Summer Catalogue Sale on
Saturday 4th June 2011
1. A WEDGWOOD FAIRYLAND LUSTRE PEDESTAL BOWL, DAISY MAKEIG-JONES, the exterior in the Woodland Bridge night-time pattern, the interior, Woodland Elves, spider and web, monogram "mj" in gilt to the side of the bowl, green printed Portland Vase mark and pattern no. Z4966. Diameter 22cm£1800-2500
2. A ROYAL WORCESTER FRUIT PAINTED CABINET PLATE, decorated by Bowman, black printed mark. 27.5cm£250-350
3. A CAULDON BLUE "MOORE" PATTERN DINNER SERVICE, early 20th century, comprising twelve dinner plates, twelve luncheon plates, fourteen tea plates, a graduated set of oval dishes, a pair of vegetable tureens, a pair of sauce tureens with ladles, a pair of sauce boats and a sugar bowl, each transfer-printed with boating scenes before a castle, printed Brown-Westhead Moore & Co. mark.£350-450
4. A NEW HALL PORCELAIN SILVER-SHAPED TEAPOT, c. 1800, painted in polychrome enamels with floral sprigs and puce ribbons, painted pattern no. "171" to underside. Length across handle 25cm£120-180
5. A NEW HALL PORCELAIN SUCRIER AND COVER, c. 1805, decorated with flowers and foliage in enamels and gilt, the underside with puce pattern no. "471", retailer's name inscribed to underside of cover, "Cotton High St Edburgh (sic)", (star crack and consequent discolouration to one side). Length 16cm£30-50
6. AN UNUSUAL NEW HALL PORCELAIN MUG, c. 1825/30, decorated in relief with amorini and a goat opposed by amorini and a lion, each group flanking a cavalier and his lady, all beneath a band of grapes and vines. Height 9cm£60-80
7. A SET OF SIX NEW HALL PORCELAIN COFFEE CUPS AND THREE SAUCERS, c. 1800, each decorated in gilt with an entwined leaf and berry band; together with a large plate en suite, the plate with pattern number in red to the underside "No. 52". Plate 20.5cm£150-250
8. A GROUP OF FIVE PAINTED TERRACOTTA TILES, POSSIBLY LATE MEDIEVAL, each square with traces of geometric decoration, in a glazed wooden case. Tiles 4" square.£200-300
9. A PAIR OF NEW YORK & RUDOLSTADT PORCELAIN FIGURES OF A GIRL AND BOY, c. 1890-1910, each modelled in 18th century costume, applied and impressed marks. 18.25cm£60-90
10. A PAIR OF MACINTYRE "MALACHITE" SALTS, impressed marks. 5cm£30-50
11. AN EARLY 19th CENTURY BLUE AND WHITE PEARLWARE STAND, of oval form, the well printed in the Blue Willow pattern within a pierced lattice border. 23cm£30-50
12. A WEMYSS POTTERY PEN TRAY, decorated with cherries, impressed mark and printed retailer's label, Thomas Goode. 24cm£80-120
13. A CONTINENTAL HAND-PAINTED PORCELAIN CABINET PLATE, 19th CENTURY, painted with a river landscape within cobalt and gilt border. 23cm£30-40
14. A WALTER MOORCROFT PLATE, DECORATED IN THE COLUMBINE PATTERN, against a green ground, impressed and painted marks. 25.5cm£100-150
15. THREE 19th CENTURY MAJOLICA LILY PAD DESSERT PLATES, possibly George Jones, each with mottled brown glaze to the underside and impressed no. 12. 20cm£30-50
16. A RARE PAIR OF WEDGWOOD BROWN TRANSFER-PRINTED ARMORIAL SOUP PLATES, PART OF A SERVICE FOR EDWARD MALTBY, BISHOP OF DURHAM (1837-56), each centred by the bishop's coat of arms, one with a border printed with signs of the zodiac, the other of floral cartouches and Moorish arches, impressed marks. 24.5cm
Note: Maltby was the first Bishop of Durham appointed after the abolition of the office of Prince Bishop. He retired under controversial circumstances in 1856 after negotiating the colossal annual pension of £4,500.£70-90
17. A PAIR OF 19th CENTURY SPONGEWARE SOUP PLATES, possibly Whitehaven, each naively decorated in light blue with geometric patterns, vases and flowers. 25cm£40-60
18. A PAIR OF CONTINENTAL LUSTRE-GLAZED PORCELAIN FIGURES OF A LADY AND GENTLEMAN, each decorated in pink and white on a circular base, one with painted mark. 21cm£40-60
19. A BELGIAN ART POTTERY VASE, EARLY 20th CENTURY, the dimpled body applied with geometric motifs and drip-glazed in blue, green and brown, impressed mark. 19.5cm£30-50
20. AN ENGLISH DELFT DISH, FIRST QUARTER OF THE 18th CENTURY, probably London, the rim painted with three concentric bands, the well with a spiral. 32cm£300-500
21. A PAIR OF ROYAL WORCESTER FIGURAL SWEETMEAT DISHES, LATE 19th CENTURY, modelled as a boy and girl resting on baskets, she with a crook, he with a horn, decorated in colours and highlighted with gilding on a blush ivory ground, puce printed marks and date code for 1895. 21cm£200-300
22. A TROIKA MARMALADE POT, incised with geometric motifs against a textured blue ground, painted mark. 9cm£50-70
23. AN EARLY 19th CENTURY PEARLWARE PICKLE DISH, of leaf form, naturalistically painted, (repair to handle). Length 12cm£40-60
24. A HEREND PORCELAIN FISH PLATTER AND DRAINING PLATE, of elongated oval form with basket-moulded border, painted with fruit, flowers and vegetables, the draining plate similarly decorated, blue printed mark. 61cm£120-180
25. TWO FRAMED PAIRS OF MINTON MAJOLICA TILES, moulded with raspberries and painted in turquoise against a blue ground, one tile with date code for 1877. Each overall 23cm by 44cm£150-200
26. A MOORCROFT POTTERY LAMP BASE, tubelined and hand-painted with anemone against a green ground, impressed MOORCROFT. 12cm excluding fitting£120-150
27. A CONTINENTAL GILT-METAL MOUNTED PORCELAIN VASE, applied with a pair of animal mask handles, glazed in blue and mounted on an alabaster stand, converted to a lamp. 30cm£30-50
28. A SET OF FIVE ENGLISH EARLY 19th CENTURY CUPS AND FOUR SAUCERS, each wrythen cup and saucer decorated with a band of intricately entwined gilt decoration and centred by a floral spray; together with a coffee can and saucer in the same pattern, the saucer with scalloped rim. £60-80
29. A HAMMERSLEY & CO. PARTIAL TEA SERVICE, c. 1890, in the Aesthetic taste, printed in green with flowering boughs, comprising six cups and saucers, ten tea plates, cake plate, cream jug and slop bowl, impressed marks. £40-60
30. A LARGE BRETBY POTTERY VASE, c.1880, the moulded baluster body turquoise glazed, impressed no. 692 and factory mark. 48cm£180-250
31. A SET OF MOORCROFT FARMYARD EGG CUPS, boxed, designed by Anji Davenport, each tubelined and hand-painted with differing farmyard animals, painted and printed marks.£450-550
32. A 19th CENTURY COPPER LUSTRE WINE JUG, of baluster form with mask spout. Height 19cm£40-60
33. A 19th CENTURY BLUE AND WHITE WILLOW PATTERN TUREEN. Length across handles 36cm£70-90
34. A STAFFORDSHIRE COMMEMORATIVE JUG, JOSIAH WEDGWOOD, 19th CENTURY, the printed figure of the famous potter against a pink ground. 19cm£40-60
35. A 19th CENTURY MARBLED POTTERY MATCH STRIKER STAND, PROBABLY SCOTTISH, mottled in pinks, blues, greens and browns. Diameter 11.5cm£40-60
36. A 19th CENTURY TREACLE GLAZED SEATED CAT MONEY BOX, possibly Scottish or Canny Hill?. 13cm£60-80
37. A 19th CENTURY MOTTLE-GLAZED POTTERY BARREL-FORM MONEY BOX. 9cm£40-60
38. CHRISTOPHER DRESSER FOR LINTHORPE POTTERY, A DRIP-GLAZED CUP AND SAUCER, facsimile signatures, monogram "HT", pattern nos. 641 & 640. £200-250
39. A LARGE C.H. BRANNAM JUG, of squat globular form, glazed in a light mottled green, impressed marks. 20cm£40-60
40. A 19th CENTURY CONTINENTAL PORCELAIN FIGURE GROUP, of two putti, one with grapes, the other sheaves of corn, on a rockwork base moulded with rococo scrolls, blue crossed swords mark. 25cm£500-600
41. AN ASSEMBLED PAIR OF CONTINENTAL FIGURES OF A COBBLER AND HIS WIFE, 19th century, the man porcelain, the woman faience, each painted with letter "H" and a numeral. Taller 24cm£300-400
42. A GROUP OF SIX EARLY 19th CENTURY BLUE AND WHITE PLATES, including a pair of Davenport printed plates, a soup plate (possibly Spode) etc£70-90
43. A PAIR OF EGGSHELL PORCELAIN BOWLS, each painted in blue with alternating bands of calligraphy and birds amidst foliage, highlighted with gilding, six character mark. 9cm£80-120
44. A CHINESE EXPORT PORCELAIN TEA CANISTER, c. 1800, painted in blue and white with flowers and butterflies. 15.5cm£80-120
45. A LATE 19th CENTURY IMARI CHARGER, in characteristic palette, the well moulded as a stylised chrysanthemum and painted with birds within panels painted with dragons, symbols and foliage. 31cm£150-250
46. AN IMARI CHARGER, the well painted with a vase of flowers within a border of flowerheads, foliage and stylised sunbursts. 31cm£100-150
47. A CHINESE BLUE AND WHITE PORCELAIN VASE, of baluster form, painted with fruit against a leafy ground, with four character mark, on a hardwood stand. Vase 40cm£100-150
48. A PAIR OF CHINESE JADE GREEN MONOCHROME CERAMIC PILLOW VASES, of plain rectangular form, c. 1900. £30-50
49. AN EARLY JAPANESE STONEWARE JAR, PROBABLY SETO, imitating Chinese celadon with a dribbled blue-green glaze. 15cm£60-80
50. A CHINESE BLUE AND WHITE PORCELAIN BOWL, TEK SING CARGO, Nagel "Tek Sing Treasures" label to underside. 17cm£100-150
51. A CHINESE PORCELAIN FAMILLE VERTE VASE, of cylindrical form, enamel painted with two figural panels against a yellow ground, four character mark. 30cm£200-300
52. A LARGE CHINESE FAMILLE ROSE PORCELAIN WASH BOWL, 19th century, the well and interior painted with panels of figures in interiors, the exerior with floral sprays. Diameter 41cm£300-500
53. A LARGE CHINESE PORCELAIN DISH, the well painted in bright enamels with a snarling dragon, six character mark. 40cm£150-250
54. A PAIR OF CANTONESE FLOOR VASES, the ovoid bodies painted with figural opposing panels and dense foliage, the waisted necks continuing to undulating rims. 1.25m£1000-1500
55. A 19th CENTURY HEAVY CUT-GLASS TAZZA, the circular diamond-cut bowl above a faceted domed star-cut foot. Diameter 25cm£50-70
56. A FRENCH ENAMEL PAINTED AND GILT-METAL MOUNTED GLASS BON-BON DISH, c. 1900, the leaf-form cased glass dish shading from yellow to white, painted with flowers and printed with a courting scene, on a gilt wirework stand. Length 19cm
£30-50
57. A SET OF SEVEN 19th CENTURY RUMMERS, each bucket bowl cut with a band of fluting, raised on a knopped stem and domed circular foot. 13.5cm£80-120
58. A SET OF FIVE EARLY 19th CENTURY CORDIALS, each with trumpet bowl and faceted knopped stem. £60-80
59. AN EARLY 19th CENTURY DECANTER, the mallet-form body naively etched with ribbon-tied leaves and with a triple ring neck (stopper possibly associated). £40-60
60. TWO LATE 18th/EARLY 19th CENTURY CUT-GLASS DOUBLE-LIP RINSERS. Larger 9.75cm£50-70
61. AN 18th CENTURY WINE GLASS, the trumpet bowl above a knopped stem, on a domed circular foot. 14cm£60-80
62. TWO EARLY 19th CENTURY GLASS TUMBLERS, the first etched with a monogram, the second with a moulded foot. First 11cm£40-60
63. AN EARLY 19th CENTURY GLASS TAZZA, the plain shallow bowl on a tapering stem; together with a 19th century glass bud vase, of slender trumpet form (small chip to foot rim). (2). Diameter of first 12cm£40-60
64. AN EARLY 19th CENTURY CUT-GLASS RUMMER, the panel-cut bucket bowl above a knopped stem; together with a 19th century cut-glass salt. (2). First 12.5cm£40-60
65. THREE PIECES OF BLUE GLASS, comprising a water jug, vase and finger bowl. Jug 17.5cm£40-60
66. A 19th CENTURY TWO-COMPARTMENT SNUFF AND TINDER BOX, of rectangular form, engraved "Mr Geo. Sinclair". 13cm£50-70
67. A VICTORIAN LONG-HANDLED BRASS CANDLE SNUFFER AND TAPER LIGHTER, with scroll terminal, and "turned" shaft. 1.13m£100-150
68. AN ISLAMIC BRONZE HANGING OIL LAMP, the hinged lamp cast as a bird, suspended from a bird-cast chain. Overall 42cm £100-150
69. A KESWICK SCHOOL OF INDUSTRIAL ARTS COPPER DISH, circular, the well decorated with stylised flowers and foliage, stamped mark. Diameter 30cm£70-90
70. A CHINESE BRASS BASIN, of broad shallow form, with a wide rim, the interior engraved with figures in interiors and landscapes, the rim with flowers and birds, on a domed bowl, possibly for charcoal. 40cm£100-150
71. A SILVERED BRONZE SIX-LIGHT CHANDELIER, cast with swags and leaf-capped scrolling arms; together with A PAIR OF TWO-LIGHT SCONCES, each with putto mask and baluster backplate. Chandelier 56cm£120-180
72. A PAIR OF BENHAM & FROUD ARTS & CRAFTS COPPER AND BRASS CHAMBERSTICKS, THE DESIGN ATTRIBUTED TO CHRISTOPHER DRESSER, with bobbin-turned wooden handle issuing from a knopped brass standard above a domed copper foot, registration no. for 1886. 16cm£120-180
73. A LIBERTY & CO TUDRIC PEWTER INKWELL, DESIGNED BY ARCHIBALD KNOX, the domed body chased with stylised Art Nouveau foliage, stamped TUDRIC, no. 0521.£200-300
74. AN 18th CENTURY BRASS TOBACCO/SNUFF BOX WITH COMBINATION LOCK, of oval form, with three numbered dials. Length 8cm£180-250
75. GOLFING INTEREST: TWO LIBERTY & CO TUDRIC PEWTER TANKARDS, DESIGNED BY ARCHIBALD KNOX, the first with hammered finish, the second with glass bottom, each cast with a golfer roundel, no. 066, stamped marks. 9cm£180-250
76. A LIBERTY & CO TUDRIC PEWTER PIN TRAY, DESIGNED BY ARCHIBALD KNOX, the handles cast with Celtic knotwork, no. 01263, stamped marks. 12.5cm by 10cm£100-150
77. A LIBERTY & CO TUDRIC PEWTER JUG, DESIGNED BY ARCHIBALD KNOX, cast with stylised petals and with rattan covered handle, no. 0278, stamped marks. 13cm£150-200
78. A PAIR OF LIBERTY & CO TUDRIC PEWTER CANDLESTICKS, DESIGNED BY ARCHIBALD KNOX, each with bullet-shape candle cup, below a circular drip pan, raised on quad columns continuing to a shaped square frame base, no. 0222, stamped marks. 10cm£700-900
79. A LARGE WMF BRASS TRAVELLING THERMOS FLASK, with cork stopper, swing handle and with impressed mark. Height across handle 44cm£120-180
80. A PAIR OF PATINATED AND PAINTED BRONZE MONKEY-FORM CANDLESTICKS, each in coloured coat and breeches and raised on an integral oval plinth. 24cm£200-300
81. AN UNUSUAL PEWTER KNIFE REST, cast as a pair of mice nibbling at an ear of corn, stamped marks. Length 12cm£60-80
82. AN UNUSUAL 19th CENTURY GILT-BRONZE MODEL OF A BUTTERFLY, finely cast on an integral oval foliate plinth, with mechanical action allowing the wings to open (perhaps intended as a menu card holder?). Length 12.25cm £350-450
83. A BRONZE SCHOOL BELL, stamped "Fiddian", with turned beech handle. 27.5cm£50-70
84. A 19th CENTURY BRASS VESTA CASE CHASED WITH A RACING SCENE; together with a white metal match holder/striker, modelled as a pail. (2) First 7.5cm£60-80
85. A PAIR OF PEWTER DISHES, of circular form, with shaped ring handles, each with stamped marks, one engraved "HS MK ILB 16392". Diameter 31cm£100-150
86. A W.A.S. BENSON COPPER AND BRASS FLASK, c. 1900, of tapering form, with loop handle and hinged cover. 24.5cm£120-150
87. AN ARTS & CRAFTS COPPER PEN TRAY, of rectangular form, with crimped gallery and centred by the inscription, "Manners Makyth (sic) Man" Length 27cm£60-80
88. AN ART NOUVEAU COPPER TRAY, PROBABLY KESWICK SCHOOL OF INDUSTRIAL ARTS, of rectangular form, with crimped corners, chased with swirling stylised Art Nouveau foliage, unmarked. 30cm by 23.5cm£70-100
89. A PAIR OF BATTERSEA ENAMEL CANDLESTICKS, 18th CENTURY, each with scalloped circular domed base beneath a knopped stem, painted with floral sprays and blue cartouches highlighted with gilding (damages, lacking candle cups). 27cm£300-400
90. A PAIR OF THREE-LIGHT CANDELABRA IN THE ART DECO TASTE. 23.5cm£60-90
91. A PAIR OF 19th CENTURY SILVER-PLATED DWARF COLUMNAR CANDLESTICKS, each with Corinthian capital incorporating a detachable nozzle with beaded rim and raised on a stepped square base. 16cm£80-120
92. TWO ART DECO SILVER-PLATED ENTREE DISHES, EACH DECORATED WTIH "LINDISFARNE" BORDERS, the first with handles of Celtic design, the second with loop handles. First 27cm£50-70
93. A WMF CREAM AND SUGAR ON STAND, c. 1910, the twin-handled sugar and cream jug each with green glass liner within pierced body raised on a beaded circular foot, the oval stand with similarly pierced terminals, stamped marks. Stand 36cm£70-100
94. A LIBERTY & CO EPNS CRUET SET, on an engine turned circular tray, stamped L&Co.£25-35
95. A SET OF FOUR SILVER PLATED CANDLESTICKS, 19th CENTURY, each with faceted baluster standard issuing from a leaf and scroll cast circular base and with detachable candle cup. 25cm£100-150
96. A WILLIAM IV SHEFFIELD-PLATED PORRINGER, in early 18th century style, stamped "WR". 12.5cm£70-90
97. AN EARLY 19th CENTURY SILVER-PLATED CANDLE SNUFFER ON STAND, each gadrooned. Tray 26cm£80-100
98. A 19th CENTURY SILVER-PLATED SHAVING MUG WITH AN IVORY BRUSH, William Hutton & Sons. Length across handle 16cm£75-95
99. A CONTINENTAL ART NOUVEAU SILVER-PLATED TWIN-HANDLED SERVING DISH, of oval form. Length 32cm£45-65
100. AN ARTS & CRAFTS SILVER-PLATED SUGAR CASTER, silver on copper, the baluster body with planished finish. 18.5cm£40-60
101. A JAMES DIXON & SONS IVORY-HANDLED SILVER-PLATED BREAD FORK/COLD MEAT SERVER, late 19th century. 25.5cm£30-50
102. A SET OF SIX WHITE METAL ZOOMORPHIC MENU/PLACE CARD HOLDERS, each finely cast and including a salmon, pheasant, fox etc. £120-180
103. A 19th CENTURY SILVER-PLATED THISTLE-FORM VESTA CASE, fitted with a suspension loop. 5cm£70-90
104. A CHINESE NOVELTY CONDIMENT SET, modelled in white metal as a rickshaw and fitted with a salt, pepperette and mustard. Length 25cm£120-180
105. A LATE 19th CENTURY CHINESE MODEL OF A WARSHIP IN FULL SAIL, in white metal, with detailed sails, rigging, flags and oars, mounted on a hardwood stand. Height overall 22.5cm£250-350
106. A TIFFANY & CO. SILVER CARD CASE, of slender rectangular form, stamped marks. 9cm by 5.5cm, 1.8oz£100-150
107. A SILVER KING'S PATTERN SIX-PLACE SETTING DINNER SERVICE, WALKER & HALL, SHEFFIELD 1966 & 67, MAPPIN & WEBB SHEFFIELD 1964, each place setting comprising a dinner knife and fork, dessert spoon and fork, soup spoon and side/luncheon knife. 36 pieces, gross 78oz £1000-1500
108. A LARGE GEORGE III SILVER SWING-HANDLED BASKET, PETER DESVIGNES, LONDON 1780, in the "Adam" manner, of oval form, with broad beaded rim, the interior decorated with roundels centred by female classical figures, the beaded, leaf-cast handle similarly decorated. Length 36cm, 35oz£800-1000
109. A GEORGE V SILVER LADY'S EVENING PURSE, marks indistinct, probably Birmingham 1916, with engine-turned decoration and engraved with a monogram. 3.5oz£80-100
110. AN EDWARDIAN SILVER DRESSING TABLE BOX, BIRMINGHAM 1902, decorated with rococo scrolls and foliage. 12.5cm, 2oz£50-70
111. A LATE VICTORIAN THREE-PIECE SILVER TEA SERVICE, A & J ZIMMERMAN, BIRMINGHAM 1897, each piece with half-gadrooned body. Gross 21oz£400-600
113. AN AMERICAN STERLING SILVER THREE-PIECE TEA SERVICE, early 20th century, Bailey, Banks & Biddle, each piece of faceted form with beaded rims. 42oz£400-600
114. A VICTORIAN SILVER COFFEE POT, SHEFFIELD 1895, in 18th century style, with part-gadrooned body and raised on ball feet. Gross 20oz£180-250
115. A GEORGE V SCOTTISH SILVER THREE-PIECE TEA SERVICE, GLASGOW 1921, each piece of bulbous form. Gross 32oz£300-400
116. AN UNUSUAL LATE VICTORIAN SILVER COMBINATION VESTA/LOCKET CASE, BIRMINGHAM 1899, the front panel hinged and opening to reveal an oval photograph frame, engraved with a monogram. 1.5oz£70-90
117. A SILVER-GILT AND ENAMEL MEDALLION, "Past Lord Mayor, Kingtson upon Hull", the coat of arms in blue enamel, Birmingham 1958, on a blue silk ribbon in a leather presentation case. £40-60
118. A SET OF FOUR ITALIAN SILVER CARD TRAYS IN THE ART NOUVEAU TASTE, each stamped "925" and chased with a different female figure in a landscape. Each 9cm by 6cm. Total weight 2oz£60-90
119. A LARGE GEORGE V SILVER DESK-TOP MATCH STRIKER, IN THE ART DECO TASTE, BIRMINGHAM 1928, of circular form, the revolving top opening to reveal a well for matches and fitted with a striker, engine-turned decoration throughout. Diameter 14cm, weighted.£100-150
120. A GEORGE V SILVER PIG PIN CUSHION, BIRMINGHAM 1919. Length 6cm£100-150
121. A GEORGE V SILVER PIG PIN CUSHION, BIRMINGHAM 1919. Length 6cm£100-150
122. A DURHAM LIGHT INFANTRY SILVER COMPACT, BIRMINGHAM 1940, square, the engine-turned case applied with the DLI crest, the interior fitted with a mirror. 6cm square.£80-120
123. A FINE QUALITY PAIR OF LATE VICTORIAN SILVER DWARF CORINTHIAN CANDLESTICKS, WILLIAM HUTTON & SONS LTD., LONDON 1895, in late 18th century style, each tapering square base chased with garlanded animal masks, the pierced capitals beneath beaded detachable candle cups. 15cm, weighted.£600-800
124. A SET OF TEN GEORGE III SILVER FORKS, GEORGE SMITH & WILLIAM FEARN, LONDON 1796, Old English, each engraved with a crest to the reverse. Approx. 21oz£350-450
125. A SET OF SIX EARLY VICTORIAN SILVER DESSERT SPOONS, LONDON 1838, fiddle pattern, each engraved with a monogram. 10oz£180-250
126. AN ASSEMBLED SET OF SIX VICTORIAN SILVER DESSERT FORKS, CHAWNER & CO., LONDON 1853 AND LONDON 1838, fiddle pattern, each engraved with a monogram. 10oz£180-250
127. A SET OF TEN GEORGE III SILVER TEASPOONS, LONDON 1815, rat tail, each engraved with a crest. 6.5oz£180-250
128. A SET OF SIX VICTORIAN SILVER TEASPOONS, HENRY HOLLAND, LONDON 1871, fiddle pattern, each engraved with a monogram. 5oz£100-150
129. A GEORGE III SILVER MARROW SCOOP, LONDON 1801, of plain, conventional form. Approx. 1.5oz£50-70
130. A GEORGE IV SILVER BASTING SPOON, LONDON 1824, fiddle pattern; a WILLIAM IV SILVER BASTING SPOON, LONDON 1832, fiddle pattern, engraved with a monogram; A PAIR OF GEORGE III SILVER DESSERT SPOONS, LONDON 1802, rat tail, engraved with a crest; and a GEORGE III SILVER DESSERT SPOON, LONDON 1811, rat tail, engraved with a crest. Total 7oz£150-200
131. A GEORGE II SILVER SALVER, JOHN CARTER II, LONDON 1759, with later 19th century engraved decoration, and presentation inscription dated 1850, of circular form, with gadrooned scalloped rim and raised on three hoof feet. Diameter 38cm, 42oz£800-1200
132. A GEORGE III SILVER LADLE, RICHARD CROSSLEY, LONDON 1792, Old English, engraved with a monogram; ANOTHER, CHARLES HOUGHAM, LONDON 1792, Old English, engraved with a crest; and a GEORGE IV SILVER SIFTING LADLE, LONDON 1820, fiddle pattern. (3) 4oz£70-90
133. A GROUP OF LATE 18th AND 19th CENTURY SILVER MUSTARD AND SALT SPOONS, comprising a pair of Victorian spoons, London 1838, fiddle pattern; and a further ten spoons, various dates and makers. Total 5oz£100-150
134. A GEORGE III SILVER TEAPOT, THOMAS WATSON, NEWCASTLE 1806, of shaped oblong form, with reeded borders, engraved with two monograms. Gross 20oz£300-400
135. A GEORGE V SILVER SUGAR CASTER, WILLIAM HUTTON & SONS, BIRMINGHAM 1926, in the Georgian taste. 5oz£100-150
136. A GEORGE III SILVER SUGAR CASTER, ROBERT PEASTON, LONDON 1776, of baluster form. 2.5oz£50-70
137. A PAIR OF GEORGE III SILVER CAULDRON SALTS, WILLIAM BATEMAN, LONDON 1811, each with gadrooned rim, hoof feet and engraved with a monogram, replaced liners. 4oz£100-150
138. AN EARLY VICTORIAN SILVER JUG, LONDON 1839, with s-scroll handle and raised on anthemion-cast feet. Height 13.5cm, 5oz£100-150
139. A VICTORIAN SILVER JUG, SHEFFIELD 1896, of squat baluster form with reeded strap handle, presentation inscription dated 1902. 7.5oz£120-180
140. A LATE VICTORIAN SILVER PORRINGER, CHARLES STUART HARRIS, LONDON 1898, with acanthus-cast body and beaded handles. 4.5oz£80-120
141. A PAIR OF EDWARDIAN SILVER PEPPERETTES, BIRMINGHAM 1903, of baluster form with pad feet; together with A LATE VICTORIAN SILVER MUSTARD, BIRMINGHAM 1897, of shaped octagonal form, with associated spoon and blue glass liner. Total 4.5oz (excluding liner)£80-120
142. A CASED SET OF SIX GEORGE V SILVER SEAL TOP FIGURAL TEASPOONS, LONDON 1913. £40-60
143. AN ASSEMBLED SET OF EIGHT EARLY/MID-18th CENTURY SILVER TABLESPOONS, various dates and makers including Elias Cathcart 1740's, Old English. Total 17oz£600-800
144. A GEORGE VI SILVER PHOTOGRAPH FRAME, BIRMINGHAM 1938, rectangular, with blue velvet easel back. Aperture 13.5cm by 9.5cm£50-70
145. A LATE VICTORIAN SILVER CLARET JUG, CHARLES STUART HARRIS, LONDON 1896, in 18th century style with half-gadrooned body also decorated with ribbon-tied swags, hinged cover with urn finial. 26cm. Gross 14.5oz£350-450
146. AN EDWARDIAN SILVER-MOUNTED CUT-GLASS WHISKY TOT, BIRMINGHAM 1906, with star-cut base and hinged cover. 11cm£100-150
147. A WILLIAM IV SCOTTISH SILVER TODDY LIFTING LADLE, GLASGOW 1834, fiddle pattern, engraved with a monogram. 1.5oz£100-150
148. A GEORGE III SILVER SPICE OR PEPPER POT, LONDON 1803, with domed cover, raised on a circular foot, weighted. 8.5cm£80-120
149. A GEORGE III SILVER CADDY SPOON, WILLIAM EATON, LONDON 1810, with fiddle handle and plain oval bowl. 9.5cm£80-120
150. A GEORGE III SILVER CADDY SPOON, LONDON 1813, fiddle pattern, with shaped rectangular bowl. 9.75cm £80-120
151. A GEORGE III SILVER CADDY SPOON, PETER & ANN BATEMAN, LONDON 1796, with bright-cut decoration and oval bowl. 9cm£80-120
152. A LATE 19th CENTURY DUTCH SILVER CADDY SPOON, with figural terminal, the bowl etched with the date 1578, stamped "AH 830". 11.5cm£40-60
153. A VICTORIAN SILVER CREAM LADLE, JOHN STONE, EXETER 1855, fiddle pattern, engraved with a monogram. 12.5cm£70-90
154. A VICTORIAN SILVER NOVELTY PEPPERETTE IN THE FORM OF A SAUCEPAN, CHESTER 1894, with gilt interior. Length across handle 6.5cm£50-70
155. AN EDWARDIAN SILVER NOVELTY PEPPERETTE IN THE FORM OF A JERSEY MILK CAN, BIRMINGHAM 1901. Height 5.5cm£80-120
156. A GEORGE V SILVER NOVELTY BARREL-FORM PEPPERETTE, BIRMINGHAM 1913. 3.75cm £50-70
157. A SAMPSON MORDAN SILVER PENCIL, on a suspension ring, stamped "sterling silver". 9cm£50-70
158. A GEORGE III SILVER CREAM JUG, THOMAS WATSON, NEWCASTLE, c. 1795/1800 (marks indistinct), engraved with a monogram. 3.75oz£150-200
159. A GEORGE III SILVER TEAPOT, GEORGE MURRAY, NEWCASTLE 1810, chased with a reeded band and raised on bun feet. Gross 17oz£450-550
160. A PAIR OF GEORGE V SILVER SAUCE BOATS AND LADLES, BIRMINGHAM 1919, each scroll handle with a bracket for the ladle. Total 8oz£200-300
161. A GROUP OF INDIAN SILVER, including a model of a caparisoned elephant, an ibex, a lion, a mouse etc, together with a bowl, a pendant and four pairs of earrings. £350-450
162. A 9ct GOLD BANGLE, modern. Approx. 40 grams£300-400
163. A LATE 19TH CENTURY PEARL AND GOLD CHAIN, the fine oval links with twelve double pearl and gold spacers.£350-550
164. A SINGLE STONE DIAMOND RING, the brilliant-cut diamond eight claw set between stepped shoulders each set with a pair of diamonds and a single diamond.£1250-1450
165. A SINGLE STONE DIAMOND RING, the brilliant-cut diamond four claw set between diamond set shoulders.£1200-1400
166. A SINGLE STRAND BAKELITE "AMBER" BEAD NECKLACE, graduated. Length 55cm£30-50
167. THREE SCOTTISH AGATE BROOCHES, once centred with a "Cairngorm", the second with specimen stones, the third stamped "silver". First 4.75cm£30-50
168. A PAIR OF SOUTH SEA CULTURED PEARL EARRINGS, the cultured pearls each suspended from a circular-cut amethyst collet and an articulated row of 12 round-cut blue topaz collets. Post and butterfly fittings,£500-800
169. A DIAMOND RING, the brilliant-cut diamond claw set above a square mount between diamond set shoulders, each set with three rows of circular-cut diamonds, to tapering shoulders.£250-350
170. A DIAMOND RING, the tree rows of brilliant-cut diamonds set within a broad band£500-800
171. AN AMETHYST AND DIAMOND PENDANT AND EARRINGS, each set with a fancy cut cushion-shaped pale amethyst, four claw set below a diamond set oblong mount.£200-300
172. A PERIDOT AND DIAMOND PENDANT AND EARRINGS, each set with three slightly graduating oval mixed-cut peridots, set with two pairs of circular-cut diamonds.£200-300
173. A PAIR OF AKOYA CULTURED PEARL AND DIAMOND EARRINGS, the cultured pearl suspended from a fine chain with two circular diamond collet surmounts. Post and butterfly fittings£250-350
174. A PAIR OF CITRINE AND DIAMOND EARRINGS, of fruiting leaf design, set with three briolette-cut citrines within diamond set leaf mount and two pendant briolette-cut citrines.£400-600
175. A DIAMOND RING, the nineteen brilliant-cut diamonds each claw set in cluster formation, between pierced shoulders.£500-700
176. A THREE STONE DIAMOND RING, the brilliant-cut diamonds claw set between crossover shoulders.£300-500
177. A RUBY AND DIAMOND PENDANT, the five oval mixed-cut rubies each claw set and spaced by pairs of circular-cut diamonds, on tapering bale and fancy link chain.£1000-1500
178. A LONG FRESHWATER PEARL NECKLACE. Approx. 1.2m£50-70
179. A GRADUATED FACETED RUBY BEAD NECKLACE. Approx. 0.5m£100-150
180. A DIAMOND SAIL BOAT PENDANT, mounted in 18ct white gold, on a fine white gold chain. £180-250
181. A CONTEMPORARY SIX-BAR DIAMOND PENDANT, mounted in 9ct white gold, on a 9ct white gold tracelink chain.£120-180
182. AN ONYX AND PASTE RING, in the Art Deco style, the oblong onyx plaque set with a paste collet, between tapering shoulders with paste highlights.£100-150
183. A QUARTZ AND DIAMOND PENDANT, the tapering quartz drop below a brilliant-cut diamond collet, on fine chain.£200-300
184. AN EMERALD AND DIAMOND RING, the oval mixed-cut emerald estimated to weigh 1 carat, four claw set between brilliant-cut diamond shoulders.£900-1200
185. A PAIR OF DIAMOND EARRINGS, each brilliant-cut diamond estimated to weigh 0.2 carats, claw set.£350-450
186. AN AQUAMARINE AND DIAMOND RING, the oval mixed-cut aquamarine weighing 1.48 carats, four claw set between brilliant-cut diamond set shoulders.£1000-1500
187. A YELLOW SAPPHIRE AND DIAMOND RING, the square fancy-cut sapphire weighing 1.56 carats, four claw set between brilliant-cut diamond shoulders.£1000-1500
188. A SAPPHIRE AND DIAMOND RING, the emerald-cut sapphire weighing 2.35 carats, four claw set above stepped shoulders, each set with a princess-cut and pairs of tapering baguette-cut diamonds.£1400-1800
189. A THREE STONE DIAMOND RING, the three slightly graduating oval brilliant-cut diamonds, claw set between channel set diamond shoulders.£1500-2500
190. A PINK SAPPHIRE AND DIAMOND RING, the oval mixed-cut sapphire weighing 3.6 carats, four claw set between diamond shoulders, set with a central row of graduating baguette-cut diamonds between brilliant-cut diamond borders.£2500-3500
191. A RUBY AND DIAMOND RING, the oval mixed-cut ruby estimated to weigh 2.03 carats, four claw set between channel set diamond shoulders.£3000-4000
192. CARTIER, A DIAMOND RING, the brilliant-cut diamond collet set above a yellow gold band each shoulder inset with thirteen brilliant-cut diamonds. Signed for Cartier.£2800-3200
193. A TANZANITE AND DIAMOND RING, the mixed-cut tanzanite estimated to weigh 3.67 carats, four claw set above a border of twelve brilliant-cut diamonds to an outer border of twelve brilliant-cut diamonds claw set.£2800-3200
194. A SINGLE STRAND OPAL BEAD NECKLACE, the graduating opal beads each with a faceted crystal spacer, on an oval clasp set with six circular-cut diamonds. Length 50cm£350-450
195. A GROUP OF LATE 19th CENTURY JEWELLERY, comprising an opal and silver bracelet and brooch en suite; a 9ct gold bar brooch set with an aquamarine; and a silver and paste-set bar brooch. (4)£80-120
196. AN ARTS & CRAFTS SILVER AND ENAMEL BRACELET, JAMES FENTON, each c-scroll cast plaque enclosing a green enamel panel with bubble inclusions. 19cm£200-300
197. AN ARTS & CRAFTS SILVER AND ENAMEL BRACELET, ATTRIBUTED TO JAMES FENTON, the alternate links with blue/green enamel, unmarked. 19cm £100-150
198. A CHARLES HORNER SILVER AND ENAMEL PENDANT, the green/blue enamels set within a stylistically cast and pierced mount, with pendant drop.£200-300
199. A CHARLES HORNER SILVER AND ENAMEL PENDANT, with pierced mount and pendant drop.£350-450
200. A 9ct GOLD PHEASANT STICK PIN. 8cm£120-180
201. A FRESHWATER PEARL AND AMETHYST BEAD MULTI-STRAND NECKLACE. £20-40
202. A DUNHILL "ALADDIN'S LAMP" TABLE LIGHTER, cast marks. 17cm£70-90
203. AN UNUSUAL CASED SET OF SEVEN IVORY-HANDLED CUT-THROAT RAZORS, c. 1900, each engraved for a day of the week, also engraved "Underhill Haymarket", leather case. £60-80
204. AN UNUSUAL STAINED STONE VASE, possibly Polynesian, with sgraffito decoration of fish and leaves. 26cm£200-300
205. AN AFRICAN EBONY STICK OF KNOBKERRIE TYPE, probably Zulu. 91cm£50-70
206. AN AFRICAN IVORY OLIPHANT, c. 1900. 41cm£200-300
207. TWO CARVED WOODEN MASKS, TEHUANTEPEC, MEXICO, the larger with hair and beard, the smaller applied with carved wooden beard. Larger 26cm£100-150
208. AN AFRICAN CARVED IVORY FIGURE, PROBABLY LEGA, CONGO, seated with hands crossed. 24cm£150-200
209. AN AFRICAN CARVED IVORY FIGURE, PROBABLY LEGA, CONGO, seated with hands crossed. 22cm£150-200
210. A MIDDLE-EASTERN GILT-METAL BELT, 19th CENTURY, each link centred by a panel painted with crests and views; together with a Middle-Eastern brass choker necklace. (2)£120-180
211. AN AFRICAN TERRACOTTA POT, spherical, decorated with bands of incised geometric decoration, the top with an aperture, possibly a burner. Diameter 23cm£50-70
212. AN AFRICAN GOURD WATER BOTTLE, with leather cover and carrying handle. 21.5cm£30-50
213. A LATE 19th/EARLY 20th CENTURY TINPLATE PENNY FARTHING TOY, with painted figure (losses). 27cm£120-180
214. AN UNUSUAL ART DECO SNAKE SKIN DESK SET, the stand fitted with twin pen holders and stamp box and with blotter. Length 28cm£80-120
215. AN ART NOUVEAU STAMPED LEATHER SLANT-FRONT STATIONERY BOX, the cover and front panel decorated with fairies amidst scrolling flowers and foliage, the interior with marbled board dividers. 24cm by 25.5cm£80-120
216. A STRIKING GENTLEMAN'S CANE, THE SHAFT ENTWINED WITH COILED SNAKES, THE HANDLE CARVED IN FRUITWOOD WITH A HOUND'S HEAD. 88cm£120-180
217. A NATIVE AMERICAN BEADWORK POUCH, PROBABLY IROQUOIS. 18cm exc. handle£50-70
218. A GEORGE V 9ct GOLD CIGARETTE CASE, with engine turned decoration, engraved with a monogram. 90 grams£700-900
219. A 19th CENTURY PAPIER-MACHE SNUFF BOX, of rectangular form, the cover with gilt decoration. 5.75cm£40-50
220. A TIBETAN CEREMONIAL BELT, EARLY 20th CENTURY, profusely decorated with beads and mother-of-pearl roundels, attached cords terminating in cowrie shells. Length 1.24m£40-60
221. A GROUP OF FIVE SOVIET GILT-METAL MEDALS, with ribbons, cast with profiles of Lenin, Stalin etc£40-60
222. A SMALL PAIR OF JAPANESE, MEIJI PERIOD, PATINATED BRONZE VASES, each decorated in relief with birds and foliage and picked out in silver and gilt. 13cm£40-60
223. A SET OF SEVEN JAPANESE, MEIJI PERIOD, CLOISONNE NAPKIN RINGS, decorated with dragons chasing pearls. £40-60
224. A GROUP OF VARIOUS JAPANESE ITEMS, c. 1900, comprising a framed woodcut, wooden panel with birds, lacquer tray and patinated metal seated figure with tiger. (4)£40-60
225. A PAIR OF GILT-METAL MOUNTED ALABASTER PAPERWEIGHTS, each cast with an exotic bird perched on a globe. 14cm£30-50
226. A CARVED IVORY FIGURE OF THE SEATED BUDDHA, on a lotus pedestal, two character mark to the underside. 11.5cm£150-250
227. A SMALL CARVED IVORY FIGURE OF THE SEATED BUDDHA, with carved leaf mark to the underside. 8.25cm£70-100
228. HMS AQUITANIA; A CASED SET OF FOUR ENAMELLED ASHTRAYS, in blue enamel and white metal, the case inscribed "HMS Aquitania".
Note: The Aquitania was a Cunard liner launched on the Clyde in 1913£80-120
229. DARLINGTON BANK, JONATHAN BACKHOUSE & CO., £5 NOTE, GR327, 1895, cut cancelled at signature, otherwise good condition. £40-60
230. A BRONZE FIGURE OF HITLER, standing, in uniform, on a circular plinth. Overall 29cm£100-150
231. AN EDWARDIAN SILVER-GILT MASONIC MEDAL, LONDON 1908, Lodge of Harmony no. 255, with enamel coat of arms. £40-60
232. A MARCHING DRUM, PROBABLY MILITARY, of painted wood and brass, with wooden sticks. Diameter 37cm£150-200
233. A HAIG'S DIMPLE WHISKY, IN ORIGINAL BOX, sports. £60-80
234. THE QUEEN'S SOUTH AFRICA MEDAL, four bars, South Africa 1902, Transvaal, Orange Free State, Cape Colony, to Pte. T. Lake, Durham Light Infantry 7414; together with a miniature stone bible inscribed "Boer War". (2)£350-450
235. A 9ct GOLD CIGAR CUTTER, the gold in a bark effect, stamped for London 1966. Gross 17.5 grams£200-300
236. A LATE 19th CENTURY BEECH RIDING BOOT PULL, with turned handles. 0.77m£150-200
237. THREE VINTAGE HATTER'S TOOLS, comprising a cut-out, an iron mould with turned wooden handle and a gilt-bronze mould. (3)£70-90
238. AN IVORY TUSK PAGE TURNER, 19th century. 31cm£80-120
239. AN ART DECO STEEL-BEADED EVENING PURSE, with beaded handle, fringe and silk-lined interior. £70-90
240. A LARGE PAIR OF CHINESE GILT- AND PATINATED BRONZE VASES, 19th CENTURY, of baluster form applied in high relief with snarling dragons and exotic birds. 44cm£500-700
241. A CAUCASIAN KINDJAL, the stained bone hilt applied with silver bosses and with fullered blade, the leather sheath with nielloed silver mounts. Overall 38.5cm£400-600
242. A CHINESE JADE CENSER, with lion mask and ring handles. Height 12cm£180-250
243. A RUSSIAN ENAMELLED BRONZE CRUCIFIX, of characteristic form, decorated with enamels in shades of blue. 27.5cm£200-300
244. A BLACK FOREST NOVELTY NUTCRACKER, carved as an aged man and carved "Garmisch". 20cm£70-90
245. WORTLEY AXE, PROF. J., "THE HORSE, ITS TREATMENT IN HEALTH AND DISEASE", NINE VOLUMES, pub. Gresham 1906, with numerous black and white and colour plates, green cloth binding decorated in an Art Nouveau design. £50-70
246. THE SHEPHERDS' GUIDE, BEING AN AMALGAMATED ASSOCIATION COMPRISING THE FOLLOWING SOCIETIES - THE EAST, SOUTH, AND NORTH FELLS ASSOCIATIONS....WITHIN THE COUNTIES OF YORKSHIRE, WESTMORELAND, CUMBERLAND, DURHAM AND NORTHUMBERLAND.....ALSO A PROPER DELINEATION OF THE WOOL, HORN AND EAR MARKS, OF ALL THE MEMBERS' SHEEP, pub. by W. Ward, Bookseller and Stationer, Market Place, Barnard Castle 1872, numerous black and white illustrations, cloth covers with leather spine, some foxing throughout, scuffed corners, spine damaged. £150-250
247. JOHN BRANDARD, "ANCIENT ARMOUR AND COSTUME", a 19th CENTURY ALBUM INCLUDING NUMEROUS WATERCOLOURS, and hand-written text, the frontspiece signed and dated 1836, in a later leather binding. £250-350
248. BIRKET FOSTER, "THE RHINE", A FOLIO OF FORTY ENGRAVINGS, 19th CENTURY, with forty black and white views of the Rhine. Each engraving 17.5cm by 25.5cm. Folio 43cm by 33cm£200-300
249. LUIGI ROSSINI, "VEDUTA DI FIANCO DEI PORTICI D'OTTAVIA", ENGRAVING, inscribed Roma 1819, framed. 47cm by 37cm£50-70
250. EDUARDO PAOLOZZI (1924-2005), A STUDY, SILKSCREEN, FRAMED. 85cm by 59cm
Provenance: Ex-collection Sheffield City Art Galleries, exhibited from 30th October 1978 to January 1990.£600-800
251. BERYL COOK, COCKTAILS FOR THREE, SILKSCREEN, signed in pencil, published by Flanagan Graphics, framed. 72.5cm by 41cm£350-450
252. REMBRANDT PORTRAIT, ETCHING, page no. 7 bottom left, inscribed RL1631 in the plate. 17cm by 15cm£30-50
253. ATTRIBUTED TO DAME ELIZABETH FRINK R.A. (1930-1993), AN ETCHED COPPER PLATE OF A FIGURE WITH A STAFF BY A SHEEP, 31.5 by 26cm£350-450
254. ITALIAN SCHOOL, THE DEPOSITION, TEMPERA/GOUACHE ON PANEL, in a maple frame. 37cm by 23cm
£800-1200
255. WALTER WALLOR CAFFYN (1845-1898), THATCHED COTTAGES AT HINDHEAD, signed lower right, oil on canvas, framed. 39cm by 59cm
£300-500
256. THOMAS RICHARD COLMAN DIBDIN (1810-1893), "AMIENS", signed lower left and dated 1877, watercolour, framed under glass. 54cm by 37cm
£350-450
257. HERMINE GARTNER (1850-1905), "YOUR VERY GOOD HEALTH", signed lower left, oil on canvas, in a gilt-composition frame. 24cm by 19cm£180-250
258. ALBERT MOULTON FOWERAKER R.B.A. (1873-1942), GIRL AND GEESE BY A THATCHED COTTAGE, signed lower right, watercolour, framed. 24.5cm by 35cm
Note: Foweraker was a member of the Royal Society of British Artists and exhibited 52 paintings there. He also exhibited at the Royal Academy and numerous London and provincial galleries. £700-900
259. WILLIAM LANGLEY (1852-1922), BRINGING HOME THE FLOCK AT SUNSET, signed lower right, oil on canvas, in a gilt-composition frame. 38cm by 59cm£400-600
260. JOSEPH JOHN JENKINS (1811-85), GATHERING WILD FLOWERS, signed lower left and dated 1858, watercolour, framed. 49cm by 33cm£600-800
261. GEOFFREY H. POOLEY (BRITISH, b.1908), THE OLD BARN, BIGGINS, KIRKBY LONSDALE, signed lower left, watercolour, framed. 26cm by 36cm£300-500
262. GEOFFREY H. POOLEY (BRITISH, b.1908), FIGURE AT A COTTAGE DOOR, BIGGINS, KIRKBY LONSDALE, signed lower left and dated 1976, watercolour. 17cm by 24cm£120-180
263. KAY GALLWEY (BRITISH, 20th CENTURY), PORTRAIT OF CECILIA GREEN, charcoal/pastel on paper. 53cm by 72cm
Note: Cecilia Green trained as a ballet dancer and went on to become Sir William Russell Flint's favourite model£70-90
264. TWO 18th CENTURY PORTRAIT MINIATURES, on ivory, oval, unframed, one of a young woman in a lace-trimmed bonnet, with monogram "RL"; the other of a young man in a brown coat. (2) 3.5cm and 4.5cm£80-120
265. TWO 19th CENTURY SILHOUETTES, the first a boy in a top hat in a later ebonised frame; the second a young man, in a later ivory frame. Overall 15cm by 12.5cm and 14cm by 11cm. (2)£70-90
266. MANNER OF RICHARD DIGHTON (1796-1880), THREE GENTLEMAN IN A ROW, watercolour on card, label verso, "by Dighton", in a later frame. 25.5cm by 20cm£100-150
267. A REGENCY PORTRAIT MINIATURE OF A NAVAL OFFICER, in profile, naively painted in watercolour on ivory, in an ebonised frame. 7cm by 5.5cm£60-90
268. A 19th CENTURY PORTRAIT MINIATURE OF A SEATED LADY HOLDING A BOOK, naively painted in watercolour, in an ebonised frame. 10.5cm by 8cm£80-120
269. AN EARLY 19th CENTURY PORTRAIT MINIATURE OF A YOUNG GIRL IN A YELLOW DRESS HOLDING A BASKET OF FLOWERS, naively painted in watercolour, in an oval wooden frame. 12.5cm by 9.5cm£100-150
270. A LATE 18th CENTURY PORTRAIT MINIATURE OF TWO YOUNG GIRLS, one in a blue, the other a red sash, watercolour on card. Diameter 7.25cm£100-150
271. A REGENCY PORTRAIT MINIATURE OF A SEATED GENTLEMAN IN A BLACK COAT, watercolour on card, in an ebonised frame. 9.75cm by 7.5cm£80-120
272. WILLIAM LOGSDAIL (1859-1944), MASTER OF THE HUNT, AN OIL SKETCH, on board, signed lower left, framed. 34.5cm by 24cm£400-600
273. FRANK HENRY MASON (1876-1965), "SUEZ", signed and titled lower right, watercolour heightened with white, framed. 26.5cm by 19cm£150-250
274. JAMES WEBB (1825-95), WINDMILL IN A SUFFOLK LANDSCAPE, signed lower right, oil on canvas, in a gilt composition frame. 24.5cm by 34cm£400-600
275. J. LANGLOIS, TERRIERS AT A RABBIT HOLE, signed lower left, oil on canvas, framed. 24cm by 34cm£300-500
276. RUSSIAN SCHOOL, 20th CENTURY, PORTRAIT OF A GIRL, oil, pastel, framed. 31cm by 23cm£50-70
277. ALBERT RIBBANS (20th CENTURY), STILL LIFE OF FLOWERS, signed and dated 1944, oil on canvas, framed. 60cm by 49cm£150-250
278. MARGARET FISHER PROUT, A.R.A., .RW.S., (1875-1963), "CATTLE BY A STREAM", signed lower right and dated 1945, oil on board, New English Art Club exhibition label verso, framed under glass. 49.5cm by 59cm£500-700
279. PAUL MAZE (1887-1979), BUTTERFLIES AND BUDDLEIA , signed lower left, pastel, framed. 74cm by 54cm£300-500
280. PETER HAYMAN (b. 1930), STUDY OF TWO PHEASANTS, signed lower right, watercolour, framed. 46cm by 60cm£300-500
281. WALTER ROBIN JENNINGS (b. 1927) "THE TEST, NEAR STOCKBRIDGE", signed lower left, oil on canvas, in a gilt-composition frame. 59cm by 69cm£150-250
282. NOEL HARRY LEAVER A.R.C.A. (1889-1951), CHURCH IN A NORFOLK LANDSCAPE, signed lower right, watercolour, framed. 18cm by 27cm£600-800
283. CHARLES ROWBOTHAM (1856-1921), VIEW TOWARDS LAGO, ITALY, signed lower right, watercolour, framed. 12.5cm by 19cm£600-800
284. JOSEPH KIRKPATRICK (1872-1930), TWO GIRLS IN A WOOD, signed lower right and dated 1898, watercolour, framed. 22cm by 15cm
Note: Kirkpatrick exhibited frequently between 1891 and 1928 at Birmingham, Liverpool, London etc including thirteen pictures at the Royal Academy£800-1200
285. CORNELIUS PEARSON (1809-91) & THOMAS FRANCIS WAINWRIGHT (fl. 1831-83), CATTLE RESTING BY A LAKE, signed and dated 1880 and annotated "cattle by T.F. Wainwright", watercolour, framed. 20cm by 41cm£1200-1800
286. JOHN HENRY DELL (1830-88), MOTHER AND CHILD BY A COTTAGE GARDEN, monogrammed lower right and dated (18)68, oil on canvas, in a gilt-composition frame. 34cm by 26cm£600-800
287. JAMES NOBLE (BRITISH, 1919-89), STILL LIFE OF ANEMONES, signed lower left and dated '51, oil on board, framed. 44cm by 34cm£400-600
288. HENRY MOORE R.A., R.W.S. (1831-95), SHIP IN FULL SAIL ON CHOPPY SEAS, signed lower right, oil on canvas, framed. 45cm by 80cm£1800-2500
289. JAMES MACBETH (SCOTTISH, 1847-91), THE FAIRGROUND AT NIGHT, signed lower left and dated 1878, oil on canvas, framed. 88cm by 62cm£3000-5000
290. WILLIAM GOLDSMITH (BRITISH, 20th CENTURY), HARVEST TIME, signed lower left and indistinctly dated, watercolour, framed. 29cm by 58cm£600-800
291. FOLLOWER OF CLIFFORD POSSUM TJAPALTJAM (AUSTRALIAN ABORIGINAL 1932-2002), ABSTRACT COMPOSITION, a "dreaming dot" painting, acrylic on canvas, inscribed "Clifford Possum" verso. 1.16m by 1.32m£100-150
292. PETER COULTHARD (20th CENTURY), "BLAVEN, SKYE", signed lower right, oil on canvas, in a gilt composition frame. 50cm by 75cm£200-300
293. GEORGE RUSSELL GOWANS (1843-1924), CATTLE BY A STREAM, signed lower left, watercolour, in an oak frame. 33cm by 37cm£150-250
294. MANNER OF MYLES BIRKET FOSTER (1825-99), MOTHER AND CHILDREN BY A STILE, signed with a monogram lower left, watercolour, attributed in the slip, in a period gilt-composition frame. 31cm by 39cm£150-250
295. C.H. HALL (BRITISH, LATE 19th/EARLY 20th CENTURY), PEBBLE BAY, ILFRACOMBE, signed lower right, watercolour, old paper label verso. 49cm by 33cm£80-120
296. FREDERICK JOHN WIDGERY (1861-1942), DARTMOOR, signed lower right, watercolour and gouache, framed. 17.5cm by 28cm£250-350
297. JOHN ATKINSON (1863-1924), WHITBY HARBOUR, signed lower right, watercolour, framed. 24.5cm by 34cm
£800-1200
298. GEORGE SOPER R.I. (1870-1942), "MONT CENIS", signed and inscribed with title, dated 6/11, watercolour and bodycolour, mounted and unframed, Chris Beetles gallery label verso. 26cm by 37.5cm
Provenance: The Estate of George and Eileen Soper (see gallery label)£250-350
299. EILEEN ALICE SOPER (1905-1990), "MUNTJA, MOTHER & FAWN", watercolour and pencil, with Chris Beetles gallery label verso, mounted and unframed. 54cm by 74cm
Provenance: Estate of George and Eileen Soper (see gallery label verso)£150-200
300. EILEEN ALICE SOPER (1905-1990), "SONGTHRUSH BY MOONLIGHT", watercolour and pencil, Chris Beetles gallery label verso, mounted and unframed. 54cm by 36cm
Provenance: Estate of George and Eileen Soper (see gallery label verso)£100-150
301. EILEEN ALICE SOPER (1905-1990), "BLACKBIRD", watercolour and pencil, Chris Beetles Gallery label verso, mounted and unframed. 36cm by 52cm
Provenance: Estate of George and Eileen Soper (see gallery label verso)£100-150
302. CIRCLE OF ABRAHAM HULK SENIOR (1813-97), BOATS BY THE SHORE, signed lower right, oil on canvas, signed lower right, in a gilt-composition frame. 29cm by 21cm£300-500
303. CIRCLE OF AERT VAN DER NEER, MOONLIT RIVER SCENE, OIL ON PANEL, paper label verso with attribution. 32cm by 41cm£400-600
304. ITALIAN SCHOOL, 20th CENTURY, HARBOUR SCENE, indistinctly signed lower right, oil on canvas, framed. 23cm by 29cm£350-450
305. A GIRAUD, LIMOGES PORCELAIN PLAQUE PAINTED BY LEIGHTON MAYBURY, of a huntsman by a river bank, after "The Grosvenor Hunt" by Stubbs, pencil script mark and printed mark to reverse, in a gilt-composition frame. 32cm by 23.5cm
Note: Maybury was a well-known Royal Worcester artist.£700-900
306. VICTOR H. VOYSEY (BRITISH, 20th CENTURY), PORTRAIT OF A YOUNG BOY, oil on canvas, inscribed and dated 1951 verso, framed under glass. 55cm by 41cm£120-180
307. ENGLISH SCHOOL, PORTRAIT OF A PORTLY GENTLEMAN, c. 1800, the stretcher inscribed verso "John Stacey of Sheffield died 13 Oct 18(06?) age 75" etc, oil on canvas, in a later gilt-composition frame. 25cm by 20cm£250-350
308. ANTOINE BLANCHARD (1910-88), L'ARC DE TRIOMPHE, signed lower right, oil on canvas, in a giltwood frame. 39cm by 49cm£1200-1800
309. M. PALMER (19th CENTURY SCHOOL), FIGURES AND GOATS IN A CONTINENTAL LANDSCAPE, signed and dated 1876, in a 19th century gilt composition frame. 56cm by 79cm£500-700
310. JUAN SOLER (1951-) STILL LIFE OF APPLES AND A COPPER PAN, signed, oil on canvas, framed. 58cm by 78cm£150-250
311. STELLA STEYN (IRISH, 1907-87), PORTRAIT OF A BOY IN A CAP, oil on canvas, Stella Steyn Studio Sale stamp verso, framed. 83cm by 48cm
Provenance: Thomson, Roddick & Medcalf Stella Steyn Studio Sale£400-600
312. STELLA STEYN (IRISH 1907-87), PORTRAIT OF A LADY IN A HAT, oil on canvas, Stella Steyn Studio Sale stamp verso, framed. 90cm by 59cm
Provenance: Thomson, Roddick & Medcalf Stella Steyn Studio sale£400-600
313. POLLYANNA PICKERING (BRITISH, CONTEMPORARY), TWO SPANIELS, signed and dated 1979, gouache, framed. 53cm by 90cm£400-600
314. A CORINTHIAN CAPITAL, WASH AND PENCIL, signed Galley and dated 1913. 55cm by 47cm£40-60
315. AFTER FRAGONARD, STUDY OF A WOMAN'S HEAD, chalks, unsigned, framed. 44cm by 35cm£50-70
316. BRUCE BARNFATHER (20th CENTURY), FARMSTEAD, signed lower right and dated (19)66, oil on board. 30cm by 107cm£400-600
317. WALTER STUART LLOYD (fl.1875-1929), CHEPSTOW CASTLE, signed and dated 1910 lower right, watercolour framed. 29cm by 64cm£300-400
318. TADEUSZ WAS (1912-2005), THREE FIGURES, signed, mixed media, framed. 45cm by 45cm£450-550
319. THREE PENCIL AND WASH STUDIES OF ARCHITECTURAL FRAGMENTS, 19th CENTURY, inscribed and dated 1844, unframed. Each 31cm by 47cm£120-180
320. A. CORSI LALLI (ITALIAN 1849-1937), THE VIRGIN AND CHILD, signed and dated 1893, watercolour on ivory, framed. 11cm by 8.25cm£400-600
321. AN INDIAN PAINTED MINIATURE ON IVORY OF THE TAJ MAHAL, oval, in a carved wooden frame. 4cm by 5cm£30-40
322. DOMINIC FELS (20th CENTURY), SURREALIST STUDY OF TWO NUDES, ink and chalk on board, signed pencil lower right. 28cm by 40cm£100-150
323. STUDY OF A PONY, watercolour on paper. 17cm by 19.5cm£30-40
324. EDWIN GALEA (MALTESE 20th CENTURY), MARSAXLOKK, MALTA, signed lower left and dated 1982 and titled in the margin, watercolour, framed. 18cm by 28cm£70-100
325. COLIN SEALY (BRITISH, 1891-1964), STILL LIFE OF FLOWERS IN A VASE, signed lower right, watercolour on board. 37.5cm by 49.5cm£100-150
326. ATTRIBUTED TO WILLIAM EDDOWES TURNER (c. 1820-85), CATTLE AT REST, oil on canvas, framed. 25cm by 35cm£200-300
327. ATTRIBUTED TO GEORGE BERNARD O'NEILL (1828-1917), BAD NEWS, signed lower left, attributed in the slip and dated 1869, in a gilt-composition frame. 19cm by 14cm£700-900
328. BEATRICE WILLINK (Exh. 1901-1920), TARN HOWS, CUMBRIA, inscribed to old paper label verso, unsigned, oil on canvas, framed. 15cm by 25cm£100-150
329. EARLY 20th CENTURY SCHOOL, SUNSET ON THE NILE, monogrammed lower left, watercolour, framed. 23cm by 15cm£40-60
330. E.J. LANCE (LATE 19th/EARLY 20th CENTURY), STILL LIFE OF FRUIT, BLOSSOM AND A BIRD'S NEST, signed lower left, gouache, framed. 33cm by 23cm£80-120
331. ITALIAN SCHOOL, 18th CENTURY, ALLEGORICAL SCENE, oil on canvas laid on board, framed. 36cm by 26cm£250-350
332. JOE HYNES (IRISH, 20th CENTURY), A SPRAY OF WILD ROSES AND WHITETHORN, signed lower right, watercolour. 36cm by 26cm£80-120
333. NORMAN SEPTIMUS BOYCE (1895-1962), "FULL SAIL", signed, watercolour, Dean Gallery exhibition label verso. 33cm by 48cm£150-250
334. SAM McLARNON (IRISH, 20th CENTURY), ON THE ANTRIM COAST, A PAIR OF WATERCOLOURS, one signed, framed. Each 28cm by 46cm£300-400
335. BERNARD WALTER EVANS R.I., R.B.A. (1848-1922), "HARLOW HILL, SKETCH FROM NATURE", inscribed with the title lower left, signed, watercolour, framed. 38cm by 53cm£180-220
336. M.W. PRATT (20th CENTURY), A HILLSIDE FARMSTEAD, signed lower right, oil on board, framed. 40cm by 50cm£70-90
337. ALAN B. CHARLTON (20th CENTURY), A COTTAGE GARDEN, signed lower right, oil on canvas, framed. 41cm by 56cm£70-90
338. JOHN FALCONER SLATER (1857-1937), RIVER IN SPATE, signed lower left, oil on canvas, framed. 76cm by 51cm£350-450
339. EDWARD S. ANNISON (BRITISH, 20th CENTURY), VALLEY THROUGH THE TREES, signed lower right, oil on board, framed. 49cm by 37cm£100-150
340. C. BERLYN (19th CENTURY), WINDMILL IN A LANDSCAPE, signed lower right and dated 1877, oil on canvas, framed under glass. 29.5cm by 49.5cm£150-250
341. J.C. SAUNDERS, THE HAYWAIN, signed lower left, watercolour, framed. 24cm by 35cm£150-250
342. PATRICK RYAN, "LINDISFARNE", signed lower right, watercolour, titled and attributed in the mount, framed. 21cm by 32cm£150-200
343. EDMUND MORISON WIMPERIS (1835-1900), FIGURE ON A PATH BY A RIVER, signed with a monogram lower right, watercolour, framed. 23.5cm by 35cm£100-150
344. JOHN HENRY BOEL (BRITISH, fl. EARLY 20th CENTURY), FIGURES AT SUNSET BY A RIVER BANK, signed lower left, oil on canvas, framed. 50cm by 75cm£500-600
345. ROBERT LYON (SCOTTISH, 1894-1978), STILL LIFE OF ROSES IN A GLASS VASE, signed lower left and indistinctly dated (1955?), oil on board, framed. 41cm by 31cm£300-500
346. CONTINENTAL SCHOOL, 19th/20th CENTURY, FLORAL STILL LIFE, oval, detail of signature (indistinct) verso, in an elaborate gilt-composition frame. 43cm by 58cm£150-250
347. H.M. KRAUSE (LATE 19th/EARLY 20th CENTURY), "LOCH SHIEL" AND "LOCH ASSYNT", A PAIR OF WATERCOLOURS, each signed, one inscribed with title, framed. Each 23cm by 36cm£250-350
348. 20th CENTURY SCHOOL, THE LOGGERS, signed "Verity" and dated 1972, oil on canvas, in a gilt-composition frame. 60cm by 90cm£250-350
349. BENJAMIN WILLIAMS LEADER R.A. (1831-1923), ON A SURREY HEATH, signed lower left and dated 1874, oil on canvas, in a gilt composition frame. 38.5cm by 59cm£1800-2500
350. KATHY PICKLES (BRITISH, 20th CENTURY), HELLEBORE, A WATERCOLOUR, signed in pencil and dated '95, framed. 29.5cm by 23cm
Note: Pickles is a London born but Orkney based botanical painter who has exhibited at the Royal Horticultural Society and elsewhere.£150-250
351. A WHITE MARBLE BUST OF A CHILD, c. 1825, the head carved with wavy hair and turned to the right, on an integral socle. 33cm
Note: the features are, by repute, a caricature of George IV£150-250
352. AN ITALIAN PATINATED BRONZE OF VENUS, c. 1900, partially draped, foundry stamp Chiurazzi, Naples. 26cm£60-80
353. A 19th CENTURY ALABASTER CARVING OF ST. CECILIA, after Stefano Maderno (1566-1636), turbanned, head averted, on an integral grey marble plinth (losses). 19cm£80-120
354. AFTER DUCHOISELLE (FRENCH, 19th/20th CENTURY), INDIAN SQUAW AND INDIAN BRAVE, A PAIR OF BRONZES, one signed, each on an oval plinth. Length 37cm£400-600
355. AN ITALIAN BRONZE FIGURE OF A CLASSICAL ARCHER, 19th CENTURY. 27.5cm£60-90
356. AFTER ANTONIO CANOVA, A CARVED ALABASTER GROUP OF EROS AND PSYCHE, on an integral grey marble plinth. Length 45cm£150-250
357. EDOUARD DROUOT (1859-1945) "IN SEARCH OF BUFFALO", A PARCEL-GILT PATINATED BRONZE, signed "E. Drouot". Height 52.5cm by 61cm
Note: for illustrations of two similar subjects by Drouot see Christopher Payne "Animals in Bronze", H241 &H242 p. 363. £3500-4500
358. ISIDORE-JULES BONHEUR (1827-1901), RACEHORSE AND JOCKEY, A LARGE PATINATED BRONZE, signed "I Bonheur", raised on a green marble plinth. Bronze 68cm by 75cm
Note: Originally cast in c. 1860, the subject lot is probably a mid-20th century cast. The subject is a famous racehorse, Kinscem, winner of fifty-four races including the Derby and the St. Leger.
For an illustration see Christopher Payne, "Animals in Bronze", H200, p.349.£2500-3500
359. A SOUTH-EAST ASIAN STONE HEAD, possibly Cambodian, carved with an elaborate headdress, with traces of painted decoration, on a wooden stand. Carving 32cm£600-800
360. A 19th CENTURY WHITE MARBLE GROUP, POSSIBLY THE RAPE OF LUCRETIA, carved as a woman held aloft by a man, a bearded man cowering below, (losses). 54cm£500-700
361. JEAN BARNABE AMY TAMBOUR D'ARCOLE (1839-1907), "COMEDIE HUMAINE", A PARCEL-GILT PATINATED BRONZE GROUP, titled and signed "Amy 1877" on a green patinated integral waisted socle. 50cm£500-700
362. A DURHAM QUILT, c. 1900, in an Arts & Crafts fabric, shades of brown, green and blue on a cream ground, with gold reverse. 2.27m by 2.08£150-250
363. A LATE 19th CENTURY PATCHWORK QUILT, the centre decorated with applique and with plain reverse. 2.2m by 2.3m£180-250
364. AN UNUSUAL DOUBLE-SIDED QUILT, LATE 19th CENTURY, centred by a section of Paisley shawl within a border of patchwork panels, striped reverse. 2.12m by 2.50m£250-300
365. A GIRL'S PATCHWORK QUILT, of small size, within a pink border and plain pink reverse. 1.53m by 2.13m£180-250
366. A DOUBLE-SIDED FLORAL RED AND WHITE QUILT, striped to both sides. 2.12m by 2.35m£250-350
367. A DOUBLE-SIDED PURPLE, RED AND PINK PATCHWORK QUILT, centred by a diamond within a square and with striped reverse. 2.00m by 2.16m£250-350
368. A BURMESE EMBROIDERED AND APPLIQUE TEXTILE PANEL, 19th CENTURY, decorated with two scenes, one with figures by an elephant, the other a horse-drawn carriage, elaborately embroidered with metal threads, sequins and applied with "jewels". 76cm by 168cm£150-250
369. A STUMPWORK PICTURE, LATE 18th/EARLY 19th CENTURY, PROBABLY GERMAN, depicting figures and cattle by a medieval building, a boat in the distance, in a gilt composition frame. 26cm by 37cm£350-450
370. A 19th CENTURY WOOLLEN PAISLEY SHAWL, centred by a green, red and white four-section square. 3.40m by 1.61m£200-300
371. A WESTERN ANATOLIAN RUG. 1.97m by 1.07m£70-90
372. A HAMADAN RUG. 2.90m by 1.45m£150-200
373. A SMALL TEHRAN CARPET. 3.10m by 2.00m£150-200
374. A MID 19th CENTURY FRAGMENT OF A TURKEMAN ERSARI CARPET. 2.60m by 1.70m£50-70
375. A TURKISH DOSMEALTI RUG. 1.60m by 1.23m£70-90
376. A TURKISH RUG, PROBABLY SIVAS. 1.94m by 1.29m£40-60
377. AN AFGHAN RUG. 1.95m by 1.12m£60-80
378. A 1920's SHIRAZ RUG. 2.50m by 1.60m£100-150
379. A SMALL HERIZ CARPET. 3.40m by 2.18m£200-300
380. AN AFGHAN BELOUCH RUG. 1.50m by 1.00m£50-70
380A. A TURKEMAN RUG. 1.97m by 1.31m£120-180
380B. A TURKISH LESGHI STYLE RUG. 2.31m by 1.35m£150-200
380C. AN AFGHAN SULAYMAN RUG. 2.35m by 1.30m£120-180
381. A TURKEMAN STYLE RUNNER. 3.60m by 0.94m£60-80
382. AN ANTIQUE BELOUCH RUG. 1.60m by 0.84m£70-100
383. AN ANTIQUE BELOUCH RUG. 1.42m by 0.89m£40-60
384. A TURKISH RUNNER. 3.55m by 0.93m£50-70
385. AN EARLY 20th CENTURY TURKEMAN RUG. 1.41m by 1.33m£40-60
386. AM ANTIQUE SOUTH WEST PERSIAN RUG, PROBABLY KHAMSEH. 1.58m by 1.24m£50-70
387. A WESTERN ANATOLIAN RUG. 2.47m by 1.20m£80-120
388. A BELOUCH RUG, early 20th century. 1.83m by 1.02m£80-120
389. A WESTERN ANATOLIAN RUG. 1.72m by 1.10m£80-120
390. MUST DE CARTIER, A LADY'S SILVER-GILT TANK WRIST WATCH, the cream and gilt dial with blued hands, the case stamped 3 66001 56238, on a black leather strap. £120-180
391. VERTEX, A LADY'S DIAMOND-SET 18ct WHITE GOLD COCKTAIL WATCH, the circular silver dial signed "Vertex Revue", the bezel and shoulders set with diamonds, the movement backplate inscribed "Vertex Revue 17 Jewels", the case marked for 18ct white gold and stamped "214/1123", on a snakelink 9ct white gold bracelet strap.
£400-500
392. AN 18th CENTURY INLAID MAHOGANY STICK BAROMETER, G. Martinoia, York, with broken pediment top above a silvered dial, the string-inlaid trunk terminating in a cistern cover inlaid with a foliate patera. 99cm£500-700
393. A FRENCH GILT-BRONZE MANTEL CLOCK, 19th CENTURY, the drum-shaped case flanked by a girl holding wheatsheaves, the white enamel dial with Roman numerals, twin barrel movement with outside count wheel striking on a bell, stamped "Linetaine Paris", on a giltwood stand (originally with glass dome, now lacking). Width 35cm£150-250
394. A FRENCH SILVER-PLATED LANCET-CASED MANTEL CLOCK, c. 1920, the white dial with Roman numerals, eight day drum movement with jewelled escapement, stamped "France". 18cm£40-60
395. HENRY BUNSTON, LYME REGIS (1691-1732), A 30 HOUR BIRD-CAGE CLOCK MOVEMENT, anchor escapement, the 10" square brass dial signed to the silvered chapter ring Hen Bunsston Lyme Regis.
Please note amendment - originally catalogued as verge escapement.£300-400
396. NICHOLSON, WHITEHAVEN, A CUMBRIAN 30 HOUR OAK LONGCASE CLOCK, second quarter of the 18th century, the 11.5" square brass dial signed Nicholson Whitehaven, with anchor escapement, the hood with projecting cornice, the trunk with long moulded door and shaped plinth base. 2.10m
Please note amendment - originally catalogued as verge escapement.£800-1200
397. PETER BOWER, REDLENCH, A SOMERSET 30 HOUR GRAIN PAINTED PINE LONGCASE CLOCK, c.1740, the 11" square brass dial signed Peter Bower/REDLINCH, with anchor escapement, the hood with tapering pilasters above a trunk with glazed aperture to the long door. 2.14m
Please note amendment - originally catalogued as verge escapement.£600-800
398. RICHARD MARSHALL, WOLSINGHAM, A DURHAM 30 HOUR OAK LONGCASE CLOCK, the 11" square brass dial signed Rich Marshall and dated 1754, anchor escapement and date aperture, the case with long moulded door. 2.02m
Please note amendment - originally catalogued as verge escapement.£800-1200
399. JOHN BENNETT, CHEADLE, AN 18th CENTURY 30 HOUR OAK LONGCASE CLOCK, 10" square brass single pointer dial signed Jno Bennett Cheadle, the case carved with stylised plantform. 1.98m£600-800
400. A 19th CENTURY MARBLE-TOPPED AND MAHOGANY POT CUPBOARD, the square top case with fiddleback panels and fitted with a drawer above a cupboard door, raised on flattened bun feet. 0.84m by 0.43m by 0.43m£180-250
401. A BLACKAMOOR CARVED STOOL. £120-180
402. A FINE EDWARDIAN SATINWOOD CROSS-BANDED MAHOGANY WORK TABLE, the rectangular moulded top above a frieze drawer over a basket with shaped apron, raised on string-inlaid square-section tapering legs, moving on brass castors. 0.74m by 0.60m by 0.41m£500-600
403. A REGENCY STYLE DEEP BUTTONED AND BRASS STUDDED BROWN LEATHER HALL PORTER'S CHAIR, with domed canopy and moving on castors. 1.60m£1400-1800
404. A GLOBE WERNICKE TYPE OAK BOOKCASE, early 20th century, the three sections with lead-glazed sliding doors. 1.15m by 0.86m by 0.27m£350-450
405. A GUNN GLOBE WERNICKE TYPE OAK BOOKCASE, the four tiers with glazed sliding doors. 1.64m by 1.28m by 0.36m£400-500
406. AN EDWARDIAN COPPER AND WROUGHT IRON COAL BUCKET.£120-180
407. AN ARTS & CRAFTS BRASS AND WROUGHT IRON COAL BIN.£120-180
408. A PAIR OF 19th CENTURY CARVED MAHOGANY WALL BRACKETS, each with a bird above fruiting vine.£250-300
409. A PAIR OF 19th CENTURY STYLE GILT-COMPOSITION GIRANDOLES.£120-180
410. A PAIR OF OAK WINDSOR CHAIRS, each with pierced splat and splayed legs joined by a bentwood stretcher.£150-200
411. AN OAK AND ELM WINDSOR CHAIR, with shaped and pierced splat.£200-300
412. A SHERATON STYLE SATINWOOD CROSS-BANDED MAHOGANY FOLDOVER TEA TABLE, c.1800, the square top with canted corners, above a string-inlaid frieze, raised on square-section tapering legs painted with pendant bellflowers. 0.72m by 0.91m (open)£350-450
413. A CHINESE RED LACQUER ELBOW CHAIR, profusely carved and pierced with birds and foliage.£250-350
414. A 19th CENTURY FRENCH GILTWOOD SALON CHAIR, the cartouche shaped back, with pierced c-scroll crest, flanked by turned pilasters issuing arms with elbow pads, above a stuffed over seat, raised on short tapering legs.£120-180
415. A PAIR OF REGENCE STYLE GILTWOOD SALON CHAIRS, 19th CENTURY, each with upholstered square backs above a stuffed over seat flanked by outswept arms, raised on short tapering legs.£300-400
416. AN ELEGANT GEORGE III SATINWOOD CROSS-BANDED MAHOGANY PEMBROKE TABLE, the moulded oval top a bow-fronted frieze drawer, opposing a dummy drawer, raised on string-inlaid square-section legs moving on brass castors. 0.71m by 1.06m (open) by 0.79m£200-300
417. A GEORGE III MAHOGANY HANGING CORNER CABINET, the moulded cornice above an astragal glazed door. Height 1.02m, depth 0.36m£250-350
418. A 19th CENTURY MAHOGANY SUPPER TABLE, in 18th century style, the dish-moulded scalloped top carved with scrolls and acanthus, on a birdcage mechanism and raised on a leaf-carved baluster standard supported on cabriole legs. Height 72cm, diameter 78cm£300-400
419. AN EDWARDIAN MAHOGANY GLAZED THREE-FOLD FIRESCREEN, the central panel with stepped arched crest flanked by hinged panels moving on castors. Height 1.01m£120-180
420. AN EDWARDIAN INLAID MAHOGANY REVOLVING BOOKCASE, c.1910, the square moulded top, with satinwood inlay, above two tiers divided into four sections, moving on castors. 0.78m by 0.47m by 0.47m£250-350
421. A 19th CENTURY WALNUT THREE TIER WALL SHELF, the serpentine fronted shelves, benefiting from a good patina, supported on bobbin-turned columns. 0.56m by 0.60m by 0.20m£100-150
422. A VICTORIAN INLAID WALNUT TRUMPET-FORM WORK TABLE, the moulded circular top, enclosing a fitted interior, above a faceted tapering well, raised on three leaf-capped downswept legs terminating in leaf-carved scrolls. 0.75m by 0.46m£120-180
423. AN EDWARDIAN SATINWOD CROSS-BANDED MAHOGANY LADY'S WRITING DESK, mirror-backed superstructure with a pair of cupboards above a leather-inset writing surface over a pair of frieze drawers, raised on string-inlaid tapering square-section legs terminating in brass caps and moving on castors. 1.04m by 0.84m by 0.45m£200-300
424. AN EARLY 19th CENTURY MAHOGANY WASHSTAND, the rectangular galleried top, with cut-out for a bowl, above a frieze drawer fitted with turned pulls, raised on turned legs. 0.90m by 0.91m by 0.51m£120-180
425. A VICTORIAN BRASS-BOUND ROSEWOOD WRITING BOX, the cover inset with a plaque engraved with a monogram and dated 1874. 15.5cm by 35cm by 24cm£80-120
426. A VICTORIAN MOTHER-OF-PEARL INLAID ROSEWOOD SEWING BOX. 12cm by 18cm by 19cm£50-70
427. A 19th CENTURY STRING-INLAID MAHOGANY SARCOPHAGUS TEA CADDY, with lion mask handles and twin compartments with ivory knops. 16cm by 24cm by 13cm£40-60
428. A LARGE AND IMPOSING PAIR OF CONTINENTAL GILTWOOD WALL BRACKETS, in the rococo taste, each carved as an exotic bird pecking at fruit against a background of rocaille c-scrolls, supporting a cartouche-shaped shelf carved to the underside with shells and scrolls. Height 55cm, depth 33cm£1000-1500
429. AN 18th CENTURY OAK MULE CHEST, the moulded rectangular lid above three ogee arch panels over a pair of drawers, fitted with brass escutcheons and backplate handles, with panelled sides and back, retaining it's candle box, raised on bracket feet. 0.89m by 1.37m by 0.56m£300-500
430. A MATCHED SET OF SIX VICTORIAN MAHOGANY BALLOON BACK DINING CHAIRS, with drop-in seats above a shaped rail, raised on turned legs.£100-150
431. A SMALL 18th CENTURY OAK HANGING CORNER CUPBOARD, the arch panelled door enclosing an interior retaining the original painted finish. Height 0.87m, depth 0.43m£100-150
432. A VICTORIAN MAHOGANY FRAMED GENTLEMAN'S ARMCHAIR, raised on short cabriole legs, moving on castors; together with an extremely similar lady's chair. (2)£250-350
433. A 17th CENTURY OAK COFFER, the three panel lid above a case with four panel front between channelled stiles. 0.59m by 1.36m by 0.58m£200-300
434. A WILLIAM IV FIDDLEBACK MAHOGANY AND ROSEWOOD CROSS-BANDED PEDESTAL BREAKFAST TABLE, the circular tilt-top raised on a tapering square-section pedestal with canted corners, above a quadform base moving on brass castors. 0.74m by 1.36m£600-800
435. AN CONTINENTAL 18th CENTURY CARVED WOODEN BRACKET, of shell and scroll form with leaf-carved shelf, originally gilded. 26cm£70-90
436. A GEORGE III MAHOGANY SLANT-FRONT BUREAU, with well fitted interior, long drawer over two short above two long graduated drawers, raised on bracket feet. 1.09m by 0.98m by 0.53m£250-350
437. A 19th CENTURY YEW AND ELM LOW-BACK WINDSOR ARMCHAIR, with central pierced vasiform splat, raised on turned legs joined by a "crinoline" stretcher. £300-400
438. A MID 18th CENTURY PROVINCIAL WALNUT OPEN ARMCHAIR, with vasiform splat above a drop-in seat between out-swept arms terminating in a scroll, raised on leaf-capped cabriole legs terminating in ball and claw feet and joined by turned and block stretchers.£100-150
439. A SET OF SIX ELM SEAT DINING CHAIRS, c.1900.£80-120
440. AN EDWARDIAN SATINWOOD CROSS-BANDED MAHOGANY DESK, the galleried leather-inset top with twin drawer superstructure, above a central bowed drawer flanked by banks of three graduated drawers, raised on tapering square section legs terminating in casters. 1.01m by 1.37m by 0.62m£300-500
441. AN EARLY 19th CENTURY ELM AND OAK PROVINCIAL OPEN ARMCHAIR, with drop-in seat, (cut down).£80-120
442. AN 18th CENTURY OAK COUNTRY DINING CHAIR IN THE CHIPPENDALE MANNER, with pierced backsplat; together with an early 19th century oak dining chair, with drop-in seat. (2)£70-90
443. AN EARLY 18th CENTURY OAK DINING CHAIR, with vasiform splat, plank seat and block and baluster legs. £60-90
444. A BIEDERMEIER STYLE INLAID MAPLE "DRUM" TABLE, second quarter of the 19th century, the circular brass-mounted top raised on three baluster columns issuing from a platform base with downswept legs terminating in brass paws. 0.71m by 0.66m£400-600
445. A GEORGE III MAHOGANY GENTLEMAN'S DRESSING CHEST, the hinged rectangular top opening to reveal compartments, a pull up swivelling mirror and a cupboard door with ivory escutcheon, above a slide and an arrangement of drawers fitted with brass loop pulls with lion mask backplates, raised on short square-section legs terminating in brass caps and moving on castors. 0.95m by 0.71m by 0.51m£1000-1500
446. A VICTORIAN GOLDEN OAK MIRROR BACK SIDEBOARD, c.1880, the superstructure with shaped bevelled plate, below a dentilled canopy with shell motif above, flanked by lion masks, shelves and scrolls, the base with an egg and dart frieze above two drawers, with with bowed fronts, over a pair of cupboard doors with heavily carved mask and foliate panels, flanking a short drawer above a panelled door, raised on leaf-carved feet resting on stepped plinths. 2.20m by 1.98m by 0.66m£350-450
447. A 19th CENTURY GILTWOOD EASEL MIRROR IN THE ROCOCO TASTE, the shaped rectangular plate within a frame carved with foliage and c-scrolls and with pierced shell surmount. 60cm by 45cm£250-350
448. AN INLAID MAHOGANY OVAL GALLERIED TWIN-HANDLED TRAY, centred by an oval patera with a musical trophy. Length 68cm£80-120
449. A LATE VICTORIAN PAINTED AND SCUMBLED DOLL'S CRADLE, with scroll-carved canopy, rockers and painted linear decoration. Length 42cm£80-120
450. A 1920's/30's "BARBOLA" TOILET MIRROR, circular. Height 37cm£40-60
451. A VICTORIAN ROSEWOOD PIANO STOOL, third quarter of the 19th century, the circular seat raised on a leaf carved baluster standard supported on foliate-carved tripod legs terminating in scroll feet. 49cm£150-200
452. A GEORGE III CROSS-BANDED MAHOGANY TEA TABLE, the square top above a plain frieze, raised on string-inlaid square-section tapering legs. 0.76m by 0.91m (open)£100-150
453. AN AMBOYNA HUMIDOR. 14cm by 25cm by 20cm£250-350
454. AN 18th CENTURY SATINWOOD TEA CADDY, of plain rectangular form, crossbanded and chevron string-inlaid, raised on elaborately cast gilt-brass paw feet, the interior with twin lidded removable compartments and a mixing well. 18cm by 33cm by 17cm£300-400
455. AN ANGLO-INDIAN CARVED EBONY CASKET, 19th CENTURY, of plain rectangular form, densely carved with flowerheads and foliage. 15cm by 31cm by 15cm£550-650
456. A PAIR OF CHINESE CHIPPENDALE STYLE MAHOGANY ELBOW CHAIRS, with characteristic paling and leaf-carved yoked rail, the stuffed-over seats raised on square-section legs joined by fret-carved stretchers, 18th/19th century.£500-700
457. A WELL PROPORTIONED MAHOGANY PEDESTAL DESK, MID 19th CENTURY, the moulded rectangular top, with gallery, above central frieze drawer flanked by twin banks of four graduated drawers, each with well figured fronts, on a plinth base. 0.78m by 1.10m by 0.61m £700-900
458. AN 18th CENTURY WALNUT SLANT-FRONT BUREAU, with fitted interior and four long graduated drawers, raised on bracket feet. 1.08m by 0.91m by 0.52m£800-1200
459. AN 18th CENTURY MAHOGANY TILT-TOP TRIPOD TABLE, the circular well figured top raised on a baluster standard continuing to hipped downswept legs terminating in pointed pad feet. 0.74m by 0.62m£500-700
460. A 19th CENTURY WELSH PRIMITIVE COMB-BACK ELBOW CHAIR, raised on splayed legs and retaining some paint.£200-300
461. AN ADAM REVIVAL MAHOGANY CABINET ON STAND, the Greek Key carved cornice above a swagged frieze over a pair of glazed doors, the stand with serpentine fronted frieze drawer, raised on fluted square-section legs terminating in spade feet. 1.98m by 1.07m by 0.41m£500-700
462. A GOOD VICTORIAN BURR WALNUT LOO TABLE, c.1870, the quarter veneered and inlaid moulded oval top raised on quad columns continuing to a platform issuing four downswept chequer inlaid legs, moving on pottery castors. 0.72m by 1.22m by 0.81m£800-1200
463. A GEORGIAN MAHOGANY DRESSING TABLE MIRROR, the cushion-moulded frame with gilt slip, the platform base fitted with three drawers. 0.62m by 0.41m by 0.20m£300-400
464. AN ANGLO INDIAN ROSEWOOD WORK TABLE, second quarter of the 19th century, the leather-inset moulded rectangular top above a frieze drawer over a silk-lined basket, between trestles joined by a turned stretcher. 0.76m by 0.92m by 0.49m£600-800
465. AN EMPIRE REVIVAL MAHOGANY CYLINDER BUREAU, the gilt-metal galleried superstructure with marble top above a pair of short drawers over a cylinder above a further pair of short drawers, raised on tapering fluted legs terminating in gilt-metal caps. 1.03m by 0.82m by 0.43m£600-800
466. A HANDSOME MATCHED SET OF EIGHT CHIPPENDALE STYLE MAHOGANY DINING CHAIRS, 19th CENTURY, comprising two carvers and a set of six side chairs, all with pierced splats above a stuffed over leather seat, raised on square-section legs, joined by stretchers.£400-600
467. A PAIR OF INLAID AND CROSSBANDED MAHOGANY TOILET MIRRORS, IN 18th CENTURY STYLE, c. 1900, each rectangular plate swivelling between fluted uprights, on trestle supports. Overall 57cm by 55cm£120-180
468. AN OAK SMALL CHEST OF DRAWERS, 18th century and later, the three graduated drawers fitted with brass escutcheons and backplate handles, raised on short square-section legs. 0.76m by 0.66m by 0.48m£200-300
469. A GOOD EDWARDIAN BRASS AND STEEL CLUB FENDER, the upholstered seat raised on plain columnar steel bars knopped with brass spheres. 1.50m£600-800
470. A 19th CENTURY ROSEWOOD LOO TABLE, the moulded oval top above a bulbous standard continuing to leaf-capped downswept legs terminating in scrolls and moving on castors. 0.77m by 1.48m by 1.12m£500-700
471. A GEORGE III MAHOGANY FOLDOVER SMALL TEA TABLE, the square moulded top above a plain frieze fitted with a short drawer, raised on channelled square-section legs. 0.73m by 0.77 (open)£200-300
472. A DANISH TEAK SIDEBOARD, ATTRIBUTED TO BERNHARD PEDERSEN & SON, c.1970, the twin tambour doors enclosing slides and pigeon holes. 0.80m by 2.10m by 0.51m£300-500
473. AN INTERESTING YORKSHIRE OAK FRUIT BOWL BY A.S. HARRISON OF YORK, the double waisted circular body carved to the well with a Yorkshire rose, paper label to base FASHIONED OUT OF OLD OAK FROM YORK'S HISTORIC BUILDINGS BY A.S. HARRISON, 39 THE SHAMBLES, YORK. 7.5cm by 27cm£80-120
474. A PAIR OF ROBERT "MOUSEMAN" THOMPSON OAK NAPKIN RINGS.£70-90
475. A RARE ROBERT "MOUSEMAN" THOMPSON OAK PIPE BOWL, c.1960, the circular well figured bowl with "island", with carved mouse signature to the exterior. 17cm£180-250
476. A RARE PAIR OF ROBERT "MOUSEMAN" THOMPSON TRIPLE MOUSE BOOKENDS, each with arcaded hood above two mice with a porthole mouse peering below, adzed to all visible areas. Height 17.5cm£800-1000
477. A ROBERT "MOUSEMAN" THOMPSON OAK BREADBOARD (OR TEAPOT STAND), c.1960, the rectangular board with canted corners and carved mouse signature. 31cm by 25cm£120-180
478. A ROBERT "MOUSEMAN" THOMPSON OAK DINING SUITE, comprising a 1950's 5' refectory style table with a four-plank visibly dowelled and adzed top, raised on faceted balusters continuing to trestles joined by a chamfered and adzed stretcher, with carved mouse signature; together with A SET OF SIX 1970's LATTICE BACK DINING CHAIRS, with Strathspey tan leather seats, raised on faceted baluster legs, terminating in blocks, joined by stretchers, each with carved mouse signature, the whole suite with a good golden colour. Table 0.74m by 1.53m by 0.87m£6000-7000
479. A WILF "SQUIRRELMAN" HUTCHINSON OF HUSTHWAITE OAK DRESSER, the panelled superstructure with castellated frieze above a pair of lead-glazed cupboard doors flanking twin shelves over an adjustable plate shelf, the base with a pair of four-panelled doors, fitted with Arts & Crafts style ironwork, flanking a bank of three graduated drawers, fitted with turned pulls, raised on short faceted block feet, with recessed carved squirrel signature to rear leg. 1.79m by 1.53m by 0.47m£1400-1800
480. A ROBERT "MOUSEMAN" THOMPSON OAK 6' DINING TABLE, mid 20th century, of refectory type, the two plank top raised on faceted balusters continuing to trestles joined by a chamfered stretcher, adzed to all visible areas, with carved mouse signature. 0.73m by 1.83m by 0.86m£1000-1500
481. A SET OF FOUR ROBERT "MOUSEMAN" THOMPSON OAK DINING CHAIRS, each with lattice back panel above a hide seat, raised on faceted baluster legs, terminating in blocks, joined by stretchers, each with carved mouse signature.
Note: Purchased by the vendors as new in 1993.£700-900