Unsold lots from Summer Catalogue Sale on Saturday 4th June 2011
Available to purchase for a further 5 working days, please contact the office
3. A CAULDON BLUE "MOORE" PATTERN DINNER SERVICE, early 20th century, comprising twelve dinner plates, twelve luncheon plates, fourteen tea plates, a graduated set of oval dishes, a pair of vegetable tureens, a pair of sauce tureens with ladles, a pair of sauce boats and a sugar bowl, each transfer-printed with boating scenes before a castle, printed Brown-Westhead Moore & Co. mark.£350-450
5. A NEW HALL PORCELAIN SUCRIER AND COVER, c. 1805, decorated with flowers and foliage in enamels and gilt, the underside with puce pattern no. "471", retailer's name inscribed to underside of cover, "Cotton High St Edburgh (sic)", (star crack and consequent discolouration to one side). Length 16cm£30-50
7. A SET OF SIX NEW HALL PORCELAIN COFFEE CUPS AND THREE SAUCERS, c. 1800, each decorated in gilt with an entwined leaf and berry band; together with a large plate en suite, the plate with pattern number in red to the underside "No. 52". Plate 20.5cm£150-250
8. A GROUP OF FIVE PAINTED TERRACOTTA TILES, POSSIBLY LATE MEDIEVAL, each square with traces of geometric decoration, in a glazed wooden case. Tiles 4" square.£200-300
13. A CONTINENTAL HAND-PAINTED PORCELAIN CABINET PLATE, 19th CENTURY, painted with a river landscape within cobalt and gilt border. 23cm£30-40
16. A RARE PAIR OF WEDGWOOD BROWN TRANSFER-PRINTED ARMORIAL SOUP PLATES, PART OF A SERVICE FOR EDWARD MALTBY, BISHOP OF DURHAM (1837-56), each centred by the bishop's coat of arms, one with a border printed with signs of the zodiac, the other of floral cartouches and Moorish arches, impressed marks. 24.5cm
Note: Maltby was the first Bishop of Durham appointed after the abolition of the office of Prince Bishop. He retired under controversial circumstances in 1856 after negotiating the colossal annual pension of £4,500.£70-90
17. A PAIR OF 19th CENTURY SPONGEWARE SOUP PLATES, possibly Whitehaven, each naively decorated in light blue with geometric patterns, vases and flowers. 25cm£40-60
28. A SET OF FIVE ENGLISH EARLY 19th CENTURY CUPS AND FOUR SAUCERS, each wrythen cup and saucer decorated with a band of intricately entwined gilt decoration and centred by a floral spray; together with a coffee can and saucer in the same pattern, the saucer with scalloped rim. £60-80
30. A LARGE BRETBY POTTERY VASE, c.1880, the moulded baluster body turquoise glazed, impressed no. 692 and factory mark. 48cm£180-250
32. A 19th CENTURY COPPER LUSTRE WINE JUG, of baluster form with mask spout. Height 19cm£40-60
34. A STAFFORDSHIRE COMMEMORATIVE JUG, JOSIAH WEDGWOOD, 19th CENTURY, the printed figure of the famous potter against a pink ground. 19cm£40-60
35. A 19th CENTURY MARBLED POTTERY MATCH STRIKER STAND, PROBABLY SCOTTISH, mottled in pinks, blues, greens and browns. Diameter 11.5cm£40-60
37. A 19th CENTURY MOTTLE-GLAZED POTTERY BARREL-FORM MONEY BOX. 9cm£40-60
38. CHRISTOPHER DRESSER FOR LINTHORPE POTTERY, A DRIP-GLAZED CUP AND SAUCER, facsimile signatures, monogram "HT", pattern nos. 641 & 640. £200-250
39. A LARGE C.H. BRANNAM JUG, of squat globular form, glazed in a light mottled green, impressed marks. 20cm£40-60
40. A 19th CENTURY CONTINENTAL PORCELAIN FIGURE GROUP, of two putti, one with grapes, the other sheaves of corn, on a rockwork base moulded with rococo scrolls, blue crossed swords mark. 25cm£500-600
41. AN ASSEMBLED PAIR OF CONTINENTAL FIGURES OF A COBBLER AND HIS WIFE, 19th century, the man porcelain, the woman faience, each painted with letter "H" and a numeral. Taller 24cm£300-400
42. A GROUP OF SIX EARLY 19th CENTURY BLUE AND WHITE PLATES, including a pair of Davenport printed plates, a soup plate (possibly Spode) etc£70-90
43. A PAIR OF EGGSHELL PORCELAIN BOWLS, each painted in blue with alternating bands of calligraphy and birds amidst foliage, highlighted with gilding, six character mark. 9cm£80-120
45. A LATE 19th CENTURY IMARI CHARGER, in characteristic palette, the well moulded as a stylised chrysanthemum and painted with birds within panels painted with dragons, symbols and foliage. 31cm£150-250
46. AN IMARI CHARGER, the well painted with a vase of flowers within a border of flowerheads, foliage and stylised sunbursts. 31cm£100-150
50. A CHINESE BLUE AND WHITE PORCELAIN BOWL, TEK SING CARGO, Nagel "Tek Sing Treasures" label to underside. 17cm£100-150
52. A LARGE CHINESE FAMILLE ROSE PORCELAIN WASH BOWL, 19th century, the well and interior painted with panels of figures in interiors, the exerior with floral sprays. Diameter 41cm£300-500
54. A PAIR OF CANTONESE FLOOR VASES, the ovoid bodies painted with figural opposing panels and dense foliage, the waisted necks continuing to undulating rims. 1.25m£1000-1500
59. AN EARLY 19th CENTURY DECANTER, the mallet-form body naively etched with ribbon-tied leaves and with a triple ring neck (stopper possibly associated). £40-60
60. TWO LATE 18th/EARLY 19th CENTURY CUT-GLASS DOUBLE-LIP RINSERS. Larger 9.75cm£50-70
63. AN EARLY 19th CENTURY GLASS TAZZA, the plain shallow bowl on a tapering stem; together with a 19th century glass bud vase, of slender trumpet form (small chip to foot rim). (2). Diameter of first 12cm£40-60
64. AN EARLY 19th CENTURY CUT-GLASS RUMMER, the panel-cut bucket bowl above a knopped stem; together with a 19th century cut-glass salt. (2). First 12.5cm£40-60
67. A VICTORIAN LONG-HANDLED BRASS CANDLE SNUFFER AND TAPER LIGHTER, with scroll terminal, and "turned" shaft. 1.13m£100-150
68. AN ISLAMIC BRONZE HANGING OIL LAMP, the hinged lamp cast as a bird, suspended from a bird-cast chain. Overall 42cm £100-150
74. AN 18th CENTURY BRASS TOBACCO/SNUFF BOX WITH COMBINATION LOCK, of oval form, with three numbered dials. Length 8cm£180-250
75. GOLFING INTEREST: TWO LIBERTY & CO TUDRIC PEWTER TANKARDS, DESIGNED BY ARCHIBALD KNOX, the first with hammered finish, the second with glass bottom, each cast with a golfer roundel, no. 066, stamped marks. 9cm£180-250
82. AN UNUSUAL 19th CENTURY GILT-BRONZE MODEL OF A BUTTERFLY, finely cast on an integral oval foliate plinth, with mechanical action allowing the wings to open (perhaps intended as a menu card holder?). Length 12.25cm £350-450
83. A BRONZE SCHOOL BELL, stamped "Fiddian", with turned beech handle. 27.5cm£50-70
84. A 19th CENTURY BRASS VESTA CASE CHASED WITH A RACING SCENE; together with a white metal match holder/striker, modelled as a pail. (2) First 7.5cm£60-80
85. A PAIR OF PEWTER DISHES, of circular form, with shaped ring handles, each with stamped marks, one engraved "HS MK ILB 16392". Diameter 31cm£100-150
86. A W.A.S. BENSON COPPER AND BRASS FLASK, c. 1900, of tapering form, with loop handle and hinged cover. 24.5cm£120-150
88. AN ART NOUVEAU COPPER TRAY, PROBABLY KESWICK SCHOOL OF INDUSTRIAL ARTS, of rectangular form, with crimped corners, chased with swirling stylised Art Nouveau foliage, unmarked. 30cm by 23.5cm£70-100
89. A PAIR OF BATTERSEA ENAMEL CANDLESTICKS, 18th CENTURY, each with scalloped circular domed base beneath a knopped stem, painted with floral sprays and blue cartouches highlighted with gilding (damages, lacking candle cups). 27cm£300-400
91. A PAIR OF 19th CENTURY SILVER-PLATED DWARF COLUMNAR CANDLESTICKS, each with Corinthian capital incorporating a detachable nozzle with beaded rim and raised on a stepped square base. 16cm£80-120
92. TWO ART DECO SILVER-PLATED ENTREE DISHES, EACH DECORATED WTIH "LINDISFARNE" BORDERS, the first with handles of Celtic design, the second with loop handles. First 27cm£50-70
93. A WMF CREAM AND SUGAR ON STAND, c. 1910, the twin-handled sugar and cream jug each with green glass liner within pierced body raised on a beaded circular foot, the oval stand with similarly pierced terminals, stamped marks. Stand 36cm£70-100
95. A SET OF FOUR SILVER PLATED CANDLESTICKS, 19th CENTURY, each with faceted baluster standard issuing from a leaf and scroll cast circular base and with detachable candle cup. 25cm£100-150
96. A WILLIAM IV SHEFFIELD-PLATED PORRINGER, in early 18th century style, stamped "WR". 12.5cm£70-90
97. AN EARLY 19th CENTURY SILVER-PLATED CANDLE SNUFFER ON STAND, each gadrooned. Tray 26cm£80-100
98. A 19th CENTURY SILVER-PLATED SHAVING MUG WITH AN IVORY BRUSH, William Hutton & Sons. Length across handle 16cm£75-95
99. A CONTINENTAL ART NOUVEAU SILVER-PLATED TWIN-HANDLED SERVING DISH, of oval form. Length 32cm£45-65
100. AN ARTS & CRAFTS SILVER-PLATED SUGAR CASTER, silver on copper, the baluster body with planished finish. 18.5cm£40-60
101. A JAMES DIXON & SONS IVORY-HANDLED SILVER-PLATED BREAD FORK/COLD MEAT SERVER, late 19th century. 25.5cm£30-50
102. A SET OF SIX WHITE METAL ZOOMORPHIC MENU/PLACE CARD HOLDERS, each finely cast and including a salmon, pheasant, fox etc. £120-180
105. A LATE 19th CENTURY CHINESE MODEL OF A WARSHIP IN FULL SAIL, in white metal, with detailed sails, rigging, flags and oars, mounted on a hardwood stand. Height overall 22.5cm£250-350
106. A TIFFANY & CO. SILVER CARD CASE, of slender rectangular form, stamped marks. 9cm by 5.5cm, 1.8oz£100-150
108. A LARGE GEORGE III SILVER SWING-HANDLED BASKET, PETER DESVIGNES, LONDON 1780, in the "Adam" manner, of oval form, with broad beaded rim, the interior decorated with roundels centred by female classical figures, the beaded, leaf-cast handle similarly decorated. Length 36cm, 35oz£800-1000
111. A LATE VICTORIAN THREE-PIECE SILVER TEA SERVICE, A & J ZIMMERMAN, BIRMINGHAM 1897, each piece with half-gadrooned body. Gross 21oz£400-600
117. A SILVER-GILT AND ENAMEL MEDALLION, "Past Lord Mayor, Kingtson upon Hull", the coat of arms in blue enamel, Birmingham 1958, on a blue silk ribbon in a leather presentation case. £40-60
120. A GEORGE V SILVER PIG PIN CUSHION, BIRMINGHAM 1919. Length 6cm£100-150
123. A FINE QUALITY PAIR OF LATE VICTORIAN SILVER DWARF CORINTHIAN CANDLESTICKS, WILLIAM HUTTON & SONS LTD., LONDON 1895, in late 18th century style, each tapering square base chased with garlanded animal masks, the pierced capitals beneath beaded detachable candle cups. 15cm, weighted.£600-800
127. A SET OF TEN GEORGE III SILVER TEASPOONS, LONDON 1815, rat tail, each engraved with a crest. 6.5oz£180-250
130. A GEORGE IV SILVER BASTING SPOON, LONDON 1824, fiddle pattern; a WILLIAM IV SILVER BASTING SPOON, LONDON 1832, fiddle pattern, engraved with a monogram; A PAIR OF GEORGE III SILVER DESSERT SPOONS, LONDON 1802, rat tail, engraved with a crest; and a GEORGE III SILVER DESSERT SPOON, LONDON 1811, rat tail, engraved with a crest. Total 7oz£150-200
137. A PAIR OF GEORGE III SILVER CAULDRON SALTS, WILLIAM BATEMAN, LONDON 1811, each with gadrooned rim, hoof feet and engraved with a monogram, replaced liners. 4oz£100-150
143. AN ASSEMBLED SET OF EIGHT EARLY/MID-18th CENTURY SILVER TABLESPOONS, various dates and makers including Elias Cathcart 1740's, Old English. Total 17oz£600-800
145. A LATE VICTORIAN SILVER CLARET JUG, CHARLES STUART HARRIS, LONDON 1896, in 18th century style with half-gadrooned body also decorated with ribbon-tied swags, hinged cover with urn finial. 26cm. Gross 14.5oz£350-450
146. AN EDWARDIAN SILVER-MOUNTED CUT-GLASS WHISKY TOT, BIRMINGHAM 1906, with star-cut base and hinged cover. 11cm£100-150
147. A WILLIAM IV SCOTTISH SILVER TODDY LIFTING LADLE, GLASGOW 1834, fiddle pattern, engraved with a monogram. 1.5oz£100-150
148. A GEORGE III SILVER SPICE OR PEPPER POT, LONDON 1803, with domed cover, raised on a circular foot, weighted. 8.5cm£80-120
149. A GEORGE III SILVER CADDY SPOON, WILLIAM EATON, LONDON 1810, with fiddle handle and plain oval bowl. 9.5cm£80-120
150. A GEORGE III SILVER CADDY SPOON, LONDON 1813, fiddle pattern, with shaped rectangular bowl. 9.75cm £80-120
151. A GEORGE III SILVER CADDY SPOON, PETER & ANN BATEMAN, LONDON 1796, with bright-cut decoration and oval bowl. 9cm£80-120
155. AN EDWARDIAN SILVER NOVELTY PEPPERETTE IN THE FORM OF A JERSEY MILK CAN, BIRMINGHAM 1901. Height 5.5cm£80-120
157. A SAMPSON MORDAN SILVER PENCIL, on a suspension ring, stamped "sterling silver". 9cm£50-70
159. A GEORGE III SILVER TEAPOT, GEORGE MURRAY, NEWCASTLE 1810, chased with a reeded band and raised on bun feet. Gross 17oz£450-550
160. A PAIR OF GEORGE V SILVER SAUCE BOATS AND LADLES, BIRMINGHAM 1919, each scroll handle with a bracket for the ladle. Total 8oz£200-300
161. A GROUP OF INDIAN SILVER, including a model of a caparisoned elephant, an ibex, a lion, a mouse etc, together with a bowl, a pendant and four pairs of earrings. £350-450
162. A 9ct GOLD BANGLE, modern. Approx. 40 grams£300-400
163. A LATE 19TH CENTURY PEARL AND GOLD CHAIN, the fine oval links with twelve double pearl and gold spacers.£350-550
164. A SINGLE STONE DIAMOND RING, the brilliant-cut diamond eight claw set between stepped shoulders each set with a pair of diamonds and a single diamond.£1250-1450
165. A SINGLE STONE DIAMOND RING, the brilliant-cut diamond four claw set between diamond set shoulders.£1200-1400
166. A SINGLE STRAND BAKELITE "AMBER" BEAD NECKLACE, graduated. Length 55cm£30-50
168. A PAIR OF SOUTH SEA CULTURED PEARL EARRINGS, the cultured pearls each suspended from a circular-cut amethyst collet and an articulated row of 12 round-cut blue topaz collets. Post and butterfly fittings,£500-800
170. A DIAMOND RING, the tree rows of brilliant-cut diamonds set within a broad band£500-800
172. A PERIDOT AND DIAMOND PENDANT AND EARRINGS, each set with three slightly graduating oval mixed-cut peridots, set with two pairs of circular-cut diamonds.£200-300
173. A PAIR OF AKOYA CULTURED PEARL AND DIAMOND EARRINGS, the cultured pearl suspended from a fine chain with two circular diamond collet surmounts. Post and butterfly fittings£250-350
174. A PAIR OF CITRINE AND DIAMOND EARRINGS, of fruiting leaf design, set with three briolette-cut citrines within diamond set leaf mount and two pendant briolette-cut citrines.£400-600
175. A DIAMOND RING, the nineteen brilliant-cut diamonds each claw set in cluster formation, between pierced shoulders.£500-700
176. A THREE STONE DIAMOND RING, the brilliant-cut diamonds claw set between crossover shoulders.£300-500
177. A RUBY AND DIAMOND PENDANT, the five oval mixed-cut rubies each claw set and spaced by pairs of circular-cut diamonds, on tapering bale and fancy link chain.£1000-1500
178. A LONG FRESHWATER PEARL NECKLACE. Approx. 1.2m£50-70
179. A GRADUATED FACETED RUBY BEAD NECKLACE. Approx. 0.5m£100-150
181. A CONTEMPORARY SIX-BAR DIAMOND PENDANT, mounted in 9ct white gold, on a 9ct white gold tracelink chain.£120-180
182. AN ONYX AND PASTE RING, in the Art Deco style, the oblong onyx plaque set with a paste collet, between tapering shoulders with paste highlights.£100-150
183. A QUARTZ AND DIAMOND PENDANT, the tapering quartz drop below a brilliant-cut diamond collet, on fine chain.£200-300
185. A PAIR OF DIAMOND EARRINGS, each brilliant-cut diamond estimated to weigh 0.2 carats, claw set.£350-450
186. AN AQUAMARINE AND DIAMOND RING, the oval mixed-cut aquamarine weighing 1.48 carats, four claw set between brilliant-cut diamond set shoulders.£1000-1500
187. A YELLOW SAPPHIRE AND DIAMOND RING, the square fancy-cut sapphire weighing 1.56 carats, four claw set between brilliant-cut diamond shoulders.£1000-1500
188. A SAPPHIRE AND DIAMOND RING, the emerald-cut sapphire weighing 2.35 carats, four claw set above stepped shoulders, each set with a princess-cut and pairs of tapering baguette-cut diamonds.£1400-1800
189. A THREE STONE DIAMOND RING, the three slightly graduating oval brilliant-cut diamonds, claw set between channel set diamond shoulders.£1500-2500
190. A PINK SAPPHIRE AND DIAMOND RING, the oval mixed-cut sapphire weighing 3.6 carats, four claw set between diamond shoulders, set with a central row of graduating baguette-cut diamonds between brilliant-cut diamond borders.£2500-3500
191. A RUBY AND DIAMOND RING, the oval mixed-cut ruby estimated to weigh 2.03 carats, four claw set between channel set diamond shoulders.£3000-4000
193. A TANZANITE AND DIAMOND RING, the mixed-cut tanzanite estimated to weigh 3.67 carats, four claw set above a border of twelve brilliant-cut diamonds to an outer border of twelve brilliant-cut diamonds claw set.£2800-3200
196. AN ARTS & CRAFTS SILVER AND ENAMEL BRACELET, JAMES FENTON, each c-scroll cast plaque enclosing a green enamel panel with bubble inclusions. 19cm£200-300
198. A CHARLES HORNER SILVER AND ENAMEL PENDANT, the green/blue enamels set within a stylistically cast and pierced mount, with pendant drop.£200-300
199. A CHARLES HORNER SILVER AND ENAMEL PENDANT, with pierced mount and pendant drop.£350-450
200. A 9ct GOLD PHEASANT STICK PIN. 8cm£120-180
204. AN UNUSUAL STAINED STONE VASE, possibly Polynesian, with sgraffito decoration of fish and leaves. 26cm£200-300
205. AN AFRICAN EBONY STICK OF KNOBKERRIE TYPE, probably Zulu. 91cm£50-70
208. AN AFRICAN CARVED IVORY FIGURE, PROBABLY LEGA, CONGO, seated with hands crossed. 24cm£150-200
209. AN AFRICAN CARVED IVORY FIGURE, PROBABLY LEGA, CONGO, seated with hands crossed. 22cm£150-200
211. AN AFRICAN TERRACOTTA POT, spherical, decorated with bands of incised geometric decoration, the top with an aperture, possibly a burner. Diameter 23cm£50-70
214. AN UNUSUAL ART DECO SNAKE SKIN DESK SET, the stand fitted with twin pen holders and stamp box and with blotter. Length 28cm£80-120
220. A TIBETAN CEREMONIAL BELT, EARLY 20th CENTURY, profusely decorated with beads and mother-of-pearl roundels, attached cords terminating in cowrie shells. Length 1.24m£40-60
221. A GROUP OF FIVE SOVIET GILT-METAL MEDALS, with ribbons, cast with profiles of Lenin, Stalin etc£40-60
230. A BRONZE FIGURE OF HITLER, standing, in uniform, on a circular plinth. Overall 29cm£100-150
232. A MARCHING DRUM, PROBABLY MILITARY, of painted wood and brass, with wooden sticks. Diameter 37cm£150-200
234. THE QUEEN'S SOUTH AFRICA MEDAL, four bars, South Africa 1902, Transvaal, Orange Free State, Cape Colony, to Pte. T. Lake, Durham Light Infantry 7414; together with a miniature stone bible inscribed "Boer War". (2)£350-450
235. A 9ct GOLD CIGAR CUTTER, the gold in a bark effect, stamped for London 1966. Gross 17.5 grams£200-300
236. A LATE 19th CENTURY BEECH RIDING BOOT PULL, with turned handles. 0.77m£150-200
239. AN ART DECO STEEL-BEADED EVENING PURSE, with beaded handle, fringe and silk-lined interior. £70-90
240. A LARGE PAIR OF CHINESE GILT- AND PATINATED BRONZE VASES, 19th CENTURY, of baluster form applied in high relief with snarling dragons and exotic birds. 44cm£500-700
243. A RUSSIAN ENAMELLED BRONZE CRUCIFIX, of characteristic form, decorated with enamels in shades of blue. 27.5cm£200-300
250. EDUARDO PAOLOZZI (1924-2005), A STUDY, SILKSCREEN, FRAMED. 85cm by 59cm
Provenance: Ex-collection Sheffield City Art Galleries, exhibited from 30th October 1978 to January 1990.£600-800
251. BERYL COOK, COCKTAILS FOR THREE, SILKSCREEN, signed in pencil, published by Flanagan Graphics, framed. 72.5cm by 41cm£350-450
252. REMBRANDT PORTRAIT, ETCHING, page no. 7 bottom left, inscribed RL1631 in the plate. 17cm by 15cm£30-50
253. ATTRIBUTED TO DAME ELIZABETH FRINK R.A. (1930-1993), AN ETCHED COPPER PLATE OF A FIGURE WITH A STAFF BY A SHEEP, 31.5 by 26cm£350-450
254. ITALIAN SCHOOL, THE DEPOSITION, TEMPERA/GOUACHE ON PANEL, in a maple frame. 37cm by 23cm
£800-1200
256. THOMAS RICHARD COLMAN DIBDIN (1810-1893), "AMIENS", signed lower left and dated 1877, watercolour, framed under glass. 54cm by 37cm
£350-450
258. ALBERT MOULTON FOWERAKER R.B.A. (1873-1942), GIRL AND GEESE BY A THATCHED COTTAGE, signed lower right, watercolour, framed. 24.5cm by 35cm
Note: Foweraker was a member of the Royal Society of British Artists and exhibited 52 paintings there. He also exhibited at the Royal Academy and numerous London and provincial galleries. £700-900
259. WILLIAM LANGLEY (1852-1922), BRINGING HOME THE FLOCK AT SUNSET, signed lower right, oil on canvas, in a gilt-composition frame. 38cm by 59cm£400-600
260. JOSEPH JOHN JENKINS (1811-85), GATHERING WILD FLOWERS, signed lower left and dated 1858, watercolour, framed. 49cm by 33cm£600-800
261. GEOFFREY H. POOLEY (BRITISH, b.1908), THE OLD BARN, BIGGINS, KIRKBY LONSDALE, signed lower left, watercolour, framed. 26cm by 36cm£300-500
262. GEOFFREY H. POOLEY (BRITISH, b.1908), FIGURE AT A COTTAGE DOOR, BIGGINS, KIRKBY LONSDALE, signed lower left and dated 1976, watercolour. 17cm by 24cm£120-180
263. KAY GALLWEY (BRITISH, 20th CENTURY), PORTRAIT OF CECILIA GREEN, charcoal/pastel on paper. 53cm by 72cm
Note: Cecilia Green trained as a ballet dancer and went on to become Sir William Russell Flint's favourite model£70-90
266. MANNER OF RICHARD DIGHTON (1796-1880), THREE GENTLEMAN IN A ROW, watercolour on card, label verso, "by Dighton", in a later frame. 25.5cm by 20cm£100-150
268. A 19th CENTURY PORTRAIT MINIATURE OF A SEATED LADY HOLDING A BOOK, naively painted in watercolour, in an ebonised frame. 10.5cm by 8cm£80-120
272. WILLIAM LOGSDAIL (1859-1944), MASTER OF THE HUNT, AN OIL SKETCH, on board, signed lower left, framed. 34.5cm by 24cm£400-600
274. JAMES WEBB (1825-95), WINDMILL IN A SUFFOLK LANDSCAPE, signed lower right, oil on canvas, in a gilt composition frame. 24.5cm by 34cm£400-600
275. J. LANGLOIS, TERRIERS AT A RABBIT HOLE, signed lower left, oil on canvas, framed. 24cm by 34cm£300-500
278. MARGARET FISHER PROUT, A.R.A., .RW.S., (1875-1963), "CATTLE BY A STREAM", signed lower right and dated 1945, oil on board, New English Art Club exhibition label verso, framed under glass. 49.5cm by 59cm£500-700
280. PETER HAYMAN (b. 1930), STUDY OF TWO PHEASANTS, signed lower right, watercolour, framed. 46cm by 60cm£300-500
281. WALTER ROBIN JENNINGS (b. 1927) "THE TEST, NEAR STOCKBRIDGE", signed lower left, oil on canvas, in a gilt-composition frame. 59cm by 69cm£150-250
282. NOEL HARRY LEAVER A.R.C.A. (1889-1951), CHURCH IN A NORFOLK LANDSCAPE, signed lower right, watercolour, framed. 18cm by 27cm£600-800
284. JOSEPH KIRKPATRICK (1872-1930), TWO GIRLS IN A WOOD, signed lower right and dated 1898, watercolour, framed. 22cm by 15cm
Note: Kirkpatrick exhibited frequently between 1891 and 1928 at Birmingham, Liverpool, London etc including thirteen pictures at the Royal Academy£800-1200
287. JAMES NOBLE (BRITISH, 1919-89), STILL LIFE OF ANEMONES, signed lower left and dated '51, oil on board, framed. 44cm by 34cm£400-600
288. HENRY MOORE R.A., R.W.S. (1831-95), SHIP IN FULL SAIL ON CHOPPY SEAS, signed lower right, oil on canvas, framed. 45cm by 80cm£1800-2500
289. JAMES MACBETH (SCOTTISH, 1847-91), THE FAIRGROUND AT NIGHT, signed lower left and dated 1878, oil on canvas, framed. 88cm by 62cm£3000-5000
290. WILLIAM GOLDSMITH (BRITISH, 20th CENTURY), HARVEST TIME, signed lower left and indistinctly dated, watercolour, framed. 29cm by 58cm£600-800
293. GEORGE RUSSELL GOWANS (1843-1924), CATTLE BY A STREAM, signed lower left, watercolour, in an oak frame. 33cm by 37cm£150-250
296. FREDERICK JOHN WIDGERY (1861-1942), DARTMOOR, signed lower right, watercolour and gouache, framed. 17.5cm by 28cm£250-350
298. GEORGE SOPER R.I. (1870-1942), "MONT CENIS", signed and inscribed with title, dated 6/11, watercolour and bodycolour, mounted and unframed, Chris Beetles gallery label verso. 26cm by 37.5cm
Provenance: The Estate of George and Eileen Soper (see gallery label)£250-350
302. CIRCLE OF ABRAHAM HULK SENIOR (1813-97), BOATS BY THE SHORE, signed lower right, oil on canvas, signed lower right, in a gilt-composition frame. 29cm by 21cm£300-500
303. CIRCLE OF AERT VAN DER NEER, MOONLIT RIVER SCENE, OIL ON PANEL, paper label verso with attribution. 32cm by 41cm£400-600
304. ITALIAN SCHOOL, 20th CENTURY, HARBOUR SCENE, indistinctly signed lower right, oil on canvas, framed. 23cm by 29cm£350-450
305. A GIRAUD, LIMOGES PORCELAIN PLAQUE PAINTED BY LEIGHTON MAYBURY, of a huntsman by a river bank, after "The Grosvenor Hunt" by Stubbs, pencil script mark and printed mark to reverse, in a gilt-composition frame. 32cm by 23.5cm
Note: Maybury was a well-known Royal Worcester artist.£700-900
306. VICTOR H. VOYSEY (BRITISH, 20th CENTURY), PORTRAIT OF A YOUNG BOY, oil on canvas, inscribed and dated 1951 verso, framed under glass. 55cm by 41cm£120-180
309. M. PALMER (19th CENTURY SCHOOL), FIGURES AND GOATS IN A CONTINENTAL LANDSCAPE, signed and dated 1876, in a 19th century gilt composition frame. 56cm by 79cm£500-700
312. STELLA STEYN (IRISH 1907-87), PORTRAIT OF A LADY IN A HAT, oil on canvas, Stella Steyn Studio Sale stamp verso, framed. 90cm by 59cm
Provenance: Thomson, Roddick & Medcalf Stella Steyn Studio sale£400-600
313. POLLYANNA PICKERING (BRITISH, CONTEMPORARY), TWO SPANIELS, signed and dated 1979, gouache, framed. 53cm by 90cm£400-600
316. BRUCE BARNFATHER (20th CENTURY), FARMSTEAD, signed lower right and dated (19)66, oil on board. 30cm by 107cm£400-600
317. WALTER STUART LLOYD (fl.1875-1929), CHEPSTOW CASTLE, signed and dated 1910 lower right, watercolour framed. 29cm by 64cm£300-400
320. A. CORSI LALLI (ITALIAN 1849-1937), THE VIRGIN AND CHILD, signed and dated 1893, watercolour on ivory, framed. 11cm by 8.25cm£400-600
321. AN INDIAN PAINTED MINIATURE ON IVORY OF THE TAJ MAHAL, oval, in a carved wooden frame. 4cm by 5cm£30-40
325. COLIN SEALY (BRITISH, 1891-1964), STILL LIFE OF FLOWERS IN A VASE, signed lower right, watercolour on board. 37.5cm by 49.5cm£100-150
327. ATTRIBUTED TO GEORGE BERNARD O'NEILL (1828-1917), BAD NEWS, signed lower left, attributed in the slip and dated 1869, in a gilt-composition frame. 19cm by 14cm£700-900
330. E.J. LANCE (LATE 19th/EARLY 20th CENTURY), STILL LIFE OF FRUIT, BLOSSOM AND A BIRD'S NEST, signed lower left, gouache, framed. 33cm by 23cm£80-120
335. BERNARD WALTER EVANS R.I., R.B.A. (1848-1922), "HARLOW HILL, SKETCH FROM NATURE", inscribed with the title lower left, signed, watercolour, framed. 38cm by 53cm£180-220
340. C. BERLYN (19th CENTURY), WINDMILL IN A LANDSCAPE, signed lower right and dated 1877, oil on canvas, framed under glass. 29.5cm by 49.5cm£150-250
341. J.C. SAUNDERS, THE HAYWAIN, signed lower left, watercolour, framed. 24cm by 35cm£150-250
342. PATRICK RYAN, "LINDISFARNE", signed lower right, watercolour, titled and attributed in the mount, framed. 21cm by 32cm£150-200
343. EDMUND MORISON WIMPERIS (1835-1900), FIGURE ON A PATH BY A RIVER, signed with a monogram lower right, watercolour, framed. 23.5cm by 35cm£100-150
344. JOHN HENRY BOEL (BRITISH, fl. EARLY 20th CENTURY), FIGURES AT SUNSET BY A RIVER BANK, signed lower left, oil on canvas, framed. 50cm by 75cm£500-600
348. 20th CENTURY SCHOOL, THE LOGGERS, signed "Verity" and dated 1972, oil on canvas, in a gilt-composition frame. 60cm by 90cm£250-350
349. BENJAMIN WILLIAMS LEADER R.A. (1831-1923), ON A SURREY HEATH, signed lower left and dated 1874, oil on canvas, in a gilt composition frame. 38.5cm by 59cm£1800-2500
353. A 19th CENTURY ALABASTER CARVING OF ST. CECILIA, after Stefano Maderno (1566-1636), turbanned, head averted, on an integral grey marble plinth (losses). 19cm£80-120
357. EDOUARD DROUOT (1859-1945) "IN SEARCH OF BUFFALO", A PARCEL-GILT PATINATED BRONZE, signed "E. Drouot". Height 52.5cm by 61cm
Note: for illustrations of two similar subjects by Drouot see Christopher Payne "Animals in Bronze", H241 &H242 p. 363. £3500-4500
359. A SOUTH-EAST ASIAN STONE HEAD, possibly Cambodian, carved with an elaborate headdress, with traces of painted decoration, on a wooden stand. Carving 32cm£600-800
360. A 19th CENTURY WHITE MARBLE GROUP, POSSIBLY THE RAPE OF LUCRETIA, carved as a woman held aloft by a man, a bearded man cowering below, (losses). 54cm£500-700
366. A DOUBLE-SIDED FLORAL RED AND WHITE QUILT, striped to both sides. 2.12m by 2.35m£250-350
368. A BURMESE EMBROIDERED AND APPLIQUE TEXTILE PANEL, 19th CENTURY, decorated with two scenes, one with figures by an elephant, the other a horse-drawn carriage, elaborately embroidered with metal threads, sequins and applied with "jewels". 76cm by 168cm£150-250
369. A STUMPWORK PICTURE, LATE 18th/EARLY 19th CENTURY, PROBABLY GERMAN, depicting figures and cattle by a medieval building, a boat in the distance, in a gilt composition frame. 26cm by 37cm£350-450
370. A 19th CENTURY WOOLLEN PAISLEY SHAWL, centred by a green, red and white four-section square. 3.40m by 1.61m£200-300
372. A HAMADAN RUG. 2.90m by 1.45m£150-200
378. A 1920's SHIRAZ RUG. 2.50m by 1.60m£100-150
380. AN AFGHAN BELOUCH RUG. 1.50m by 1.00m£50-70
380A. A TURKEMAN RUG. 1.97m by 1.31m£120-180
380B. A TURKISH LESGHI STYLE RUG. 2.31m by 1.35m£150-200
380C. AN AFGHAN SULAYMAN RUG. 2.35m by 1.30m£120-180
381. A TURKEMAN STYLE RUNNER. 3.60m by 0.94m£60-80
382. AN ANTIQUE BELOUCH RUG. 1.60m by 0.84m£70-100
383. AN ANTIQUE BELOUCH RUG. 1.42m by 0.89m£40-60
387. A WESTERN ANATOLIAN RUG. 2.47m by 1.20m£80-120
388. A BELOUCH RUG, early 20th century. 1.83m by 1.02m£80-120
391. VERTEX, A LADY'S DIAMOND-SET 18ct WHITE GOLD COCKTAIL WATCH, the circular silver dial signed "Vertex Revue", the bezel and shoulders set with diamonds, the movement backplate inscribed "Vertex Revue 17 Jewels", the case marked for 18ct white gold and stamped "214/1123", on a snakelink 9ct white gold bracelet strap.
£400-500
392. AN 18th CENTURY INLAID MAHOGANY STICK BAROMETER, G. Martinoia, York, with broken pediment top above a silvered dial, the string-inlaid trunk terminating in a cistern cover inlaid with a foliate patera. 99cm£500-700
396. NICHOLSON, WHITEHAVEN, A CUMBRIAN 30 HOUR OAK LONGCASE CLOCK, second quarter of the 18th century, the 11.5" square brass dial signed Nicholson Whitehaven, with anchor escapement, the hood with projecting cornice, the trunk with long moulded door and shaped plinth base. 2.10m
Please note amendment - originally catalogued as verge escapement.£800-1200
397. PETER BOWER, REDLENCH, A SOMERSET 30 HOUR GRAIN PAINTED PINE LONGCASE CLOCK, c.1740, the 11" square brass dial signed Peter Bower/REDLINCH, with anchor escapement, the hood with tapering pilasters above a trunk with glazed aperture to the long door. 2.14m
Please note amendment - originally catalogued as verge escapement.£600-800
399. JOHN BENNETT, CHEADLE, AN 18th CENTURY 30 HOUR OAK LONGCASE CLOCK, 10" square brass single pointer dial signed Jno Bennett Cheadle, the case carved with stylised plantform. 1.98m£600-800
402. A FINE EDWARDIAN SATINWOOD CROSS-BANDED MAHOGANY WORK TABLE, the rectangular moulded top above a frieze drawer over a basket with shaped apron, raised on string-inlaid square-section tapering legs, moving on brass castors. 0.74m by 0.60m by 0.41m£500-600
403. A REGENCY STYLE DEEP BUTTONED AND BRASS STUDDED BROWN LEATHER HALL PORTER'S CHAIR, with domed canopy and moving on castors. 1.60m£1400-1800
404. A GLOBE WERNICKE TYPE OAK BOOKCASE, early 20th century, the three sections with lead-glazed sliding doors. 1.15m by 0.86m by 0.27m£350-450
405. A GUNN GLOBE WERNICKE TYPE OAK BOOKCASE, the four tiers with glazed sliding doors. 1.64m by 1.28m by 0.36m£400-500
408. A PAIR OF 19th CENTURY CARVED MAHOGANY WALL BRACKETS, each with a bird above fruiting vine.£250-300
412. A SHERATON STYLE SATINWOOD CROSS-BANDED MAHOGANY FOLDOVER TEA TABLE, c.1800, the square top with canted corners, above a string-inlaid frieze, raised on square-section tapering legs painted with pendant bellflowers. 0.72m by 0.91m (open)£350-450
413. A CHINESE RED LACQUER ELBOW CHAIR, profusely carved and pierced with birds and foliage.£250-350
415. A PAIR OF REGENCE STYLE GILTWOOD SALON CHAIRS, 19th CENTURY, each with upholstered square backs above a stuffed over seat flanked by outswept arms, raised on short tapering legs.£300-400
417. A GEORGE III MAHOGANY HANGING CORNER CABINET, the moulded cornice above an astragal glazed door. Height 1.02m, depth 0.36m£250-350
418. A 19th CENTURY MAHOGANY SUPPER TABLE, in 18th century style, the dish-moulded scalloped top carved with scrolls and acanthus, on a birdcage mechanism and raised on a leaf-carved baluster standard supported on cabriole legs. Height 72cm, diameter 78cm£300-400
419. AN EDWARDIAN MAHOGANY GLAZED THREE-FOLD FIRESCREEN, the central panel with stepped arched crest flanked by hinged panels moving on castors. Height 1.01m£120-180
428. A LARGE AND IMPOSING PAIR OF CONTINENTAL GILTWOOD WALL BRACKETS, in the rococo taste, each carved as an exotic bird pecking at fruit against a background of rocaille c-scrolls, supporting a cartouche-shaped shelf carved to the underside with shells and scrolls. Height 55cm, depth 33cm£1000-1500
431. A SMALL 18th CENTURY OAK HANGING CORNER CUPBOARD, the arch panelled door enclosing an interior retaining the original painted finish. Height 0.87m, depth 0.43m£100-150
437. A 19th CENTURY YEW AND ELM LOW-BACK WINDSOR ARMCHAIR, with central pierced vasiform splat, raised on turned legs joined by a "crinoline" stretcher. £300-400
445. A GEORGE III MAHOGANY GENTLEMAN'S DRESSING CHEST, the hinged rectangular top opening to reveal compartments, a pull up swivelling mirror and a cupboard door with ivory escutcheon, above a slide and an arrangement of drawers fitted with brass loop pulls with lion mask backplates, raised on short square-section legs terminating in brass caps and moving on castors. 0.95m by 0.71m by 0.51m£1000-1500
448. AN INLAID MAHOGANY OVAL GALLERIED TWIN-HANDLED TRAY, centred by an oval patera with a musical trophy. Length 68cm£80-120
450. A 1920's/30's "BARBOLA" TOILET MIRROR, circular. Height 37cm£40-60
453. AN AMBOYNA HUMIDOR. 14cm by 25cm by 20cm£250-350
454. AN 18th CENTURY SATINWOOD TEA CADDY, of plain rectangular form, crossbanded and chevron string-inlaid, raised on elaborately cast gilt-brass paw feet, the interior with twin lidded removable compartments and a mixing well. 18cm by 33cm by 17cm£300-400
457. A WELL PROPORTIONED MAHOGANY PEDESTAL DESK, MID 19th CENTURY, the moulded rectangular top, with gallery, above central frieze drawer flanked by twin banks of four graduated drawers, each with well figured fronts, on a plinth base. 0.78m by 1.10m by 0.61m £700-900
458. AN 18th CENTURY WALNUT SLANT-FRONT BUREAU, with fitted interior and four long graduated drawers, raised on bracket feet. 1.08m by 0.91m by 0.52m£800-1200
459. AN 18th CENTURY MAHOGANY TILT-TOP TRIPOD TABLE, the circular well figured top raised on a baluster standard continuing to hipped downswept legs terminating in pointed pad feet. 0.74m by 0.62m£500-700
461. AN ADAM REVIVAL MAHOGANY CABINET ON STAND, the Greek Key carved cornice above a swagged frieze over a pair of glazed doors, the stand with serpentine fronted frieze drawer, raised on fluted square-section legs terminating in spade feet. 1.98m by 1.07m by 0.41m£500-700
462. A GOOD VICTORIAN BURR WALNUT LOO TABLE, c.1870, the quarter veneered and inlaid moulded oval top raised on quad columns continuing to a platform issuing four downswept chequer inlaid legs, moving on pottery castors. 0.72m by 1.22m by 0.81m£800-1200
463. A GEORGIAN MAHOGANY DRESSING TABLE MIRROR, the cushion-moulded frame with gilt slip, the platform base fitted with three drawers. 0.62m by 0.41m by 0.20m£300-400
465. AN EMPIRE REVIVAL MAHOGANY CYLINDER BUREAU, the gilt-metal galleried superstructure with marble top above a pair of short drawers over a cylinder above a further pair of short drawers, raised on tapering fluted legs terminating in gilt-metal caps. 1.03m by 0.82m by 0.43m£600-800