scroll crest above two rectangular shelves, raised on slender baluster standards, the lower section fitted with a pair of mirrored doors (original glass) between fluted stiles and raised on a moulded plinth. 1.62m by 1.14m by 0.40m
Estimate: 700-900
389. MID VICTORIAN BURR WALNUT THREE-TIER ETAGERE, the shaped shelves joined by fluted baluster columns, on shaped bun feet moving on castors. 1.01m by 0.74m by 0.46m
Estimate: 400-600